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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 155 74 it is the complementary color RGB 165 100 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 155 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 155 74 shade: RGB 95 155 69, RGB 112 173 88, RGB 129 191 107, RGB 146 209 126 and RGB 163 227 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 155 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 155 74 shade: RGB 90 155 74, RGB 73 137 55, RGB 56 119 36, RGB 39 101 17 and RGB 22 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 155 74 shade: RGB 90 154 74, RGB 112 154 74, RGB 133 154 74, RGB 154 154 74 and RGB 154 132 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 155 74 shade: RGB 90 154 74, RGB 74 154 80, RGB 74 154 102, RGB 74 154 123 and RGB 74 154 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 155 74 shade matches the following richer shades: RGB 90 154 74, RGB 79 173 56, RGB 67 192 37, RGB 56 210 18 and RGB 45 229 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 155 74 shade: RGB 90 154 74, RGB 101 136 93, RGB 112 117 111, RGB 124 99 130 and RGB 135 80 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 155 74 shade: RGB 133 154 74, RGB 112 154 74, RGB 90 154 74, RGB 74 154 79 and RGB 74 154 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 155 74 shade: RGB 57 99 47, RGB 74 127 61, RGB 90 154 74, RGB 110 177 93 and RGB 135 190 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 155 74 shade: RGB 90 155 74, RGB 74 154 154 and RGB 154 74 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 155 74 shade: RGB 90 155 74, RGB 74 90 154 and RGB 154 74 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 155 74 shade: RGB 90 155 74, RGB 74 154 154, RGB 138 74 154 and RGB 154 74 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 155 74 shade: RGB 90 155 74, RGB 74 130 154, RGB 138 74 154 and RGB 154 98 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

Complementary color

CMYK 9 / 45 / 0 / 29

HEX #A564B5

RGB 165 100 181

HSL 288.15, 0.35%, 0.55%

LAB 52.34, 39.75, -32.42

 

CMYK 39 / 0 / 55 / 39

HEX #5F9B45

RGB 95 155 69

HSL 101.86, 0.38%, 0.44%

LAB 58.33, -35.84, 38.57

 

CMYK 35 / 0 / 49 / 32

HEX #70AD58

RGB 112 173 88

HSL 103.06, 0.34%, 0.51%

LAB 64.99, -35.79, 37.34

 

CMYK 32 / 0 / 44 / 25

HEX #81BF6B

RGB 129 191 107

HSL 104.29, 0.4%, 0.58%

LAB 71.55, -35.66, 36.11

 

CMYK 30 / 0 / 40 / 18

HEX #92D17E

RGB 146 209 126

HSL 105.54, 0.47%, 0.66%

LAB 78, -35.49, 34.91

 

CMYK 28 / 0 / 36 / 11

HEX #A3E391

RGB 163 227 145

HSL 106.83, 0.59%, 0.73%

LAB 84.36, -35.31, 33.76

 

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

CMYK 47 / 0 / 60 / 46

HEX #498937

RGB 73 137 55

HSL 106.83, 0.43%, 0.38%

LAB 51.36, -36.89, 37.02

 

CMYK 53 / 0 / 70 / 53

HEX #387724

RGB 56 119 36

HSL 105.54, 0.54%, 0.3%

LAB 44.46, -36.62, 38.03

 

CMYK 61 / 0 / 83 / 60

HEX #276511

RGB 39 101 17

HSL 104.29, 0.71%, 0.23%

LAB 37.44, -35.9, 38.31

 

CMYK 73 / 0 / 100 / 67

HEX #165300

RGB 22 83 0

HSL 104.1, 1%, 0.16%

LAB 30.3, -34.42, 37.3

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 27 / 0 / 52 / 40

HEX #709A4A

RGB 112 154 74

HSL 91.5, 0.35%, 0.45%

LAB 59.02, -28.6, 37.13

 

CMYK 14 / 0 / 52 / 40

HEX #859A4A

RGB 133 154 74

HSL 75.75, 0.35%, 0.45%

LAB 60.42, -20.26, 39.14

 

CMYK 0 / 0 / 52 / 40

HEX #9A9A4A

RGB 154 154 74

HSL 60, 0.35%, 0.45%

LAB 62.06, -11.41, 41.49

 

CMYK 0 / 14 / 52 / 40

HEX #9A844A

RGB 154 132 74

HSL 43.5, 0.35%, 0.45%

LAB 55.95, 0.59, 34.18

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 52 / 0 / 48 / 40

HEX #4A9A50

RGB 74 154 80

HSL 124.5, 0.35%, 0.45%

LAB 57.22, -40.51, 31.4

 

CMYK 52 / 0 / 34 / 40

HEX #4A9A66

RGB 74 154 102

HSL 141, 0.35%, 0.45%

LAB 57.58, -36.69, 20

 

CMYK 52 / 0 / 20 / 40

HEX #4A9A7B

RGB 74 154 123

HSL 156.75, 0.35%, 0.45%

LAB 58.03, -32.22, 8.86

 

CMYK 52 / 0 / 6 / 40

HEX #4A9A91

RGB 74 154 145

HSL 173.25, 0.35%, 0.45%

LAB 58.61, -26.76, -2.78

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 54 / 0 / 68 / 32

HEX #4FAD38

RGB 79 173 56

HSL 108.21, 0.51%, 0.45%

LAB 63.21, -49.66, 49.79

 

CMYK 65 / 0 / 81 / 25

HEX #43C025

RGB 67 192 37

HSL 108.39, 0.68%, 0.45%

LAB 68.77, -60.75, 61.87

 

CMYK 73 / 0 / 91 / 18

HEX #38D212

RGB 56 210 18

HSL 108.13, 0.84%, 0.45%

LAB 74.18, -69.24, 70.56

 

CMYK 80 / 0 / 100 / 10

HEX #2DE500

RGB 45 229 0

HSL 108.21, 1%, 0.45%

LAB 79.95, -76.59, 77.07

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 26 / 0 / 32 / 47

HEX #65885D

RGB 101 136 93

HSL 108.84, 0.19%, 0.45%

LAB 53.13, -21.06, 19.24

 

CMYK 4 / 0 / 5 / 54

HEX #70756F

RGB 112 117 111

HSL 110, 0.03%, 0.45%

LAB 48.65, -3.11, 2.65

 

CMYK 5 / 24 / 0 / 49

HEX #7C6382

RGB 124 99 130

HSL 288.39, 0.14%, 0.45%

LAB 45.39, 16.02, -13.43

 

CMYK 9 / 46 / 0 / 42

HEX #875094

RGB 135 80 148

HSL 288.53, 0.3%, 0.45%

LAB 42.8, 34.76, -28.14

 

CMYK 14 / 0 / 52 / 40

HEX #859A4A

RGB 133 154 74

HSL 75.75, 0.35%, 0.45%

LAB 60.42, -20.26, 39.14

 

CMYK 27 / 0 / 52 / 40

HEX #709A4A

RGB 112 154 74

HSL 91.5, 0.35%, 0.45%

LAB 59.02, -28.6, 37.13

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 52 / 0 / 49 / 40

HEX #4A9A4F

RGB 74 154 79

HSL 123.75, 0.35%, 0.45%

LAB 57.2, -40.66, 31.91

 

CMYK 52 / 0 / 34 / 40

HEX #4A9A65

RGB 74 154 101

HSL 140.25, 0.35%, 0.45%

LAB 57.57, -36.89, 20.53

 

CMYK 42 / 0 / 53 / 61

HEX #39632F

RGB 57 99 47

HSL 108.46, 0.36%, 0.29%

LAB 37.84, -25.91, 24.89

 

CMYK 42 / 0 / 52 / 50

HEX #4A7F3D

RGB 74 127 61

HSL 108.18, 0.35%, 0.37%

LAB 48.22, -31.29, 30.24

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 38 / 0 / 47 / 31

HEX #6EB15D

RGB 110 177 93

HSL 107.86, 0.35%, 0.53%

LAB 66.17, -37.61, 36.26

 

CMYK 29 / 0 / 36 / 25

HEX #87BE79

RGB 135 190 121

HSL 107.83, 0.35%, 0.61%

LAB 71.8, -31.12, 29.27

 

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

CMYK 52 / 0 / 0 / 40

HEX #4A9A9A

RGB 74 154 154

HSL 180, 0.35%, 0.45%

LAB 58.88, -24.32, -7.5

 

CMYK 0 / 52 / 21 / 40

HEX #9A4A7A

RGB 154 74 122

HSL 324, 0.35%, 0.45%

LAB 43.02, 39.42, -11.81

 

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

CMYK 52 / 42 / 0 / 40

HEX #4A5A9A

RGB 74 90 154

HSL 228, 0.35%, 0.45%

LAB 39.75, 12.69, -36.94

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

CMYK 52 / 0 / 0 / 40

HEX #4A9A9A

RGB 74 154 154

HSL 180, 0.35%, 0.45%

LAB 58.88, -24.32, -7.5

 

CMYK 10 / 52 / 0 / 40

HEX #8A4A9A

RGB 138 74 154

HSL 288, 0.35%, 0.45%

LAB 42.21, 40.24, -32.65

 

CMYK 0 / 52 / 52 / 40

HEX #9A4A4A

RGB 154 74 74

HSL 0, 0.35%, 0.45%

LAB 41.63, 33.37, 15.77

 

CMYK 42 / 0 / 52 / 39

HEX #5A9B4A

RGB 90 155 74

HSL 108.15, 0.35%, 0.45%

LAB 58.14, -36.91, 35.79

 

CMYK 52 / 16 / 0 / 40

HEX #4A829A

RGB 74 130 154

HSL 198, 0.35%, 0.45%

LAB 51.56, -11.49, -18.55

 

CMYK 10 / 52 / 0 / 40

HEX #8A4A9A

RGB 138 74 154

HSL 288, 0.35%, 0.45%

LAB 42.21, 40.24, -32.65

 

CMYK 0 / 36 / 52 / 40

HEX #9A624A

RGB 154 98 74

HSL 18, 0.35%, 0.45%

LAB 47.11, 19.99, 23.03

 

Description

Color code: RGB 90 155 74 | qconv.com Color code: RGB 90 155 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 155 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 155 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 52 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 52% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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