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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 105 140 it is the complementary color RGB 164 150 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 105 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 105 140 shade: RGB 96 105 135, RGB 113 123 154, RGB 130 141 173, RGB 147 159 192 and RGB 164 177 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 105 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 105 140 shade: RGB 91 105 140, RGB 74 87 121, RGB 57 69 102, RGB 40 51 83 and RGB 23 33 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 105 140 shade: RGB 90 104 138, RGB 90 91 138, RGB 102 90 138, RGB 115 90 138 and RGB 128 90 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 105 140 shade: RGB 90 104 138, RGB 90 91 138 and RGB 90 90 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 105 140 shade matches the following richer shades: RGB 90 104 138, RGB 72 96 157, RGB 53 88 175, RGB 34 80 194 and RGB 16 72 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 105 140 shade: RGB 90 104 138, RGB 109 112 120, RGB 127 120 101, RGB 146 128 83 and RGB 164 136 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 105 140 shade: RGB 90 130 138, RGB 90 117 138, RGB 90 105 138, RGB 90 92 138 and RGB 101 90 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 105 140 shade: RGB 58 66 88, RGB 74 85 113, RGB 90 104 138, RGB 110 124 160 and RGB 135 147 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 105 140 shade: RGB 91 105 140, RGB 134 90 138 and RGB 124 138 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 105 140 shade: RGB 91 105 140, RGB 138 90 105 and RGB 105 138 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 105 140 shade: RGB 91 105 140, RGB 134 90 138, RGB 138 124 90 and RGB 95 138 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 105 140 shade: RGB 91 105 140, RGB 138 90 129, RGB 138 124 90 and RGB 90 138 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

Complementary color

CMYK 0 / 9 / 30 / 36

HEX #A49673

RGB 164 150 115

HSL 42.86, 0.21%, 0.55%

LAB 62.46, -0.38, 20.37

 

CMYK 29 / 22 / 0 / 47

HEX #606987

RGB 96 105 135

HSL 226.15, 0.17%, 0.45%

LAB 44.72, 3.91, -17.69

 

CMYK 27 / 20 / 0 / 40

HEX #717B9A

RGB 113 123 154

HSL 225.37, 0.17%, 0.52%

LAB 51.85, 3.58, -17.9

 

CMYK 25 / 18 / 0 / 32

HEX #828DAD

RGB 130 141 173

HSL 224.65, 0.21%, 0.59%

LAB 58.8, 3.29, -18.14

 

CMYK 23 / 17 / 0 / 25

HEX #939FC0

RGB 147 159 192

HSL 224, 0.26%, 0.66%

LAB 65.6, 3.04, -18.4

 

CMYK 22 / 16 / 0 / 17

HEX #A4B1D3

RGB 164 177 211

HSL 223.4, 0.35%, 0.74%

LAB 72.26, 2.8, -18.68

 

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

CMYK 39 / 28 / 0 / 53

HEX #4A5779

RGB 74 87 121

HSL 223.4, 0.24%, 0.38%

LAB 37.21, 4.16, -20.88

 

CMYK 44 / 32 / 0 / 60

HEX #394566

RGB 57 69 102

HSL 224, 0.28%, 0.31%

LAB 29.63, 4.75, -20.86

 

CMYK 52 / 39 / 0 / 67

HEX #283353

RGB 40 51 83

HSL 224.65, 0.35%, 0.24%

LAB 21.74, 5.56, -20.94

 

CMYK 64 / 48 / 0 / 75

HEX #172140

RGB 23 33 64

HSL 225.37, 0.47%, 0.17%

LAB 13.47, 6.8, -21.14

 

CMYK 35 / 25 / 0 / 46

HEX #5A688A

RGB 90 104 138

HSL 222.5, 0.21%, 0.45%

LAB 44.1, 3.44, -20.46

 

CMYK 35 / 34 / 0 / 46

HEX #5A5B8A

RGB 90 91 138

HSL 238.75, 0.21%, 0.45%

LAB 40.4, 11.49, -26.21

 

CMYK 26 / 35 / 0 / 46

HEX #665A8A

RGB 102 90 138

HSL 255, 0.21%, 0.45%

LAB 41.17, 15.88, -24.92

 

CMYK 17 / 35 / 0 / 46

HEX #735A8A

RGB 115 90 138

HSL 271.25, 0.21%, 0.45%

LAB 42.45, 20.14, -22.84

 

CMYK 7 / 35 / 0 / 46

HEX #805A8A

RGB 128 90 138

HSL 287.5, 0.21%, 0.45%

LAB 43.85, 24.53, -20.55

 

CMYK 35 / 25 / 0 / 46

HEX #5A688A

RGB 90 104 138

HSL 222.5, 0.21%, 0.45%

LAB 44.1, 3.44, -20.46

 

CMYK 35 / 34 / 0 / 46

HEX #5A5B8A

RGB 90 91 138

HSL 238.75, 0.21%, 0.45%

LAB 40.4, 11.49, -26.21

 

CMYK 35 / 35 / 0 / 46

HEX #5A5A8A

RGB 90 90 138

HSL 240, 0.21%, 0.45%

LAB 40.12, 12.12, -26.65

 

CMYK 35 / 25 / 0 / 46

HEX #5A688A

RGB 90 104 138

HSL 222.5, 0.21%, 0.45%

LAB 44.1, 3.44, -20.46

 

CMYK 54 / 39 / 0 / 38

HEX #48609D

RGB 72 96 157

HSL 223.06, 0.37%, 0.45%

LAB 41.5, 9.39, -35.97

 

CMYK 70 / 50 / 0 / 31

HEX #3558AF

RGB 53 88 175

HSL 222.79, 0.54%, 0.45%

LAB 39.3, 17.25, -50.23

 

CMYK 82 / 59 / 0 / 24

HEX #2250C2

RGB 34 80 194

HSL 222.75, 0.7%, 0.45%

LAB 37.79, 27.49, -63.85

 

CMYK 92 / 66 / 0 / 16

HEX #1048D5

RGB 16 72 213

HSL 222.94, 0.86%, 0.45%

LAB 37.02, 38.88, -76.14

 

CMYK 35 / 25 / 0 / 46

HEX #5A688A

RGB 90 104 138

HSL 222.5, 0.21%, 0.45%

LAB 44.1, 3.44, -20.46

 

CMYK 9 / 7 / 0 / 53

HEX #6D7078

RGB 109 112 120

HSL 223.64, 0.05%, 0.45%

LAB 47.23, 0.57, -4.82

 

CMYK 0 / 6 / 20 / 50

HEX #7F7865

RGB 127 120 101

HSL 43.85, 0.11%, 0.45%

LAB 50.55, -0.7, 11.41

 

CMYK 0 / 12 / 43 / 43

HEX #928053

RGB 146 128 83

HSL 42.86, 0.28%, 0.45%

LAB 54.21, 0.28, 26.93

 

CMYK 0 / 17 / 61 / 36

HEX #A48840

RGB 164 136 64

HSL 43.2, 0.44%, 0.45%

LAB 57.91, 1.93, 41.88

 

CMYK 35 / 6 / 0 / 46

HEX #5A828A

RGB 90 130 138

HSL 190, 0.21%, 0.45%

LAB 51.81, -11.75, -8.76

 

CMYK 35 / 15 / 0 / 46

HEX #5A758A

RGB 90 117 138

HSL 206.25, 0.21%, 0.45%

LAB 47.92, -4.33, -14.62

 

CMYK 35 / 24 / 0 / 46

HEX #5A698A

RGB 90 105 138

HSL 221.25, 0.21%, 0.45%

LAB 44.39, 2.83, -20.02

 

CMYK 35 / 33 / 0 / 46

HEX #5A5C8A

RGB 90 92 138

HSL 237.5, 0.21%, 0.45%

LAB 40.68, 10.86, -25.77

 

CMYK 27 / 35 / 0 / 46

HEX #655A8A

RGB 101 90 138

HSL 253.75, 0.21%, 0.45%

LAB 41.08, 15.56, -25.07

 

CMYK 34 / 25 / 0 / 65

HEX #3A4258

RGB 58 66 88

HSL 224, 0.21%, 0.29%

LAB 28.12, 2.71, -14.19

 

CMYK 35 / 25 / 0 / 56

HEX #4A5571

RGB 74 85 113

HSL 223.08, 0.21%, 0.37%

LAB 36.26, 3.08, -17.4

 

CMYK 35 / 25 / 0 / 46

HEX #5A688A

RGB 90 104 138

HSL 222.5, 0.21%, 0.45%

LAB 44.1, 3.44, -20.46

 

CMYK 31 / 23 / 0 / 37

HEX #6E7CA0

RGB 110 124 160

HSL 223.2, 0.21%, 0.53%

LAB 52.14, 3.61, -20.96

RGB 110 124 160

CMYK 23 / 16 / 0 / 31

HEX #8793B0

RGB 135 147 176

HSL 222.44, 0.21%, 0.61%

LAB 60.92, 2.19, -16.59

RGB 135 147 176

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

CMYK 3 / 35 / 0 / 46

HEX #865A8A

RGB 134 90 138

HSL 295, 0.21%, 0.45%

LAB 44.54, 26.58, -19.44

 

CMYK 10 / 0 / 35 / 46

HEX #7C8A5A

RGB 124 138 90

HSL 77.5, 0.21%, 0.45%

LAB 55.28, -13.62, 24.07

 

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

CMYK 0 / 35 / 24 / 46

HEX #8A5A69

RGB 138 90 105

HSL 341.25, 0.21%, 0.45%

LAB 43.85, 21.99, -0.41

 

CMYK 24 / 0 / 35 / 46

HEX #698A5A

RGB 105 138 90

HSL 101.25, 0.21%, 0.45%

LAB 53.94, -21.09, 22.05

 

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

CMYK 3 / 35 / 0 / 46

HEX #865A8A

RGB 134 90 138

HSL 295, 0.21%, 0.45%

LAB 44.54, 26.58, -19.44

 

CMYK 0 / 10 / 35 / 46

HEX #8A7C5A

RGB 138 124 90

HSL 42.5, 0.21%, 0.45%

LAB 52.46, -0.02, 20.55

 

CMYK 31 / 0 / 35 / 46

HEX #5F8A5A

RGB 95 138 90

HSL 113.75, 0.21%, 0.45%

LAB 53.33, -24.76, 21.13

 

CMYK 35 / 25 / 0 / 45

HEX #5B698C

RGB 91 105 140

HSL 222.86, 0.21%, 0.45%

LAB 44.55, 3.7, -20.97

 

CMYK 0 / 35 / 7 / 46

HEX #8A5A81

RGB 138 90 129

HSL 311.25, 0.21%, 0.45%

LAB 44.66, 26.19, -13.79

 

CMYK 0 / 10 / 35 / 46

HEX #8A7C5A

RGB 138 124 90

HSL 42.5, 0.21%, 0.45%

LAB 52.46, -0.02, 20.55

 

CMYK 35 / 0 / 28 / 46

HEX #5A8A64

RGB 90 138 100

HSL 132.5, 0.21%, 0.45%

LAB 53.24, -24.68, 15.32

 

Description

Color code: RGB 91 105 140 | qconv.com Color code: RGB 91 105 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 105 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 105 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 25 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 25% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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