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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 131 122 it is the complementary color RGB 158 124 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 131 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 131 122 shade: RGB 102 131 117, RGB 119 149 136, RGB 136 167 155, RGB 153 185 174 and RGB 170 203 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 131 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 80 113 103, RGB 63 95 84, RGB 46 77 65 and RGB 29 59 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 97 131 113, RGB 97 131 104, RGB 100 131 97 and RGB 109 131 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 97 131 131, RGB 97 122 131, RGB 97 113 131 and RGB 97 103 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 131 122 shade matches the following richer shades: RGB 97 131 122, RGB 78 150 131, RGB 60 169 140, RGB 41 187 149 and RGB 23 206 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 116 113 114, RGB 134 94 105, RGB 153 76 96 and RGB 171 57 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 131 122 shade: RGB 97 131 104, RGB 97 131 113, RGB 97 131 122, RGB 97 131 131 and RGB 97 122 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 131 122 shade: RGB 62 84 78, RGB 80 108 100, RGB 97 131 122, RGB 117 153 143 and RGB 141 170 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 97 99 131 and RGB 131 109 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 122 97 131 and RGB 131 122 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 97 99 131, RGB 131 97 106 and RGB 131 129 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 131 122 shade: RGB 97 131 122, RGB 105 97 131, RGB 131 97 106 and RGB 123 131 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

Complementary color

CMYK 0 / 22 / 16 / 38

HEX #9E7C85

RGB 158 124 133

HSL 344.12, 0.15%, 0.55%

LAB 55.46, 14.64, 0.16

 

CMYK 22 / 0 / 11 / 49

HEX #668375

RGB 102 131 117

HSL 151.03, 0.12%, 0.46%

LAB 52.22, -13.42, 4.18

 

CMYK 20 / 0 / 9 / 42

HEX #779588

RGB 119 149 136

HSL 154, 0.12%, 0.53%

LAB 59.15, -13.27, 3.4

 

CMYK 19 / 0 / 7 / 35

HEX #88A79B

RGB 136 167 155

HSL 156.77, 0.15%, 0.59%

LAB 65.93, -13.15, 2.67

 

CMYK 17 / 0 / 6 / 27

HEX #99B9AE

RGB 153 185 174

HSL 159.38, 0.19%, 0.66%

LAB 72.58, -13.06, 1.97

 

CMYK 16 / 0 / 5 / 20

HEX #AACBC1

RGB 170 203 193

HSL 161.82, 0.24%, 0.73%

LAB 79.1, -12.98, 1.3

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 29 / 0 / 9 / 56

HEX #507167

RGB 80 113 103

HSL 161.82, 0.17%, 0.38%

LAB 44.93, -14.2, 1.73

 

CMYK 34 / 0 / 12 / 63

HEX #3F5F54

RGB 63 95 84

HSL 159.38, 0.2%, 0.31%

LAB 37.63, -14.41, 2.57

 

CMYK 40 / 0 / 16 / 70

HEX #2E4D41

RGB 46 77 65

HSL 156.77, 0.25%, 0.24%

LAB 30.08, -14.67, 3.51

 

CMYK 51 / 0 / 22 / 77

HEX #1D3B2E

RGB 29 59 46

HSL 154, 0.34%, 0.17%

LAB 22.25, -14.94, 4.61

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 26 / 0 / 14 / 49

HEX #618371

RGB 97 131 113

HSL 148.24, 0.15%, 0.45%

LAB 51.8, -16.01, 5.86

 

CMYK 26 / 0 / 21 / 49

HEX #618368

RGB 97 131 104

HSL 132.35, 0.15%, 0.45%

LAB 51.58, -17.86, 10.77

 

CMYK 24 / 0 / 26 / 49

HEX #648361

RGB 100 131 97

HSL 114.71, 0.15%, 0.45%

LAB 51.62, -18.1, 14.89

 

CMYK 17 / 0 / 26 / 49

HEX #6D8361

RGB 109 131 97

HSL 98.82, 0.15%, 0.45%

LAB 52.23, -14.71, 15.82

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 26 / 0 / 0 / 49

HEX #618383

RGB 97 131 131

HSL 180, 0.15%, 0.45%

LAB 52.3, -11.9, -3.9

 

CMYK 26 / 7 / 0 / 49

HEX #617A83

RGB 97 122 131

HSL 195.88, 0.15%, 0.45%

LAB 49.62, -6.83, -7.89

 

CMYK 26 / 14 / 0 / 49

HEX #617183

RGB 97 113 131

HSL 211.76, 0.15%, 0.45%

LAB 46.96, -1.6, -11.87

 

CMYK 26 / 21 / 0 / 49

HEX #616783

RGB 97 103 131

HSL 229.41, 0.15%, 0.45%

LAB 44.06, 4.4, -16.28

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 48 / 0 / 13 / 41

HEX #4E9683

RGB 78 150 131

HSL 164.17, 0.32%, 0.45%

LAB 57.14, -27.38, 3.07

 

CMYK 64 / 0 / 17 / 34

HEX #3CA98C

RGB 60 169 140

HSL 164.04, 0.48%, 0.45%

LAB 62.7, -37.99, 5.92

 

CMYK 78 / 0 / 20 / 27

HEX #29BB95

RGB 41 187 149

HSL 164.38, 0.64%, 0.45%

LAB 68.15, -46.23, 8.7

 

CMYK 89 / 0 / 24 / 19

HEX #17CE9D

RGB 23 206 157

HSL 163.93, 0.8%, 0.45%

LAB 74.04, -53.38, 12.69

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 0 / 3 / 2 / 55

HEX #747172

RGB 116 113 114

HSL 340, 0.01%, 0.45%

LAB 47.93, 1.35, -0.15

 

CMYK 0 / 30 / 22 / 47

HEX #865E69

RGB 134 94 105

HSL 343.5, 0.18%, 0.45%

LAB 44.37, 18.07, 0.28

 

CMYK 0 / 50 / 37 / 40

HEX #994C60

RGB 153 76 96

HSL 344.42, 0.34%, 0.45%

LAB 42.44, 34.35, 3.31

 

CMYK 0 / 67 / 49 / 33

HEX #AB3957

RGB 171 57 87

HSL 344.21, 0.5%, 0.45%

LAB 41.65, 48.81, 8.16

 

CMYK 26 / 0 / 21 / 49

HEX #618368

RGB 97 131 104

HSL 132.35, 0.15%, 0.45%

LAB 51.58, -17.86, 10.77

 

CMYK 26 / 0 / 14 / 49

HEX #618371

RGB 97 131 113

HSL 148.24, 0.15%, 0.45%

LAB 51.8, -16.01, 5.86

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 26 / 0 / 0 / 49

HEX #618383

RGB 97 131 131

HSL 180, 0.15%, 0.45%

LAB 52.3, -11.9, -3.9

 

CMYK 26 / 7 / 0 / 49

HEX #617A83

RGB 97 122 131

HSL 195.88, 0.15%, 0.45%

LAB 49.62, -6.83, -7.89

 

CMYK 26 / 0 / 7 / 67

HEX #3E544E

RGB 62 84 78

HSL 163.64, 0.15%, 0.29%

LAB 33.8, -9.87, 0.76

 

CMYK 26 / 0 / 7 / 58

HEX #506C64

RGB 80 108 100

HSL 162.86, 0.15%, 0.37%

LAB 43.29, -12.1, 1.14

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 24 / 0 / 7 / 40

HEX #75998F

RGB 117 153 143

HSL 163.33, 0.15%, 0.53%

LAB 60.38, -14.58, 1.19

 

CMYK 17 / 0 / 5 / 33

HEX #8DAAA2

RGB 141 170 162

HSL 163.45, 0.15%, 0.61%

LAB 67.29, -11.62, 0.79

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 26 / 24 / 0 / 49

HEX #616383

RGB 97 99 131

HSL 236.47, 0.15%, 0.45%

LAB 42.92, 6.84, -18.03

 

CMYK 0 / 17 / 26 / 49

HEX #836D61

RGB 131 109 97

HSL 21.18, 0.15%, 0.45%

LAB 47.78, 6.7, 9.94

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 7 / 26 / 0 / 49

HEX #7A6183

RGB 122 97 131

HSL 284.12, 0.15%, 0.45%

LAB 44.7, 16.72, -15.1

 

CMYK 0 / 7 / 26 / 49

HEX #837A61

RGB 131 122 97

HSL 44.12, 0.15%, 0.45%

LAB 51.39, -0.83, 14.96

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 26 / 24 / 0 / 49

HEX #616383

RGB 97 99 131

HSL 236.47, 0.15%, 0.45%

LAB 42.92, 6.84, -18.03

 

CMYK 0 / 26 / 19 / 49

HEX #83616A

RGB 131 97 106

HSL 344.12, 0.15%, 0.45%

LAB 44.82, 15.26, 0.3

 

CMYK 0 / 2 / 26 / 49

HEX #838161

RGB 131 129 97

HSL 56.47, 0.15%, 0.45%

LAB 53.37, -4.79, 17.67

 

CMYK 26 / 0 / 7 / 49

HEX #61837A

RGB 97 131 122

HSL 164.12, 0.15%, 0.45%

LAB 52.04, -14.02, 0.96

 

CMYK 20 / 26 / 0 / 49

HEX #696183

RGB 105 97 131

HSL 254.12, 0.15%, 0.45%

LAB 43.05, 10.77, -17.77

 

CMYK 0 / 26 / 19 / 49

HEX #83616A

RGB 131 97 106

HSL 344.12, 0.15%, 0.45%

LAB 44.82, 15.26, 0.3

 

CMYK 6 / 0 / 26 / 49

HEX #7B8361

RGB 123 131 97

HSL 74.12, 0.15%, 0.45%

LAB 53.28, -9.17, 17.44

 

Description

Color code: RGB 97 131 122 | qconv.com Color code: RGB 97 131 122 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 131 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 131 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 7 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 7% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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