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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 139 92 it is the complementary color RGB 163 116 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 139 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 139 92 shade: RGB 97 139 87, RGB 114 157 106, RGB 131 175 125, RGB 148 193 144 and RGB 165 211 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 139 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 139 92 shade: RGB 92 139 92, RGB 75 121 73, RGB 58 103 54, RGB 41 85 35 and RGB 24 67 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 139 92 shade: RGB 91 137 91, RGB 104 137 91, RGB 116 137 91, RGB 128 137 91 and RGB 137 134 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 139 92 shade: RGB 91 137 91, RGB 91 137 104, RGB 91 137 116, RGB 91 137 128 and RGB 91 134 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 139 92 shade matches the following richer shades: RGB 91 137 91, RGB 73 156 73, RGB 54 174 54, RGB 36 193 36 and RGB 17 211 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 139 92 shade: RGB 91 137 91, RGB 110 119 110, RGB 128 100 128, RGB 147 82 147 and RGB 166 63 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 139 92 shade: RGB 116 137 91, RGB 104 137 91, RGB 91 137 91, RGB 91 137 104 and RGB 91 137 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 139 92 shade: RGB 58 88 58, RGB 75 112 75, RGB 91 137 91, RGB 111 159 111 and RGB 136 175 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 139 92 shade: RGB 92 139 92, RGB 91 128 137 and RGB 137 91 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 139 92 shade: RGB 92 139 92, RGB 91 91 137 and RGB 137 91 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 139 92 shade: RGB 92 139 92, RGB 91 128 137, RGB 137 91 137 and RGB 137 100 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 139 92 shade: RGB 92 139 92, RGB 91 114 137, RGB 137 91 137 and RGB 137 114 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

Complementary color

CMYK 0 / 29 / 0 / 36

HEX #A374A3

RGB 163 116 163

HSL 300, 0.2%, 0.55%

LAB 54.99, 26.54, -17.92

 

CMYK 30 / 0 / 37 / 45

HEX #618B57

RGB 97 139 87

HSL 108.46, 0.23%, 0.44%

LAB 53.7, -25.04, 23.32

 

CMYK 27 / 0 / 32 / 38

HEX #729D6A

RGB 114 157 106

HSL 110.59, 0.21%, 0.52%

LAB 60.54, -24.82, 22.12

 

CMYK 25 / 0 / 29 / 31

HEX #83AF7D

RGB 131 175 125

HSL 112.8, 0.24%, 0.59%

LAB 67.25, -24.61, 21

 

CMYK 23 / 0 / 25 / 24

HEX #94C190

RGB 148 193 144

HSL 115.1, 0.28%, 0.66%

LAB 73.84, -24.4, 19.96

 

CMYK 22 / 0 / 23 / 17

HEX #A5D3A3

RGB 165 211 163

HSL 117.5, 0.35%, 0.73%

LAB 80.31, -24.22, 18.97

 

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

CMYK 38 / 0 / 40 / 53

HEX #4B7949

RGB 75 121 73

HSL 117.5, 0.25%, 0.38%

LAB 46.51, -26.23, 21.48

 

CMYK 44 / 0 / 48 / 60

HEX #3A6736

RGB 58 103 54

HSL 115.1, 0.31%, 0.31%

LAB 39.35, -26.44, 22.85

 

CMYK 52 / 0 / 59 / 67

HEX #295523

RGB 41 85 35

HSL 112.8, 0.42%, 0.24%

LAB 32.01, -26.51, 24.29

 

CMYK 64 / 0 / 76 / 74

HEX #184310

RGB 24 67 16

HSL 110.59, 0.61%, 0.16%

LAB 24.47, -26.18, 25.52

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 24 / 0 / 34 / 46

HEX #68895B

RGB 104 137 91

HSL 103.04, 0.2%, 0.45%

LAB 53.59, -20.79, 21.01

 

CMYK 15 / 0 / 34 / 46

HEX #74895B

RGB 116 137 91

HSL 87.39, 0.2%, 0.45%

LAB 54.41, -16.15, 22.25

 

CMYK 7 / 0 / 34 / 46

HEX #80895B

RGB 128 137 91

HSL 71.74, 0.2%, 0.45%

LAB 55.31, -11.31, 23.62

 

CMYK 0 / 2 / 34 / 46

HEX #89865B

RGB 137 134 91

HSL 56.09, 0.2%, 0.45%

LAB 55.2, -5.93, 23.6

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 34 / 0 / 24 / 46

HEX #5B8968

RGB 91 137 104

HSL 136.96, 0.2%, 0.45%

LAB 53.08, -23.05, 12.81

 

CMYK 34 / 0 / 15 / 46

HEX #5B8974

RGB 91 137 116

HSL 152.61, 0.2%, 0.45%

LAB 53.36, -20.53, 6.31

 

CMYK 34 / 0 / 7 / 46

HEX #5B8980

RGB 91 137 128

HSL 168.26, 0.2%, 0.45%

LAB 53.68, -17.77, -0.17

 

CMYK 34 / 2 / 0 / 46

HEX #5B8689

RGB 91 134 137

HSL 183.91, 0.2%, 0.45%

LAB 53.04, -13.92, -6.34

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 53 / 0 / 53 / 39

HEX #499C49

RGB 73 156 73

HSL 120, 0.36%, 0.45%

LAB 57.73, -42.64, 35.62

 

CMYK 69 / 0 / 69 / 32

HEX #36AE36

RGB 54 174 54

HSL 120, 0.53%, 0.45%

LAB 62.78, -56.08, 49.94

 

CMYK 81 / 0 / 81 / 24

HEX #24C124

RGB 36 193 36

HSL 120, 0.69%, 0.45%

LAB 68.49, -66.22, 61.67

 

CMYK 92 / 0 / 92 / 17

HEX #11D311

RGB 17 211 17

HSL 120, 0.85%, 0.45%

LAB 74.03, -73.67, 70.39

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 8 / 0 / 8 / 53

HEX #6E776E

RGB 110 119 110

HSL 120, 0.04%, 0.45%

LAB 49.05, -5.22, 3.79

 

CMYK 0 / 22 / 0 / 50

HEX #806480

RGB 128 100 128

HSL 300, 0.12%, 0.45%

LAB 45.99, 16.46, -11.28

 

CMYK 0 / 44 / 0 / 42

HEX #935293

RGB 147 82 147

HSL 300, 0.28%, 0.45%

LAB 44.72, 37.22, -24.43

 

CMYK 0 / 62 / 0 / 35

HEX #A63FA6

RGB 166 63 166

HSL 300, 0.45%, 0.45%

LAB 44.82, 55.55, -35.42

 

CMYK 15 / 0 / 34 / 46

HEX #74895B

RGB 116 137 91

HSL 87.39, 0.2%, 0.45%

LAB 54.41, -16.15, 22.25

 

CMYK 24 / 0 / 34 / 46

HEX #68895B

RGB 104 137 91

HSL 103.04, 0.2%, 0.45%

LAB 53.59, -20.79, 21.01

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 34 / 0 / 24 / 46

HEX #5B8968

RGB 91 137 104

HSL 136.96, 0.2%, 0.45%

LAB 53.08, -23.05, 12.81

 

CMYK 34 / 0 / 15 / 46

HEX #5B8974

RGB 91 137 116

HSL 152.61, 0.2%, 0.45%

LAB 53.36, -20.53, 6.31

 

CMYK 34 / 0 / 34 / 65

HEX #3A583A

RGB 58 88 58

HSL 120, 0.21%, 0.29%

LAB 34.36, -18.02, 13.96

 

CMYK 33 / 0 / 33 / 56

HEX #4B704B

RGB 75 112 75

HSL 120, 0.2%, 0.37%

LAB 43.64, -21.31, 16.51

 

CMYK 34 / 0 / 34 / 46

HEX #5B895B

RGB 91 137 91

HSL 120, 0.2%, 0.45%

LAB 52.81, -25.5, 19.83

 

CMYK 30 / 0 / 30 / 38

HEX #6F9F6F

RGB 111 159 111

HSL 120, 0.2%, 0.53%

LAB 61.07, -26.01, 20.04

 

CMYK 22 / 0 / 22 / 31

HEX #88AF88

RGB 136 175 136

HSL 120, 0.2%, 0.61%

LAB 67.78, -20.95, 15.79

 

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

CMYK 34 / 7 / 0 / 46

HEX #5B8089

RGB 91 128 137

HSL 191.74, 0.2%, 0.45%

LAB 51.23, -10.59, -9.04

 

CMYK 0 / 34 / 20 / 46

HEX #895B6E

RGB 137 91 110

HSL 335.22, 0.2%, 0.45%

LAB 44.13, 21.84, -3.07

 

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

CMYK 34 / 34 / 0 / 46

HEX #5B5B89

RGB 91 91 137

HSL 240, 0.2%, 0.45%

LAB 40.43, 11.51, -25.54

 

CMYK 0 / 34 / 34 / 46

HEX #895B5B

RGB 137 91 91

HSL 0, 0.2%, 0.45%

LAB 43.59, 18.92, 7.73

 

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

CMYK 34 / 7 / 0 / 46

HEX #5B8089

RGB 91 128 137

HSL 191.74, 0.2%, 0.45%

LAB 51.23, -10.59, -9.04

 

CMYK 0 / 34 / 0 / 46

HEX #895B89

RGB 137 91 137

HSL 300, 0.2%, 0.45%

LAB 45.09, 26.82, -17.96

 

CMYK 0 / 27 / 34 / 46

HEX #89645B

RGB 137 100 91

HSL 11.74, 0.2%, 0.45%

LAB 45.89, 13.62, 10.96

 

CMYK 34 / 0 / 34 / 45

HEX #5C8B5C

RGB 92 139 92

HSL 120, 0.2%, 0.45%

LAB 53.51, -25.97, 20.22

 

CMYK 34 / 17 / 0 / 46

HEX #5B7289

RGB 91 114 137

HSL 210, 0.2%, 0.45%

LAB 47.06, -2.53, -15.33

 

CMYK 0 / 34 / 0 / 46

HEX #895B89

RGB 137 91 137

HSL 300, 0.2%, 0.45%

LAB 45.09, 26.82, -17.96

 

CMYK 0 / 17 / 34 / 46

HEX #89725B

RGB 137 114 91

HSL 30, 0.2%, 0.45%

LAB 49.63, 5.43, 16.12

 

Description

Color code: RGB 92 139 92 | qconv.com Color code: RGB 92 139 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 139 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 139 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 34 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 34% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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