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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 183 195 it is the complementary color RGB 165 72 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 183 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 183 195 shade: RGB 95 183 190, RGB 112 201 209, RGB 129 219 228, RGB 146 237 247 and RGB 163 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 183 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 73 165 176, RGB 56 147 157, RGB 39 129 138 and RGB 22 111 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 90 155 195, RGB 90 126 195, RGB 90 98 195 and RGB 110 90 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 90 155 195, RGB 90 126 195, RGB 90 98 195 and RGB 90 90 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 183 195 shade matches the following richer shades: RGB 90 183 195, RGB 71 197 213, RGB 53 211 231 and RGB 35 225 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 108 169 177, RGB 126 155 159, RGB 144 141 141 and RGB 162 127 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 183 195 shade: RGB 90 195 149, RGB 90 195 177, RGB 90 184 195, RGB 90 156 195 and RGB 90 128 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 183 195 shade: RGB 53 138 149, RGB 64 166 179, RGB 90 183 195, RGB 120 196 206 and RGB 150 209 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 121 90 195 and RGB 195 163 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 195 90 184 and RGB 184 195 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 121 90 195, RGB 195 100 90 and RGB 163 195 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 183 195 shade: RGB 90 183 195, RGB 153 90 195, RGB 195 100 90 and RGB 132 195 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

Complementary color

CMYK 0 / 56 / 64 / 35

HEX #A5483C

RGB 165 72 60

HSL 6.86, 0.47%, 0.44%

LAB 42.7, 37.52, 25.99

 

CMYK 50 / 4 / 0 / 25

HEX #5FB7BE

RGB 95 183 190

HSL 184.42, 0.42%, 0.56%

LAB 69.48, -24.48, -11.71

 

CMYK 46 / 4 / 0 / 18

HEX #70C9D1

RGB 112 201 209

HSL 184.95, 0.51%, 0.63%

LAB 75.96, -24.59, -12.3

 

CMYK 43 / 4 / 0 / 11

HEX #81DBE4

RGB 129 219 228

HSL 185.45, 0.65%, 0.7%

LAB 82.34, -24.64, -12.86

 

CMYK 41 / 4 / 0 / 3

HEX #92EDF7

RGB 146 237 247

HSL 185.94, 0.86%, 0.77%

LAB 88.64, -24.67, -13.39

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 59 / 6 / 0 / 31

HEX #49A5B0

RGB 73 165 176

HSL 186.41, 0.41%, 0.49%

LAB 62.9, -23.86, -13.91

 

CMYK 64 / 6 / 0 / 38

HEX #38939D

RGB 56 147 157

HSL 185.94, 0.47%, 0.42%

LAB 56.23, -23.41, -13.25

 

CMYK 72 / 7 / 0 / 46

HEX #27818A

RGB 39 129 138

HSL 185.45, 0.56%, 0.35%

LAB 49.46, -22.72, -12.51

 

CMYK 82 / 7 / 0 / 53

HEX #166F77

RGB 22 111 119

HSL 184.95, 0.69%, 0.28%

LAB 42.57, -21.68, -11.65

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 54 / 21 / 0 / 24

HEX #5A9BC3

RGB 90 155 195

HSL 202.86, 0.47%, 0.56%

LAB 61.27, -9.37, -26.99

 

CMYK 54 / 35 / 0 / 24

HEX #5A7EC3

RGB 90 126 195

HSL 219.43, 0.47%, 0.56%

LAB 52.99, 7.42, -39.91

 

CMYK 54 / 50 / 0 / 24

HEX #5A62C3

RGB 90 98 195

HSL 235.43, 0.47%, 0.56%

LAB 45.43, 24.65, -51.94

 

CMYK 44 / 54 / 0 / 24

HEX #6E5AC3

RGB 110 90 195

HSL 251.43, 0.47%, 0.56%

LAB 45.04, 34, -52.48

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 54 / 21 / 0 / 24

HEX #5A9BC3

RGB 90 155 195

HSL 202.86, 0.47%, 0.56%

LAB 61.27, -9.37, -26.99

 

CMYK 54 / 35 / 0 / 24

HEX #5A7EC3

RGB 90 126 195

HSL 219.43, 0.47%, 0.56%

LAB 52.99, 7.42, -39.91

 

CMYK 54 / 50 / 0 / 24

HEX #5A62C3

RGB 90 98 195

HSL 235.43, 0.47%, 0.56%

LAB 45.43, 24.65, -51.94

 

CMYK 54 / 54 / 0 / 24

HEX #5A5AC3

RGB 90 90 195

HSL 240, 0.47%, 0.56%

LAB 43.4, 29.62, -55.2

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 67 / 8 / 0 / 16

HEX #47C5D5

RGB 71 197 213

HSL 186.76, 0.63%, 0.56%

LAB 73.59, -29.26, -18.16

 

CMYK 77 / 9 / 0 / 9

HEX #35D3E7

RGB 53 211 231

HSL 186.74, 0.79%, 0.56%

LAB 77.94, -32.79, -21.31

 

CMYK 86 / 10 / 0 / 2

HEX #23E1F9

RGB 35 225 249

HSL 186.73, 0.95%, 0.56%

LAB 82.4, -35.28, -24.13

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 39 / 5 / 0 / 31

HEX #6CA9B1

RGB 108 169 177

HSL 186.96, 0.31%, 0.56%

LAB 65.54, -17.58, -10.35

 

CMYK 21 / 3 / 0 / 38

HEX #7E9B9F

RGB 126 155 159

HSL 187.27, 0.15%, 0.56%

LAB 61.98, -9.14, -5.44

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 0 / 22 / 25 / 36

HEX #A27F7A

RGB 162 127 122

HSL 7.5, 0.18%, 0.56%

LAB 56.35, 12.72, 7.88

 

CMYK 54 / 0 / 24 / 24

HEX #5AC395

RGB 90 195 149

HSL 153.71, 0.47%, 0.56%

LAB 71.81, -41.27, 14.04

 

CMYK 54 / 0 / 9 / 24

HEX #5AC3B1

RGB 90 195 177

HSL 169.71, 0.47%, 0.56%

LAB 72.48, -34.76, -0.18

 

CMYK 54 / 6 / 0 / 24

HEX #5AB8C3

RGB 90 184 195

HSL 186.29, 0.47%, 0.56%

LAB 69.75, -24.67, -14.08

 

CMYK 54 / 20 / 0 / 24

HEX #5A9CC3

RGB 90 156 195

HSL 202.29, 0.47%, 0.56%

LAB 61.56, -9.92, -26.55

 

CMYK 54 / 34 / 0 / 24

HEX #5A80C3

RGB 90 128 195

HSL 218.29, 0.47%, 0.56%

LAB 53.55, 6.22, -39.02

 

CMYK 64 / 7 / 0 / 42

HEX #358A95

RGB 53 138 149

HSL 186.88, 0.48%, 0.4%

LAB 53.06, -21.71, -13.43

 

CMYK 64 / 7 / 0 / 30

HEX #40A6B3

RGB 64 166 179

HSL 186.78, 0.47%, 0.48%

LAB 63.03, -25.09, -15.43

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 42 / 5 / 0 / 19

HEX #78C4CE

RGB 120 196 206

HSL 186.98, 0.47%, 0.64%

LAB 74.78, -20.94, -12.41

 

CMYK 31 / 4 / 0 / 15

HEX #96D1D9

RGB 150 209 217

HSL 187.16, 0.47%, 0.72%

LAB 80.23, -16.89, -10.03

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 38 / 54 / 0 / 24

HEX #795AC3

RGB 121 90 195

HSL 257.71, 0.47%, 0.56%

LAB 46.07, 36.61, -50.77

 

CMYK 0 / 16 / 54 / 24

HEX #C3A35A

RGB 195 163 90

HSL 41.71, 0.47%, 0.56%

LAB 68.41, 2.7, 41.93

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 0 / 54 / 6 / 24

HEX #C35AB8

RGB 195 90 184

HSL 306.29, 0.47%, 0.56%

LAB 54.42, 54.2, -30.62

 

CMYK 6 / 0 / 54 / 24

HEX #B8C35A

RGB 184 195 90

HSL 66.29, 0.47%, 0.56%

LAB 76.04, -18.56, 50.69

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 38 / 54 / 0 / 24

HEX #795AC3

RGB 121 90 195

HSL 257.71, 0.47%, 0.56%

LAB 46.07, 36.61, -50.77

 

CMYK 0 / 49 / 54 / 24

HEX #C3645A

RGB 195 100 90

HSL 5.71, 0.47%, 0.56%

LAB 53.44, 36.93, 23.07

 

CMYK 16 / 0 / 54 / 24

HEX #A3C35A

RGB 163 195 90

HSL 78.29, 0.47%, 0.56%

LAB 74.54, -26.96, 48.56

 

CMYK 54 / 6 / 0 / 24

HEX #5AB7C3

RGB 90 183 195

HSL 186.86, 0.47%, 0.56%

LAB 69.46, -24.17, -14.52

 

CMYK 22 / 54 / 0 / 24

HEX #995AC3

RGB 153 90 195

HSL 276, 0.47%, 0.56%

LAB 49.53, 44.79, -45.04

 

CMYK 0 / 49 / 54 / 24

HEX #C3645A

RGB 195 100 90

HSL 5.71, 0.47%, 0.56%

LAB 53.44, 36.93, 23.07

 

CMYK 32 / 0 / 54 / 24

HEX #84C35A

RGB 132 195 90

HSL 96, 0.47%, 0.56%

LAB 72.68, -38.51, 45.9

 

Description

Color code: RGB 90 183 195 | qconv.com Color code: RGB 90 183 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 183 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 183 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 6 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 6% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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