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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 216 129 it is the complementary color RGB 167 39 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 216 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 216 129 shade: RGB 93 216 124, RGB 110 234 143, RGB 127 252 162, RGB 144 255 181 and RGB 161 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 216 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 216 129 shade: RGB 88 216 129, RGB 71 198 110, RGB 54 180 91, RGB 37 162 72 and RGB 20 144 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 216 129 shade: RGB 89 216 130, RGB 89 216 96, RGB 117 216 89, RGB 151 216 89 and RGB 185 216 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 216 129 shade: RGB 89 216 130, RGB 89 216 164, RGB 89 216 198, RGB 89 199 216 and RGB 89 165 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 216 129 shade matches the following richer shades: RGB 89 216 130, RGB 73 232 124 and RGB 56 249 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 216 129 shade: RGB 89 216 130, RGB 106 199 136, RGB 122 183 142, RGB 139 166 148 and RGB 155 150 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 216 129 shade: RGB 117 216 89, RGB 89 216 96, RGB 89 216 129, RGB 89 216 163 and RGB 89 216 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 216 129 shade: RGB 42 181 86, RGB 56 208 105, RGB 89 216 130, RGB 123 224 155 and RGB 156 231 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 216 129 shade: RGB 88 216 129, RGB 89 150 216 and RGB 216 89 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 216 129 shade: RGB 88 216 129, RGB 129 89 216 and RGB 216 129 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 216 129 shade: RGB 88 216 129, RGB 89 150 216, RGB 216 89 176 and RGB 216 155 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 216 129 shade: RGB 88 216 129, RGB 89 112 216, RGB 216 89 176 and RGB 216 193 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

Complementary color

CMYK 0 / 77 / 25 / 35

HEX #A7277E

RGB 167 39 126

HSL 319.22, 0.62%, 0.4%

LAB 39.87, 58.68, -18.89

 

CMYK 57 / 0 / 43 / 15

HEX #5DD87C

RGB 93 216 124

HSL 135.12, 0.61%, 0.61%

LAB 77.81, -53.98, 35.24

 

CMYK 53 / 0 / 39 / 8

HEX #6EEA8F

RGB 110 234 143

HSL 135.97, 0.75%, 0.67%

LAB 84.04, -54, 33.91

 

CMYK 50 / 0 / 36 / 1

HEX #7FFCA2

RGB 127 252 162

HSL 136.8, 0.95%, 0.74%

LAB 90.2, -53.92, 32.65

 

CMYK 44 / 0 / 29 / 0

HEX #90FFB5

RGB 144 255 181

HSL 140, 1%, 0.78%

LAB 92.04, -47.5, 25.67

 

CMYK 37 / 0 / 22 / 0

HEX #A1FFC8

RGB 161 255 200

HSL 144.89, 1%, 0.82%

LAB 93.13, -39.38, 17.62

 

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

CMYK 64 / 0 / 44 / 22

HEX #47C66E

RGB 71 198 110

HSL 138.43, 0.53%, 0.53%

LAB 71.46, -54.03, 34.01

 

CMYK 70 / 0 / 49 / 29

HEX #36B45B

RGB 54 180 91

HSL 137.62, 0.54%, 0.46%

LAB 65.11, -53.54, 35.51

 

CMYK 77 / 0 / 56 / 36

HEX #25A248

RGB 37 162 72

HSL 136.8, 0.63%, 0.39%

LAB 58.7, -52.66, 37.07

 

CMYK 86 / 0 / 63 / 44

HEX #149035

RGB 20 144 53

HSL 135.97, 0.76%, 0.32%

LAB 52.23, -51.15, 38.6

 

CMYK 59 / 0 / 40 / 15

HEX #59D882

RGB 89 216 130

HSL 139.37, 0.62%, 0.6%

LAB 77.78, -53.87, 32.14

 

CMYK 59 / 0 / 56 / 15

HEX #59D860

RGB 89 216 96

HSL 123.31, 0.62%, 0.6%

LAB 77.33, -58.9, 48.19

 

CMYK 46 / 0 / 59 / 15

HEX #75D859

RGB 117 216 89

HSL 106.77, 0.62%, 0.6%

LAB 78.24, -52.32, 52.66

 

CMYK 30 / 0 / 59 / 15

HEX #97D859

RGB 151 216 89

HSL 90.71, 0.62%, 0.6%

LAB 79.85, -41.21, 54.93

 

CMYK 14 / 0 / 59 / 15

HEX #B9D859

RGB 185 216 89

HSL 74.65, 0.62%, 0.6%

LAB 81.92, -28.46, 57.82

 

CMYK 59 / 0 / 40 / 15

HEX #59D882

RGB 89 216 130

HSL 139.37, 0.62%, 0.6%

LAB 77.78, -53.87, 32.14

 

CMYK 59 / 0 / 24 / 15

HEX #59D8A4

RGB 89 216 164

HSL 155.43, 0.62%, 0.6%

LAB 78.41, -47.29, 15.29

 

CMYK 59 / 0 / 8 / 15

HEX #59D8C6

RGB 89 216 198

HSL 171.5, 0.62%, 0.6%

LAB 79.22, -39.31, -1.64

 

CMYK 59 / 8 / 0 / 15

HEX #59C7D8

RGB 89 199 216

HSL 188.03, 0.62%, 0.6%

LAB 74.78, -26.41, -17.94

 

CMYK 59 / 24 / 0 / 15

HEX #59A5D8

RGB 89 165 216

HSL 204.09, 0.62%, 0.6%

LAB 64.96, -8.63, -32.99

 

CMYK 59 / 0 / 40 / 15

HEX #59D882

RGB 89 216 130

HSL 139.37, 0.62%, 0.6%

LAB 77.78, -53.87, 32.14

 

CMYK 69 / 0 / 47 / 9

HEX #49E87C

RGB 73 232 124

HSL 139.25, 0.78%, 0.6%

LAB 82.16, -63.87, 40.69

 

CMYK 78 / 0 / 53 / 2

HEX #38F976

RGB 56 249 118

HSL 139.27, 0.94%, 0.6%

LAB 86.95, -72.91, 49.43

 

CMYK 59 / 0 / 40 / 15

HEX #59D882

RGB 89 216 130

HSL 139.37, 0.62%, 0.6%

LAB 77.78, -53.87, 32.14

 

CMYK 47 / 0 / 32 / 22

HEX #6AC788

RGB 106 199 136

HSL 139.35, 0.45%, 0.6%

LAB 73.34, -41.63, 23.2

 

CMYK 33 / 0 / 22 / 28

HEX #7AB78E

RGB 122 183 142

HSL 139.67, 0.3%, 0.6%

LAB 69.44, -28.44, 14.71

 

CMYK 16 / 0 / 11 / 35

HEX #8BA694

RGB 139 166 148

HSL 140, 0.13%, 0.6%

LAB 65.67, -13, 6.21

 

CMYK 0 / 3 / 1 / 39

HEX #9B9699

RGB 155 150 153

HSL 324, 0.02%, 0.6%

LAB 62.58, 2.4, -0.93

 

CMYK 46 / 0 / 59 / 15

HEX #75D859

RGB 117 216 89

HSL 106.77, 0.62%, 0.6%

LAB 78.24, -52.32, 52.66

 

CMYK 59 / 0 / 56 / 15

HEX #59D860

RGB 89 216 96

HSL 123.31, 0.62%, 0.6%

LAB 77.33, -58.9, 48.19

 

CMYK 59 / 0 / 40 / 15

HEX #59D881

RGB 89 216 129

HSL 138.9, 0.62%, 0.6%

LAB 77.77, -54.04, 32.63

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A3

RGB 89 216 163

HSL 154.96, 0.62%, 0.6%

LAB 78.39, -47.5, 15.79

 

CMYK 59 / 0 / 9 / 15

HEX #59D8C5

RGB 89 216 197

HSL 171.02, 0.62%, 0.6%

LAB 79.19, -39.56, -1.15

 

CMYK 77 / 0 / 52 / 29

HEX #2AB556

RGB 42 181 86

HSL 138.99, 0.62%, 0.44%

LAB 65.13, -56.54, 37.99

 

CMYK 73 / 0 / 50 / 18

HEX #38D069

RGB 56 208 105

HSL 139.34, 0.62%, 0.52%

LAB 74.17, -61.06, 39.88

 

CMYK 59 / 0 / 40 / 15

HEX #59D882

RGB 89 216 130

HSL 139.37, 0.62%, 0.6%

LAB 77.78, -53.87, 32.14

 

CMYK 45 / 0 / 31 / 12

HEX #7BE09B

RGB 123 224 155

HSL 139.01, 0.62%, 0.68%

LAB 81.78, -44.46, 24.84

 

CMYK 32 / 0 / 22 / 9

HEX #9CE7B4

RGB 156 231 180

HSL 139.2, 0.61%, 0.76%

LAB 85.76, -33.6, 17.59

 

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

CMYK 59 / 31 / 0 / 15

HEX #5996D8

RGB 89 150 216

HSL 211.18, 0.62%, 0.6%

LAB 60.69, -0.17, -39.65

 

CMYK 0 / 59 / 54 / 15

HEX #D85964

RGB 216 89 100

HSL 354.8, 0.62%, 0.6%

LAB 54.72, 50.76, 19.5

 

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

CMYK 40 / 59 / 0 / 15

HEX #8159D8

RGB 129 89 216

HSL 258.9, 0.62%, 0.6%

LAB 47.97, 44.72, -59.72

 

CMYK 0 / 40 / 59 / 15

HEX #D88159

RGB 216 129 89

HSL 18.9, 0.62%, 0.6%

LAB 62.53, 29.78, 35.81

 

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

CMYK 59 / 31 / 0 / 15

HEX #5996D8

RGB 89 150 216

HSL 211.18, 0.62%, 0.6%

LAB 60.69, -0.17, -39.65

 

CMYK 0 / 59 / 19 / 15

HEX #D859B0

RGB 216 89 176

HSL 318.9, 0.62%, 0.6%

LAB 56.96, 59.37, -21.83

 

CMYK 0 / 28 / 59 / 15

HEX #D89B59

RGB 216 155 89

HSL 31.18, 0.62%, 0.6%

LAB 68.58, 15.8, 43.16

 

CMYK 59 / 0 / 40 / 15

HEX #58D881

RGB 88 216 129

HSL 139.22, 0.62%, 0.6%

LAB 77.74, -54.26, 32.59

 

CMYK 59 / 48 / 0 / 15

HEX #5970D8

RGB 89 112 216

HSL 229.13, 0.62%, 0.6%

LAB 50.3, 22.65, -56.14

 

CMYK 0 / 59 / 19 / 15

HEX #D859B0

RGB 216 89 176

HSL 318.9, 0.62%, 0.6%

LAB 56.96, 59.37, -21.83

 

CMYK 0 / 11 / 59 / 15

HEX #D8C159

RGB 216 193 89

HSL 49.13, 0.62%, 0.6%

LAB 78.15, -4.36, 54.25

 

Description

Color code: RGB 88 216 129 | qconv.com Color code: RGB 88 216 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 216 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 216 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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