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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 154 49 it is the complementary color RGB 163 101 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 154 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 154 49 shade: RGB 97 154 44, RGB 114 172 63, RGB 131 190 82, RGB 148 208 101 and RGB 165 226 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 154 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 154 49 shade: RGB 92 154 49, RGB 75 136 30, RGB 58 118 11, RGB 41 100 0 and RGB 24 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 154 49 shade: RGB 92 155 48, RGB 121 155 48, RGB 149 155 48, RGB 155 131 48 and RGB 155 103 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 154 49 shade: RGB 92 155 48, RGB 63 155 48, RGB 48 155 62, RGB 48 155 91 and RGB 48 155 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 154 49 shade matches the following richer shades: RGB 92 155 48, RGB 89 171 32 and RGB 86 188 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 154 49 shade: RGB 92 155 48, RGB 95 138 65, RGB 98 122 81, RGB 101 105 98 and RGB 104 89 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 154 49 shade: RGB 149 155 48, RGB 121 155 48, RGB 93 155 48, RGB 64 155 48 and RGB 48 155 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 154 49 shade: RGB 55 92 29, RGB 73 123 39, RGB 92 155 48, RGB 111 186 58 and RGB 132 201 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 154 49 shade: RGB 92 154 49, RGB 48 155 132 and RGB 155 48 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 154 49 shade: RGB 92 154 49, RGB 48 93 155 and RGB 155 48 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 154 49 shade: RGB 92 154 49, RGB 48 155 132, RGB 110 48 155 and RGB 155 48 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 154 49 shade: RGB 92 154 49, RGB 48 146 155, RGB 110 48 155 and RGB 155 57 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

Complementary color

CMYK 21 / 51 / 0 / 19

HEX #A365CE

RGB 163 101 206

HSL 275.43, 0.52%, 0.6%

LAB 53.55, 44.03, -44.9

 

CMYK 37 / 0 / 71 / 40

HEX #619A2C

RGB 97 154 44

HSL 91.09, 0.56%, 0.39%

LAB 57.88, -37.07, 49.31

 

CMYK 34 / 0 / 63 / 33

HEX #72AC3F

RGB 114 172 63

HSL 91.93, 0.46%, 0.46%

LAB 64.52, -37.34, 48.69

 

CMYK 31 / 0 / 57 / 25

HEX #83BE52

RGB 131 190 82

HSL 92.78, 0.45%, 0.53%

LAB 71.05, -37.47, 47.73

 

CMYK 29 / 0 / 51 / 18

HEX #94D065

RGB 148 208 101

HSL 93.64, 0.53%, 0.61%

LAB 77.49, -37.5, 46.63

 

CMYK 27 / 0 / 47 / 11

HEX #A5E278

RGB 165 226 120

HSL 94.53, 0.65%, 0.68%

LAB 83.83, -37.46, 45.49

 

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

CMYK 45 / 0 / 78 / 47

HEX #4B881E

RGB 75 136 30

HSL 94.53, 0.64%, 0.33%

LAB 50.92, -38.02, 47.24

 

CMYK 51 / 0 / 91 / 54

HEX #3A760B

RGB 58 118 11

HSL 93.64, 0.83%, 0.25%

LAB 44.06, -37.2, 46.26

 

CMYK 59 / 0 / 100 / 61

HEX #296400

RGB 41 100 0

HSL 95.4, 1%, 0.2%

LAB 37.09, -35.77, 42.94

 

CMYK 71 / 0 / 100 / 68

HEX #185200

RGB 24 82 0

HSL 102.44, 1%, 0.16%

LAB 29.98, -33.55, 37.07

 

CMYK 41 / 0 / 69 / 39

HEX #5C9B30

RGB 92 155 48

HSL 95.33, 0.53%, 0.4%

LAB 57.97, -38.97, 47.71

 

CMYK 22 / 0 / 69 / 39

HEX #799B30

RGB 121 155 48

HSL 79.07, 0.53%, 0.4%

LAB 59.64, -27.93, 49.96

 

CMYK 4 / 0 / 69 / 39

HEX #959B30

RGB 149 155 48

HSL 63.36, 0.53%, 0.4%

LAB 61.69, -16.03, 52.72

 

CMYK 0 / 15 / 69 / 39

HEX #9B8330

RGB 155 131 48

HSL 46.54, 0.53%, 0.4%

LAB 55.5, -0.4, 46.54

 

CMYK 0 / 34 / 69 / 39

HEX #9B6730

RGB 155 103 48

HSL 30.84, 0.53%, 0.4%

LAB 48.11, 15.5, 38.64

 

CMYK 41 / 0 / 69 / 39

HEX #5C9B30

RGB 92 155 48

HSL 95.33, 0.53%, 0.4%

LAB 57.97, -38.97, 47.71

 

CMYK 59 / 0 / 69 / 39

HEX #3F9B30

RGB 63 155 48

HSL 111.59, 0.53%, 0.4%

LAB 56.79, -47.81, 46.11

 

CMYK 69 / 0 / 60 / 39

HEX #309B3E

RGB 48 155 62

HSL 127.85, 0.53%, 0.4%

LAB 56.5, -49.66, 39.39

 

CMYK 69 / 0 / 41 / 39

HEX #309B5B

RGB 48 155 91

HSL 144.11, 0.53%, 0.4%

LAB 56.91, -45.08, 24.98

 

CMYK 69 / 0 / 23 / 39

HEX #309B77

RGB 48 155 119

HSL 159.81, 0.53%, 0.4%

LAB 57.47, -39.04, 10.2

 

CMYK 41 / 0 / 69 / 39

HEX #5C9B30

RGB 92 155 48

HSL 95.33, 0.53%, 0.4%

LAB 57.97, -38.97, 47.71

 

CMYK 48 / 0 / 81 / 33

HEX #59AB20

RGB 89 171 32

HSL 95.4, 0.68%, 0.4%

LAB 62.81, -47.61, 58.03

 

CMYK 54 / 0 / 92 / 26

HEX #56BC0F

RGB 86 188 15

HSL 95.38, 0.85%, 0.4%

LAB 68.01, -55.53, 66.16

 

CMYK 41 / 0 / 69 / 39

HEX #5C9B30

RGB 92 155 48

HSL 95.33, 0.53%, 0.4%

LAB 57.97, -38.97, 47.71

 

CMYK 31 / 0 / 53 / 46

HEX #5F8A41

RGB 95 138 65

HSL 95.34, 0.36%, 0.4%

LAB 52.94, -28.39, 34.15

 

CMYK 20 / 0 / 34 / 52

HEX #627A51

RGB 98 122 81

HSL 95.12, 0.2%, 0.4%

LAB 48.4, -16.82, 19.68

 

CMYK 4 / 0 / 7 / 59

HEX #656962

RGB 101 105 98

HSL 94.29, 0.03%, 0.4%

LAB 43.87, -2.98, 3.39

 

CMYK 9 / 22 / 0 / 55

HEX #685972

RGB 104 89 114

HSL 276, 0.12%, 0.4%

LAB 40.09, 11.28, -11.94

 

CMYK 4 / 0 / 69 / 39

HEX #959B30

RGB 149 155 48

HSL 63.36, 0.53%, 0.4%

LAB 61.69, -16.03, 52.72

 

CMYK 22 / 0 / 69 / 39

HEX #799B30

RGB 121 155 48

HSL 79.07, 0.53%, 0.4%

LAB 59.64, -27.93, 49.96

 

CMYK 40 / 0 / 69 / 39

HEX #5D9B30

RGB 93 155 48

HSL 94.77, 0.53%, 0.4%

LAB 58.02, -38.63, 47.78

 

CMYK 59 / 0 / 69 / 39

HEX #409B30

RGB 64 155 48

HSL 111.03, 0.53%, 0.4%

LAB 56.83, -47.55, 46.15

 

CMYK 69 / 0 / 61 / 39

HEX #309B3D

RGB 48 155 61

HSL 127.29, 0.53%, 0.4%

LAB 56.49, -49.79, 39.85

 

CMYK 40 / 0 / 68 / 64

HEX #375C1D

RGB 55 92 29

HSL 95.24, 0.52%, 0.24%

LAB 35.11, -25.47, 31.15

 

CMYK 41 / 0 / 68 / 52

HEX #497B27

RGB 73 123 39

HSL 95.71, 0.52%, 0.32%

LAB 46.62, -32.32, 39.23

 

CMYK 41 / 0 / 69 / 39

HEX #5C9B30

RGB 92 155 48

HSL 95.33, 0.53%, 0.4%

LAB 57.97, -38.97, 47.71

 

CMYK 40 / 0 / 69 / 27

HEX #6FBA3A

RGB 111 186 58

HSL 95.16, 0.52%, 0.48%

LAB 68.61, -44.85, 55.1

 

CMYK 34 / 0 / 58 / 21

HEX #84C955

RGB 132 201 85

HSL 95.69, 0.52%, 0.56%

LAB 74.4, -41.68, 50.24

 

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

CMYK 69 / 0 / 15 / 39

HEX #309B84

RGB 48 155 132

HSL 167.1, 0.53%, 0.4%

LAB 57.79, -35.75, 3.3

 

CMYK 0 / 69 / 13 / 39

HEX #9B3087

RGB 155 48 135

HSL 311.21, 0.53%, 0.4%

LAB 39.3, 53.74, -25.5

 

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

CMYK 69 / 40 / 0 / 39

HEX #305D9B

RGB 48 93 155

HSL 214.77, 0.53%, 0.4%

LAB 39.28, 5.74, -38.37

 

CMYK 0 / 69 / 40 / 39

HEX #9B305D

RGB 155 48 93

HSL 334.77, 0.53%, 0.4%

LAB 37.61, 48.12, -1.8

 

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

CMYK 69 / 0 / 15 / 39

HEX #309B84

RGB 48 155 132

HSL 167.1, 0.53%, 0.4%

LAB 57.79, -35.75, 3.3

 

CMYK 29 / 69 / 0 / 39

HEX #6E309B

RGB 110 48 155

HSL 274.77, 0.53%, 0.4%

LAB 33.55, 46.66, -47.27

 

CMYK 0 / 69 / 54 / 39

HEX #9B3047

RGB 155 48 71

HSL 347.1, 0.53%, 0.4%

LAB 37, 45.97, 11.36

 

CMYK 40 / 0 / 68 / 40

HEX #5C9A31

RGB 92 154 49

HSL 95.43, 0.52%, 0.4%

LAB 57.66, -38.46, 46.97

 

CMYK 69 / 6 / 0 / 39

HEX #30929B

RGB 48 146 155

HSL 185.05, 0.53%, 0.4%

LAB 55.64, -24.8, -13.02

 

CMYK 29 / 69 / 0 / 39

HEX #6E309B

RGB 110 48 155

HSL 274.77, 0.53%, 0.4%

LAB 33.55, 46.66, -47.27

 

CMYK 0 / 63 / 69 / 39

HEX #9B3930

RGB 155 57 48

HSL 5.05, 0.53%, 0.4%

LAB 38.04, 40.34, 27.07

 

Description

Color code: RGB 92 154 49 | qconv.com Color code: RGB 92 154 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 154 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 154 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 68 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 68% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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