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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 118 153 it is the complementary color RGB 164 137 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 118 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 118 153 shade: RGB 96 118 148, RGB 113 136 167, RGB 130 154 186, RGB 147 172 205 and RGB 164 190 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 118 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 74 100 134, RGB 57 82 115, RGB 40 64 96 and RGB 23 46 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 91 101 153, RGB 98 91 153, RGB 114 91 153 and RGB 131 91 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 91 101 153 and RGB 91 91 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 118 153 shade matches the following richer shades: RGB 91 118 153, RGB 71 115 172, RGB 52 113 192, RGB 32 110 212 and RGB 12 108 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 111 121 133, RGB 131 123 113, RGB 151 126 93 and RGB 171 128 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 118 153 shade: RGB 91 151 153, RGB 91 135 153, RGB 91 119 153, RGB 91 103 153 and RGB 96 91 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 118 153 shade: RGB 60 78 101, RGB 76 98 127, RGB 91 118 153, RGB 115 139 171 and RGB 140 160 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 137 91 153 and RGB 143 153 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 153 91 119 and RGB 119 153 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 137 91 153, RGB 153 125 91 and RGB 107 153 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 118 153 shade: RGB 91 118 153, RGB 153 91 149, RGB 153 125 91 and RGB 91 153 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

Complementary color

CMYK 0 / 16 / 38 / 36

HEX #A48966

RGB 164 137 102

HSL 33.87, 0.25%, 0.52%

LAB 58.74, 5.14, 22.6

 

CMYK 35 / 20 / 0 / 42

HEX #607694

RGB 96 118 148

HSL 214.62, 0.21%, 0.48%

LAB 48.98, -0.35, -18.87

 

CMYK 32 / 19 / 0 / 35

HEX #7188A7

RGB 113 136 167

HSL 214.44, 0.23%, 0.55%

LAB 56, -0.62, -19.09

 

CMYK 30 / 17 / 0 / 27

HEX #829ABA

RGB 130 154 186

HSL 214.29, 0.29%, 0.62%

LAB 62.85, -0.85, -19.33

 

CMYK 28 / 16 / 0 / 20

HEX #93ACCD

RGB 147 172 205

HSL 214.14, 0.37%, 0.69%

LAB 69.55, -1.05, -19.6

 

CMYK 27 / 15 / 0 / 12

HEX #A4BEE0

RGB 164 190 224

HSL 214, 0.49%, 0.76%

LAB 76.13, -1.23, -19.88

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 45 / 25 / 0 / 47

HEX #4A6486

RGB 74 100 134

HSL 214, 0.29%, 0.41%

LAB 41.68, 0.01, -21.89

 

CMYK 50 / 29 / 0 / 55

HEX #395273

RGB 57 82 115

HSL 214.14, 0.34%, 0.34%

LAB 34.28, 0.56, -21.81

 

CMYK 58 / 33 / 0 / 62

HEX #284060

RGB 40 64 96

HSL 214.29, 0.41%, 0.27%

LAB 26.63, 1.33, -21.78

 

CMYK 70 / 40 / 0 / 70

HEX #172E4D

RGB 23 46 77

HSL 214.44, 0.54%, 0.2%

LAB 18.68, 2.51, -21.81

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 41 / 34 / 0 / 40

HEX #5B6599

RGB 91 101 153

HSL 230.32, 0.25%, 0.48%

LAB 43.99, 9.92, -29.58

 

CMYK 36 / 41 / 0 / 40

HEX #625B99

RGB 98 91 153

HSL 246.77, 0.25%, 0.48%

LAB 41.81, 18.15, -32.96

 

CMYK 25 / 41 / 0 / 40

HEX #725B99

RGB 114 91 153

HSL 262.26, 0.25%, 0.48%

LAB 43.3, 22.93, -30.52

 

CMYK 14 / 41 / 0 / 40

HEX #835B99

RGB 131 91 153

HSL 278.71, 0.25%, 0.48%

LAB 45.09, 28.26, -27.59

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 41 / 34 / 0 / 40

HEX #5B6599

RGB 91 101 153

HSL 230.32, 0.25%, 0.48%

LAB 43.99, 9.92, -29.58

 

CMYK 41 / 41 / 0 / 40

HEX #5B5B99

RGB 91 91 153

HSL 240, 0.25%, 0.48%

LAB 41.23, 16.16, -33.93

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 59 / 33 / 0 / 33

HEX #4773AC

RGB 71 115 172

HSL 213.86, 0.42%, 0.48%

LAB 47.73, 2.4, -34.99

 

CMYK 73 / 41 / 0 / 25

HEX #3471C0

RGB 52 113 192

HSL 213.86, 0.57%, 0.48%

LAB 47.43, 7.42, -47.11

 

CMYK 85 / 48 / 0 / 17

HEX #206ED4

RGB 32 110 212

HSL 214, 0.74%, 0.48%

LAB 47.25, 14.79, -58.88

 

CMYK 95 / 53 / 0 / 9

HEX #0C6CE8

RGB 12 108 232

HSL 213.82, 0.9%, 0.48%

LAB 47.79, 22.83, -69.35

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 17 / 9 / 0 / 48

HEX #6F7985

RGB 111 121 133

HSL 212.73, 0.09%, 0.48%

LAB 50.39, -1.03, -7.81

 

CMYK 0 / 6 / 14 / 49

HEX #837B71

RGB 131 123 113

HSL 33.33, 0.07%, 0.48%

LAB 52.04, 1.22, 6.55

 

CMYK 0 / 17 / 38 / 41

HEX #977E5D

RGB 151 126 93

HSL 34.14, 0.24%, 0.48%

LAB 54.33, 4.75, 21.57

 

CMYK 0 / 25 / 57 / 33

HEX #AB8049

RGB 171 128 73

HSL 33.67, 0.4%, 0.48%

LAB 56.66, 10.2, 35.98

 

CMYK 41 / 1 / 0 / 40

HEX #5B9799

RGB 91 151 153

HSL 181.94, 0.25%, 0.48%

LAB 58.66, -18.89, -7.19

 

CMYK 41 / 12 / 0 / 40

HEX #5B8799

RGB 91 135 153

HSL 197.42, 0.25%, 0.48%

LAB 53.87, -10.21, -14.38

 

CMYK 41 / 22 / 0 / 40

HEX #5B7799

RGB 91 119 153

HSL 212.9, 0.25%, 0.48%

LAB 49.15, -1, -21.57

 

CMYK 41 / 33 / 0 / 40

HEX #5B6799

RGB 91 103 153

HSL 228.39, 0.25%, 0.48%

LAB 44.55, 8.68, -28.7

 

CMYK 37 / 41 / 0 / 40

HEX #605B99

RGB 96 91 153

HSL 244.84, 0.25%, 0.48%

LAB 41.64, 17.57, -33.25

 

CMYK 41 / 23 / 0 / 60

HEX #3C4E65

RGB 60 78 101

HSL 213.66, 0.25%, 0.32%

LAB 32.59, -0.48, -15.62

 

CMYK 40 / 23 / 0 / 50

HEX #4C627F

RGB 76 98 127

HSL 214.12, 0.25%, 0.4%

LAB 40.9, -0.3, -18.84

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 33 / 19 / 0 / 33

HEX #738BAB

RGB 115 139 171

HSL 214.29, 0.25%, 0.56%

LAB 57.12, -0.69, -19.65

 

CMYK 25 / 14 / 0 / 27

HEX #8CA0BA

RGB 140 160 186

HSL 213.91, 0.25%, 0.64%

LAB 65.17, -1.14, -15.75

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 10 / 41 / 0 / 40

HEX #895B99

RGB 137 91 153

HSL 284.52, 0.25%, 0.48%

LAB 45.77, 30.18, -26.48

 

CMYK 7 / 0 / 41 / 40

HEX #8F995B

RGB 143 153 91

HSL 69.68, 0.25%, 0.48%

LAB 61.11, -13.71, 31.36

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 0 / 41 / 22 / 40

HEX #995B77

RGB 153 91 119

HSL 332.9, 0.25%, 0.48%

LAB 46.43, 29.34, -4.9

 

CMYK 22 / 0 / 41 / 40

HEX #77995B

RGB 119 153 91

HSL 92.9, 0.25%, 0.48%

LAB 59.4, -23.26, 28.82

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 10 / 41 / 0 / 40

HEX #895B99

RGB 137 91 153

HSL 284.52, 0.25%, 0.48%

LAB 45.77, 30.18, -26.48

 

CMYK 0 / 18 / 41 / 40

HEX #997D5B

RGB 153 125 91

HSL 32.9, 0.25%, 0.48%

LAB 54.23, 5.93, 22.6

 

CMYK 30 / 0 / 41 / 40

HEX #6B995B

RGB 107 153 91

HSL 104.52, 0.25%, 0.48%

LAB 58.66, -27.72, 27.72

 

CMYK 41 / 23 / 0 / 40

HEX #5B7699

RGB 91 118 153

HSL 213.87, 0.25%, 0.48%

LAB 48.86, -0.41, -22.02

 

CMYK 0 / 41 / 3 / 40

HEX #995B95

RGB 153 91 149

HSL 303.87, 0.25%, 0.48%

LAB 47.53, 34.58, -21.23

 

CMYK 0 / 18 / 41 / 40

HEX #997D5B

RGB 153 125 91

HSL 32.9, 0.25%, 0.48%

LAB 54.23, 5.93, 22.6

 

CMYK 41 / 0 / 39 / 40

HEX #5B995E

RGB 91 153 94

HSL 122.9, 0.25%, 0.48%

LAB 57.86, -32.7, 24.89

 

Description

Color code: RGB 91 118 153 | qconv.com Color code: RGB 91 118 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 118 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 118 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 23 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 23% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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