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Color name
RGB 89 145 95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 145 95 it is the complementary color RGB 166 110 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 145 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 145 95 shade: RGB 94 145 90, RGB 111 163 109, RGB 128 181 128, RGB 145 199 147 and RGB 162 217 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 145 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 72 127 76, RGB 55 109 57, RGB 38 91 38 and RGB 21 73 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 98 145 89, RGB 113 145 89, RGB 128 145 89 and RGB 143 145 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 89 145 110, RGB 89 145 125, RGB 89 145 140 and RGB 89 134 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 145 95 shade matches the following richer shades: RGB 89 145 95, RGB 70 164 80, RGB 51 183 65, RGB 32 202 50 and RGB 13 221 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 108 126 110, RGB 127 107 125, RGB 146 88 139 and RGB 165 69 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 145 95 shade: RGB 113 145 89, RGB 98 145 89, RGB 89 145 94, RGB 89 145 109 and RGB 89 145 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 145 95 shade: RGB 57 94 61, RGB 73 119 78, RGB 89 145 95, RGB 109 166 115 and RGB 135 181 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 89 128 145 and RGB 145 89 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 94 89 145 and RGB 145 94 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 89 128 145, RGB 145 89 139 and RGB 145 106 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 145 95 shade: RGB 89 145 95, RGB 89 111 145, RGB 145 89 139 and RGB 145 122 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

Complementary color

CMYK 0 / 34 / 4 / 35

HEX #A66EA0

RGB 166 110 160

HSL 306.43, 0.24%, 0.54%

LAB 53.81, 30.38, -17.94

 

CMYK 35 / 0 / 38 / 43

HEX #5E915A

RGB 94 145 90

HSL 115.64, 0.23%, 0.46%

LAB 55.45, -28.56, 23.93

 

CMYK 32 / 0 / 33 / 36

HEX #6FA36D

RGB 111 163 109

HSL 117.78, 0.23%, 0.53%

LAB 62.23, -28.31, 22.72

 

CMYK 29 / 0 / 29 / 29

HEX #80B580

RGB 128 181 128

HSL 120, 0.26%, 0.61%

LAB 68.89, -28.07, 21.59

 

CMYK 27 / 0 / 26 / 22

HEX #91C793

RGB 145 199 147

HSL 122.22, 0.33%, 0.67%

LAB 75.43, -27.83, 20.53

 

CMYK 25 / 0 / 24 / 15

HEX #A2D9A6

RGB 162 217 166

HSL 124.36, 0.42%, 0.74%

LAB 81.87, -27.61, 19.53

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 43 / 0 / 40 / 50

HEX #487F4C

RGB 72 127 76

HSL 124.36, 0.28%, 0.39%

LAB 48.36, -29.63, 22.18

 

CMYK 50 / 0 / 48 / 57

HEX #376D39

RGB 55 109 57

HSL 122.22, 0.33%, 0.32%

LAB 41.29, -29.81, 23.58

 

CMYK 58 / 0 / 58 / 64

HEX #265B26

RGB 38 91 38

HSL 120, 0.41%, 0.25%

LAB 34.05, -29.78, 25.05

 

CMYK 71 / 0 / 74 / 71

HEX #154913

RGB 21 73 19

HSL 117.78, 0.59%, 0.18%

LAB 26.65, -29.26, 26.38

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 32 / 0 / 39 / 43

HEX #629159

RGB 98 145 89

HSL 110.36, 0.24%, 0.46%

LAB 55.65, -27.33, 24.79

 

CMYK 22 / 0 / 39 / 43

HEX #719159

RGB 113 145 89

HSL 94.29, 0.24%, 0.46%

LAB 56.57, -21.79, 26.16

 

CMYK 12 / 0 / 39 / 43

HEX #809159

RGB 128 145 89

HSL 78.21, 0.24%, 0.46%

LAB 57.62, -15.86, 27.73

 

CMYK 1 / 0 / 39 / 43

HEX #8F9159

RGB 143 145 89

HSL 62.14, 0.24%, 0.46%

LAB 58.8, -9.68, 29.48

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 39 / 0 / 24 / 43

HEX #59916E

RGB 89 145 110

HSL 142.5, 0.24%, 0.46%

LAB 55.58, -26.51, 12.87

 

CMYK 39 / 0 / 14 / 43

HEX #59917D

RGB 89 145 125

HSL 158.57, 0.24%, 0.46%

LAB 55.94, -23.25, 4.82

 

CMYK 39 / 0 / 3 / 43

HEX #59918C

RGB 89 145 140

HSL 174.64, 0.24%, 0.46%

LAB 56.36, -19.63, -3.18

 

CMYK 39 / 8 / 0 / 43

HEX #598691

RGB 89 134 145

HSL 191.79, 0.24%, 0.46%

LAB 53.19, -12.4, -10.78

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 57 / 0 / 51 / 36

HEX #46A450

RGB 70 164 80

HSL 126.38, 0.4%, 0.46%

LAB 60.28, -45.7, 35.18

 

CMYK 72 / 0 / 64 / 28

HEX #33B741

RGB 51 183 65

HSL 126.36, 0.56%, 0.46%

LAB 65.71, -58.56, 48.49

 

CMYK 84 / 0 / 75 / 21

HEX #20CA32

RGB 32 202 50

HSL 126.35, 0.73%, 0.46%

LAB 71.4, -68.4, 60.16

 

CMYK 94 / 0 / 84 / 13

HEX #0DDD23

RGB 13 221 35

HSL 126.35, 0.89%, 0.46%

LAB 77.23, -75.94, 69.84

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 14 / 0 / 13 / 51

HEX #6C7E6E

RGB 108 126 110

HSL 126.67, 0.08%, 0.46%

LAB 50.96, -9.93, 6.51

 

CMYK 0 / 16 / 2 / 50

HEX #7F6B7D

RGB 127 107 125

HSL 306, 0.09%, 0.46%

LAB 47.63, 11.31, -7.03

 

CMYK 0 / 40 / 5 / 43

HEX #92588B

RGB 146 88 139

HSL 307.24, 0.25%, 0.46%

LAB 45.57, 32.02, -18.33

 

CMYK 0 / 58 / 7 / 35

HEX #A5459A

RGB 165 69 154

HSL 306.88, 0.41%, 0.46%

LAB 45.07, 50.51, -27.89

 

CMYK 22 / 0 / 39 / 43

HEX #719159

RGB 113 145 89

HSL 94.29, 0.24%, 0.46%

LAB 56.57, -21.79, 26.16

 

CMYK 32 / 0 / 39 / 43

HEX #629159

RGB 98 145 89

HSL 110.36, 0.24%, 0.46%

LAB 55.65, -27.33, 24.79

 

CMYK 39 / 0 / 35 / 43

HEX #59915E

RGB 89 145 94

HSL 125.36, 0.24%, 0.46%

LAB 55.26, -29.56, 21.42

 

CMYK 39 / 0 / 25 / 43

HEX #59916D

RGB 89 145 109

HSL 141.43, 0.24%, 0.46%

LAB 55.56, -26.71, 13.41

 

CMYK 39 / 0 / 14 / 43

HEX #59917C

RGB 89 145 124

HSL 157.5, 0.24%, 0.46%

LAB 55.92, -23.48, 5.36

 

CMYK 39 / 0 / 35 / 63

HEX #395E3D

RGB 57 94 61

HSL 126.49, 0.25%, 0.3%

LAB 36.39, -21.01, 14.86

 

CMYK 39 / 0 / 34 / 53

HEX #49774E

RGB 73 119 78

HSL 126.52, 0.24%, 0.38%

LAB 45.85, -25.03, 17.72

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 34 / 0 / 31 / 35

HEX #6DA673

RGB 109 166 115

HSL 126.32, 0.24%, 0.54%

LAB 63.15, -29.4, 20.65

 

CMYK 25 / 0 / 23 / 29

HEX #87B58C

RGB 135 181 140

HSL 126.52, 0.24%, 0.62%

LAB 69.54, -23.59, 16.04

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 39 / 12 / 0 / 43

HEX #598091

RGB 89 128 145

HSL 198.21, 0.24%, 0.46%

LAB 51.39, -9.04, -13.49

 

CMYK 0 / 39 / 27 / 43

HEX #91596A

RGB 145 89 106

HSL 341.79, 0.24%, 0.46%

LAB 44.53, 25.45, 0.07

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 35 / 39 / 0 / 43

HEX #5E5991

RGB 94 89 145

HSL 245.36, 0.24%, 0.46%

LAB 40.52, 15.95, -30.21

 

CMYK 0 / 35 / 39 / 43

HEX #915E59

RGB 145 94 89

HSL 5.36, 0.24%, 0.46%

LAB 45.28, 20.2, 11.47

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 39 / 12 / 0 / 43

HEX #598091

RGB 89 128 145

HSL 198.21, 0.24%, 0.46%

LAB 51.39, -9.04, -13.49

 

CMYK 0 / 39 / 4 / 43

HEX #91598B

RGB 145 89 139

HSL 306.43, 0.24%, 0.46%

LAB 45.67, 31.11, -18.19

 

CMYK 0 / 27 / 39 / 43

HEX #916A59

RGB 145 106 89

HSL 18.21, 0.24%, 0.46%

LAB 48.32, 13.22, 15.65

 

CMYK 39 / 0 / 34 / 43

HEX #59915F

RGB 89 145 95

HSL 126.43, 0.24%, 0.46%

LAB 55.28, -29.38, 20.89

 

CMYK 39 / 23 / 0 / 43

HEX #596F91

RGB 89 111 145

HSL 216.43, 0.24%, 0.46%

LAB 46.36, 0.89, -21.16

 

CMYK 0 / 39 / 4 / 43

HEX #91598B

RGB 145 89 139

HSL 306.43, 0.24%, 0.46%

LAB 45.67, 31.11, -18.19

 

CMYK 0 / 16 / 39 / 43

HEX #917A59

RGB 145 122 89

HSL 35.36, 0.24%, 0.46%

LAB 52.58, 3.98, 21.39

 

Description

Color code: RGB 89 145 95 | qconv.com Color code: RGB 89 145 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 145 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 145 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 34 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 34% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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