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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 190 91 it is the complementary color RGB 162 65 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 190 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 190 91 shade: RGB 98 190 86, RGB 115 208 105, RGB 132 226 124, RGB 149 244 143 and RGB 166 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 190 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 190 91 shade: RGB 93 190 91, RGB 76 172 72, RGB 59 154 53, RGB 42 136 34 and RGB 25 118 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 190 91 shade: RGB 92 189 90, RGB 119 189 90, RGB 146 189 90, RGB 172 189 90 and RGB 189 179 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 190 91 shade: RGB 92 189 90, RGB 90 189 115, RGB 90 189 142, RGB 90 189 168 and RGB 90 183 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 190 91 shade matches the following richer shades: RGB 92 189 90, RGB 75 208 72, RGB 57 226 53 and RGB 39 245 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 190 91 shade: RGB 92 189 90, RGB 110 171 109, RGB 128 152 128, RGB 146 133 146 and RGB 164 115 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 190 91 shade: RGB 146 189 90, RGB 120 189 90, RGB 94 189 90, RGB 90 189 113 and RGB 90 189 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 190 91 shade: RGB 58 141 56, RGB 70 171 68, RGB 92 189 90, RGB 122 201 120 and RGB 151 213 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 190 91 shade: RGB 93 190 91, RGB 90 173 189 and RGB 189 90 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 190 91 shade: RGB 93 190 91, RGB 90 94 189 and RGB 189 90 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 190 91 shade: RGB 93 190 91, RGB 90 173 189, RGB 186 90 189 and RGB 189 107 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 190 91 shade: RGB 93 190 91, RGB 90 143 189, RGB 186 90 189 and RGB 189 136 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

Complementary color

CMYK 1 / 60 / 0 / 36

HEX #A241A4

RGB 162 65 164

HSL 298.79, 0.43%, 0.45%

LAB 44.44, 53.28, -34.88

 

CMYK 48 / 0 / 55 / 25

HEX #62BE56

RGB 98 190 86

HSL 113.08, 0.44%, 0.54%

LAB 69.54, -47.78, 43.68

 

CMYK 45 / 0 / 50 / 18

HEX #73D069

RGB 115 208 105

HSL 114.17, 0.52%, 0.61%

LAB 75.93, -47.79, 42.44

 

CMYK 42 / 0 / 45 / 11

HEX #84E27C

RGB 132 226 124

HSL 115.29, 0.64%, 0.69%

LAB 82.25, -47.69, 41.2

 

CMYK 39 / 0 / 41 / 4

HEX #95F48F

RGB 149 244 143

HSL 116.44, 0.82%, 0.76%

LAB 88.48, -47.53, 39.99

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA2

RGB 166 255 162

HSL 117.42, 1%, 0.82%

LAB 92.68, -44.33, 36.23

 

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

CMYK 56 / 0 / 58 / 33

HEX #4CAC48

RGB 76 172 72

HSL 117.6, 0.41%, 0.48%

LAB 62.94, -48.38, 42.34

 

CMYK 62 / 0 / 66 / 40

HEX #3B9A35

RGB 59 154 53

HSL 116.44, 0.49%, 0.41%

LAB 56.38, -47.93, 43.48

 

CMYK 69 / 0 / 75 / 47

HEX #2A8822

RGB 42 136 34

HSL 115.29, 0.6%, 0.33%

LAB 49.76, -47.02, 44.23

 

CMYK 79 / 0 / 87 / 54

HEX #19760F

RGB 25 118 15

HSL 114.17, 0.77%, 0.26%

LAB 43.06, -45.33, 44

 

CMYK 51 / 0 / 52 / 26

HEX #5CBD5A

RGB 92 189 90

HSL 118.79, 0.43%, 0.55%

LAB 69.05, -48.56, 41.11

 

CMYK 37 / 0 / 52 / 26

HEX #77BD5A

RGB 119 189 90

HSL 102.42, 0.43%, 0.55%

LAB 70.21, -40.31, 42.8

 

CMYK 23 / 0 / 52 / 26

HEX #92BD5A

RGB 146 189 90

HSL 86.06, 0.43%, 0.55%

LAB 71.72, -30.64, 44.96

 

CMYK 9 / 0 / 52 / 26

HEX #ACBD5A

RGB 172 189 90

HSL 70.3, 0.43%, 0.55%

LAB 73.48, -20.44, 47.48

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35A

RGB 189 179 90

HSL 53.94, 0.43%, 0.55%

LAB 72.09, -8.32, 46.18

 

CMYK 51 / 0 / 52 / 26

HEX #5CBD5A

RGB 92 189 90

HSL 118.79, 0.43%, 0.55%

LAB 69.05, -48.56, 41.11

 

CMYK 52 / 0 / 39 / 26

HEX #5ABD73

RGB 90 189 115

HSL 135.15, 0.43%, 0.55%

LAB 69.33, -45.29, 28.78

 

CMYK 52 / 0 / 25 / 26

HEX #5ABD8E

RGB 90 189 142

HSL 151.52, 0.43%, 0.55%

LAB 69.84, -40.12, 15.06

 

CMYK 52 / 0 / 11 / 26

HEX #5ABDA8

RGB 90 189 168

HSL 167.27, 0.43%, 0.55%

LAB 70.45, -34.18, 1.77

 

CMYK 52 / 3 / 0 / 26

HEX #5AB7BD

RGB 90 183 189

HSL 183.64, 0.43%, 0.55%

LAB 69.27, -25.83, -11.51

 

CMYK 51 / 0 / 52 / 26

HEX #5CBD5A

RGB 92 189 90

HSL 118.79, 0.43%, 0.55%

LAB 69.05, -48.56, 41.11

 

CMYK 64 / 0 / 65 / 18

HEX #4BD048

RGB 75 208 72

HSL 118.68, 0.59%, 0.55%

LAB 74.24, -61.79, 55.09

 

CMYK 75 / 0 / 77 / 11

HEX #39E235

RGB 57 226 53

HSL 118.61, 0.75%, 0.55%

LAB 79.34, -72.32, 67.1

 

CMYK 84 / 0 / 86 / 4

HEX #27F523

RGB 39 245 35

HSL 118.86, 0.91%, 0.55%

LAB 84.92, -80.8, 76.75

 

CMYK 51 / 0 / 52 / 26

HEX #5CBD5A

RGB 92 189 90

HSL 118.79, 0.43%, 0.55%

LAB 69.05, -48.56, 41.11

 

CMYK 36 / 0 / 36 / 33

HEX #6EAB6D

RGB 110 171 109

HSL 119.03, 0.27%, 0.55%

LAB 64.6, -32.47, 25.86

 

CMYK 16 / 0 / 16 / 40

HEX #809880

RGB 128 152 128

HSL 120, 0.1%, 0.55%

LAB 60.43, -13.3, 9.84

 

CMYK 0 / 9 / 0 / 43

HEX #928592

RGB 146 133 146

HSL 300, 0.06%, 0.55%

LAB 57.04, 7.37, -5.18

 

CMYK 1 / 30 / 0 / 35

HEX #A473A5

RGB 164 115 165

HSL 298.8, 0.22%, 0.55%

LAB 54.94, 27.84, -19.15

 

CMYK 23 / 0 / 52 / 26

HEX #92BD5A

RGB 146 189 90

HSL 86.06, 0.43%, 0.55%

LAB 71.72, -30.64, 44.96

 

CMYK 37 / 0 / 52 / 26

HEX #78BD5A

RGB 120 189 90

HSL 101.82, 0.43%, 0.55%

LAB 70.26, -39.98, 42.87

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 0 / 40 / 26

HEX #5ABD71

RGB 90 189 113

HSL 133.94, 0.43%, 0.55%

LAB 69.3, -45.63, 29.78

 

CMYK 52 / 0 / 26 / 26

HEX #5ABD8C

RGB 90 189 140

HSL 150.3, 0.43%, 0.55%

LAB 69.8, -40.53, 16.09

 

CMYK 59 / 0 / 60 / 45

HEX #3A8D38

RGB 58 141 56

HSL 118.59, 0.43%, 0.39%

LAB 52.1, -42.82, 37.24

 

CMYK 59 / 0 / 60 / 33

HEX #46AB44

RGB 70 171 68

HSL 118.83, 0.43%, 0.47%

LAB 62.38, -50, 43.51

 

CMYK 51 / 0 / 52 / 26

HEX #5CBD5A

RGB 92 189 90

HSL 118.79, 0.43%, 0.55%

LAB 69.05, -48.56, 41.11

 

CMYK 39 / 0 / 40 / 21

HEX #7AC978

RGB 122 201 120

HSL 118.52, 0.43%, 0.63%

LAB 74.36, -40.55, 33.02

 

CMYK 29 / 0 / 30 / 16

HEX #97D595

RGB 151 213 149

HSL 118.13, 0.43%, 0.71%

LAB 79.81, -32.17, 25.5

 

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

CMYK 52 / 8 / 0 / 26

HEX #5AADBD

RGB 90 173 189

HSL 189.7, 0.43%, 0.55%

LAB 66.32, -20.76, -15.94

 

CMYK 0 / 52 / 30 / 26

HEX #BD5A85

RGB 189 90 133

HSL 333.94, 0.43%, 0.55%

LAB 51.64, 44.58, -5.02

 

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 0 / 52 / 50 / 26

HEX #BD5A5E

RGB 189 90 94

HSL 357.58, 0.43%, 0.55%

LAB 50.62, 40.17, 16.78

 

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

CMYK 52 / 8 / 0 / 26

HEX #5AADBD

RGB 90 173 189

HSL 189.7, 0.43%, 0.55%

LAB 66.32, -20.76, -15.94

 

CMYK 2 / 52 / 0 / 26

HEX #BA5ABD

RGB 186 90 189

HSL 298.18, 0.43%, 0.55%

LAB 53.41, 52.55, -35.17

 

CMYK 0 / 43 / 52 / 26

HEX #BD6B5A

RGB 189 107 90

HSL 10.3, 0.43%, 0.55%

LAB 54.1, 30.88, 23.79

 

CMYK 51 / 0 / 52 / 25

HEX #5DBE5B

RGB 93 190 91

HSL 118.79, 0.43%, 0.55%

LAB 69.4, -48.55, 41.07

 

CMYK 52 / 24 / 0 / 26

HEX #5A8FBD

RGB 90 143 189

HSL 207.88, 0.43%, 0.55%

LAB 57.55, -4.45, -29.36

 

CMYK 2 / 52 / 0 / 26

HEX #BA5ABD

RGB 186 90 189

HSL 298.18, 0.43%, 0.55%

LAB 53.41, 52.55, -35.17

 

CMYK 0 / 28 / 52 / 26

HEX #BD885A

RGB 189 136 90

HSL 27.88, 0.43%, 0.55%

LAB 60.93, 14.93, 32.57

 

Description

Color code: RGB 93 190 91 | qconv.com Color code: RGB 93 190 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 190 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 190 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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