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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 198 123 it is the complementary color RGB 162 57 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 198 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 198 123 shade: RGB 98 198 118, RGB 115 216 137, RGB 132 234 156, RGB 149 252 175 and RGB 166 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 198 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 198 123 shade: RGB 93 198 123, RGB 76 180 104, RGB 59 162 85, RGB 42 144 66 and RGB 25 126 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 198 123 shade: RGB 92 197 122, RGB 92 197 94, RGB 119 197 92, RGB 147 197 92 and RGB 176 197 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 198 123 shade: RGB 92 197 122, RGB 92 197 151, RGB 92 197 179, RGB 92 188 197 and RGB 92 159 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 198 123 shade matches the following richer shades: RGB 92 197 122, RGB 74 215 115, RGB 57 233 107 and RGB 39 251 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 198 123 shade: RGB 92 197 122, RGB 110 180 130, RGB 128 162 137, RGB 145 144 145 and RGB 163 127 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 198 123 shade: RGB 119 197 92, RGB 92 197 94, RGB 92 197 122, RGB 92 197 150 and RGB 92 197 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 198 123 shade: RGB 54 154 82, RGB 64 184 99, RGB 92 197 122, RGB 123 208 147 and RGB 153 219 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 198 123 shade: RGB 93 198 123, RGB 92 147 197 and RGB 197 92 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 198 123 shade: RGB 93 198 123, RGB 122 92 197 and RGB 197 122 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 198 123 shade: RGB 93 198 123, RGB 92 147 197, RGB 197 92 168 and RGB 197 143 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 198 123 shade: RGB 93 198 123, RGB 92 115 197, RGB 197 92 168 and RGB 197 175 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

Complementary color

CMYK 0 / 65 / 19 / 36

HEX #A23984

RGB 162 57 132

HSL 317.14, 0.48%, 0.43%

LAB 41.65, 51.51, -19.92

 

CMYK 51 / 0 / 40 / 22

HEX #62C676

RGB 98 198 118

HSL 132, 0.47%, 0.58%

LAB 72.42, -46.47, 31.33

 

CMYK 47 / 0 / 37 / 15

HEX #73D889

RGB 115 216 137

HSL 133.07, 0.56%, 0.65%

LAB 78.79, -46.34, 30.05

 

CMYK 44 / 0 / 33 / 8

HEX #84EA9C

RGB 132 234 156

HSL 134.12, 0.71%, 0.72%

LAB 85.07, -46.14, 28.85

 

CMYK 41 / 0 / 31 / 1

HEX #95FCAF

RGB 149 252 175

HSL 135.15, 0.94%, 0.79%

LAB 91.28, -45.91, 27.71

 

CMYK 35 / 0 / 24 / 0

HEX #A6FFC2

RGB 166 255 194

HSL 138.88, 1%, 0.83%

LAB 93.24, -39.06, 20.87

 

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

CMYK 58 / 0 / 42 / 29

HEX #4CB468

RGB 76 180 104

HSL 136.15, 0.41%, 0.5%

LAB 65.89, -46.9, 29.94

 

CMYK 64 / 0 / 48 / 36

HEX #3BA255

RGB 59 162 85

HSL 135.15, 0.47%, 0.43%

LAB 59.37, -46.7, 31.4

 

CMYK 71 / 0 / 54 / 44

HEX #2A9042

RGB 42 144 66

HSL 134.12, 0.55%, 0.36%

LAB 52.77, -46.19, 32.92

 

CMYK 80 / 0 / 63 / 51

HEX #197E2F

RGB 25 126 47

HSL 133.07, 0.67%, 0.3%

LAB 46.09, -45.13, 34.45

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 53 / 0 / 52 / 23

HEX #5CC55E

RGB 92 197 94

HSL 121.14, 0.48%, 0.57%

LAB 71.57, -51.21, 42.23

 

CMYK 40 / 0 / 53 / 23

HEX #77C55C

RGB 119 197 92

HSL 104.57, 0.48%, 0.57%

LAB 72.65, -43.54, 44.76

 

CMYK 25 / 0 / 53 / 23

HEX #93C55C

RGB 147 197 92

HSL 88.57, 0.48%, 0.57%

LAB 74.13, -33.8, 46.88

 

CMYK 11 / 0 / 53 / 23

HEX #B0C55C

RGB 176 197 92

HSL 72, 0.48%, 0.57%

LAB 76.03, -22.6, 49.59

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 53 / 0 / 23 / 23

HEX #5CC597

RGB 92 197 151

HSL 153.71, 0.48%, 0.57%

LAB 72.52, -41.26, 13.98

 

CMYK 53 / 0 / 9 / 23

HEX #5CC5B3

RGB 92 197 179

HSL 169.71, 0.48%, 0.57%

LAB 73.2, -34.77, -0.22

 

CMYK 53 / 5 / 0 / 23

HEX #5CBCC5

RGB 92 188 197

HSL 185.14, 0.48%, 0.57%

LAB 71.06, -25.71, -13.2

 

CMYK 53 / 19 / 0 / 23

HEX #5C9FC5

RGB 92 159 197

HSL 201.71, 0.48%, 0.57%

LAB 62.59, -10.53, -26.07

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 66 / 0 / 47 / 16

HEX #4AD773

RGB 74 215 115

HSL 137.45, 0.64%, 0.57%

LAB 76.86, -58.99, 38.41

 

CMYK 76 / 0 / 54 / 9

HEX #39E96B

RGB 57 233 107

HSL 137.05, 0.8%, 0.57%

LAB 81.95, -69.09, 48.46

 

CMYK 84 / 0 / 61 / 2

HEX #27FB63

RGB 39 251 99

HSL 136.98, 0.96%, 0.57%

LAB 87.16, -77.64, 58.06

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 39 / 0 / 28 / 29

HEX #6EB482

RGB 110 180 130

HSL 137.14, 0.32%, 0.57%

LAB 67.7, -32.99, 18.73

 

CMYK 21 / 0 / 15 / 36

HEX #80A289

RGB 128 162 137

HSL 135.88, 0.15%, 0.57%

LAB 63.54, -16.86, 9.2

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 0 / 22 / 6 / 36

HEX #A37F99

RGB 163 127 153

HSL 316.67, 0.16%, 0.57%

LAB 57.33, 18.35, -8.6

 

CMYK 40 / 0 / 53 / 23

HEX #77C55C

RGB 119 197 92

HSL 104.57, 0.48%, 0.57%

LAB 72.65, -43.54, 44.76

 

CMYK 53 / 0 / 52 / 23

HEX #5CC55E

RGB 92 197 94

HSL 121.14, 0.48%, 0.57%

LAB 71.57, -51.21, 42.23

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 53 / 0 / 24 / 23

HEX #5CC596

RGB 92 197 150

HSL 153.14, 0.48%, 0.57%

LAB 72.5, -41.48, 14.48

 

CMYK 53 / 0 / 10 / 23

HEX #5CC5B2

RGB 92 197 178

HSL 169.14, 0.48%, 0.57%

LAB 73.17, -35.01, 0.29

 

CMYK 65 / 0 / 47 / 40

HEX #369A52

RGB 54 154 82

HSL 136.8, 0.48%, 0.41%

LAB 56.59, -45.11, 29.42

 

CMYK 65 / 0 / 46 / 28

HEX #40B863

RGB 64 184 99

HSL 137.5, 0.48%, 0.49%

LAB 66.73, -51.9, 33.54

 

CMYK 53 / 0 / 38 / 23

HEX #5CC57A

RGB 92 197 122

HSL 137.14, 0.48%, 0.57%

LAB 71.97, -46.91, 28.62

 

CMYK 41 / 0 / 29 / 18

HEX #7BD093

RGB 123 208 147

HSL 136.94, 0.47%, 0.65%

LAB 76.94, -38.86, 22.41

 

CMYK 30 / 0 / 21 / 14

HEX #99DBAC

RGB 153 219 172

HSL 137.27, 0.48%, 0.73%

LAB 82.06, -30.36, 16.57

 

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

CMYK 53 / 25 / 0 / 23

HEX #5C93C5

RGB 92 147 197

HSL 208.57, 0.48%, 0.57%

LAB 59.14, -3.82, -31.41

 

CMYK 0 / 53 / 47 / 23

HEX #C55C68

RGB 197 92 104

HSL 353.14, 0.48%, 0.57%

LAB 52.42, 43.03, 13.52

 

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

CMYK 38 / 53 / 0 / 23

HEX #7A5CC5

RGB 122 92 197

HSL 257.14, 0.48%, 0.57%

LAB 46.74, 36.24, -50.84

 

CMYK 0 / 38 / 53 / 23

HEX #C57A5C

RGB 197 122 92

HSL 17.14, 0.48%, 0.57%

LAB 58.57, 26.13, 28.66

 

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

CMYK 53 / 25 / 0 / 23

HEX #5C93C5

RGB 92 147 197

HSL 208.57, 0.48%, 0.57%

LAB 59.14, -3.82, -31.41

 

CMYK 0 / 53 / 15 / 23

HEX #C55CA8

RGB 197 92 168

HSL 316.57, 0.48%, 0.57%

LAB 54.4, 51.22, -21.35

 

CMYK 0 / 27 / 53 / 23

HEX #C58F5C

RGB 197 143 92

HSL 29.14, 0.48%, 0.57%

LAB 63.58, 14.61, 35.02

 

CMYK 53 / 0 / 38 / 22

HEX #5DC67B

RGB 93 198 123

HSL 137.14, 0.48%, 0.57%

LAB 72.33, -46.9, 28.57

 

CMYK 53 / 42 / 0 / 23

HEX #5C73C5

RGB 92 115 197

HSL 226.86, 0.48%, 0.57%

LAB 50.18, 15.2, -45.49

 

CMYK 0 / 53 / 15 / 23

HEX #C55CA8

RGB 197 92 168

HSL 316.57, 0.48%, 0.57%

LAB 54.4, 51.22, -21.35

 

CMYK 0 / 11 / 53 / 23

HEX #C5AF5C

RGB 197 175 92

HSL 47.43, 0.48%, 0.57%

LAB 71.76, -2.69, 44.98

 

Description

Color code: RGB 93 198 123 | qconv.com Color code: RGB 93 198 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 198 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 198 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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