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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 42 59 it is the complementary color RGB 165 213 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 42 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 42 59 shade: RGB 95 42 54, RGB 112 60 73, RGB 129 78 92, RGB 146 96 111 and RGB 163 114 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 42 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 73 24 40, RGB 56 6 21, RGB 39 0 2 and RGB 22 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 90 42 46 and RGB 90 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 90 42 72, RGB 90 42 85, RGB 82 42 90 and RGB 69 42 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 42 59 shade matches the following richer shades: RGB 90 42 59, RGB 100 31 56, RGB 111 20 53 and RGB 122 10 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 79 53 62, RGB 68 63 65, RGB 57 74 68 and RGB 47 85 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 42 59 shade: RGB 90 42 85, RGB 90 42 72, RGB 90 42 59, RGB 90 42 47 and RGB 90 50 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 42 59 shade: RGB 34 16 22, RGB 62 29 40, RGB 90 42 59, RGB 118 55 77 and RGB 146 68 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 90 82 42 and RGB 42 79 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 59 90 42 and RGB 42 59 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 90 82 42, RGB 42 90 72 and RGB 42 50 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 42 59 shade: RGB 90 42 59, RGB 83 90 42, RGB 42 90 72 and RGB 48 42 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

Complementary color

CMYK 23 / 0 / 8 / 16

HEX #A5D5C4

RGB 165 213 196

HSL 158.75, 0.36%, 0.74%

LAB 81.61, -19.05, 3.3

 

CMYK 0 / 56 / 43 / 63

HEX #5F2A36

RGB 95 42 54

HSL 346.42, 0.39%, 0.27%

LAB 24.81, 25.5, 3.86

 

CMYK 0 / 46 / 35 / 56

HEX #703C49

RGB 112 60 73

HSL 345, 0.3%, 0.34%

LAB 32.16, 24.45, 2.22

 

CMYK 0 / 40 / 29 / 49

HEX #814E5C

RGB 129 78 92

HSL 343.53, 0.25%, 0.41%

LAB 39.39, 23.46, 0.95

 

CMYK 0 / 34 / 24 / 43

HEX #92606F

RGB 146 96 111

HSL 342, 0.21%, 0.47%

LAB 46.48, 22.57, -0.1

 

CMYK 0 / 30 / 20 / 36

HEX #A37282

RGB 163 114 130

HSL 340.41, 0.21%, 0.54%

LAB 53.42, 21.78, -1.01

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 67 / 45 / 71

HEX #491828

RGB 73 24 40

HSL 340.41, 0.51%, 0.19%

LAB 16.62, 25.08, 1.32

 

CMYK 0 / 89 / 63 / 78

HEX #380615

RGB 56 6 21

HSL 342, 0.81%, 0.12%

LAB 9.2, 25.43, 4.26

 

CMYK 0 / 100 / 95 / 85

HEX #270002

RGB 39 0 2

HSL 356.92, 1%, 0.08%

LAB 3.94, 17.76, 5.4

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 53 / 49 / 65

HEX #5A2A2E

RGB 90 42 46

HSL 355, 0.36%, 0.26%

LAB 23.76, 22.45, 7.68

 

CMYK 0 / 53 / 53 / 65

HEX #5A2A2A

RGB 90 42 42

HSL 0, 0.36%, 0.26%

LAB 23.66, 22, 10.25

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 53 / 20 / 65

HEX #5A2A48

RGB 90 42 72

HSL 322.5, 0.36%, 0.26%

LAB 24.63, 26.29, -8.64

 

CMYK 0 / 53 / 6 / 65

HEX #5A2A55

RGB 90 42 85

HSL 306.25, 0.36%, 0.26%

LAB 25.22, 28.73, -16.41

 

CMYK 9 / 53 / 0 / 65

HEX #522A5A

RGB 82 42 90

HSL 290, 0.36%, 0.26%

LAB 24.28, 27.13, -21.25

 

CMYK 23 / 53 / 0 / 65

HEX #452A5A

RGB 69 42 90

HSL 273.75, 0.36%, 0.26%

LAB 22.51, 22.93, -24.16

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 69 / 44 / 61

HEX #641F38

RGB 100 31 56

HSL 338.26, 0.53%, 0.26%

LAB 23.59, 33.4, 0.85

 

CMYK 0 / 82 / 52 / 56

HEX #6F1435

RGB 111 20 53

HSL 338.24, 0.69%, 0.26%

LAB 24.12, 41.04, 3.96

 

CMYK 0 / 92 / 60 / 52

HEX #7A0A31

RGB 122 10 49

HSL 339.11, 0.85%, 0.26%

LAB 25.49, 46.39, 8.99

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 33 / 22 / 69

HEX #4F353E

RGB 79 53 62

HSL 339.23, 0.2%, 0.26%

LAB 25.43, 13.24, -0.91

 

CMYK 0 / 7 / 4 / 73

HEX #443F41

RGB 68 63 65

HSL 336, 0.04%, 0.26%

LAB 27.2, 2.57, -0.46

 

CMYK 23 / 0 / 8 / 71

HEX #394A44

RGB 57 74 68

HSL 158.82, 0.13%, 0.26%

LAB 29.87, -8.17, 1.37

 

CMYK 45 / 0 / 16 / 67

HEX #2F5547

RGB 47 85 71

HSL 157.89, 0.29%, 0.26%

LAB 33.04, -17.31, 3.95

 

CMYK 0 / 53 / 6 / 65

HEX #5A2A55

RGB 90 42 85

HSL 306.25, 0.36%, 0.26%

LAB 25.22, 28.73, -16.41

 

CMYK 0 / 53 / 20 / 65

HEX #5A2A48

RGB 90 42 72

HSL 322.5, 0.36%, 0.26%

LAB 24.63, 26.29, -8.64

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 53 / 48 / 65

HEX #5A2A2F

RGB 90 42 47

HSL 353.75, 0.36%, 0.26%

LAB 23.79, 22.57, 7.04

 

CMYK 0 / 44 / 53 / 65

HEX #5A322A

RGB 90 50 42

HSL 10, 0.36%, 0.26%

LAB 25.63, 17.13, 12.9

 

CMYK 0 / 53 / 35 / 87

HEX #221016

RGB 34 16 22

HSL 340, 0.36%, 0.1%

LAB 6.94, 10.3, -0.26

 

CMYK 0 / 53 / 35 / 76

HEX #3E1D28

RGB 62 29 40

HSL 340, 0.36%, 0.18%

LAB 15.78, 17.61, -0.14

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 53 / 35 / 54

HEX #76374D

RGB 118 55 77

HSL 339.05, 0.36%, 0.34%

LAB 32.08, 30.19, -0.38

 

CMYK 0 / 53 / 34 / 43

HEX #924460

RGB 146 68 96

HSL 338.46, 0.36%, 0.42%

LAB 39.73, 36.04, -0.76

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 9 / 53 / 65

HEX #5A522A

RGB 90 82 42

HSL 50, 0.36%, 0.26%

LAB 34.75, -2.87, 24.5

 

CMYK 53 / 12 / 0 / 65

HEX #2A4F5A

RGB 42 79 90

HSL 193.75, 0.36%, 0.26%

LAB 31.4, -9.79, -10.56

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 34 / 0 / 53 / 65

HEX #3B5A2A

RGB 59 90 42

HSL 98.75, 0.36%, 0.26%

LAB 34.82, -21.33, 24.01

 

CMYK 53 / 34 / 0 / 65

HEX #2A3B5A

RGB 42 59 90

HSL 218.75, 0.36%, 0.26%

LAB 24.82, 3.09, -20.7

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 0 / 9 / 53 / 65

HEX #5A522A

RGB 90 82 42

HSL 50, 0.36%, 0.26%

LAB 34.75, -2.87, 24.5

 

CMYK 53 / 0 / 20 / 65

HEX #2A5A48

RGB 42 90 72

HSL 157.5, 0.36%, 0.26%

LAB 34.54, -21.23, 5.44

 

CMYK 53 / 44 / 0 / 65

HEX #2A325A

RGB 42 50 90

HSL 230, 0.36%, 0.26%

LAB 21.99, 9.32, -25.17

 

CMYK 0 / 53 / 34 / 65

HEX #5A2A3B

RGB 90 42 59

HSL 338.75, 0.36%, 0.26%

LAB 24.15, 24.19, -0.59

 

CMYK 8 / 0 / 53 / 65

HEX #535A2A

RGB 83 90 42

HSL 68.75, 0.36%, 0.26%

LAB 36.59, -10.88, 26.56

 

CMYK 53 / 0 / 20 / 65

HEX #2A5A48

RGB 42 90 72

HSL 157.5, 0.36%, 0.26%

LAB 34.54, -21.23, 5.44

 

CMYK 47 / 53 / 0 / 65

HEX #302A5A

RGB 48 42 90

HSL 247.5, 0.36%, 0.26%

LAB 20.13, 16.59, -28.09

 

Description

Color code: RGB 90 42 59 | qconv.com Color code: RGB 90 42 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 42 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 42 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 34 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 34% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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