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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 15 217 it is the complementary color RGB 163 240 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 15 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 15 217 shade: RGB 97 15 212, RGB 114 33 231, RGB 131 51 250, RGB 148 69 255 and RGB 165 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 15 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 15 217 shade: RGB 92 15 217, RGB 75 0 198, RGB 58 0 179, RGB 41 0 160 and RGB 24 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 15 217 shade: RGB 91 14 214, RGB 144 14 214, RGB 198 14 214, RGB 214 14 176 and RGB 214 14 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 15 217 shade: RGB 91 14 214, RGB 37 14 214 and RGB 14 14 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 15 217 shade matches the following richer shades: RGB 91 14 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 15 217 shade: RGB 91 14 214, RGB 95 33 196, RGB 99 52 177, RGB 104 70 158 and RGB 108 89 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 15 217 shade: RGB 14 48 214, RGB 34 14 214, RGB 88 14 214, RGB 141 14 214 and RGB 194 14 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 15 217 shade: RGB 58 9 137, RGB 74 12 176, RGB 91 14 214, RGB 110 31 239 and RGB 135 69 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 15 217 shade: RGB 92 15 217, RGB 214 14 101 and RGB 21 214 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 15 217 shade: RGB 92 15 217, RGB 214 88 14 and RGB 14 214 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 15 217 shade: RGB 92 15 217, RGB 214 14 101, RGB 141 214 14 and RGB 14 214 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 15 217 shade: RGB 92 15 217, RGB 214 14 41, RGB 141 214 14 and RGB 14 214 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

Complementary color

CMYK 32 / 0 / 84 / 6

HEX #A3F026

RGB 163 240 38

HSL 82.87, 0.87%, 0.55%

LAB 87.12, -50.17, 79.47

 

CMYK 54 / 93 / 0 / 17

HEX #610FD4

RGB 97 15 212

HSL 264.97, 0.87%, 0.45%

LAB 33.21, 69.5, -81.69

 

CMYK 51 / 86 / 0 / 9

HEX #7221E7

RGB 114 33 231

HSL 264.55, 0.8%, 0.52%

LAB 38.61, 71.17, -83.61

 

CMYK 48 / 80 / 0 / 2

HEX #8333FA

RGB 131 51 250

HSL 264.12, 0.95%, 0.59%

LAB 44.37, 71.68, -84.79

 

CMYK 42 / 73 / 0 / 0

HEX #9445FF

RGB 148 69 255

HSL 265.48, 1%, 0.64%

LAB 49.22, 68.13, -79.55

 

CMYK 35 / 66 / 0 / 0

HEX #A557FF

RGB 165 87 255

HSL 267.86, 1%, 0.67%

LAB 54.06, 63, -71.58

 

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

CMYK 62 / 100 / 0 / 22

HEX #4B00C6

RGB 75 0 198

HSL 262.73, 1%, 0.39%

LAB 28.31, 67.25, -81.73

 

CMYK 68 / 100 / 0 / 30

HEX #3A00B3

RGB 58 0 179

HSL 259.44, 1%, 0.35%

LAB 24.17, 61.94, -77.39

 

CMYK 74 / 100 / 0 / 37

HEX #2900A0

RGB 41 0 160

HSL 255.38, 1%, 0.31%

LAB 20.08, 56.62, -72.75

 

CMYK 83 / 100 / 0 / 45

HEX #18008D

RGB 24 0 141

HSL 250.21, 1%, 0.28%

LAB 16.09, 51.3, -67.68

 

CMYK 57 / 93 / 0 / 16

HEX #5B0ED6

RGB 91 14 214

HSL 263.1, 0.88%, 0.45%

LAB 32.69, 69.68, -83.74

 

CMYK 33 / 93 / 0 / 16

HEX #900ED6

RGB 144 14 214

HSL 279, 0.88%, 0.45%

LAB 39.75, 74.85, -71.86

 

CMYK 7 / 93 / 0 / 16

HEX #C60ED6

RGB 198 14 214

HSL 295.2, 0.88%, 0.45%

LAB 48.48, 82.43, -57.28

 

CMYK 0 / 93 / 18 / 16

HEX #D60EB0

RGB 214 14 176

HSL 311.4, 0.88%, 0.45%

LAB 49.19, 79.87, -33.91

 

CMYK 0 / 93 / 43 / 16

HEX #D60E7A

RGB 214 14 122

HSL 327.6, 0.88%, 0.45%

LAB 46.99, 74.12, -4.79

 

CMYK 57 / 93 / 0 / 16

HEX #5B0ED6

RGB 91 14 214

HSL 263.1, 0.88%, 0.45%

LAB 32.69, 69.68, -83.74

 

CMYK 83 / 93 / 0 / 16

HEX #250ED6

RGB 37 14 214

HSL 246.9, 0.88%, 0.45%

LAB 28.28, 67.13, -91.19

 

CMYK 93 / 93 / 0 / 16

HEX #0E0ED6

RGB 14 14 214

HSL 240, 0.88%, 0.45%

LAB 27.47, 66.73, -92.57

 

CMYK 57 / 93 / 0 / 16

HEX #5B0ED6

RGB 91 14 214

HSL 263.1, 0.88%, 0.45%

LAB 32.69, 69.68, -83.74

 

CMYK 57 / 93 / 0 / 16

HEX #5B0ED6

RGB 91 14 214

HSL 263.1, 0.88%, 0.45%

LAB 32.69, 69.68, -83.74

 

CMYK 52 / 83 / 0 / 23

HEX #5F21C4

RGB 95 33 196

HSL 262.82, 0.71%, 0.45%

LAB 32.93, 60.64, -72.83

 

CMYK 44 / 71 / 0 / 31

HEX #6334B1

RGB 99 52 177

HSL 262.56, 0.55%, 0.45%

LAB 34.57, 48.04, -58.91

 

CMYK 34 / 56 / 0 / 38

HEX #68469E

RGB 104 70 158

HSL 263.18, 0.39%, 0.45%

LAB 37.47, 34.04, -42.83

 

CMYK 23 / 36 / 0 / 45

HEX #6C598C

RGB 108 89 140

HSL 262.35, 0.22%, 0.45%

LAB 41.57, 18.94, -25.46

 

CMYK 93 / 78 / 0 / 16

HEX #0E30D6

RGB 14 48 214

HSL 229.8, 0.88%, 0.45%

LAB 31.95, 53.4, -85.11

 

CMYK 84 / 93 / 0 / 16

HEX #220ED6

RGB 34 14 214

HSL 246, 0.88%, 0.45%

LAB 28.14, 67.06, -91.43

 

CMYK 59 / 93 / 0 / 16

HEX #580ED6

RGB 88 14 214

HSL 262.2, 0.88%, 0.45%

LAB 32.36, 69.47, -84.3

 

CMYK 34 / 93 / 0 / 16

HEX #8D0ED6

RGB 141 14 214

HSL 278.1, 0.88%, 0.45%

LAB 39.3, 74.49, -72.62

 

CMYK 9 / 93 / 0 / 16

HEX #C20ED6

RGB 194 14 214

HSL 294, 0.88%, 0.45%

LAB 47.8, 81.81, -58.41

 

CMYK 58 / 93 / 0 / 46

HEX #3A0989

RGB 58 9 137

HSL 262.97, 0.88%, 0.29%

LAB 19.64, 49.33, -59.18

 

CMYK 58 / 93 / 0 / 31

HEX #4A0CB0

RGB 74 12 176

HSL 262.68, 0.87%, 0.37%

LAB 26.31, 59.73, -71.99

 

CMYK 57 / 93 / 0 / 16

HEX #5B0ED6

RGB 91 14 214

HSL 263.1, 0.88%, 0.45%

LAB 32.69, 69.68, -83.74

 

CMYK 54 / 87 / 0 / 6

HEX #6E1FEF

RGB 110 31 239

HSL 262.79, 0.87%, 0.53%

LAB 38.77, 73.22, -87.9

 

CMYK 44 / 71 / 0 / 5

HEX #8745F2

RGB 135 69 242

HSL 262.89, 0.87%, 0.61%

LAB 46.73, 62.86, -76.41

 

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

CMYK 0 / 93 / 53 / 16

HEX #D60E65

RGB 214 14 101

HSL 333.9, 0.88%, 0.45%

LAB 46.38, 72.46, 7.28

 

CMYK 90 / 0 / 93 / 16

HEX #15D60E

RGB 21 214 14

HSL 117.9, 0.88%, 0.45%

LAB 75, -74.33, 71.6

 

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

CMYK 0 / 59 / 93 / 16

HEX #D6580E

RGB 214 88 14

HSL 22.2, 0.88%, 0.45%

LAB 53.28, 46.64, 59.88

 

CMYK 93 / 0 / 59 / 16

HEX #0ED658

RGB 14 214 88

HSL 142.2, 0.88%, 0.45%

LAB 75.38, -69.36, 49.23

 

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

CMYK 0 / 93 / 53 / 16

HEX #D60E65

RGB 214 14 101

HSL 333.9, 0.88%, 0.45%

LAB 46.38, 72.46, 7.28

 

CMYK 34 / 0 / 93 / 16

HEX #8DD60E

RGB 141 214 14

HSL 81.9, 0.88%, 0.45%

LAB 78.34, -47.87, 75.7

 

CMYK 93 / 0 / 40 / 16

HEX #0ED680

RGB 14 214 128

HSL 154.2, 0.88%, 0.45%

LAB 75.91, -62.99, 30.47

 

CMYK 58 / 93 / 0 / 15

HEX #5C0FD9

RGB 92 15 217

HSL 262.87, 0.87%, 0.45%

LAB 33.19, 70.27, -84.63

 

CMYK 0 / 93 / 81 / 16

HEX #D60E29

RGB 214 14 41

HSL 351.9, 0.88%, 0.45%

LAB 45.32, 69.53, 42.39

 

CMYK 34 / 0 / 93 / 16

HEX #8DD60E

RGB 141 214 14

HSL 81.9, 0.88%, 0.45%

LAB 78.34, -47.87, 75.7

 

CMYK 93 / 0 / 13 / 16

HEX #0ED6BB

RGB 14 214 187

HSL 171.9, 0.88%, 0.45%

LAB 77.15, -49.37, 1.07

 

Description

Color code: RGB 92 15 217 | qconv.com Color code: RGB 92 15 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 15 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 15 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 93 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 93% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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