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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 199 205 it is the complementary color RGB 247 56 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 199 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 199 205 shade: RGB 13 199 200, RGB 30 217 219, RGB 47 235 238, RGB 64 253 255 and RGB 81 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 199 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 0 181 186, RGB 0 163 167, RGB 0 145 148 and RGB 0 127 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 8 146 205, RGB 8 93 205, RGB 8 40 205 and RGB 30 8 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 8 146 205, RGB 8 93 205, RGB 8 40 205 and RGB 8 8 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 199 205 shade matches the following richer shades: RGB 8 199 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 25 183 188, RGB 43 167 170, RGB 60 150 153 and RGB 77 134 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 199 205 shade: RGB 8 205 103, RGB 8 205 156, RGB 8 202 205, RGB 8 149 205 and RGB 8 97 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 199 205 shade: RGB 5 122 126, RGB 6 161 166, RGB 8 199 205, RGB 10 237 244 and RGB 50 240 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 51 8 205 and RGB 205 130 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 205 8 202 and RGB 202 205 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 51 8 205, RGB 205 11 8 and RGB 162 205 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 199 205 shade: RGB 8 199 205, RGB 110 8 205, RGB 205 11 8 and RGB 103 205 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

Complementary color

CMYK 0 / 77 / 80 / 3

HEX #F73832

RGB 247 56 50

HSL 1.83, 0.92%, 0.58%

LAB 54.9, 70.17, 49.22

 

CMYK 94 / 0 / 0 / 22

HEX #0DC7C8

RGB 13 199 200

HSL 180.32, 0.88%, 0.42%

LAB 72.96, -39.22, -12.14

 

CMYK 86 / 1 / 0 / 14

HEX #1ED9DB

RGB 30 217 219

HSL 180.63, 0.76%, 0.49%

LAB 79.05, -40.92, -13.24

 

CMYK 80 / 1 / 0 / 7

HEX #2FEBEE

RGB 47 235 238

HSL 180.94, 0.85%, 0.56%

LAB 85.1, -42.3, -14.24

 

CMYK 75 / 1 / 0 / 0

HEX #40FDFF

RGB 64 253 255

HSL 180.63, 1%, 0.63%

LAB 91.04, -43.97, -14.21

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 100 / 3 / 0 / 27

HEX #00B5BA

RGB 0 181 186

HSL 181.61, 1%, 0.36%

LAB 66.97, -35.63, -13.46

 

CMYK 100 / 2 / 0 / 35

HEX #00A3A7

RGB 0 163 167

HSL 181.44, 1%, 0.33%

LAB 60.77, -33.14, -12.18

 

CMYK 100 / 2 / 0 / 42

HEX #009194

RGB 0 145 148

HSL 181.22, 1%, 0.29%

LAB 54.44, -30.61, -10.86

 

CMYK 100 / 2 / 0 / 49

HEX #007F81

RGB 0 127 129

HSL 180.93, 1%, 0.25%

LAB 47.96, -28.02, -9.51

RGB 0 127 129

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 96 / 29 / 0 / 20

HEX #0892CD

RGB 8 146 205

HSL 197.97, 0.92%, 0.42%

LAB 57.09, -10.88, -39.27

 

CMYK 96 / 55 / 0 / 20

HEX #085DCD

RGB 8 93 205

HSL 214.11, 0.92%, 0.42%

LAB 41.67, 21.83, -63.93

 

CMYK 96 / 80 / 0 / 20

HEX #0828CD

RGB 8 40 205

HSL 230.25, 0.92%, 0.42%

LAB 29.35, 54.49, -84.19

 

CMYK 85 / 96 / 0 / 20

HEX #1E08CD

RGB 30 8 205

HSL 246.7, 0.92%, 0.42%

LAB 26.32, 65.88, -89.23

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 96 / 29 / 0 / 20

HEX #0892CD

RGB 8 146 205

HSL 197.97, 0.92%, 0.42%

LAB 57.09, -10.88, -39.27

 

CMYK 96 / 55 / 0 / 20

HEX #085DCD

RGB 8 93 205

HSL 214.11, 0.92%, 0.42%

LAB 41.67, 21.83, -63.93

 

CMYK 96 / 80 / 0 / 20

HEX #0828CD

RGB 8 40 205

HSL 230.25, 0.92%, 0.42%

LAB 29.35, 54.49, -84.19

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 87 / 3 / 0 / 26

HEX #19B7BC

RGB 25 183 188

HSL 181.84, 0.77%, 0.42%

LAB 67.8, -34.94, -13.3

 

CMYK 75 / 2 / 0 / 33

HEX #2BA7AA

RGB 43 167 170

HSL 181.42, 0.6%, 0.42%

LAB 62.55, -31.27, -11.14

 

CMYK 61 / 2 / 0 / 40

HEX #3C9699

RGB 60 150 153

HSL 181.94, 0.44%, 0.42%

LAB 57.15, -25.42, -9.57

 

CMYK 43 / 1 / 0 / 47

HEX #4D8688

RGB 77 134 136

HSL 182.03, 0.28%, 0.42%

LAB 52.29, -18.12, -6.95

 

CMYK 96 / 0 / 50 / 20

HEX #08CD67

RGB 8 205 103

HSL 148.93, 0.92%, 0.42%

LAB 72.69, -64.6, 38.9

 

CMYK 96 / 0 / 24 / 20

HEX #08CD9C

RGB 8 205 156

HSL 165.08, 0.92%, 0.42%

LAB 73.62, -53.87, 12.63

 

CMYK 96 / 1 / 0 / 20

HEX #08CACD

RGB 8 202 205

HSL 180.91, 0.92%, 0.42%

LAB 74, -39.22, -13.3

 

CMYK 96 / 27 / 0 / 20

HEX #0895CD

RGB 8 149 205

HSL 197.06, 0.92%, 0.42%

LAB 57.99, -12.56, -37.85

 

CMYK 96 / 53 / 0 / 20

HEX #0861CD

RGB 8 97 205

HSL 212.89, 0.92%, 0.42%

LAB 42.78, 19.2, -62.13

 

CMYK 96 / 3 / 0 / 51

HEX #057A7E

RGB 5 122 126

HSL 181.98, 0.92%, 0.26%

LAB 46.25, -26.25, -10.3

 

CMYK 96 / 3 / 0 / 35

HEX #06A1A6

RGB 6 161 166

HSL 181.88, 0.93%, 0.34%

LAB 60.14, -32.28, -12.55

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 96 / 3 / 0 / 4

HEX #0AEDF4

RGB 10 237 244

HSL 181.79, 0.92%, 0.5%

LAB 85.59, -43.22, -16.69

 

CMYK 80 / 2 / 0 / 4

HEX #32F0F6

RGB 50 240 246

HSL 181.84, 0.92%, 0.58%

LAB 86.83, -42, -15.84

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 75 / 96 / 0 / 20

HEX #3308CD

RGB 51 8 205

HSL 253.1, 0.92%, 0.42%

LAB 27.53, 66.44, -87.18

 

CMYK 0 / 37 / 96 / 20

HEX #CD8208

RGB 205 130 8

HSL 37.16, 0.92%, 0.42%

LAB 60.75, 21.33, 65.45

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 0 / 96 / 1 / 20

HEX #CD08CA

RGB 205 8 202

HSL 300.91, 0.92%, 0.42%

LAB 48.78, 82.28, -49.82

 

CMYK 1 / 0 / 96 / 20

HEX #CACD08

RGB 202 205 8

HSL 60.91, 0.92%, 0.42%

LAB 79.75, -19.49, 79.11

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 75 / 96 / 0 / 20

HEX #3308CD

RGB 51 8 205

HSL 253.1, 0.92%, 0.42%

LAB 27.53, 66.44, -87.18

 

CMYK 0 / 95 / 96 / 20

HEX #CD0B08

RGB 205 11 8

HSL 0.91, 0.92%, 0.42%

LAB 43.12, 66.99, 54.53

 

CMYK 21 / 0 / 96 / 20

HEX #A2CD08

RGB 162 205 8

HSL 73.1, 0.92%, 0.42%

LAB 76.9, -36.08, 75.69

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 46 / 96 / 0 / 20

HEX #6E08CD

RGB 110 8 205

HSL 271.07, 0.92%, 0.42%

LAB 33.77, 70.14, -76.65

 

CMYK 0 / 95 / 96 / 20

HEX #CD0B08

RGB 205 11 8

HSL 0.91, 0.92%, 0.42%

LAB 43.12, 66.99, 54.53

 

CMYK 50 / 0 / 96 / 20

HEX #67CD08

RGB 103 205 8

HSL 91.07, 0.92%, 0.42%

LAB 73.91, -56.97, 72.06

 

Description

Color code: RGB 8 199 205 | qconv.com Color code: RGB 8 199 205 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 199 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 199 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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