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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 52 141 it is the complementary color RGB 165 203 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 52 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 52 141 shade: RGB 95 52 136, RGB 112 70 155, RGB 129 88 174, RGB 146 106 193 and RGB 163 124 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 52 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 73 34 122, RGB 56 16 103, RGB 39 0 84 and RGB 22 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 114 52 141, RGB 138 52 141, RGB 141 52 120 and RGB 141 52 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 66 52 141 and RGB 52 52 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 52 141 shade matches the following richer shades: RGB 90 52 141, RGB 88 36 157, RGB 85 20 172 and RGB 83 5 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 92 68 125, RGB 94 83 110, RGB 97 99 94 and RGB 99 115 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 52 141 shade: RGB 52 62 141, RGB 65 52 141, RGB 89 52 141, RGB 113 52 141 and RGB 137 52 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 52 141 shade: RGB 51 30 81, RGB 71 41 111, RGB 90 52 141, RGB 109 63 171 and RGB 130 84 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 141 52 86 and RGB 52 141 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 141 89 52 and RGB 52 141 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 141 52 86, RGB 104 141 52 and RGB 52 141 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 52 141 shade: RGB 90 52 141, RGB 141 52 59, RGB 104 141 52 and RGB 52 141 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

Complementary color

CMYK 19 / 0 / 44 / 20

HEX #A5CB72

RGB 165 203 114

HSL 85.62, 0.46%, 0.62%

LAB 77.24, -27.47, 40.21

 

CMYK 30 / 62 / 0 / 47

HEX #5F3488

RGB 95 52 136

HSL 270.71, 0.45%, 0.37%

LAB 31.04, 36.34, -39.77

 

CMYK 28 / 55 / 0 / 39

HEX #70469B

RGB 112 70 155

HSL 269.65, 0.38%, 0.44%

LAB 38.18, 35.37, -39.82

 

CMYK 26 / 49 / 0 / 32

HEX #8158AE

RGB 129 88 174

HSL 268.6, 0.35%, 0.51%

LAB 45.22, 34.4, -39.82

 

CMYK 24 / 45 / 0 / 24

HEX #926AC1

RGB 146 106 193

HSL 267.59, 0.41%, 0.59%

LAB 52.14, 33.48, -39.8

 

CMYK 23 / 42 / 0 / 17

HEX #A37CD4

RGB 163 124 212

HSL 266.59, 0.51%, 0.66%

LAB 58.93, 32.63, -39.8

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 40 / 72 / 0 / 52

HEX #49227A

RGB 73 34 122

HSL 266.59, 0.56%, 0.31%

LAB 23.56, 37.39, -43.2

 

CMYK 46 / 84 / 0 / 60

HEX #381067

RGB 56 16 103

HSL 267.59, 0.73%, 0.23%

LAB 16.46, 37.77, -42.6

 

CMYK 54 / 100 / 0 / 67

HEX #270054

RGB 39 0 84

HSL 267.86, 1%, 0.16%

LAB 9.57, 37.21, -41.27

 

CMYK 66 / 100 / 0 / 75

HEX #160041

RGB 22 0 65

HSL 260.31, 1%, 0.13%

LAB 4.99, 28.65, -35.62

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 19 / 63 / 0 / 45

HEX #72348D

RGB 114 52 141

HSL 281.8, 0.46%, 0.38%

LAB 33.89, 42.4, -38.14

 

CMYK 2 / 63 / 0 / 45

HEX #8A348D

RGB 138 52 141

HSL 297.98, 0.46%, 0.38%

LAB 37.45, 48.64, -32.27

 

CMYK 0 / 63 / 15 / 45

HEX #8D3478

RGB 141 52 120

HSL 314.16, 0.46%, 0.38%

LAB 36.88, 45.83, -20.14

 

CMYK 0 / 63 / 32 / 45

HEX #8D3460

RGB 141 52 96

HSL 330.34, 0.46%, 0.38%

LAB 35.91, 42.31, -6.49

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 53 / 63 / 0 / 45

HEX #42348D

RGB 66 52 141

HSL 249.44, 0.46%, 0.38%

LAB 28.21, 31.1, -47.58

 

CMYK 63 / 63 / 0 / 45

HEX #34348D

RGB 52 52 141

HSL 240, 0.46%, 0.38%

LAB 27.04, 28.47, -49.54

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 44 / 77 / 0 / 38

HEX #58249D

RGB 88 36 157

HSL 265.79, 0.63%, 0.38%

LAB 28.83, 48.52, -56.3

 

CMYK 51 / 88 / 0 / 33

HEX #5514AC

RGB 85 20 172

HSL 265.66, 0.79%, 0.38%

LAB 27.87, 57.78, -66.96

 

CMYK 56 / 97 / 0 / 26

HEX #5305BC

RGB 83 5 188

HSL 265.57, 0.95%, 0.38%

LAB 28.32, 64.56, -75.78

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 26 / 46 / 0 / 51

HEX #5C447D

RGB 92 68 125

HSL 265.26, 0.3%, 0.38%

LAB 33.75, 23.02, -28.64

 

CMYK 15 / 25 / 0 / 57

HEX #5E536E

RGB 94 83 110

HSL 264.44, 0.14%, 0.38%

LAB 37.28, 10.42, -13.82

 

CMYK 2 / 0 / 5 / 61

HEX #61635E

RGB 97 99 94

HSL 84, 0.03%, 0.38%

LAB 41.65, -1.81, 2.56

 

CMYK 14 / 0 / 32 / 55

HEX #63734E

RGB 99 115 78

HSL 85.95, 0.19%, 0.38%

LAB 46.26, -13.08, 18.56

 

CMYK 63 / 56 / 0 / 45

HEX #343E8D

RGB 52 62 141

HSL 233.26, 0.46%, 0.38%

LAB 29.66, 21.83, -45.29

 

CMYK 54 / 63 / 0 / 45

HEX #41348D

RGB 65 52 141

HSL 248.76, 0.46%, 0.38%

LAB 28.12, 30.89, -47.73

 

CMYK 37 / 63 / 0 / 45

HEX #59348D

RGB 89 52 141

HSL 264.94, 0.46%, 0.38%

LAB 30.65, 36.19, -43.52

 

CMYK 20 / 63 / 0 / 45

HEX #71348D

RGB 113 52 141

HSL 281.12, 0.46%, 0.38%

LAB 33.75, 42.14, -38.37

 

CMYK 3 / 63 / 0 / 45

HEX #89348D

RGB 137 52 141

HSL 297.3, 0.46%, 0.38%

LAB 37.29, 48.37, -32.53

 

CMYK 37 / 63 / 0 / 68

HEX #331E51

RGB 51 30 81

HSL 264.71, 0.46%, 0.22%

LAB 16.63, 22.7, -27.64

 

CMYK 36 / 63 / 0 / 56

HEX #47296F

RGB 71 41 111

HSL 265.71, 0.46%, 0.3%

LAB 23.91, 29.89, -35.6

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 36 / 63 / 0 / 33

HEX #6D3FAB

RGB 109 63 171

HSL 265.56, 0.46%, 0.46%

LAB 37.38, 42.69, -50.71

 

CMYK 32 / 56 / 0 / 25

HEX #8254BF

RGB 130 84 191

HSL 265.79, 0.46%, 0.54%

LAB 45.43, 41.2, -49.42

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 0 / 63 / 39 / 45

HEX #8D3456

RGB 141 52 86

HSL 337.08, 0.46%, 0.38%

LAB 35.58, 41.06, -0.61

 

CMYK 63 / 0 / 62 / 45

HEX #348D35

RGB 52 141 53

HSL 120.67, 0.46%, 0.38%

LAB 51.88, -44.68, 38.37

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 0 / 37 / 63 / 45

HEX #8D5934

RGB 141 89 52

HSL 24.94, 0.46%, 0.38%

LAB 42.85, 17.61, 29.99

 

CMYK 63 / 0 / 37 / 45

HEX #348D59

RGB 52 141 89

HSL 144.94, 0.46%, 0.38%

LAB 52.4, -38.91, 20.12

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 0 / 63 / 39 / 45

HEX #8D3456

RGB 141 52 86

HSL 337.08, 0.46%, 0.38%

LAB 35.58, 41.06, -0.61

 

CMYK 26 / 0 / 63 / 45

HEX #688D34

RGB 104 141 52

HSL 84.94, 0.46%, 0.38%

LAB 54.28, -27.7, 42.19

 

CMYK 63 / 0 / 24 / 45

HEX #348D6B

RGB 52 141 107

HSL 157.08, 0.46%, 0.38%

LAB 52.78, -34.96, 10.43

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 0 / 63 / 58 / 45

HEX #8D343B

RGB 141 52 59

HSL 355.28, 0.46%, 0.38%

LAB 34.87, 38.35, 15.71

 

CMYK 26 / 0 / 63 / 45

HEX #688D34

RGB 104 141 52

HSL 84.94, 0.46%, 0.38%

LAB 54.28, -27.7, 42.19

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

Description

Color code: RGB 90 52 141 | qconv.com Color code: RGB 90 52 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 52 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 52 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 63 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 63% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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