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Color name
RGB 90 104 179

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 104 179 it is the complementary color RGB 165 151 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 104 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 104 179 shade: RGB 95 104 174, RGB 112 122 193, RGB 129 140 212, RGB 146 158 231 and RGB 163 176 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 104 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 73 86 160, RGB 56 68 141, RGB 39 50 122 and RGB 22 32 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 100 90 179, RGB 124 90 179, RGB 148 90 179 and RGB 172 90 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 104 179 shade: RGB 90 104 179 and RGB 90 90 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 104 179 shade matches the following richer shades: RGB 90 104 179, RGB 71 91 198, RGB 52 78 218 and RGB 32 64 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 110 118 160, RGB 129 131 140, RGB 148 144 121 and RGB 168 157 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 104 179 shade: RGB 90 152 179, RGB 90 129 179, RGB 90 105 179, RGB 99 90 179 and RGB 123 90 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 104 179 shade: RGB 59 70 128, RGB 72 85 156, RGB 90 104 179, RGB 119 130 192 and RGB 147 156 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 179 90 176 and RGB 141 179 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 179 90 105 and RGB 105 179 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 179 90 176, RGB 179 164 90 and RGB 90 179 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 104 179 shade: RGB 90 104 179, RGB 179 90 149, RGB 179 164 90 and RGB 90 179 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

Complementary color

CMYK 0 / 8 / 54 / 35

HEX #A5974C

RGB 165 151 76

HSL 50.56, 0.37%, 0.47%

LAB 62.21, -4.88, 40.91

 

CMYK 45 / 40 / 0 / 32

HEX #5F68AE

RGB 95 104 174

HSL 233.16, 0.33%, 0.53%

LAB 46.16, 15.47, -38.53

 

CMYK 42 / 37 / 0 / 24

HEX #707AC1

RGB 112 122 193

HSL 232.59, 0.4%, 0.6%

LAB 53.18, 14.58, -38.36

 

CMYK 39 / 34 / 0 / 17

HEX #818CD4

RGB 129 140 212

HSL 232.05, 0.49%, 0.67%

LAB 60.05, 13.83, -38.25

 

CMYK 37 / 32 / 0 / 9

HEX #929EE7

RGB 146 158 231

HSL 231.53, 0.64%, 0.74%

LAB 66.77, 13.18, -38.19

 

CMYK 35 / 30 / 0 / 2

HEX #A3B0FA

RGB 163 176 250

HSL 231.03, 0.9%, 0.81%

LAB 73.38, 12.61, -38.18

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 54 / 46 / 0 / 37

HEX #4956A0

RGB 73 86 160

HSL 231.03, 0.37%, 0.46%

LAB 38.92, 17.02, -41.86

 

CMYK 60 / 52 / 0 / 45

HEX #38448D

RGB 56 68 141

HSL 231.53, 0.43%, 0.39%

LAB 31.57, 18.59, -42.19

 

CMYK 68 / 59 / 0 / 52

HEX #27327A

RGB 39 50 122

HSL 232.05, 0.52%, 0.32%

LAB 24.06, 20.62, -42.54

 

CMYK 79 / 69 / 0 / 60

HEX #162067

RGB 22 32 103

HSL 232.59, 0.65%, 0.25%

LAB 16.42, 23.31, -42.79

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 44 / 50 / 0 / 30

HEX #645AB3

RGB 100 90 179

HSL 246.74, 0.37%, 0.53%

LAB 43.18, 26.91, -46.18

 

CMYK 31 / 50 / 0 / 30

HEX #7C5AB3

RGB 124 90 179

HSL 262.92, 0.37%, 0.53%

LAB 45.43, 33.13, -42.46

 

CMYK 17 / 50 / 0 / 30

HEX #945AB3

RGB 148 90 179

HSL 279.1, 0.37%, 0.53%

LAB 48.09, 39.82, -38.08

 

CMYK 4 / 50 / 0 / 30

HEX #AC5AB3

RGB 172 90 179

HSL 295.28, 0.37%, 0.53%

LAB 51.08, 46.72, -33.17

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 50 / 50 / 0 / 30

HEX #5A5AB3

RGB 90 90 179

HSL 240, 0.37%, 0.53%

LAB 42.37, 24.54, -47.52

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 64 / 54 / 0 / 22

HEX #475BC6

RGB 71 91 198

HSL 230.55, 0.53%, 0.53%

LAB 42.61, 26.48, -58.27

 

CMYK 76 / 64 / 0 / 15

HEX #344EDA

RGB 52 78 218

HSL 230.6, 0.69%, 0.53%

LAB 39.98, 39.27, -74.11

 

CMYK 86 / 73 / 0 / 7

HEX #2040ED

RGB 32 64 237

HSL 230.63, 0.85%, 0.53%

LAB 38, 52.85, -88.22

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 31 / 26 / 0 / 37

HEX #6E76A0

RGB 110 118 160

HSL 230.4, 0.21%, 0.53%

LAB 50.46, 7.17, -23.54

 

CMYK 8 / 6 / 0 / 45

HEX #81838C

RGB 129 131 140

HSL 229.09, 0.05%, 0.53%

LAB 54.86, 1.12, -5.1

 

CMYK 0 / 3 / 18 / 42

HEX #949079

RGB 148 144 121

HSL 51.11, 0.11%, 0.53%

LAB 59.55, -2.57, 12.77

 

CMYK 0 / 7 / 40 / 34

HEX #A89D65

RGB 168 157 101

HSL 50.15, 0.28%, 0.53%

LAB 64.47, -4.32, 30.74

 

CMYK 50 / 15 / 0 / 30

HEX #5A98B3

RGB 90 152 179

HSL 198.2, 0.37%, 0.53%

LAB 59.78, -12.48, -20.26

 

CMYK 50 / 28 / 0 / 30

HEX #5A81B3

RGB 90 129 179

HSL 213.71, 0.37%, 0.53%

LAB 53.09, 0.6, -30.58

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 45 / 50 / 0 / 30

HEX #635AB3

RGB 99 90 179

HSL 246.07, 0.37%, 0.53%

LAB 43.09, 26.66, -46.32

 

CMYK 31 / 50 / 0 / 30

HEX #7B5AB3

RGB 123 90 179

HSL 262.25, 0.37%, 0.53%

LAB 45.33, 32.86, -42.62

 

CMYK 54 / 45 / 0 / 50

HEX #3B4680

RGB 59 70 128

HSL 230.43, 0.37%, 0.37%

LAB 31.51, 13.35, -34.25

 

CMYK 54 / 46 / 0 / 39

HEX #48559C

RGB 72 85 156

HSL 230.71, 0.37%, 0.45%

LAB 38.33, 16.1, -40.41

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 38 / 32 / 0 / 25

HEX #7782C0

RGB 119 130 192

HSL 230.96, 0.37%, 0.61%

LAB 55.78, 11.41, -33.69

 

CMYK 28 / 24 / 0 / 20

HEX #939CCD

RGB 147 156 205

HSL 230.69, 0.37%, 0.69%

LAB 65.27, 7.88, -26.14

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 0 / 50 / 2 / 30

HEX #B35AB0

RGB 179 90 176

HSL 302.02, 0.37%, 0.53%

LAB 51.87, 48.2, -30.12

 

CMYK 21 / 0 / 50 / 30

HEX #8DB35A

RGB 141 179 90

HSL 85.62, 0.37%, 0.53%

LAB 68.49, -27.77, 41.01

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 0 / 50 / 41 / 30

HEX #B35A69

RGB 179 90 105

HSL 349.89, 0.37%, 0.53%

LAB 49.39, 37.62, 8.28

 

CMYK 41 / 0 / 50 / 30

HEX #69B35A

RGB 105 179 90

HSL 109.89, 0.37%, 0.53%

LAB 66.51, -40.52, 38.13

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 0 / 50 / 2 / 30

HEX #B35AB0

RGB 179 90 176

HSL 302.02, 0.37%, 0.53%

LAB 51.87, 48.2, -30.12

 

CMYK 0 / 8 / 50 / 30

HEX #B3A45A

RGB 179 164 90

HSL 49.89, 0.37%, 0.53%

LAB 67.18, -4.61, 40.09

 

CMYK 50 / 0 / 48 / 30

HEX #5AB35D

RGB 90 179 93

HSL 122.02, 0.37%, 0.53%

LAB 65.91, -44.61, 35.73

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 0 / 50 / 17 / 30

HEX #B35A95

RGB 179 90 149

HSL 320.22, 0.37%, 0.53%

LAB 50.76, 43.61, -15.97

 

CMYK 0 / 8 / 50 / 30

HEX #B3A45A

RGB 179 164 90

HSL 49.89, 0.37%, 0.53%

LAB 67.18, -4.61, 40.09

 

CMYK 50 / 0 / 33 / 30

HEX #5AB378

RGB 90 179 120

HSL 140.22, 0.37%, 0.53%

LAB 66.34, -40.1, 22.13

 

Description

Color code: RGB 90 104 179 | qconv.com Color code: RGB 90 104 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 104 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 104 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 42 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 42% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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