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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 134 172 it is the complementary color RGB 158 121 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 134 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 134 172 shade: RGB 102 134 167, RGB 119 152 186, RGB 136 170 205, RGB 153 188 224 and RGB 170 206 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 134 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 80 116 153, RGB 63 98 134, RGB 46 80 115 and RGB 29 62 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 97 114 172, RGB 101 97 172, RGB 121 97 172 and RGB 141 97 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 97 114 172 and RGB 97 97 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 134 172 shade matches the following richer shades: RGB 97 134 172, RGB 78 134 191, RGB 59 134 211, RGB 39 133 230 and RGB 20 133 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 117 134 152, RGB 136 135 133, RGB 156 135 114 and RGB 175 135 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 134 172 shade: RGB 97 172 169, RGB 97 154 172, RGB 97 135 172, RGB 97 115 172 and RGB 100 97 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 134 172 shade: RGB 64 93 122, RGB 79 114 150, RGB 97 134 172, RGB 125 155 186 and RGB 152 176 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 150 97 172 and RGB 164 172 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 172 97 135 and RGB 135 172 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 150 97 172, RGB 172 135 97 and RGB 120 172 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 134 172 shade: RGB 97 134 172, RGB 172 97 172, RGB 172 135 97 and RGB 97 172 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

Complementary color

CMYK 0 / 23 / 47 / 38

HEX #9E7953

RGB 158 121 83

HSL 30.4, 0.31%, 0.47%

LAB 53.57, 9.45, 26.34

 

CMYK 39 / 20 / 0 / 35

HEX #6686A7

RGB 102 134 167

HSL 210.46, 0.27%, 0.53%

LAB 54.73, -2.68, -21.09

 

CMYK 36 / 18 / 0 / 27

HEX #7798BA

RGB 119 152 186

HSL 210.45, 0.33%, 0.6%

LAB 61.59, -2.94, -21.32

 

CMYK 34 / 17 / 0 / 20

HEX #88AACD

RGB 136 170 205

HSL 210.43, 0.41%, 0.67%

LAB 68.31, -3.16, -21.56

 

CMYK 32 / 16 / 0 / 12

HEX #99BCE0

RGB 153 188 224

HSL 210.42, 0.53%, 0.74%

LAB 74.9, -3.35, -21.81

 

CMYK 30 / 15 / 0 / 5

HEX #AACEF3

RGB 170 206 243

HSL 210.41, 0.75%, 0.81%

LAB 81.38, -3.52, -22.08

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 48 / 24 / 0 / 40

HEX #507499

RGB 80 116 153

HSL 210.41, 0.31%, 0.46%

LAB 47.62, -2.21, -23.99

 

CMYK 53 / 27 / 0 / 47

HEX #3F6286

RGB 63 98 134

HSL 210.42, 0.36%, 0.39%

LAB 40.43, -1.66, -23.87

 

CMYK 60 / 30 / 0 / 55

HEX #2E5073

RGB 46 80 115

HSL 210.43, 0.43%, 0.32%

LAB 33.04, -0.9, -23.78

 

CMYK 70 / 35 / 0 / 62

HEX #1D3E60

RGB 29 62 96

HSL 210.45, 0.54%, 0.25%

LAB 25.42, 0.21, -23.72

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 44 / 34 / 0 / 33

HEX #6172AC

RGB 97 114 172

HSL 226.4, 0.31%, 0.53%

LAB 48.95, 9.25, -32.96

 

CMYK 41 / 44 / 0 / 33

HEX #6561AC

RGB 101 97 172

HSL 243.2, 0.31%, 0.53%

LAB 44.65, 20.76, -39.72

 

CMYK 30 / 44 / 0 / 33

HEX #7961AC

RGB 121 97 172

HSL 259.2, 0.31%, 0.53%

LAB 46.44, 26.31, -36.78

 

CMYK 18 / 44 / 0 / 33

HEX #8D61AC

RGB 141 97 172

HSL 275.2, 0.31%, 0.53%

LAB 48.5, 32.23, -33.39

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 44 / 34 / 0 / 33

HEX #6172AC

RGB 97 114 172

HSL 226.4, 0.31%, 0.53%

LAB 48.95, 9.25, -32.96

 

CMYK 44 / 44 / 0 / 33

HEX #6161AC

RGB 97 97 172

HSL 240, 0.31%, 0.53%

LAB 44.33, 19.72, -40.25

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 59 / 30 / 0 / 25

HEX #4E86BF

RGB 78 134 191

HSL 210.27, 0.47%, 0.53%

LAB 54.48, -1.19, -35.32

 

CMYK 72 / 36 / 0 / 17

HEX #3B86D3

RGB 59 134 211

HSL 210.39, 0.63%, 0.53%

LAB 54.74, 2.46, -46.29

 

CMYK 83 / 42 / 0 / 10

HEX #2785E6

RGB 39 133 230

HSL 210.47, 0.79%, 0.53%

LAB 54.99, 7.86, -56.6

 

CMYK 92 / 47 / 0 / 2

HEX #1485F9

RGB 20 133 249

HSL 210.39, 0.95%, 0.53%

LAB 55.85, 13.94, -65.78

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 23 / 12 / 0 / 40

HEX #758698

RGB 117 134 152

HSL 210.86, 0.15%, 0.53%

LAB 55.17, -2, -11.67

 

CMYK 0 / 1 / 2 / 47

HEX #888785

RGB 136 135 133

HSL 40, 0.01%, 0.53%

LAB 56.34, -0.01, 1.2

 

CMYK 0 / 13 / 27 / 39

HEX #9C8772

RGB 156 135 114

HSL 30, 0.18%, 0.53%

LAB 57.67, 4.58, 14.23

 

CMYK 0 / 23 / 46 / 31

HEX #AF875E

RGB 175 135 94

HSL 30.37, 0.34%, 0.53%

LAB 59.21, 9.97, 27.87

 

CMYK 44 / 0 / 2 / 33

HEX #61ACA9

RGB 97 172 169

HSL 177.6, 0.31%, 0.53%

LAB 65.68, -24.02, -5.75

 

CMYK 44 / 10 / 0 / 33

HEX #619AAC

RGB 97 154 172

HSL 194.4, 0.31%, 0.53%

LAB 60.45, -13.82, -15.25

 

CMYK 44 / 22 / 0 / 33

HEX #6187AC

RGB 97 135 172

HSL 209.6, 0.31%, 0.53%

LAB 54.92, -3.21, -23.7

 

CMYK 44 / 33 / 0 / 33

HEX #6173AC

RGB 97 115 172

HSL 225.6, 0.31%, 0.53%

LAB 49.23, 8.64, -32.53

 

CMYK 42 / 44 / 0 / 33

HEX #6461AC

RGB 100 97 172

HSL 242.4, 0.31%, 0.53%

LAB 44.57, 20.5, -39.85

 

CMYK 48 / 24 / 0 / 52

HEX #405D7A

RGB 64 93 122

HSL 210, 0.31%, 0.36%

LAB 38.42, -2.18, -19.68

 

CMYK 47 / 24 / 0 / 41

HEX #4F7296

RGB 79 114 150

HSL 210.42, 0.31%, 0.45%

LAB 46.84, -2.2, -23.43

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 33 / 17 / 0 / 27

HEX #7D9BBA

RGB 125 155 186

HSL 210.49, 0.31%, 0.61%

LAB 62.8, -2.89, -19.43

 

CMYK 24 / 12 / 0 / 22

HEX #98B0C8

RGB 152 176 200

HSL 210, 0.3%, 0.69%

LAB 70.8, -2.91, -14.93

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 13 / 44 / 0 / 33

HEX #9661AC

RGB 150 97 172

HSL 282.4, 0.31%, 0.53%

LAB 49.51, 34.96, -31.74

 

CMYK 5 / 0 / 44 / 33

HEX #A4AC61

RGB 164 172 97

HSL 66.4, 0.31%, 0.53%

LAB 68.21, -14.35, 37.51

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 0 / 44 / 22 / 33

HEX #AC6187

RGB 172 97 135

HSL 329.6, 0.31%, 0.53%

LAB 50.77, 35.36, -7.76

 

CMYK 22 / 0 / 44 / 33

HEX #87AC61

RGB 135 172 97

HSL 89.6, 0.31%, 0.53%

LAB 66.15, -25.81, 34.48

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 13 / 44 / 0 / 33

HEX #9661AC

RGB 150 97 172

HSL 282.4, 0.31%, 0.53%

LAB 49.51, 34.96, -31.74

 

CMYK 0 / 22 / 44 / 33

HEX #AC8761

RGB 172 135 97

HSL 30.4, 0.31%, 0.53%

LAB 58.94, 9.03, 25.8

 

CMYK 30 / 0 / 44 / 33

HEX #78AC61

RGB 120 172 97

HSL 101.6, 0.31%, 0.53%

LAB 65.25, -31.33, 33.15

 

CMYK 44 / 22 / 0 / 33

HEX #6186AC

RGB 97 134 172

HSL 210.4, 0.31%, 0.53%

LAB 54.63, -2.63, -24.15

 

CMYK 0 / 44 / 0 / 33

HEX #AC61AC

RGB 172 97 172

HSL 300, 0.31%, 0.53%

LAB 52.17, 41.73, -27.39

 

CMYK 0 / 22 / 44 / 33

HEX #AC8761

RGB 172 135 97

HSL 30.4, 0.31%, 0.53%

LAB 58.94, 9.03, 25.8

 

CMYK 44 / 0 / 44 / 33

HEX #61AC61

RGB 97 172 97

HSL 120, 0.31%, 0.53%

LAB 64.09, -38.96, 31.43

 

Description

Color code: RGB 97 134 172 | qconv.com Color code: RGB 97 134 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 134 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 134 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 22% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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