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Color name
RGB 92 195 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 195 146 it is the complementary color RGB 163 60 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 195 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 195 146 shade: RGB 97 195 141, RGB 114 213 160, RGB 131 231 179, RGB 148 249 198 and RGB 165 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 195 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 195 146 shade: RGB 92 195 146, RGB 75 177 127, RGB 58 159 108, RGB 41 141 89 and RGB 24 123 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 195 146 shade: RGB 91 194 145, RGB 91 194 117, RGB 92 194 91, RGB 120 194 91 and RGB 148 194 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 195 146 shade: RGB 91 194 145, RGB 91 194 173, RGB 91 187 194, RGB 91 160 194 and RGB 91 132 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 195 146 shade matches the following richer shades: RGB 91 194 145, RGB 73 212 146, RGB 54 230 147 and RGB 36 248 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 195 146 shade: RGB 91 194 145, RGB 109 176 144, RGB 127 158 143, RGB 145 139 142 and RGB 163 121 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 195 146 shade: RGB 92 194 91, RGB 91 194 116, RGB 91 194 144, RGB 91 194 172 and RGB 91 189 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 195 146 shade: RGB 54 148 103, RGB 65 178 124, RGB 91 194 145, RGB 121 205 165 and RGB 151 216 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 195 146 shade: RGB 92 195 146, RGB 91 120 194 and RGB 194 103 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 195 146 shade: RGB 92 195 146, RGB 144 91 194 and RGB 194 144 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 195 146 shade: RGB 92 195 146, RGB 91 120 194, RGB 194 91 141 and RGB 194 165 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 195 146 shade: RGB 92 195 146, RGB 92 91 194, RGB 194 91 141 and RGB 192 194 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

Complementary color

CMYK 0 / 63 / 33 / 36

HEX #A33C6D

RGB 163 60 109

HSL 331.46, 0.46%, 0.44%

LAB 41.41, 47.34, -6.07

 

CMYK 50 / 0 / 28 / 24

HEX #61C38D

RGB 97 195 141

HSL 146.94, 0.45%, 0.57%

LAB 71.89, -41.25, 18.49

 

CMYK 46 / 0 / 25 / 16

HEX #72D5A0

RGB 114 213 160

HSL 147.88, 0.54%, 0.64%

LAB 78.29, -41.08, 17.36

 

CMYK 43 / 0 / 23 / 9

HEX #83E7B3

RGB 131 231 179

HSL 148.8, 0.68%, 0.71%

LAB 84.6, -40.86, 16.31

 

CMYK 41 / 0 / 20 / 2

HEX #94F9C6

RGB 148 249 198

HSL 149.7, 0.89%, 0.78%

LAB 90.84, -40.64, 15.33

 

CMYK 35 / 0 / 15 / 0

HEX #A5FFD9

RGB 165 255 217

HSL 154.67, 1%, 0.82%

LAB 93.68, -34.97, 9.69

 

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

CMYK 58 / 0 / 28 / 31

HEX #4BB17F

RGB 75 177 127

HSL 150.59, 0.4%, 0.49%

LAB 65.34, -41.49, 16.88

 

CMYK 64 / 0 / 32 / 38

HEX #3A9F6C

RGB 58 159 108

HSL 149.7, 0.47%, 0.43%

LAB 58.77, -41.4, 18.2

 

CMYK 71 / 0 / 37 / 45

HEX #298D59

RGB 41 141 89

HSL 148.8, 0.55%, 0.36%

LAB 52.11, -41.07, 19.68

 

CMYK 80 / 0 / 43 / 52

HEX #187B46

RGB 24 123 70

HSL 147.88, 0.67%, 0.29%

LAB 45.36, -40.33, 21.34

 

CMYK 53 / 0 / 25 / 24

HEX #5BC291

RGB 91 194 145

HSL 151.46, 0.46%, 0.56%

LAB 71.45, -41.45, 15.7

 

CMYK 53 / 0 / 40 / 24

HEX #5BC275

RGB 91 194 117

HSL 135.15, 0.46%, 0.56%

LAB 70.93, -46.78, 29.85

 

CMYK 53 / 0 / 53 / 24

HEX #5CC25B

RGB 92 194 91

HSL 119.42, 0.46%, 0.56%

LAB 70.6, -50.42, 42.52

 

CMYK 38 / 0 / 53 / 24

HEX #78C25B

RGB 120 194 91

HSL 103.11, 0.46%, 0.56%

LAB 71.78, -42.04, 44.21

 

CMYK 24 / 0 / 53 / 24

HEX #94C25B

RGB 148 194 91

HSL 86.8, 0.46%, 0.56%

LAB 73.31, -32.14, 46.4

 

CMYK 53 / 0 / 25 / 24

HEX #5BC291

RGB 91 194 145

HSL 151.46, 0.46%, 0.56%

LAB 71.45, -41.45, 15.7

 

CMYK 53 / 0 / 11 / 24

HEX #5BC2AD

RGB 91 194 173

HSL 167.77, 0.46%, 0.56%

LAB 72.11, -35.07, 1.46

 

CMYK 53 / 4 / 0 / 24

HEX #5BBBC2

RGB 91 187 194

HSL 184.08, 0.46%, 0.56%

LAB 70.64, -26.24, -12.2

 

CMYK 53 / 18 / 0 / 24

HEX #5BA0C2

RGB 91 160 194

HSL 199.81, 0.46%, 0.56%

LAB 62.73, -12.2, -24.19

 

CMYK 53 / 32 / 0 / 24

HEX #5B84C2

RGB 91 132 194

HSL 216.12, 0.46%, 0.56%

LAB 54.68, 3.74, -36.67

 

CMYK 53 / 0 / 25 / 24

HEX #5BC291

RGB 91 194 145

HSL 151.46, 0.46%, 0.56%

LAB 71.45, -41.45, 15.7

 

CMYK 66 / 0 / 31 / 17

HEX #49D492

RGB 73 212 146

HSL 151.51, 0.62%, 0.56%

LAB 76.42, -52.44, 21.96

 

CMYK 77 / 0 / 36 / 10

HEX #36E693

RGB 54 230 147

HSL 151.7, 0.78%, 0.56%

LAB 81.56, -61.83, 28.34

 

CMYK 85 / 0 / 41 / 3

HEX #24F893

RGB 36 248 147

HSL 151.42, 0.94%, 0.56%

LAB 86.81, -69.82, 35.27

 

CMYK 53 / 0 / 25 / 24

HEX #5BC291

RGB 91 194 145

HSL 151.46, 0.46%, 0.56%

LAB 71.45, -41.45, 15.7

 

CMYK 38 / 0 / 18 / 31

HEX #6DB090

RGB 109 176 144

HSL 151.34, 0.3%, 0.56%

LAB 66.76, -28.59, 9.75

 

CMYK 20 / 0 / 9 / 38

HEX #7F9E8F

RGB 127 158 143

HSL 150.97, 0.14%, 0.56%

LAB 62.46, -13.9, 4.29

 

CMYK 0 / 4 / 2 / 43

HEX #918B8E

RGB 145 139 142

HSL 330, 0.03%, 0.56%

LAB 58.45, 2.8, -0.81

 

CMYK 0 / 26 / 13 / 36

HEX #A3798D

RGB 163 121 141

HSL 331.43, 0.19%, 0.56%

LAB 55.47, 19.62, -4.42

 

CMYK 53 / 0 / 53 / 24

HEX #5CC25B

RGB 92 194 91

HSL 119.42, 0.46%, 0.56%

LAB 70.6, -50.42, 42.52

 

CMYK 53 / 0 / 40 / 24

HEX #5BC274

RGB 91 194 116

HSL 134.56, 0.46%, 0.56%

LAB 70.92, -46.95, 30.35

 

CMYK 53 / 0 / 26 / 24

HEX #5BC290

RGB 91 194 144

HSL 150.87, 0.46%, 0.56%

LAB 71.43, -41.66, 16.21

 

CMYK 53 / 0 / 11 / 24

HEX #5BC2AC

RGB 91 194 172

HSL 167.18, 0.46%, 0.56%

LAB 72.09, -35.31, 1.97

 

CMYK 53 / 3 / 0 / 24

HEX #5BBDC2

RGB 91 189 194

HSL 182.91, 0.46%, 0.56%

LAB 71.22, -27.23, -11.31

 

CMYK 64 / 0 / 30 / 42

HEX #369467

RGB 54 148 103

HSL 151.28, 0.47%, 0.4%

LAB 55.01, -38.57, 15.82

 

CMYK 63 / 0 / 30 / 30

HEX #41B27C

RGB 65 178 124

HSL 151.33, 0.47%, 0.48%

LAB 65.29, -44.63, 18.41

 

CMYK 53 / 0 / 25 / 24

HEX #5BC291

RGB 91 194 145

HSL 151.46, 0.46%, 0.56%

LAB 71.45, -41.45, 15.7

 

CMYK 41 / 0 / 20 / 20

HEX #79CDA5

RGB 121 205 165

HSL 151.43, 0.46%, 0.64%

LAB 76.34, -34.56, 12.01

 

CMYK 30 / 0 / 14 / 15

HEX #97D8B9

RGB 151 216 185

HSL 151.38, 0.45%, 0.72%

LAB 81.4, -27.04, 8.75

 

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

CMYK 53 / 38 / 0 / 24

HEX #5B78C2

RGB 91 120 194

HSL 223.11, 0.46%, 0.56%

LAB 51.33, 10.95, -41.95

 

CMYK 0 / 47 / 53 / 24

HEX #C2675B

RGB 194 103 91

HSL 6.99, 0.46%, 0.56%

LAB 53.95, 35.06, 23.13

 

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

CMYK 26 / 53 / 0 / 24

HEX #905BC2

RGB 144 91 194

HSL 270.87, 0.46%, 0.56%

LAB 48.64, 41.64, -45.93

 

CMYK 0 / 26 / 53 / 24

HEX #C2905B

RGB 194 144 91

HSL 30.87, 0.46%, 0.56%

LAB 63.48, 12.71, 35.36

 

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

CMYK 53 / 38 / 0 / 24

HEX #5B78C2

RGB 91 120 194

HSL 223.11, 0.46%, 0.56%

LAB 51.33, 10.95, -41.95

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8D

RGB 194 91 141

HSL 330.87, 0.46%, 0.56%

LAB 52.81, 46.82, -7.94

 

CMYK 0 / 15 / 53 / 24

HEX #C2A55B

RGB 194 165 91

HSL 43.11, 0.46%, 0.56%

LAB 68.85, 1.29, 41.93

 

CMYK 53 / 0 / 25 / 24

HEX #5CC392

RGB 92 195 146

HSL 151.46, 0.46%, 0.56%

LAB 71.81, -41.44, 15.67

 

CMYK 53 / 53 / 0 / 24

HEX #5C5BC2

RGB 92 91 194

HSL 240.58, 0.46%, 0.56%

LAB 43.73, 29.1, -54.08

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8D

RGB 194 91 141

HSL 330.87, 0.46%, 0.56%

LAB 52.81, 46.82, -7.94

 

CMYK 1 / 0 / 53 / 24

HEX #C0C25B

RGB 192 194 91

HSL 61.17, 0.46%, 0.56%

LAB 76.4, -14.69, 50.8

 

Description

Color code: RGB 92 195 146 | qconv.com Color code: RGB 92 195 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 195 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 195 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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