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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 117 127 it is the complementary color RGB 163 138 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 117 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 117 127 shade: RGB 97 117 122, RGB 114 135 141, RGB 131 153 160, RGB 148 171 179 and RGB 165 189 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 117 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 75 99 108, RGB 58 81 89, RGB 41 63 70 and RGB 24 45 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 92 107 127, RGB 92 98 127, RGB 95 92 127 and RGB 104 92 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 92 107 127, RGB 92 98 127 and RGB 92 92 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 117 127 shade matches the following richer shades: RGB 92 117 127, RGB 74 124 144, RGB 56 132 162, RGB 38 139 180 and RGB 21 147 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 109 109 109, RGB 127 101 91, RGB 145 94 73 and RGB 163 86 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 117 127 shade: RGB 92 127 118, RGB 92 126 127, RGB 92 117 127, RGB 92 107 127 and RGB 92 98 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 117 127 shade: RGB 57 73 79, RGB 74 95 103, RGB 92 117 127, RGB 110 138 150 and RGB 134 158 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 109 92 127 and RGB 127 123 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 127 92 117 and RGB 117 127 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 109 92 127, RGB 127 102 92 and RGB 110 127 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 117 127 shade: RGB 92 117 127, RGB 119 92 127, RGB 127 102 92 and RGB 99 127 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

Complementary color

CMYK 0 / 15 / 21 / 36

HEX #A38A80

RGB 163 138 128

HSL 17.14, 0.16%, 0.57%

LAB 59.45, 7.81, 8.86

 

CMYK 20 / 4 / 0 / 52

HEX #61757A

RGB 97 117 122

HSL 192, 0.11%, 0.43%

LAB 47.84, -6.16, -5.21

 

CMYK 19 / 4 / 0 / 45

HEX #72878D

RGB 114 135 141

HSL 193.33, 0.11%, 0.5%

LAB 54.9, -6.16, -5.75

 

CMYK 18 / 4 / 0 / 37

HEX #8399A0

RGB 131 153 160

HSL 194.48, 0.13%, 0.57%

LAB 61.78, -6.18, -6.27

 

CMYK 17 / 4 / 0 / 30

HEX #94ABB3

RGB 148 171 179

HSL 195.48, 0.17%, 0.64%

LAB 68.52, -6.21, -6.79

 

CMYK 17 / 5 / 0 / 22

HEX #A5BDC6

RGB 165 189 198

HSL 196.36, 0.22%, 0.71%

LAB 75.12, -6.25, -7.29

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 31 / 8 / 0 / 58

HEX #4B636C

RGB 75 99 108

HSL 196.36, 0.18%, 0.36%

LAB 40.41, -6.57, -8

 

CMYK 35 / 9 / 0 / 65

HEX #3A5159

RGB 58 81 89

HSL 195.48, 0.21%, 0.29%

LAB 32.93, -6.54, -7.52

 

CMYK 41 / 10 / 0 / 73

HEX #293F46

RGB 41 63 70

HSL 194.48, 0.26%, 0.22%

LAB 25.16, -6.5, -7.02

 

CMYK 53 / 12 / 0 / 80

HEX #182D33

RGB 24 45 51

HSL 193.33, 0.36%, 0.15%

LAB 17.04, -6.4, -6.49

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 28 / 16 / 0 / 50

HEX #5C6B7F

RGB 92 107 127

HSL 214.29, 0.16%, 0.43%

LAB 44.69, -0.72, -12.95

 

CMYK 28 / 23 / 0 / 50

HEX #5C627F

RGB 92 98 127

HSL 229.71, 0.16%, 0.43%

LAB 42.07, 4.74, -16.95

 

CMYK 25 / 28 / 0 / 50

HEX #5F5C7F

RGB 95 92 127

HSL 245.14, 0.16%, 0.43%

LAB 40.6, 9.45, -19.17

 

CMYK 18 / 28 / 0 / 50

HEX #685C7F

RGB 104 92 127

HSL 260.57, 0.16%, 0.43%

LAB 41.42, 12.51, -17.85

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 28 / 16 / 0 / 50

HEX #5C6B7F

RGB 92 107 127

HSL 214.29, 0.16%, 0.43%

LAB 44.69, -0.72, -12.95

 

CMYK 28 / 23 / 0 / 50

HEX #5C627F

RGB 92 98 127

HSL 229.71, 0.16%, 0.43%

LAB 42.07, 4.74, -16.95

 

CMYK 28 / 28 / 0 / 50

HEX #5C5C7F

RGB 92 92 127

HSL 240, 0.16%, 0.43%

LAB 40.35, 8.45, -19.59

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 49 / 14 / 0 / 44

HEX #4A7C90

RGB 74 124 144

HSL 197.14, 0.32%, 0.43%

LAB 49.36, -11.11, -16.06

 

CMYK 65 / 19 / 0 / 36

HEX #3884A2

RGB 56 132 162

HSL 196.98, 0.49%, 0.43%

LAB 51.78, -13.79, -22.91

 

CMYK 79 / 23 / 0 / 29

HEX #268BB4

RGB 38 139 180

HSL 197.32, 0.65%, 0.43%

LAB 54.21, -14.07, -29.56

 

CMYK 89 / 26 / 0 / 22

HEX #1593C6

RGB 21 147 198

HSL 197.29, 0.81%, 0.43%

LAB 57.18, -13.45, -35.18

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 0 / 20 / 28 / 50

HEX #7F655B

RGB 127 101 91

HSL 16.67, 0.17%, 0.43%

LAB 45.05, 8.83, 9.62

 

CMYK 0 / 35 / 50 / 43

HEX #915E49

RGB 145 94 73

HSL 17.5, 0.33%, 0.43%

LAB 44.95, 18.34, 20.58

 

CMYK 0 / 47 / 66 / 36

HEX #A35638

RGB 163 86 56

HSL 16.82, 0.49%, 0.43%

LAB 45.26, 29.05, 31.35

 

CMYK 28 / 0 / 7 / 50

HEX #5C7F76

RGB 92 127 118

HSL 164.57, 0.16%, 0.43%

LAB 50.41, -14.41, 0.89

 

CMYK 28 / 1 / 0 / 50

HEX #5C7E7F

RGB 92 126 127

HSL 181.71, 0.16%, 0.43%

LAB 50.37, -11.7, -4.45

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 28 / 16 / 0 / 50

HEX #5C6B7F

RGB 92 107 127

HSL 214.29, 0.16%, 0.43%

LAB 44.69, -0.72, -12.95

 

CMYK 28 / 23 / 0 / 50

HEX #5C627F

RGB 92 98 127

HSL 229.71, 0.16%, 0.43%

LAB 42.07, 4.74, -16.95

 

CMYK 28 / 8 / 0 / 69

HEX #39494F

RGB 57 73 79

HSL 196.36, 0.16%, 0.27%

LAB 29.91, -4.71, -5.66

 

CMYK 28 / 8 / 0 / 60

HEX #4A5F67

RGB 74 95 103

HSL 196.55, 0.16%, 0.35%

LAB 38.93, -5.84, -7.16

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 27 / 8 / 0 / 41

HEX #6E8A96

RGB 110 138 150

HSL 198, 0.16%, 0.51%

LAB 55.78, -7.01, -9.65

 

CMYK 20 / 5 / 0 / 35

HEX #869EA7

RGB 134 158 167

HSL 196.36, 0.16%, 0.59%

LAB 63.6, -6.37, -7.49

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 14 / 28 / 0 / 50

HEX #6D5C7F

RGB 109 92 127

HSL 269.14, 0.16%, 0.43%

LAB 41.9, 14.25, -17.07

 

CMYK 0 / 3 / 28 / 50

HEX #7F7B5C

RGB 127 123 92

HSL 53.14, 0.16%, 0.43%

LAB 51.21, -3.81, 17.54

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 0 / 28 / 8 / 50

HEX #7F5C75

RGB 127 92 117

HSL 317.14, 0.16%, 0.43%

LAB 43.43, 18.68, -8.49

 

CMYK 8 / 0 / 28 / 50

HEX #757F5C

RGB 117 127 92

HSL 77.14, 0.16%, 0.43%

LAB 51.53, -10.17, 17.84

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 14 / 28 / 0 / 50

HEX #6D5C7F

RGB 109 92 127

HSL 269.14, 0.16%, 0.43%

LAB 41.9, 14.25, -17.07

 

CMYK 0 / 20 / 28 / 50

HEX #7F665C

RGB 127 102 92

HSL 17.14, 0.16%, 0.43%

LAB 45.34, 8.39, 9.43

 

CMYK 13 / 0 / 28 / 50

HEX #6E7F5C

RGB 110 127 92

HSL 89.14, 0.16%, 0.43%

LAB 51, -12.98, 17.02

 

CMYK 28 / 8 / 0 / 50

HEX #5C757F

RGB 92 117 127

HSL 197.14, 0.16%, 0.43%

LAB 47.66, -6.59, -8.48

 

CMYK 6 / 28 / 0 / 50

HEX #775C7F

RGB 119 92 127

HSL 286.29, 0.16%, 0.43%

LAB 42.93, 17.79, -15.41

 

CMYK 0 / 20 / 28 / 50

HEX #7F665C

RGB 127 102 92

HSL 17.14, 0.16%, 0.43%

LAB 45.34, 8.39, 9.43

 

CMYK 22 / 0 / 28 / 50

HEX #637F5C

RGB 99 127 92

HSL 108, 0.16%, 0.43%

LAB 50.22, -17.25, 15.84

 

Description

Color code: RGB 92 117 127 | qconv.com Color code: RGB 92 117 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 117 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 117 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 8 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 8% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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