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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 217 249 it is the complementary color RGB 163 38 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 217 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 217 249 shade: RGB 97 217 244, RGB 114 235 255, RGB 131 253 255, RGB 148 255 255 and RGB 165 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 217 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 75 199 230, RGB 58 181 211, RGB 41 163 192 and RGB 24 145 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 92 174 249, RGB 92 132 249, RGB 94 92 249 and RGB 136 92 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 92 174 249, RGB 92 132 249 and RGB 92 92 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 217 249 shade matches the following richer shades: RGB 92 217 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 106 209 235, RGB 119 201 221, RGB 133 193 208 and RGB 147 184 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 217 249 shade: RGB 92 249 196, RGB 92 249 238, RGB 92 217 249, RGB 92 176 249 and RGB 92 134 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 217 249 shade: RGB 12 198 246, RGB 52 207 247, RGB 92 217 249, RGB 132 226 250 and RGB 172 235 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 155 92 249 and RGB 249 217 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 249 92 217 and RGB 217 249 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 155 92 249, RGB 249 123 92 and RGB 186 249 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 217 249 shade: RGB 92 217 249, RGB 202 92 249, RGB 249 123 92 and RGB 139 249 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

Complementary color

CMYK 0 / 77 / 96 / 36

HEX #A32606

RGB 163 38 6

HSL 12.23, 0.93%, 0.33%

LAB 36.34, 49.49, 46.86

 

CMYK 60 / 11 / 0 / 4

HEX #61D9F4

RGB 97 217 244

HSL 191.02, 0.87%, 0.67%

LAB 81.13, -25.88, -23.31

 

CMYK 55 / 8 / 0 / 0

HEX #72EBFF

RGB 114 235 255

HSL 188.51, 1%, 0.72%

LAB 87.1, -28.51, -20.01

 

CMYK 49 / 1 / 0 / 0

HEX #83FDFF

RGB 131 253 255

HSL 180.97, 1%, 0.76%

LAB 92.71, -33.68, -11.54

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 67 / 13 / 0 / 10

HEX #4BC7E6

RGB 75 199 230

HSL 192, 0.76%, 0.6%

LAB 74.86, -24.57, -25.42

 

CMYK 73 / 14 / 0 / 17

HEX #3AB5D3

RGB 58 181 211

HSL 191.76, 0.63%, 0.53%

LAB 68.5, -23.68, -24.85

 

CMYK 79 / 15 / 0 / 25

HEX #29A3C0

RGB 41 163 192

HSL 191.52, 0.65%, 0.46%

LAB 62.06, -22.53, -24.22

 

CMYK 86 / 16 / 0 / 32

HEX #1891AD

RGB 24 145 173

HSL 191.28, 0.76%, 0.39%

LAB 55.55, -21.01, -23.51

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 63 / 30 / 0 / 2

HEX #5CAEF9

RGB 92 174 249

HSL 208.66, 0.93%, 0.67%

LAB 69.03, -2.59, -44.7

 

CMYK 63 / 47 / 0 / 2

HEX #5C84F9

RGB 92 132 249

HSL 224.71, 0.93%, 0.67%

LAB 57.67, 21.98, -62.74

 

CMYK 62 / 63 / 0 / 2

HEX #5E5CF9

RGB 94 92 249

HSL 240.76, 0.93%, 0.67%

LAB 48.1, 46.36, -78.24

 

CMYK 45 / 63 / 0 / 2

HEX #885CF9

RGB 136 92 249

HSL 256.82, 0.93%, 0.67%

LAB 51.53, 53.4, -72.51

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 63 / 30 / 0 / 2

HEX #5CAEF9

RGB 92 174 249

HSL 208.66, 0.93%, 0.67%

LAB 69.03, -2.59, -44.7

 

CMYK 63 / 47 / 0 / 2

HEX #5C84F9

RGB 92 132 249

HSL 224.71, 0.93%, 0.67%

LAB 57.67, 21.98, -62.74

 

CMYK 63 / 63 / 0 / 2

HEX #5C5CF9

RGB 92 92 249

HSL 240, 0.93%, 0.67%

LAB 47.97, 46.08, -78.46

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 55 / 11 / 0 / 8

HEX #6AD1EB

RGB 106 209 235

HSL 192.09, 0.76%, 0.67%

LAB 78.85, -22.8, -21.95

 

CMYK 46 / 9 / 0 / 13

HEX #77C9DD

RGB 119 201 221

HSL 191.76, 0.6%, 0.67%

LAB 76.63, -19.8, -17.74

 

CMYK 36 / 7 / 0 / 18

HEX #85C1D0

RGB 133 193 208

HSL 192, 0.44%, 0.67%

LAB 74.62, -15.52, -13.66

 

CMYK 24 / 5 / 0 / 24

HEX #93B8C2

RGB 147 184 194

HSL 192.77, 0.28%, 0.67%

LAB 72.48, -10.12, -9.16

 

CMYK 63 / 0 / 21 / 2

HEX #5CF9C4

RGB 92 249 196

HSL 159.75, 0.93%, 0.67%

LAB 88.93, -53.41, 13.41

 

CMYK 63 / 0 / 4 / 2

HEX #5CF9EE

RGB 92 249 238

HSL 175.8, 0.93%, 0.67%

LAB 89.95, -43.29, -6.92

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 63 / 29 / 0 / 2

HEX #5CB0F9

RGB 92 176 249

HSL 207.9, 0.93%, 0.67%

LAB 69.59, -3.7, -43.83

 

CMYK 63 / 46 / 0 / 2

HEX #5C86F9

RGB 92 134 249

HSL 223.95, 0.93%, 0.67%

LAB 58.19, 20.78, -61.9

 

CMYK 95 / 20 / 0 / 4

HEX #0CC6F6

RGB 12 198 246

HSL 192.31, 0.93%, 0.51%

LAB 74.27, -24.06, -35.03

 

CMYK 79 / 16 / 0 / 3

HEX #34CFF7

RGB 52 207 247

HSL 192.31, 0.92%, 0.59%

LAB 77.32, -25.95, -30.82

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 47 / 10 / 0 / 2

HEX #84E2FA

RGB 132 226 250

HSL 192.2, 0.92%, 0.75%

LAB 85.1, -21.74, -20.34

 

CMYK 31 / 6 / 0 / 2

HEX #ACEBFB

RGB 172 235 251

HSL 192.15, 0.91%, 0.83%

LAB 89.46, -16.04, -14.11

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 38 / 63 / 0 / 2

HEX #9B5CF9

RGB 155 92 249

HSL 264.08, 0.93%, 0.67%

LAB 53.45, 57.11, -69.3

 

CMYK 0 / 13 / 63 / 2

HEX #F9D95C

RGB 249 217 92

HSL 47.77, 0.93%, 0.67%

LAB 87.26, -2.75, 63.83

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 0 / 63 / 13 / 2

HEX #F95CD9

RGB 249 92 217

HSL 312.23, 0.93%, 0.67%

LAB 64, 72.88, -33.9

 

CMYK 13 / 0 / 63 / 2

HEX #D9F95C

RGB 217 249 92

HSL 72.23, 0.93%, 0.67%

LAB 93.14, -31.2, 69.39

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 38 / 63 / 0 / 2

HEX #9B5CF9

RGB 155 92 249

HSL 264.08, 0.93%, 0.67%

LAB 53.45, 57.11, -69.3

 

CMYK 0 / 51 / 63 / 2

HEX #F97B5C

RGB 249 123 92

HSL 11.85, 0.93%, 0.67%

LAB 65.81, 45.77, 39.24

 

CMYK 25 / 0 / 63 / 2

HEX #BAF95C

RGB 186 249 92

HSL 84.08, 0.93%, 0.67%

LAB 91.22, -42.84, 66.77

 

CMYK 63 / 13 / 0 / 2

HEX #5CD9F9

RGB 92 217 249

HSL 192.23, 0.93%, 0.67%

LAB 81.15, -25.26, -25.94

 

CMYK 19 / 63 / 0 / 2

HEX #CA5CF9

RGB 202 92 249

HSL 282.04, 0.93%, 0.67%

LAB 59.02, 67.15, -60.04

 

CMYK 0 / 51 / 63 / 2

HEX #F97B5C

RGB 249 123 92

HSL 11.85, 0.93%, 0.67%

LAB 65.81, 45.77, 39.24

 

CMYK 44 / 0 / 63 / 2

HEX #8BF95C

RGB 139 249 92

HSL 102.04, 0.93%, 0.67%

LAB 88.93, -58.43, 63.62

 

Description

Color code: RGB 92 217 249 | qconv.com Color code: RGB 92 217 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 217 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 217 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 13 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 13% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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