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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 196 63 it is the complementary color RGB 163 59 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 196 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 196 63 shade: RGB 97 196 58, RGB 114 214 77, RGB 131 232 96, RGB 148 250 115 and RGB 165 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 196 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 75 178 44, RGB 58 160 25, RGB 41 142 6 and RGB 24 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 128 196 63, RGB 164 196 63, RGB 196 192 63 and RGB 196 156 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 63 196 70, RGB 63 196 106, RGB 63 196 142 and RGB 63 196 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 196 63 shade matches the following richer shades: RGB 92 196 63, RGB 81 216 43 and RGB 69 236 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 104 176 84, RGB 115 155 104, RGB 126 135 124 and RGB 138 115 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 196 63 shade: RGB 165 196 63, RGB 130 196 63, RGB 94 196 63, RGB 63 196 68 and RGB 63 196 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 196 63 shade: RGB 62 135 41, RGB 76 167 51, RGB 92 196 63, RGB 119 205 95 and RGB 146 215 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 63 196 191 and RGB 196 63 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 63 94 196 and RGB 196 63 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 63 196 191, RGB 165 63 196 and RGB 196 63 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 196 63 shade: RGB 92 196 63, RGB 63 160 196, RGB 165 63 196 and RGB 196 99 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

Complementary color

CMYK 15 / 69 / 0 / 25

HEX #A33BC0

RGB 163 59 192

HSL 286.92, 0.53%, 0.49%

LAB 45.25, 61.33, -50.06

 

CMYK 51 / 0 / 70 / 23

HEX #61C43A

RGB 97 196 58

HSL 103.04, 0.54%, 0.5%

LAB 71.1, -53.21, 57.49

 

CMYK 47 / 0 / 64 / 16

HEX #72D64D

RGB 114 214 77

HSL 103.8, 0.63%, 0.57%

LAB 77.4, -53.59, 56.85

 

CMYK 44 / 0 / 59 / 9

HEX #83E860

RGB 131 232 96

HSL 104.56, 0.75%, 0.64%

LAB 83.64, -53.78, 55.93

 

CMYK 41 / 0 / 54 / 2

HEX #94FA73

RGB 148 250 115

HSL 105.33, 0.93%, 0.72%

LAB 89.82, -53.84, 54.86

 

CMYK 35 / 0 / 47 / 0

HEX #A5FF86

RGB 165 255 134

HSL 104.63, 1%, 0.76%

LAB 92.24, -48.43, 49.22

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 58 / 0 / 75 / 30

HEX #4BB22C

RGB 75 178 44

HSL 106.12, 0.6%, 0.44%

LAB 64.58, -53.56, 55.74

 

CMYK 64 / 0 / 84 / 37

HEX #3AA019

RGB 58 160 25

HSL 105.33, 0.73%, 0.36%

LAB 58.14, -52.47, 55.29

 

CMYK 71 / 0 / 96 / 44

HEX #298E06

RGB 41 142 6

HSL 104.56, 0.92%, 0.29%

LAB 51.65, -50.75, 53.4

 

CMYK 81 / 0 / 100 / 51

HEX #187C00

RGB 24 124 0

HSL 108.39, 1%, 0.24%

LAB 45.09, -48.08, 49.1

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 35 / 0 / 68 / 23

HEX #80C43F

RGB 128 196 63

HSL 90.68, 0.53%, 0.51%

LAB 72.51, -42.84, 57.47

 

CMYK 16 / 0 / 68 / 23

HEX #A4C43F

RGB 164 196 63

HSL 74.44, 0.53%, 0.51%

LAB 74.66, -29.17, 60.36

 

CMYK 0 / 2 / 68 / 23

HEX #C4C03F

RGB 196 192 63

HSL 58.2, 0.53%, 0.51%

LAB 75.94, -13.93, 62.44

 

CMYK 0 / 20 / 68 / 23

HEX #C49C3F

RGB 196 156 63

HSL 41.95, 0.53%, 0.51%

LAB 66.42, 4.99, 52.62

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 68 / 0 / 64 / 23

HEX #3FC446

RGB 63 196 70

HSL 123.16, 0.53%, 0.51%

LAB 70.16, -60.28, 51.36

 

CMYK 68 / 0 / 46 / 23

HEX #3FC46A

RGB 63 196 106

HSL 139.4, 0.53%, 0.51%

LAB 70.58, -55.45, 34.88

 

CMYK 68 / 0 / 28 / 23

HEX #3FC48E

RGB 63 196 142

HSL 155.64, 0.53%, 0.51%

LAB 71.21, -48.54, 16.85

 

CMYK 68 / 0 / 10 / 23

HEX #3FC4B1

RGB 63 196 177

HSL 171.43, 0.53%, 0.51%

LAB 72.03, -40.07, -0.92

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 63 / 0 / 80 / 15

HEX #51D82B

RGB 81 216 43

HSL 106.82, 0.69%, 0.51%

LAB 76.7, -65.36, 67.71

 

CMYK 71 / 0 / 90 / 7

HEX #45EC17

RGB 69 236 23

HSL 107.04, 0.85%, 0.51%

LAB 82.55, -74.77, 76.97

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 41 / 0 / 52 / 31

HEX #68B054

RGB 104 176 84

HSL 106.96, 0.37%, 0.51%

LAB 65.46, -40.3, 39.82

 

CMYK 26 / 0 / 33 / 39

HEX #739B68

RGB 115 155 104

HSL 107.06, 0.2%, 0.51%

LAB 59.97, -23.79, 22.45

 

CMYK 7 / 0 / 8 / 47

HEX #7E877C

RGB 126 135 124

HSL 109.09, 0.04%, 0.51%

LAB 55.3, -5.49, 4.77

 

CMYK 4 / 20 / 0 / 44

HEX #8A7390

RGB 138 115 144

HSL 287.59, 0.12%, 0.51%

LAB 51.47, 14.51, -12.41

 

CMYK 16 / 0 / 68 / 23

HEX #A5C43F

RGB 165 196 63

HSL 73.98, 0.53%, 0.51%

LAB 74.72, -28.77, 60.45

 

CMYK 34 / 0 / 68 / 23

HEX #82C43F

RGB 130 196 63

HSL 89.77, 0.53%, 0.51%

LAB 72.62, -42.13, 57.61

 

CMYK 52 / 0 / 68 / 23

HEX #5EC43F

RGB 94 196 63

HSL 106.02, 0.53%, 0.51%

LAB 71.02, -53.65, 55.44

 

CMYK 68 / 0 / 65 / 23

HEX #3FC444

RGB 63 196 68

HSL 122.26, 0.53%, 0.51%

LAB 70.14, -60.49, 52.18

 

CMYK 68 / 0 / 47 / 23

HEX #3FC467

RGB 63 196 103

HSL 138.05, 0.53%, 0.51%

LAB 70.54, -55.93, 36.34

 

CMYK 54 / 0 / 70 / 47

HEX #3E8729

RGB 62 135 41

HSL 106.6, 0.53%, 0.35%

LAB 50.11, -40.93, 41.95

 

CMYK 54 / 0 / 69 / 35

HEX #4CA733

RGB 76 167 51

HSL 107.07, 0.53%, 0.43%

LAB 61.14, -48.63, 49.62

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 42 / 0 / 54 / 20

HEX #77CD5F

RGB 119 205 95

HSL 106.91, 0.52%, 0.59%

LAB 75.08, -46.57, 46.25

 

CMYK 32 / 0 / 41 / 16

HEX #92D77E

RGB 146 215 126

HSL 106.52, 0.53%, 0.67%

LAB 79.74, -38.22, 37.15

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 68 / 0 / 3 / 23

HEX #3FC4BF

RGB 63 196 191

HSL 177.74, 0.53%, 0.51%

LAB 72.43, -36.26, -7.97

 

CMYK 0 / 68 / 25 / 23

HEX #C43F93

RGB 196 63 147

HSL 322.11, 0.53%, 0.51%

LAB 48.76, 60.58, -17.61

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 68 / 52 / 0 / 23

HEX #3F5EC4

RGB 63 94 196

HSL 226.02, 0.53%, 0.51%

LAB 42.84, 22.57, -56.77

 

CMYK 0 / 68 / 52 / 23

HEX #C43F5E

RGB 196 63 94

HSL 346.02, 0.53%, 0.51%

LAB 47.1, 54.9, 12.13

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 68 / 0 / 3 / 23

HEX #3FC4BF

RGB 63 196 191

HSL 177.74, 0.53%, 0.51%

LAB 72.43, -36.26, -7.97

 

CMYK 16 / 68 / 0 / 23

HEX #A53FC4

RGB 165 63 196

HSL 286.02, 0.53%, 0.51%

LAB 46.36, 60.91, -50.58

 

CMYK 0 / 68 / 65 / 23

HEX #C43F44

RGB 196 63 68

HSL 357.74, 0.53%, 0.51%

LAB 46.59, 53.06, 27.22

 

CMYK 53 / 0 / 68 / 23

HEX #5CC43F

RGB 92 196 63

HSL 106.92, 0.53%, 0.51%

LAB 70.95, -54.21, 55.34

 

CMYK 68 / 18 / 0 / 23

HEX #3FA0C4

RGB 63 160 196

HSL 196.24, 0.53%, 0.51%

LAB 61.81, -16.82, -26.8

 

CMYK 16 / 68 / 0 / 23

HEX #A53FC4

RGB 165 63 196

HSL 286.02, 0.53%, 0.51%

LAB 46.36, 60.91, -50.58

 

CMYK 0 / 49 / 68 / 23

HEX #C4633F

RGB 196 99 63

HSL 16.24, 0.53%, 0.51%

LAB 52.97, 35.9, 37.75

 

Description

Color code: RGB 92 196 63 | qconv.com Color code: RGB 92 196 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 196 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 196 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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