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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 221 87 it is the complementary color RGB 164 34 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 221 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 221 87 shade: RGB 96 221 82, RGB 113 239 101, RGB 130 255 120, RGB 147 255 139 and RGB 164 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 221 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 221 87 shade: RGB 91 221 87, RGB 74 203 68, RGB 57 185 49, RGB 40 167 30 and RGB 23 149 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 221 87 shade: RGB 89 220 85, RGB 126 220 85, RGB 162 220 85, RGB 198 220 85 and RGB 220 205 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 221 87 shade: RGB 89 220 85, RGB 85 220 117, RGB 85 220 154, RGB 85 220 190 and RGB 85 213 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 221 87 shade matches the following richer shades: RGB 89 220 85, RGB 74 236 69 and RGB 58 253 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 221 87 shade: RGB 89 220 85, RGB 105 203 102, RGB 120 187 118, RGB 136 170 135 and RGB 151 154 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 221 87 shade: RGB 161 220 85, RGB 126 220 85, RGB 90 220 85, RGB 85 220 117 and RGB 85 220 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 221 87 shade: RGB 42 185 37, RGB 56 213 51, RGB 89 220 85, RGB 123 227 119 and RGB 156 234 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 221 87 shade: RGB 91 221 87, RGB 85 197 220 and RGB 220 85 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 221 87 shade: RGB 91 221 87, RGB 85 90 220 and RGB 220 85 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 221 87 shade: RGB 91 221 87, RGB 85 197 220, RGB 215 85 220 and RGB 220 108 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 221 87 shade: RGB 91 221 87, RGB 85 157 220, RGB 215 85 220 and RGB 220 148 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

Complementary color

CMYK 2 / 80 / 0 / 34

HEX #A422A8

RGB 164 34 168

HSL 298.21, 0.66%, 0.4%

LAB 41, 65.67, -42.69

 

CMYK 57 / 0 / 63 / 13

HEX #60DD52

RGB 96 221 82

HSL 113.96, 0.67%, 0.59%

LAB 78.93, -60.62, 56.27

 

CMYK 53 / 0 / 58 / 6

HEX #71EF65

RGB 113 239 101

HSL 114.78, 0.81%, 0.67%

LAB 85.09, -60.96, 55.22

 

CMYK 49 / 0 / 53 / 0

HEX #82FF78

RGB 130 255 120

HSL 115.56, 1%, 0.74%

LAB 90.61, -60.36, 53.37

 

CMYK 42 / 0 / 45 / 0

HEX #93FF8B

RGB 147 255 139

HSL 115.86, 1%, 0.77%

LAB 91.5, -53.24, 45.75

 

CMYK 36 / 0 / 38 / 0

HEX #A4FF9E

RGB 164 255 158

HSL 116.29, 1%, 0.81%

LAB 92.52, -45.53, 37.98

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 64 / 0 / 67 / 20

HEX #4ACB44

RGB 74 203 68

HSL 117.33, 0.56%, 0.53%

LAB 72.62, -60.66, 54.95

 

CMYK 69 / 0 / 74 / 27

HEX #39B931

RGB 57 185 49

HSL 116.47, 0.58%, 0.46%

LAB 66.36, -59.64, 55.59

 

CMYK 76 / 0 / 82 / 35

HEX #28A71E

RGB 40 167 30

HSL 115.62, 0.7%, 0.39%

LAB 60.05, -58.05, 55.52

 

CMYK 85 / 0 / 93 / 42

HEX #17950B

RGB 23 149 11

HSL 114.78, 0.86%, 0.31%

LAB 53.71, -55.62, 54.16

 

CMYK 60 / 0 / 61 / 14

HEX #59DC55

RGB 89 220 85

HSL 118.22, 0.66%, 0.6%

LAB 78.44, -61.6, 54.39

 

CMYK 43 / 0 / 61 / 14

HEX #7EDC55

RGB 126 220 85

HSL 101.78, 0.66%, 0.6%

LAB 79.77, -51.59, 56.24

 

CMYK 26 / 0 / 61 / 14

HEX #A2DC55

RGB 162 220 85

HSL 85.78, 0.66%, 0.6%

LAB 81.58, -39.36, 58.75

 

CMYK 10 / 0 / 61 / 14

HEX #C6DC55

RGB 198 220 85

HSL 69.78, 0.66%, 0.6%

LAB 83.89, -25.52, 61.94

 

CMYK 0 / 7 / 61 / 14

HEX #DCCD55

RGB 220 205 85

HSL 53.33, 0.66%, 0.6%

LAB 81.58, -9.11, 59.94

 

CMYK 60 / 0 / 61 / 14

HEX #59DC55

RGB 89 220 85

HSL 118.22, 0.66%, 0.6%

LAB 78.44, -61.6, 54.39

 

CMYK 61 / 0 / 47 / 14

HEX #55DC75

RGB 85 220 117

HSL 134.22, 0.66%, 0.6%

LAB 78.7, -58.35, 39.8

 

CMYK 61 / 0 / 30 / 14

HEX #55DC9A

RGB 85 220 154

HSL 150.67, 0.66%, 0.6%

LAB 79.3, -51.81, 21.77

 

CMYK 61 / 0 / 14 / 14

HEX #55DCBE

RGB 85 220 190

HSL 166.67, 0.66%, 0.6%

LAB 80.09, -43.79, 3.87

 

CMYK 61 / 3 / 0 / 14

HEX #55D5DC

RGB 85 213 220

HSL 183.11, 0.66%, 0.6%

LAB 78.86, -32.76, -13.96

 

CMYK 60 / 0 / 61 / 14

HEX #59DC55

RGB 89 220 85

HSL 118.22, 0.66%, 0.6%

LAB 78.44, -61.6, 54.39

 

CMYK 69 / 0 / 71 / 7

HEX #4AEC45

RGB 74 236 69

HSL 118.2, 0.81%, 0.6%

LAB 82.85, -71.5, 65.36

 

CMYK 77 / 0 / 79 / 1

HEX #3AFD34

RGB 58 253 52

HSL 118.21, 0.98%, 0.6%

LAB 87.68, -80.2, 75.34

 

CMYK 60 / 0 / 61 / 14

HEX #59DC55

RGB 89 220 85

HSL 118.22, 0.66%, 0.6%

LAB 78.44, -61.6, 54.39

 

CMYK 48 / 0 / 50 / 20

HEX #69CB66

RGB 105 203 102

HSL 118.22, 0.49%, 0.6%

LAB 73.98, -49.01, 41.41

 

CMYK 36 / 0 / 37 / 27

HEX #78BB76

RGB 120 187 118

HSL 118.26, 0.34%, 0.6%

LAB 70.06, -35.19, 28.41

 

CMYK 20 / 0 / 21 / 33

HEX #88AA87

RGB 136 170 135

HSL 118.29, 0.17%, 0.6%

LAB 66.32, -18.58, 14.29

 

CMYK 2 / 0 / 2 / 40

HEX #979A97

RGB 151 154 151

HSL 120, 0.01%, 0.6%

LAB 63.28, -1.66, 1.19

 

CMYK 27 / 0 / 61 / 14

HEX #A1DC55

RGB 161 220 85

HSL 86.22, 0.66%, 0.6%

LAB 81.52, -39.72, 58.67

 

CMYK 43 / 0 / 61 / 14

HEX #7EDC55

RGB 126 220 85

HSL 101.78, 0.66%, 0.6%

LAB 79.77, -51.59, 56.24

 

CMYK 59 / 0 / 61 / 14

HEX #5ADC55

RGB 90 220 85

HSL 117.78, 0.66%, 0.6%

LAB 78.47, -61.37, 54.43

 

CMYK 61 / 0 / 47 / 14

HEX #55DC75

RGB 85 220 117

HSL 134.22, 0.66%, 0.6%

LAB 78.7, -58.35, 39.8

 

CMYK 61 / 0 / 30 / 14

HEX #55DC99

RGB 85 220 153

HSL 150.22, 0.66%, 0.6%

LAB 79.28, -52.01, 22.26

 

CMYK 77 / 0 / 80 / 27

HEX #2AB925

RGB 42 185 37

HSL 117.97, 0.67%, 0.44%

LAB 66, -62.96, 59.08

 

CMYK 74 / 0 / 76 / 16

HEX #38D533

RGB 56 213 51

HSL 118.15, 0.66%, 0.52%

LAB 75.24, -68.63, 63.74

 

CMYK 60 / 0 / 61 / 14

HEX #59DC55

RGB 89 220 85

HSL 118.22, 0.66%, 0.6%

LAB 78.44, -61.6, 54.39

 

CMYK 46 / 0 / 48 / 11

HEX #7BE377

RGB 123 227 119

HSL 117.78, 0.66%, 0.68%

LAB 82.1, -51.4, 43.37

 

CMYK 33 / 0 / 34 / 8

HEX #9CEA9A

RGB 156 234 154

HSL 118.5, 0.66%, 0.76%

LAB 86.13, -39.39, 31.47

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 61 / 10 / 0 / 14

HEX #55C5DC

RGB 85 197 220

HSL 190.22, 0.66%, 0.6%

LAB 74.21, -24.97, -20.98

 

CMYK 0 / 61 / 35 / 14

HEX #DC5590

RGB 220 85 144

HSL 333.78, 0.66%, 0.6%

LAB 55.81, 58.15, -4.82

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 61 / 59 / 0 / 14

HEX #555ADC

RGB 85 90 220

HSL 237.78, 0.66%, 0.6%

LAB 44.82, 36.84, -67.28

 

CMYK 0 / 61 / 59 / 14

HEX #DC555A

RGB 220 85 90

HSL 357.78, 0.66%, 0.6%

LAB 54.5, 53.15, 25.18

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 61 / 10 / 0 / 14

HEX #55C5DC

RGB 85 197 220

HSL 190.22, 0.66%, 0.6%

LAB 74.21, -24.97, -20.98

 

CMYK 2 / 61 / 0 / 14

HEX #D755DC

RGB 215 85 220

HSL 297.78, 0.66%, 0.6%

LAB 58.14, 67.77, -45.13

 

CMYK 0 / 51 / 61 / 14

HEX #DC6C55

RGB 220 108 85

HSL 10.22, 0.66%, 0.6%

LAB 58.6, 41.94, 33.26

 

CMYK 59 / 0 / 61 / 13

HEX #5BDD57

RGB 91 221 87

HSL 118.21, 0.66%, 0.6%

LAB 78.82, -61.29, 53.97

 

CMYK 61 / 29 / 0 / 14

HEX #559DDC

RGB 85 157 220

HSL 208, 0.66%, 0.6%

LAB 62.69, -3.64, -38.75

 

CMYK 2 / 61 / 0 / 14

HEX #D755DC

RGB 215 85 220

HSL 297.78, 0.66%, 0.6%

LAB 58.14, 67.77, -45.13

 

CMYK 0 / 33 / 61 / 14

HEX #DC9455

RGB 220 148 85

HSL 28, 0.66%, 0.6%

LAB 67.32, 20.95, 43.81

 

Description

Color code: RGB 91 221 87 | qconv.com Color code: RGB 91 221 87 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 221 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 221 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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