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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 128 60 it is the complementary color RGB 162 127 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 128 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 128 60 shade: RGB 98 128 55, RGB 115 146 74, RGB 132 164 93, RGB 149 182 112 and RGB 166 200 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 128 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 76 110 41, RGB 59 92 22, RGB 42 74 3 and RGB 25 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 111 128 60, RGB 128 126 60, RGB 128 108 60 and RGB 128 90 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 75 128 60, RGB 60 128 64, RGB 60 128 82 and RGB 60 128 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 128 60 shade matches the following richer shades: RGB 93 128 60, RGB 92 143 45, RGB 92 158 29 and RGB 92 174 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 93 113 75, RGB 94 97 90, RGB 94 82 106 and RGB 95 67 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 128 60 shade: RGB 128 126 60, RGB 112 128 60, RGB 94 128 60, RGB 76 128 60 and RGB 60 128 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 128 60 shade: RGB 52 72 33, RGB 72 100 47, RGB 93 128 60, RGB 113 156 73 and RGB 134 178 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 60 128 107 and RGB 128 60 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 60 94 128 and RGB 128 60 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 60 128 107, RGB 94 60 128 and RGB 128 60 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 128 60 shade: RGB 93 128 60, RGB 60 128 128, RGB 94 60 128 and RGB 128 60 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

Complementary color

CMYK 17 / 35 / 0 / 24

HEX #A27FC3

RGB 162 127 195

HSL 270.88, 0.36%, 0.63%

LAB 58.79, 26.7, -30.43

 

CMYK 23 / 0 / 57 / 50

HEX #628037

RGB 98 128 55

HSL 84.66, 0.4%, 0.36%

LAB 49.87, -23.4, 35.65

 

CMYK 21 / 0 / 49 / 43

HEX #73924A

RGB 115 146 74

HSL 85.83, 0.33%, 0.43%

LAB 56.78, -23.49, 34.45

 

CMYK 20 / 0 / 43 / 36

HEX #84A45D

RGB 132 164 93

HSL 87.04, 0.28%, 0.5%

LAB 63.55, -23.51, 33.23

 

CMYK 18 / 0 / 38 / 29

HEX #95B670

RGB 149 182 112

HSL 88.29, 0.32%, 0.58%

LAB 70.19, -23.49, 32.03

 

CMYK 17 / 0 / 35 / 22

HEX #A6C883

RGB 166 200 131

HSL 89.57, 0.39%, 0.65%

LAB 76.71, -23.44, 30.88

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 31 / 0 / 63 / 57

HEX #4C6E29

RGB 76 110 41

HSL 89.57, 0.46%, 0.3%

LAB 42.53, -24.77, 33.85

 

CMYK 36 / 0 / 76 / 64

HEX #3B5C16

RGB 59 92 22

HSL 88.29, 0.61%, 0.22%

LAB 35.29, -24.49, 34.6

 

CMYK 43 / 0 / 96 / 71

HEX #2A4A03

RGB 42 74 3

HSL 87.04, 0.92%, 0.15%

LAB 27.84, -23.88, 34.44

 

CMYK 55 / 0 / 100 / 78

HEX #193800

RGB 25 56 0

HSL 93.21, 1%, 0.11%

LAB 20.18, -22.32, 27.79

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 13 / 0 / 53 / 50

HEX #6F803C

RGB 111 128 60

HSL 75, 0.36%, 0.37%

LAB 50.86, -17.43, 34.49

 

CMYK 0 / 2 / 53 / 50

HEX #807E3C

RGB 128 126 60

HSL 58.24, 0.36%, 0.37%

LAB 51.65, -8.91, 35.77

 

CMYK 0 / 16 / 53 / 50

HEX #806C3C

RGB 128 108 60

HSL 42.35, 0.36%, 0.37%

LAB 46.5, 1.29, 29.6

 

CMYK 0 / 30 / 53 / 50

HEX #805A3C

RGB 128 90 60

HSL 26.47, 0.36%, 0.37%

LAB 41.58, 11.89, 23.46

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 41 / 0 / 53 / 50

HEX #4B803C

RGB 75 128 60

HSL 106.76, 0.36%, 0.37%

LAB 48.59, -31.55, 31.22

 

CMYK 53 / 0 / 50 / 50

HEX #3C8040

RGB 60 128 64

HSL 123.53, 0.36%, 0.37%

LAB 47.97, -35.75, 28.18

 

CMYK 53 / 0 / 36 / 50

HEX #3C8052

RGB 60 128 82

HSL 139.41, 0.36%, 0.37%

LAB 48.27, -32.59, 18.57

 

CMYK 53 / 0 / 22 / 50

HEX #3C8064

RGB 60 128 100

HSL 155.29, 0.36%, 0.37%

LAB 48.66, -28.69, 8.71

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 36 / 0 / 69 / 44

HEX #5C8F2D

RGB 92 143 45

HSL 91.22, 0.52%, 0.37%

LAB 54.14, -33.89, 44.94

 

CMYK 42 / 0 / 82 / 38

HEX #5C9E1D

RGB 92 158 29

HSL 90.7, 0.69%, 0.37%

LAB 58.81, -41.49, 55.27

 

CMYK 47 / 0 / 92 / 32

HEX #5CAE0E

RGB 92 174 14

HSL 90.75, 0.85%, 0.37%

LAB 63.82, -48.5, 62.94

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 18 / 0 / 34 / 56

HEX #5D714B

RGB 93 113 75

HSL 91.58, 0.2%, 0.37%

LAB 45.14, -14.91, 18.73

 

CMYK 3 / 0 / 7 / 62

HEX #5E615A

RGB 94 97 90

HSL 85.71, 0.04%, 0.37%

LAB 40.68, -2.62, 3.58

 

CMYK 11 / 23 / 0 / 58

HEX #5E526A

RGB 94 82 106

HSL 270, 0.13%, 0.37%

LAB 36.85, 10.09, -12

 

CMYK 21 / 45 / 0 / 53

HEX #5F4379

RGB 95 67 121

HSL 271.11, 0.29%, 0.37%

LAB 33.62, 23.55, -26.33

 

CMYK 0 / 2 / 53 / 50

HEX #807E3C

RGB 128 126 60

HSL 58.24, 0.36%, 0.37%

LAB 51.65, -8.91, 35.77

 

CMYK 13 / 0 / 53 / 50

HEX #70803C

RGB 112 128 60

HSL 74.12, 0.36%, 0.37%

LAB 50.93, -17, 34.59

 

CMYK 27 / 0 / 53 / 50

HEX #5E803C

RGB 94 128 60

HSL 90, 0.36%, 0.37%

LAB 49.67, -24.45, 32.79

 

CMYK 41 / 0 / 53 / 50

HEX #4C803C

RGB 76 128 60

HSL 105.88, 0.36%, 0.37%

LAB 48.64, -31.2, 31.29

 

CMYK 53 / 0 / 52 / 50

HEX #3C803E

RGB 60 128 62

HSL 121.76, 0.36%, 0.37%

LAB 47.94, -36.05, 29.22

 

CMYK 28 / 0 / 54 / 72

HEX #344821

RGB 52 72 33

HSL 90.77, 0.37%, 0.21%

LAB 28.05, -15.82, 20.78

 

CMYK 28 / 0 / 53 / 61

HEX #48642F

RGB 72 100 47

HSL 91.7, 0.36%, 0.29%

LAB 39.07, -20.6, 26.59

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 28 / 0 / 53 / 39

HEX #719C49

RGB 113 156 73

HSL 91.08, 0.36%, 0.45%

LAB 59.68, -29.3, 38.43

 

CMYK 25 / 0 / 48 / 30

HEX #86B25C

RGB 134 178 92

HSL 90.7, 0.36%, 0.53%

LAB 67.79, -29.71, 39.05

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 53 / 0 / 16 / 50

HEX #3C806B

RGB 60 128 107

HSL 161.47, 0.36%, 0.37%

LAB 48.84, -26.99, 4.87

 

CMYK 0 / 53 / 5 / 50

HEX #803C79

RGB 128 60 121

HSL 306.18, 0.36%, 0.37%

LAB 36.37, 38.13, -21.72

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 53 / 27 / 0 / 50

HEX #3C5E80

RGB 60 94 128

HSL 210, 0.36%, 0.37%

LAB 38.77, -1.91, -22.82

 

CMYK 0 / 53 / 27 / 50

HEX #803C5E

RGB 128 60 94

HSL 330, 0.36%, 0.37%

LAB 35.26, 33.58, -6.42

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 53 / 0 / 16 / 50

HEX #3C806B

RGB 60 128 107

HSL 161.47, 0.36%, 0.37%

LAB 48.84, -26.99, 4.87

 

CMYK 27 / 53 / 0 / 50

HEX #5E3C80

RGB 94 60 128

HSL 270, 0.36%, 0.37%

LAB 32.19, 29.33, -32.96

 

CMYK 0 / 53 / 38 / 50

HEX #803C50

RGB 128 60 80

HSL 342.35, 0.36%, 0.37%

LAB 34.8, 31.62, 1.85

 

CMYK 27 / 0 / 53 / 50

HEX #5D803C

RGB 93 128 60

HSL 90.88, 0.36%, 0.37%

LAB 49.61, -24.85, 32.69

 

CMYK 53 / 0 / 0 / 50

HEX #3C8080

RGB 60 128 128

HSL 180, 0.36%, 0.37%

LAB 49.44, -21.35, -6.58

 

CMYK 27 / 53 / 0 / 50

HEX #5E3C80

RGB 94 60 128

HSL 270, 0.36%, 0.37%

LAB 32.19, 29.33, -32.96

 

CMYK 0 / 53 / 53 / 50

HEX #803C3C

RGB 128 60 60

HSL 0, 0.36%, 0.37%

LAB 34.29, 29.34, 13.91

 

Description

Color code: RGB 93 128 60 | qconv.com Color code: RGB 93 128 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 128 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 128 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 53 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 53% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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