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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 190 236 it is the complementary color RGB 247 65 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 190 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 190 236 shade: RGB 13 190 231, RGB 30 208 250, RGB 47 226 255, RGB 64 244 255 and RGB 81 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 190 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 0 172 217, RGB 0 154 198, RGB 0 136 179 and RGB 0 118 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 8 128 236, RGB 8 67 236, RGB 11 8 236 and RGB 72 8 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 8 128 236, RGB 8 67 236 and RGB 8 8 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 190 236 shade matches the following richer shades: RGB 8 190 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 28 178 216, RGB 48 166 196, RGB 67 154 176 and RGB 87 143 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 190 236 shade: RGB 8 236 160, RGB 8 236 221, RGB 8 190 236, RGB 8 129 236 and RGB 8 69 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 190 236 shade: RGB 5 126 156, RGB 7 158 196, RGB 8 190 236, RGB 38 205 247 and RGB 78 214 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 99 8 236 and RGB 236 190 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 236 8 190 and RGB 190 236 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 99 8 236, RGB 236 54 8 and RGB 145 236 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 190 236 shade: RGB 8 190 236, RGB 167 8 236, RGB 236 54 8 and RGB 76 236 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

Complementary color

CMYK 0 / 74 / 92 / 3

HEX #F74113

RGB 247 65 19

HSL 12.11, 0.93%, 0.52%

LAB 55.69, 66.84, 62.9

 

CMYK 94 / 18 / 0 / 9

HEX #0DBEE7

RGB 13 190 231

HSL 191.28, 0.89%, 0.48%

LAB 71.34, -25.03, -31.45

 

CMYK 88 / 17 / 0 / 2

HEX #1ED0FA

RGB 30 208 250

HSL 191.45, 0.96%, 0.55%

LAB 77.45, -27.04, -32.24

 

CMYK 82 / 11 / 0 / 0

HEX #2FE2FF

RGB 47 226 255

HSL 188.37, 1%, 0.59%

LAB 83.03, -33.1, -26.33

 

CMYK 75 / 4 / 0 / 0

HEX #40F4FF

RGB 64 244 255

HSL 183.46, 1%, 0.63%

LAB 88.45, -39.94, -18.09

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 100 / 21 / 0 / 15

HEX #00ACD9

RGB 0 172 217

HSL 192.44, 1%, 0.43%

LAB 65.37, -20.93, -33.03

 

CMYK 100 / 22 / 0 / 22

HEX #009AC6

RGB 0 154 198

HSL 193.33, 1%, 0.39%

LAB 59.15, -18.09, -32.12

 

CMYK 100 / 24 / 0 / 30

HEX #0088B3

RGB 0 136 179

HSL 194.41, 1%, 0.35%

LAB 52.8, -15.16, -31.21

 

CMYK 100 / 26 / 0 / 37

HEX #0076A0

RGB 0 118 160

HSL 195.75, 1%, 0.31%

LAB 46.3, -12.11, -30.32

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 97 / 46 / 0 / 7

HEX #0880EC

RGB 8 128 236

HSL 208.42, 0.93%, 0.48%

LAB 53.54, 11.65, -62.29

 

CMYK 97 / 72 / 0 / 7

HEX #0843EC

RGB 8 67 236

HSL 224.47, 0.93%, 0.48%

LAB 38.06, 50.05, -87.56

 

CMYK 95 / 97 / 0 / 7

HEX #0B08EC

RGB 11 8 236

HSL 240.79, 0.93%, 0.48%

LAB 30.16, 73.41, -100.71

 

CMYK 69 / 97 / 0 / 7

HEX #4808EC

RGB 72 8 236

HSL 256.84, 0.93%, 0.48%

LAB 33.15, 74.74, -95.64

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 97 / 46 / 0 / 7

HEX #0880EC

RGB 8 128 236

HSL 208.42, 0.93%, 0.48%

LAB 53.54, 11.65, -62.29

 

CMYK 97 / 72 / 0 / 7

HEX #0843EC

RGB 8 67 236

HSL 224.47, 0.93%, 0.48%

LAB 38.06, 50.05, -87.56

 

CMYK 97 / 97 / 0 / 7

HEX #0808EC

RGB 8 8 236

HSL 240, 0.93%, 0.48%

LAB 30.11, 73.4, -100.79

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 87 / 18 / 0 / 15

HEX #1CB2D8

RGB 28 178 216

HSL 192.13, 0.77%, 0.48%

LAB 67.31, -23.29, -29.46

 

CMYK 76 / 15 / 0 / 23

HEX #30A6C4

RGB 48 166 196

HSL 192.16, 0.61%, 0.48%

LAB 63.25, -22.01, -24.62

 

CMYK 62 / 13 / 0 / 31

HEX #439AB0

RGB 67 154 176

HSL 192.11, 0.45%, 0.48%

LAB 59.38, -19.28, -19.26

 

CMYK 45 / 9 / 0 / 38

HEX #578F9D

RGB 87 143 157

HSL 192, 0.29%, 0.48%

LAB 56.19, -14.58, -13.19

 

CMYK 97 / 0 / 32 / 7

HEX #08ECA0

RGB 8 236 160

HSL 160, 0.93%, 0.48%

LAB 83.22, -64.44, 23.86

 

CMYK 97 / 0 / 6 / 7

HEX #08ECDD

RGB 8 236 221

HSL 176.05, 0.93%, 0.48%

LAB 84.62, -49.43, -6.03

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 97 / 45 / 0 / 7

HEX #0881EC

RGB 8 129 236

HSL 208.16, 0.93%, 0.48%

LAB 53.82, 11.03, -61.84

 

CMYK 97 / 71 / 0 / 7

HEX #0845EC

RGB 8 69 236

HSL 223.95, 0.93%, 0.48%

LAB 38.49, 48.87, -86.86

 

CMYK 97 / 19 / 0 / 39

HEX #057E9C

RGB 5 126 156

HSL 191.92, 0.94%, 0.32%

LAB 48.7, -17.86, -24.25

 

CMYK 96 / 19 / 0 / 23

HEX #079EC4

RGB 7 158 196

HSL 192.06, 0.93%, 0.4%

LAB 60.32, -20.7, -29.17

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 85 / 17 / 0 / 3

HEX #26CDF7

RGB 38 205 247

HSL 192.06, 0.93%, 0.56%

LAB 76.55, -26.06, -32.02

 

CMYK 69 / 14 / 0 / 3

HEX #4ED6F8

RGB 78 214 248

HSL 192, 0.92%, 0.64%

LAB 79.89, -26.15, -27.37

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 58 / 97 / 0 / 7

HEX #6308EC

RGB 99 8 236

HSL 263.95, 0.93%, 0.48%

LAB 35.76, 76.14, -91.23

 

CMYK 0 / 19 / 97 / 7

HEX #ECBE08

RGB 236 190 8

HSL 47.89, 0.93%, 0.48%

LAB 78.86, 2.81, 79.82

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 0 / 97 / 19 / 7

HEX #EC08BE

RGB 236 8 190

HSL 312.11, 0.93%, 0.48%

LAB 53.73, 86.14, -34.68

 

CMYK 19 / 0 / 97 / 7

HEX #BEEC08

RGB 190 236 8

HSL 72.11, 0.93%, 0.48%

LAB 87.46, -38.94, 84.61

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 58 / 97 / 0 / 7

HEX #6308EC

RGB 99 8 236

HSL 263.95, 0.93%, 0.48%

LAB 35.76, 76.14, -91.23

 

CMYK 0 / 77 / 97 / 7

HEX #EC3608

RGB 236 54 8

HSL 12.11, 0.93%, 0.48%

LAB 52.39, 66.85, 62.7

 

CMYK 39 / 0 / 97 / 7

HEX #91EC08

RGB 145 236 8

HSL 83.95, 0.93%, 0.48%

LAB 85.01, -55.41, 81.65

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 29 / 97 / 0 / 7

HEX #A708EC

RGB 167 8 236

HSL 281.84, 0.93%, 0.48%

LAB 44.86, 82.43, -75.91

 

CMYK 0 / 77 / 97 / 7

HEX #EC3608

RGB 236 54 8

HSL 12.11, 0.93%, 0.48%

LAB 52.39, 66.85, 62.7

 

CMYK 68 / 0 / 97 / 7

HEX #4CEC08

RGB 76 236 8

HSL 102.11, 0.93%, 0.48%

LAB 82.67, -73.81, 78.79

 

Description

Color code: RGB 8 190 236 | qconv.com Color code: RGB 8 190 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 190 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 190 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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