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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 239 64 it is the complementary color RGB 162 16 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 239 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 239 64 shade: RGB 98 239 59, RGB 115 255 78, RGB 132 255 97, RGB 149 255 116 and RGB 166 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 239 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 239 64 shade: RGB 93 239 64, RGB 76 221 45, RGB 59 203 26, RGB 42 185 7 and RGB 25 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 239 64 shade: RGB 91 239 61, RGB 138 239 61, RGB 186 239 61, RGB 234 239 61 and RGB 239 195 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 239 64 shade: RGB 91 239 61, RGB 61 239 80, RGB 61 239 127, RGB 61 239 175 and RGB 61 239 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 239 64 shade matches the following richer shades: RGB 91 239 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 239 64 shade: RGB 91 239 61, RGB 102 222 78, RGB 113 205 95, RGB 124 188 112 and RGB 136 171 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 239 64 shade: RGB 185 239 61, RGB 138 239 61, RGB 91 239 61, RGB 61 239 79 and RGB 61 239 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 239 64 shade: RGB 47 202 16, RGB 58 236 23, RGB 91 239 61, RGB 123 242 99 and RGB 155 245 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 239 64 shade: RGB 93 239 64, RGB 61 233 239 and RGB 239 61 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 239 64 shade: RGB 93 239 64, RGB 61 91 239 and RGB 239 61 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 239 64 shade: RGB 93 239 64, RGB 61 233 239, RGB 209 61 239 and RGB 239 67 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 239 64 shade: RGB 93 239 64, RGB 61 180 239, RGB 209 61 239 and RGB 239 120 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

Complementary color

CMYK 15 / 92 / 0 / 25

HEX #A210BF

RGB 162 16 191

HSL 290.06, 0.85%, 0.41%

LAB 40.92, 72.83, -56.45

 

CMYK 59 / 0 / 75 / 6

HEX #62EF3B

RGB 98 239 59

HSL 107, 0.85%, 0.58%

LAB 84.3, -68.26, 70.37

 

CMYK 55 / 0 / 69 / 0

HEX #73FF4E

RGB 115 255 78

HSL 107.46, 1%, 0.65%

LAB 89.73, -68.33, 69.57

 

CMYK 48 / 0 / 62 / 0

HEX #84FF61

RGB 132 255 97

HSL 106.71, 1%, 0.69%

LAB 90.45, -62.26, 63.19

 

CMYK 42 / 0 / 55 / 0

HEX #95FF74

RGB 149 255 116

HSL 105.76, 1%, 0.73%

LAB 91.31, -55.44, 56.19

 

CMYK 35 / 0 / 47 / 0

HEX #A6FF87

RGB 166 255 135

HSL 104.5, 1%, 0.76%

LAB 92.3, -47.99, 48.83

 

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

CMYK 66 / 0 / 80 / 13

HEX #4CDD2D

RGB 76 221 45

HSL 109.43, 0.72%, 0.52%

LAB 78.13, -67.94, 68.44

 

CMYK 71 / 0 / 87 / 20

HEX #3BCB1A

RGB 59 203 26

HSL 108.81, 0.77%, 0.45%

LAB 72.04, -66.34, 67.38

 

CMYK 77 / 0 / 96 / 27

HEX #2AB907

RGB 42 185 7

HSL 108.2, 0.93%, 0.38%

LAB 65.91, -64.11, 64.99

 

CMYK 85 / 0 / 100 / 35

HEX #19A700

RGB 25 167 0

HSL 111.02, 1%, 0.33%

LAB 59.75, -61.07, 60.82

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 42 / 0 / 74 / 6

HEX #8AEF3D

RGB 138 239 61

HSL 94.04, 0.85%, 0.59%

LAB 85.74, -57.13, 71.63

 

CMYK 22 / 0 / 74 / 6

HEX #BAEF3D

RGB 186 239 61

HSL 77.87, 0.85%, 0.59%

LAB 88.21, -40.36, 74.86

 

CMYK 2 / 0 / 74 / 6

HEX #EAEF3D

RGB 234 239 61

HSL 61.69, 0.85%, 0.59%

LAB 91.49, -21.35, 79.1

 

CMYK 0 / 18 / 74 / 6

HEX #EFC33D

RGB 239 195 61

HSL 45.17, 0.85%, 0.59%

LAB 80.58, 2.75, 69.04

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 74 / 0 / 67 / 6

HEX #3DEF50

RGB 61 239 80

HSL 126.4, 0.85%, 0.59%

LAB 83.6, -73.55, 61.95

 

CMYK 74 / 0 / 47 / 6

HEX #3DEF7F

RGB 61 239 127

HSL 142.25, 0.85%, 0.59%

LAB 84.1, -67.63, 41.65

 

CMYK 74 / 0 / 27 / 6

HEX #3DEFAF

RGB 61 239 175

HSL 158.43, 0.85%, 0.59%

LAB 84.9, -58.6, 18.52

 

CMYK 74 / 0 / 7 / 6

HEX #3DEFDF

RGB 61 239 223

HSL 174.61, 0.85%, 0.59%

LAB 86.03, -46.92, -4.94

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 54 / 0 / 65 / 13

HEX #66DE4E

RGB 102 222 78

HSL 110, 0.69%, 0.59%

LAB 79.4, -59.85, 58.49

 

CMYK 45 / 0 / 54 / 20

HEX #71CD5F

RGB 113 205 95

HSL 110.18, 0.52%, 0.59%

LAB 74.82, -48.4, 45.88

 

CMYK 34 / 0 / 40 / 26

HEX #7CBC70

RGB 124 188 112

HSL 110.53, 0.36%, 0.59%

LAB 70.47, -35.26, 32.11

 

CMYK 20 / 0 / 25 / 33

HEX #88AB81

RGB 136 171 129

HSL 110, 0.2%, 0.59%

LAB 66.48, -20.15, 17.81

 

CMYK 23 / 0 / 74 / 6

HEX #B9EF3D

RGB 185 239 61

HSL 78.2, 0.85%, 0.59%

LAB 88.15, -40.74, 74.79

 

CMYK 42 / 0 / 74 / 6

HEX #8AEF3D

RGB 138 239 61

HSL 94.04, 0.85%, 0.59%

LAB 85.74, -57.13, 71.63

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 74 / 0 / 67 / 6

HEX #3DEF4F

RGB 61 239 79

HSL 126.07, 0.85%, 0.59%

LAB 83.59, -73.65, 62.34

 

CMYK 74 / 0 / 47 / 6

HEX #3DEF7E

RGB 61 239 126

HSL 141.91, 0.85%, 0.59%

LAB 84.09, -67.79, 42.12

 

CMYK 77 / 0 / 92 / 21

HEX #2FCA10

RGB 47 202 16

HSL 110, 0.85%, 0.43%

LAB 71.48, -68.27, 68.52

 

CMYK 75 / 0 / 90 / 7

HEX #3AEC17

RGB 58 236 23

HSL 110.14, 0.85%, 0.51%

LAB 82.35, -76.48, 76.72

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3D

RGB 91 239 61

HSL 109.89, 0.85%, 0.59%

LAB 84.12, -69.7, 69.49

 

CMYK 49 / 0 / 59 / 5

HEX #7BF263

RGB 123 242 99

HSL 109.93, 0.85%, 0.67%

LAB 86.31, -59.65, 57.59

 

CMYK 37 / 0 / 44 / 4

HEX #9BF589

RGB 155 245 137

HSL 110, 0.84%, 0.75%

LAB 88.96, -46.95, 43.58

 

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

CMYK 74 / 3 / 0 / 6

HEX #3DE9EF

RGB 61 233 239

HSL 182.02, 0.85%, 0.59%

LAB 84.74, -39.85, -15.28

 

CMYK 0 / 74 / 32 / 6

HEX #EF3DA2

RGB 239 61 162

HSL 325.96, 0.85%, 0.59%

LAB 56.38, 74.17, -14.22

 

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

CMYK 74 / 62 / 0 / 6

HEX #3D5BEF

RGB 61 91 239

HSL 229.89, 0.85%, 0.59%

LAB 45.23, 39.53, -77.41

 

CMYK 0 / 74 / 62 / 6

HEX #EF3D5B

RGB 239 61 91

HSL 349.89, 0.85%, 0.59%

LAB 54.49, 68.18, 25.21

 

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

CMYK 74 / 3 / 0 / 6

HEX #3DE9EF

RGB 61 233 239

HSL 182.02, 0.85%, 0.59%

LAB 84.74, -39.85, -15.28

 

CMYK 13 / 74 / 0 / 6

HEX #D13DEF

RGB 209 61 239

HSL 289.89, 0.85%, 0.59%

LAB 55.2, 78.55, -60.55

 

CMYK 0 / 72 / 74 / 6

HEX #EF433D

RGB 239 67 61

HSL 2.02, 0.85%, 0.59%

LAB 54.76, 64.76, 42.77

 

CMYK 61 / 0 / 73 / 6

HEX #5DEF40

RGB 93 239 64

HSL 110.06, 0.85%, 0.59%

LAB 84.19, -69.06, 68.6

 

CMYK 74 / 25 / 0 / 6

HEX #3DB4EF

RGB 61 180 239

HSL 199.89, 0.85%, 0.59%

LAB 69.37, -13.66, -38.8

 

CMYK 13 / 74 / 0 / 6

HEX #D13DEF

RGB 209 61 239

HSL 289.89, 0.85%, 0.59%

LAB 55.2, 78.55, -60.55

 

CMYK 0 / 50 / 74 / 6

HEX #EF783D

RGB 239 120 61

HSL 19.89, 0.85%, 0.59%

LAB 63.44, 41.87, 52.03

 

Description

Color code: RGB 93 239 64 | qconv.com Color code: RGB 93 239 64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 239 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 239 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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