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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 150 12 it is the complementary color RGB 165 105 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 150 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 150 12 shade: RGB 95 150 7, RGB 112 168 26, RGB 129 186 45, RGB 146 204 64 and RGB 163 222 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 150 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 73 132 0, RGB 56 114 0, RGB 39 96 0 and RGB 22 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 128 150 12, RGB 150 136 12, RGB 150 99 12 and RGB 150 61 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 53 150 12, RGB 15 150 12, RGB 12 150 46 and RGB 12 150 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 150 12 shade matches the following richer shades: RGB 90 150 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 88 137 25, RGB 87 124 38, RGB 85 111 51 and RGB 83 98 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 150 12 shade: RGB 150 137 12, RGB 127 150 12, RGB 90 150 12, RGB 53 150 12 and RGB 16 150 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 150 12 shade: RGB 44 74 6, RGB 67 112 9, RGB 90 150 12, RGB 113 189 15 and RGB 136 227 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 12 150 100 and RGB 150 12 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 12 90 150 and RGB 150 12 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 12 150 100, RGB 72 12 150 and RGB 150 12 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 150 12 shade: RGB 90 150 12, RGB 12 150 141, RGB 72 12 150 and RGB 150 12 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

Complementary color

CMYK 32 / 57 / 0 / 5

HEX #A569F3

RGB 165 105 243

HSL 266.09, 0.85%, 0.68%

LAB 56.66, 51.07, -60.74

 

CMYK 37 / 0 / 95 / 41

HEX #5F9607

RGB 95 150 7

HSL 83.08, 0.91%, 0.31%

LAB 56.35, -37.71, 57.93

 

CMYK 33 / 0 / 85 / 34

HEX #70A81A

RGB 112 168 26

HSL 83.66, 0.73%, 0.38%

LAB 62.95, -38.64, 60.17

 

CMYK 31 / 0 / 76 / 27

HEX #81BA2D

RGB 129 186 45

HSL 84.26, 0.61%, 0.45%

LAB 69.45, -39.29, 60.95

 

CMYK 28 / 0 / 69 / 20

HEX #92CC40

RGB 146 204 64

HSL 84.86, 0.58%, 0.53%

LAB 75.86, -39.74, 60.86

 

CMYK 27 / 0 / 63 / 13

HEX #A3DE53

RGB 163 222 83

HSL 85.47, 0.68%, 0.6%

LAB 82.19, -40.04, 60.28

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 45 / 0 / 100 / 48

HEX #498400

RGB 73 132 0

HSL 86.82, 1%, 0.26%

LAB 49.4, -38.23, 53.17

 

CMYK 51 / 0 / 100 / 55

HEX #387200

RGB 56 114 0

HSL 90.53, 1%, 0.22%

LAB 42.57, -36.62, 47.51

 

CMYK 59 / 0 / 100 / 62

HEX #276000

RGB 39 96 0

HSL 95.63, 1%, 0.19%

LAB 35.59, -34.78, 41.72

 

CMYK 72 / 0 / 100 / 69

HEX #164E00

RGB 22 78 0

HSL 103.08, 1%, 0.15%

LAB 28.43, -32.53, 35.81

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 15 / 0 / 92 / 41

HEX #80960C

RGB 128 150 12

HSL 69.57, 0.85%, 0.32%

LAB 58.44, -24.1, 59.71

 

CMYK 0 / 9 / 92 / 41

HEX #96880C

RGB 150 136 12

HSL 53.91, 0.85%, 0.32%

LAB 56.21, -6.83, 58.72

 

CMYK 0 / 34 / 92 / 41

HEX #96630C

RGB 150 99 12

HSL 37.83, 0.85%, 0.32%

LAB 46.22, 14.09, 51.01

 

CMYK 0 / 59 / 92 / 41

HEX #963D0C

RGB 150 61 12

HSL 21.3, 0.85%, 0.32%

LAB 37.57, 35.11, 44.48

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 65 / 0 / 92 / 41

HEX #35960C

RGB 53 150 12

HSL 102.17, 0.85%, 0.32%

LAB 54.65, -50.67, 55.04

 

CMYK 90 / 0 / 92 / 41

HEX #0F960C

RGB 15 150 12

HSL 118.7, 0.85%, 0.32%

LAB 53.96, -56.66, 54.17

 

CMYK 92 / 0 / 69 / 41

HEX #0C962E

RGB 12 150 46

HSL 134.78, 0.85%, 0.32%

LAB 54.12, -54.58, 43.79

 

CMYK 92 / 0 / 45 / 41

HEX #0C9653

RGB 12 150 83

HSL 150.87, 0.85%, 0.32%

LAB 54.57, -49.1, 26.14

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 36 / 0 / 82 / 46

HEX #588919

RGB 88 137 25

HSL 86.25, 0.69%, 0.32%

LAB 51.88, -34, 50.03

 

CMYK 30 / 0 / 69 / 51

HEX #577C26

RGB 87 124 38

HSL 85.81, 0.53%, 0.32%

LAB 47.73, -27.48, 41.09

 

CMYK 23 / 0 / 54 / 56

HEX #556F33

RGB 85 111 51

HSL 86, 0.37%, 0.32%

LAB 43.56, -20.48, 30.06

 

CMYK 15 / 0 / 34 / 62

HEX #536241

RGB 83 98 65

HSL 87.27, 0.2%, 0.32%

LAB 39.51, -12.29, 16.95

 

CMYK 0 / 9 / 92 / 41

HEX #96890C

RGB 150 137 12

HSL 54.35, 0.85%, 0.32%

LAB 56.49, -7.37, 58.94

 

CMYK 15 / 0 / 92 / 41

HEX #7F960C

RGB 127 150 12

HSL 70, 0.85%, 0.32%

LAB 58.37, -24.53, 59.62

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 65 / 0 / 92 / 41

HEX #35960C

RGB 53 150 12

HSL 102.17, 0.85%, 0.32%

LAB 54.65, -50.67, 55.04

 

CMYK 89 / 0 / 92 / 41

HEX #10960C

RGB 16 150 12

HSL 118.26, 0.85%, 0.32%

LAB 53.97, -56.58, 54.19

 

CMYK 41 / 0 / 92 / 71

HEX #2C4A06

RGB 44 74 6

HSL 86.47, 0.85%, 0.16%

LAB 27.97, -22.86, 33.4

 

CMYK 40 / 0 / 92 / 56

HEX #437009

RGB 67 112 9

HSL 86.21, 0.85%, 0.24%

LAB 42.46, -31.44, 45.52

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 40 / 0 / 92 / 11

HEX #88E312

RGB 136 227 18

HSL 86.12, 0.85%, 0.48%

LAB 81.96, -54.75, 78.04

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 92 / 0 / 33 / 41

HEX #0C9664

RGB 12 150 100

HSL 158.26, 0.85%, 0.32%

LAB 54.88, -45.54, 17.2

 

CMYK 0 / 92 / 3 / 41

HEX #960C92

RGB 150 12 146

HSL 301.74, 0.85%, 0.32%

LAB 35.64, 64, -38.08

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 92 / 40 / 0 / 41

HEX #0C5A96

RGB 12 90 150

HSL 206.09, 0.85%, 0.32%

LAB 37.1, 1.62, -38.9

 

CMYK 0 / 92 / 40 / 41

HEX #960C5A

RGB 150 12 90

HSL 326.09, 0.85%, 0.32%

LAB 32.89, 56.78, -6.99

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 92 / 0 / 33 / 41

HEX #0C9664

RGB 12 150 100

HSL 158.26, 0.85%, 0.32%

LAB 54.88, -45.54, 17.2

 

CMYK 52 / 92 / 0 / 41

HEX #480C96

RGB 72 12 150

HSL 266.09, 0.85%, 0.32%

LAB 23.14, 53.18, -61.42

 

CMYK 0 / 92 / 58 / 41

HEX #960C3F

RGB 150 12 63

HSL 337.83, 0.85%, 0.32%

LAB 32.05, 54.46, 9.55

 

CMYK 40 / 0 / 92 / 41

HEX #5A960C

RGB 90 150 12

HSL 86.09, 0.85%, 0.32%

LAB 56.1, -39.45, 56.83

 

CMYK 92 / 0 / 6 / 41

HEX #0C968D

RGB 12 150 141

HSL 176.09, 0.85%, 0.32%

LAB 55.9, -34.62, -4.65

 

CMYK 52 / 92 / 0 / 41

HEX #480C96

RGB 72 12 150

HSL 266.09, 0.85%, 0.32%

LAB 23.14, 53.18, -61.42

 

CMYK 0 / 92 / 86 / 41

HEX #960C15

RGB 150 12 21

HSL 356.09, 0.85%, 0.32%

LAB 31.35, 52.49, 35.4

 

Description

Color code: RGB 90 150 12 | qconv.com Color code: RGB 90 150 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 150 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 150 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 92 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 92% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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