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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 106 61 it is the complementary color RGB 163 149 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 106 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 106 61 shade: RGB 97 106 56, RGB 114 124 75, RGB 131 142 94, RGB 148 160 113 and RGB 165 178 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 106 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 75 88 42, RGB 58 70 23, RGB 41 52 4 and RGB 24 34 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 104 106 61, RGB 106 96 61, RGB 106 84 61 and RGB 106 71 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 80 106 61, RGB 68 106 61, RGB 61 106 66 and RGB 61 106 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 106 61 shade matches the following richer shades: RGB 92 106 61, RGB 97 120 47, RGB 103 134 34, RGB 108 147 20 and RGB 113 161 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 87 93 75, RGB 82 79 88, RGB 77 66 102 and RGB 72 52 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 106 61 shade: RGB 106 96 61, RGB 105 106 61, RGB 93 106 61, RGB 81 106 61 and RGB 69 106 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 106 61 shade: RGB 47 54 31, RGB 69 80 46, RGB 92 106 61, RGB 115 133 76 and RGB 138 159 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 61 106 84 and RGB 102 61 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 61 93 106 and RGB 106 61 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 61 106 84, RGB 75 61 106 and RGB 106 61 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 106 61 shade: RGB 92 106 61, RGB 61 106 97, RGB 75 61 106 and RGB 106 61 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

Complementary color

CMYK 16 / 23 / 0 / 24

HEX #A395C2

RGB 163 149 194

HSL 258.67, 0.27%, 0.67%

LAB 64.3, 14.25, -21.37

 

CMYK 8 / 0 / 47 / 58

HEX #616A38

RGB 97 106 56

HSL 70.8, 0.31%, 0.32%

LAB 42.97, -12, 26.81

 

CMYK 8 / 0 / 40 / 51

HEX #727C4B

RGB 114 124 75

HSL 72.24, 0.25%, 0.39%

LAB 50.1, -12.22, 25.52

 

CMYK 8 / 0 / 34 / 44

HEX #838E5E

RGB 131 142 94

HSL 73.75, 0.2%, 0.46%

LAB 57.06, -12.37, 24.29

 

CMYK 7 / 0 / 29 / 37

HEX #94A071

RGB 148 160 113

HSL 75.32, 0.2%, 0.54%

LAB 63.86, -12.47, 23.14

 

CMYK 7 / 0 / 26 / 30

HEX #A5B284

RGB 165 178 132

HSL 76.96, 0.23%, 0.61%

LAB 70.53, -12.54, 22.06

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 15 / 0 / 52 / 65

HEX #4B582A

RGB 75 88 42

HSL 76.96, 0.35%, 0.25%

LAB 35.29, -13.4, 24.84

 

CMYK 17 / 0 / 67 / 73

HEX #3A4617

RGB 58 70 23

HSL 75.32, 0.51%, 0.18%

LAB 27.69, -13.1, 26.07

 

CMYK 21 / 0 / 92 / 80

HEX #293404

RGB 41 52 4

HSL 73.75, 0.86%, 0.11%

LAB 19.79, -12.53, 26

 

CMYK 29 / 0 / 100 / 87

HEX #182200

RGB 24 34 0

HSL 77.65, 1%, 0.07%

LAB 11.54, -11.05, 16.92

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 2 / 0 / 42 / 58

HEX #686A3D

RGB 104 106 61

HSL 62.67, 0.27%, 0.33%

LAB 43.64, -8.29, 24.97

 

CMYK 0 / 9 / 42 / 58

HEX #6A603D

RGB 106 96 61

HSL 46.67, 0.27%, 0.33%

LAB 40.84, -1.58, 21.44

 

CMYK 0 / 21 / 42 / 58

HEX #6A543D

RGB 106 84 61

HSL 30.67, 0.27%, 0.33%

LAB 37.37, 5.64, 16.9

 

CMYK 0 / 33 / 42 / 58

HEX #6A473D

RGB 106 71 61

HSL 13.33, 0.27%, 0.33%

LAB 33.79, 13.62, 12.07

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 25 / 0 / 42 / 58

HEX #506A3D

RGB 80 106 61

HSL 94.67, 0.27%, 0.33%

LAB 41.77, -18.56, 22.21

 

CMYK 36 / 0 / 42 / 58

HEX #446A3D

RGB 68 106 61

HSL 110.67, 0.27%, 0.33%

LAB 41.02, -23.21, 21.09

 

CMYK 42 / 0 / 38 / 58

HEX #3D6A42

RGB 61 106 66

HSL 126.67, 0.27%, 0.33%

LAB 40.72, -24.82, 17.73

 

CMYK 42 / 0 / 25 / 58

HEX #3D6A4F

RGB 61 106 79

HSL 144, 0.27%, 0.33%

LAB 41, -22.18, 10.39

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 19 / 0 / 61 / 53

HEX #61782F

RGB 97 120 47

HSL 78.9, 0.44%, 0.33%

LAB 47.21, -20.52, 36.55

 

CMYK 23 / 0 / 75 / 47

HEX #678622

RGB 103 134 34

HSL 78.6, 0.6%, 0.33%

LAB 51.89, -26.05, 47.28

 

CMYK 27 / 0 / 86 / 42

HEX #6C9314

RGB 108 147 20

HSL 78.43, 0.76%, 0.33%

LAB 56.19, -30.89, 55.67

 

CMYK 30 / 0 / 96 / 37

HEX #71A106

RGB 113 161 6

HSL 78.58, 0.93%, 0.33%

LAB 60.79, -35.67, 62.05

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 6 / 0 / 19 / 64

HEX #575D4B

RGB 87 93 75

HSL 80, 0.11%, 0.33%

LAB 38.49, -5.99, 9.56

 

CMYK 7 / 10 / 0 / 65

HEX #524F58

RGB 82 79 88

HSL 260, 0.05%, 0.33%

LAB 34.17, 3.21, -4.84

 

CMYK 25 / 35 / 0 / 60

HEX #4D4266

RGB 77 66 102

HSL 258.33, 0.21%, 0.33%

LAB 30.48, 13.22, -19.4

 

CMYK 37 / 55 / 0 / 55

HEX #483473

RGB 72 52 115

HSL 259.05, 0.38%, 0.33%

LAB 26.94, 24.46, -33.3

 

CMYK 0 / 9 / 42 / 58

HEX #6A603D

RGB 106 96 61

HSL 46.67, 0.27%, 0.33%

LAB 40.84, -1.58, 21.44

 

CMYK 1 / 0 / 42 / 58

HEX #696A3D

RGB 105 106 61

HSL 61.33, 0.27%, 0.33%

LAB 43.72, -7.85, 25.1

 

CMYK 12 / 0 / 42 / 58

HEX #5D6A3D

RGB 93 106 61

HSL 77.33, 0.27%, 0.33%

LAB 42.72, -13.12, 23.62

 

CMYK 24 / 0 / 42 / 58

HEX #516A3D

RGB 81 106 61

HSL 93.33, 0.27%, 0.33%

LAB 41.84, -18.15, 22.31

 

CMYK 35 / 0 / 42 / 58

HEX #456A3D

RGB 69 106 61

HSL 109.33, 0.27%, 0.33%

LAB 41.07, -22.84, 21.18

 

CMYK 13 / 0 / 43 / 79

HEX #2F361F

RGB 47 54 31

HSL 78.26, 0.27%, 0.17%

LAB 21.36, -7.76, 13.5

 

CMYK 14 / 0 / 43 / 69

HEX #45502E

RGB 69 80 46

HSL 79.41, 0.27%, 0.25%

LAB 32.26, -10.98, 18.61

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 14 / 0 / 43 / 48

HEX #73854C

RGB 115 133 76

HSL 78.95, 0.27%, 0.41%

LAB 52.89, -16.53, 28.54

 

CMYK 13 / 0 / 43 / 38

HEX #8A9F5B

RGB 138 159 91

HSL 78.53, 0.27%, 0.49%

LAB 62.47, -18.87, 33

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 42 / 0 / 21 / 58

HEX #3D6A54

RGB 61 106 84

HSL 150.67, 0.27%, 0.33%

LAB 41.12, -21.06, 7.55

 

CMYK 4 / 42 / 0 / 58

HEX #663D6A

RGB 102 61 106

HSL 294.67, 0.27%, 0.33%

LAB 32.26, 26.02, -18.95

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 42 / 12 / 0 / 58

HEX #3D5D6A

RGB 61 93 106

HSL 197.33, 0.27%, 0.33%

LAB 37.59, -7.93, -11.11

 

CMYK 0 / 42 / 12 / 58

HEX #6A3D5D

RGB 106 61 93

HSL 317.33, 0.27%, 0.33%

LAB 32.24, 24.83, -10.64

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 42 / 0 / 21 / 58

HEX #3D6A54

RGB 61 106 84

HSL 150.67, 0.27%, 0.33%

LAB 41.12, -21.06, 7.55

 

CMYK 29 / 42 / 0 / 58

HEX #4B3D6A

RGB 75 61 106

HSL 258.67, 0.27%, 0.33%

LAB 29.09, 16.92, -24.13

 

CMYK 0 / 42 / 21 / 58

HEX #6A3D54

RGB 106 61 84

HSL 329.33, 0.27%, 0.33%

LAB 31.9, 23.21, -5.37

 

CMYK 13 / 0 / 42 / 58

HEX #5C6A3D

RGB 92 106 61

HSL 78.67, 0.27%, 0.33%

LAB 42.64, -13.55, 23.51

 

CMYK 42 / 0 / 8 / 58

HEX #3D6A61

RGB 61 106 97

HSL 168, 0.27%, 0.33%

LAB 41.47, -17.86, 0.18

 

CMYK 29 / 42 / 0 / 58

HEX #4B3D6A

RGB 75 61 106

HSL 258.67, 0.27%, 0.33%

LAB 29.09, 16.92, -24.13

 

CMYK 0 / 42 / 34 / 58

HEX #6A3D46

RGB 106 61 70

HSL 348, 0.27%, 0.33%

LAB 31.45, 20.97, 3.02

 

Description

Color code: RGB 92 106 61 | qconv.com Color code: RGB 92 106 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 106 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 106 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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