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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 172 68 it is the complementary color RGB 162 83 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 172 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 172 68 shade: RGB 98 172 63, RGB 115 190 82, RGB 132 208 101, RGB 149 226 120 and RGB 166 244 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 172 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 172 68 shade: RGB 93 172 68, RGB 76 154 49, RGB 59 136 30, RGB 42 118 11 and RGB 25 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 172 68 shade: RGB 93 171 68, RGB 120 171 68, RGB 148 171 68, RGB 171 166 68 and RGB 171 138 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 172 68 shade: RGB 93 171 68, RGB 68 171 71, RGB 68 171 99, RGB 68 171 126 and RGB 68 171 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 172 68 shade matches the following richer shades: RGB 93 171 68, RGB 83 190 48, RGB 72 210 29 and RGB 62 229 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 172 68 shade: RGB 93 171 68, RGB 103 151 87, RGB 113 132 107, RGB 123 113 126 and RGB 133 93 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 172 68 shade: RGB 149 171 68, RGB 121 171 68, RGB 94 171 68, RGB 68 171 70 and RGB 68 171 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 172 68 shade: RGB 61 112 44, RGB 77 141 56, RGB 93 171 68, RGB 114 189 91 and RGB 140 201 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 172 68 shade: RGB 93 172 68, RGB 68 171 166 and RGB 171 68 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 172 68 shade: RGB 93 172 68, RGB 68 94 171 and RGB 171 68 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 172 68 shade: RGB 93 172 68, RGB 68 171 166, RGB 145 68 171 and RGB 171 68 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 172 68 shade: RGB 93 172 68, RGB 68 145 171, RGB 145 68 171 and RGB 171 94 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

Complementary color

CMYK 13 / 56 / 0 / 27

HEX #A253BB

RGB 162 83 187

HSL 285.58, 0.43%, 0.53%

LAB 48.83, 49.1, -41.45

 

CMYK 43 / 0 / 63 / 33

HEX #62AC3F

RGB 98 172 63

HSL 100.73, 0.46%, 0.46%

LAB 63.72, -42.87, 47.58

 

CMYK 39 / 0 / 57 / 25

HEX #73BE52

RGB 115 190 82

HSL 101.67, 0.45%, 0.53%

LAB 70.23, -42.98, 46.57

 

CMYK 37 / 0 / 51 / 18

HEX #84D065

RGB 132 208 101

HSL 102.62, 0.53%, 0.61%

LAB 76.65, -42.97, 45.43

 

CMYK 34 / 0 / 47 / 11

HEX #95E278

RGB 149 226 120

HSL 103.58, 0.65%, 0.68%

LAB 82.99, -42.89, 44.25

 

CMYK 32 / 0 / 43 / 4

HEX #A6F48B

RGB 166 244 139

HSL 104.57, 0.83%, 0.75%

LAB 89.24, -42.76, 43.07

 

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

CMYK 51 / 0 / 68 / 40

HEX #4C9A31

RGB 76 154 49

HSL 104.57, 0.52%, 0.4%

LAB 56.95, -43.69, 45.99

 

CMYK 57 / 0 / 78 / 47

HEX #3B881E

RGB 59 136 30

HSL 103.58, 0.64%, 0.33%

LAB 50.25, -43.09, 46.37

 

CMYK 64 / 0 / 91 / 54

HEX #2A760B

RGB 42 118 11

HSL 102.62, 0.83%, 0.25%

LAB 43.47, -41.93, 45.52

 

CMYK 75 / 0 / 100 / 61

HEX #196400

RGB 25 100 0

HSL 105, 1%, 0.2%

LAB 36.6, -39.88, 42.34

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 30 / 0 / 60 / 33

HEX #78AB44

RGB 120 171 68

HSL 89.71, 0.43%, 0.47%

LAB 64.59, -34.22, 46.63

 

CMYK 13 / 0 / 60 / 33

HEX #94AB44

RGB 148 171 68

HSL 73.4, 0.43%, 0.47%

LAB 66.4, -23.18, 49.14

 

CMYK 0 / 3 / 60 / 33

HEX #ABA644

RGB 171 166 68

HSL 57.09, 0.43%, 0.47%

LAB 66.78, -10.91, 50.08

 

CMYK 0 / 19 / 60 / 33

HEX #AB8A44

RGB 171 138 68

HSL 40.78, 0.43%, 0.47%

LAB 59.21, 4.22, 41.56

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 60 / 0 / 58 / 33

HEX #44AB47

RGB 68 171 71

HSL 121.75, 0.43%, 0.47%

LAB 62.35, -50.12, 42.06

 

CMYK 60 / 0 / 42 / 33

HEX #44AB63

RGB 68 171 99

HSL 138.06, 0.43%, 0.47%

LAB 62.72, -45.95, 28.4

 

CMYK 60 / 0 / 26 / 33

HEX #44AB7E

RGB 68 171 126

HSL 153.79, 0.43%, 0.47%

LAB 63.23, -40.61, 14.46

 

CMYK 60 / 0 / 10 / 33

HEX #44AB9A

RGB 68 171 154

HSL 170.1, 0.43%, 0.47%

LAB 63.91, -33.85, -0.11

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 56 / 0 / 75 / 25

HEX #53BE30

RGB 83 190 48

HSL 105.21, 0.6%, 0.47%

LAB 68.66, -55.56, 58.48

 

CMYK 66 / 0 / 86 / 18

HEX #48D21D

RGB 72 210 29

HSL 105.75, 0.76%, 0.47%

LAB 74.55, -65.96, 69.07

 

CMYK 73 / 0 / 96 / 10

HEX #3EE50A

RGB 62 229 10

HSL 105.75, 0.92%, 0.47%

LAB 80.23, -74.11, 76.52

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 32 / 0 / 42 / 41

HEX #679757

RGB 103 151 87

HSL 105, 0.27%, 0.47%

LAB 57.76, -28.77, 28.66

 

CMYK 14 / 0 / 19 / 48

HEX #71846B

RGB 113 132 107

HSL 105.6, 0.1%, 0.47%

LAB 53.03, -11.94, 11.23

 

CMYK 2 / 10 / 0 / 51

HEX #7B717E

RGB 123 113 126

HSL 286.15, 0.05%, 0.47%

LAB 48.92, 6.46, -5.75

 

CMYK 8 / 36 / 0 / 43

HEX #855D91

RGB 133 93 145

HSL 286.15, 0.22%, 0.47%

LAB 45.44, 25.96, -22.26

 

CMYK 13 / 0 / 60 / 33

HEX #95AB44

RGB 149 171 68

HSL 72.82, 0.43%, 0.47%

LAB 66.47, -22.77, 49.24

 

CMYK 29 / 0 / 60 / 33

HEX #79AB44

RGB 121 171 68

HSL 89.13, 0.43%, 0.47%

LAB 64.65, -33.85, 46.71

 

CMYK 45 / 0 / 60 / 33

HEX #5EAB44

RGB 94 171 68

HSL 104.85, 0.43%, 0.47%

LAB 63.28, -43.23, 44.79

 

CMYK 60 / 0 / 59 / 33

HEX #44AB46

RGB 68 171 70

HSL 121.17, 0.43%, 0.47%

LAB 62.34, -50.24, 42.52

 

CMYK 60 / 0 / 43 / 33

HEX #44AB61

RGB 68 171 97

HSL 136.89, 0.43%, 0.47%

LAB 62.69, -46.3, 29.42

 

CMYK 46 / 0 / 61 / 56

HEX #3D702C

RGB 61 112 44

HSL 105, 0.44%, 0.31%

LAB 42.4, -31.04, 31.98

 

CMYK 45 / 0 / 60 / 45

HEX #4D8D38

RGB 77 141 56

HSL 105.18, 0.43%, 0.39%

LAB 52.85, -37.21, 38.3

 

CMYK 46 / 0 / 60 / 33

HEX #5DAB44

RGB 93 171 68

HSL 105.44, 0.43%, 0.47%

LAB 63.24, -43.54, 44.72

 

CMYK 40 / 0 / 52 / 26

HEX #72BD5B

RGB 114 189 91

HSL 105.92, 0.43%, 0.55%

LAB 69.98, -41.84, 41.98

 

CMYK 30 / 0 / 40 / 21

HEX #8CC978

RGB 140 201 120

HSL 105.19, 0.43%, 0.63%

LAB 75.27, -34.7, 34.37

 

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

CMYK 60 / 0 / 3 / 33

HEX #44ABA6

RGB 68 171 166

HSL 177.09, 0.43%, 0.47%

LAB 64.25, -30.62, -6.31

 

CMYK 0 / 60 / 21 / 33

HEX #AB4487

RGB 171 68 135

HSL 320.97, 0.43%, 0.47%

LAB 45, 49.71, -16.48

 

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

CMYK 60 / 45 / 0 / 33

HEX #445EAB

RGB 68 94 171

HSL 224.85, 0.43%, 0.47%

LAB 41.49, 14.58, -44.3

 

CMYK 0 / 60 / 45 / 33

HEX #AB445E

RGB 171 68 94

HSL 344.85, 0.43%, 0.47%

LAB 43.65, 44.57, 6.66

 

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

CMYK 60 / 0 / 3 / 33

HEX #44ABA6

RGB 68 171 166

HSL 177.09, 0.43%, 0.47%

LAB 64.25, -30.62, -6.31

 

CMYK 15 / 60 / 0 / 33

HEX #9144AB

RGB 145 68 171

HSL 284.85, 0.43%, 0.47%

LAB 42.9, 48.83, -41.61

 

CMYK 0 / 60 / 57 / 33

HEX #AB4449

RGB 171 68 73

HSL 357.09, 0.43%, 0.47%

LAB 43.17, 42.66, 18.93

 

CMYK 46 / 0 / 60 / 33

HEX #5DAC44

RGB 93 172 68

HSL 105.58, 0.43%, 0.47%

LAB 63.55, -43.96, 45.08

 

CMYK 60 / 15 / 0 / 33

HEX #4491AB

RGB 68 145 171

HSL 195.15, 0.43%, 0.47%

LAB 56.51, -15.83, -20.8

 

CMYK 15 / 60 / 0 / 33

HEX #9144AB

RGB 145 68 171

HSL 284.85, 0.43%, 0.47%

LAB 42.9, 48.83, -41.61

 

CMYK 0 / 45 / 60 / 33

HEX #AB5E44

RGB 171 94 68

HSL 15.15, 0.43%, 0.47%

LAB 48.36, 28.83, 28.57

 

Description

Color code: RGB 93 172 68 | qconv.com Color code: RGB 93 172 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 172 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 172 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 60 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 60% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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