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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 174 95 it is the complementary color RGB 158 81 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 174 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 174 95 shade: RGB 102 174 90, RGB 119 192 109, RGB 136 210 128, RGB 153 228 147 and RGB 170 246 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 174 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 80 156 76, RGB 63 138 57, RGB 46 120 38 and RGB 29 102 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 118 174 95, RGB 140 174 95, RGB 161 174 95 and RGB 174 166 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 95 174 114, RGB 95 174 136, RGB 95 174 157 and RGB 95 170 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 174 95 shade matches the following richer shades: RGB 97 174 95, RGB 79 194 76, RGB 60 213 56, RGB 42 232 37 and RGB 23 252 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 116 155 114, RGB 134 135 134, RGB 152 116 153 and RGB 171 97 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 174 95 shade: RGB 140 174 95, RGB 119 174 95, RGB 98 174 95, RGB 95 174 114 and RGB 95 174 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 174 95 shade: RGB 64 124 62, RGB 78 152 76, RGB 97 174 95, RGB 124 188 123 and RGB 151 202 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 95 161 174 and RGB 174 95 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 95 98 174 and RGB 174 95 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 95 161 174, RGB 172 95 174 and RGB 174 108 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 174 95 shade: RGB 97 174 95, RGB 95 137 174, RGB 172 95 174 and RGB 174 132 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

Complementary color

CMYK 1 / 49 / 0 / 37

HEX #9E51A0

RGB 158 81 160

HSL 298.48, 0.33%, 0.47%

LAB 46.57, 43.63, -29.2

 

CMYK 41 / 0 / 48 / 32

HEX #66AE5A

RGB 102 174 90

HSL 111.43, 0.34%, 0.52%

LAB 64.83, -39.29, 36.03

 

CMYK 38 / 0 / 43 / 25

HEX #77C06D

RGB 119 192 109

HSL 112.77, 0.4%, 0.59%

LAB 71.37, -39.14, 34.76

 

CMYK 35 / 0 / 39 / 18

HEX #88D280

RGB 136 210 128

HSL 114.15, 0.48%, 0.66%

LAB 77.81, -38.94, 33.54

 

CMYK 33 / 0 / 36 / 11

HEX #99E493

RGB 153 228 147

HSL 115.56, 0.6%, 0.74%

LAB 84.16, -38.73, 32.37

 

CMYK 31 / 0 / 33 / 4

HEX #AAF6A6

RGB 170 246 166

HSL 117, 0.82%, 0.81%

LAB 90.42, -38.5, 31.26

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 49 / 0 / 51 / 39

HEX #509C4C

RGB 80 156 76

HSL 117, 0.34%, 0.45%

LAB 58.04, -40.21, 34.55

 

CMYK 54 / 0 / 59 / 46

HEX #3F8A39

RGB 63 138 57

HSL 115.56, 0.42%, 0.38%

LAB 51.3, -40.12, 35.86

 

CMYK 62 / 0 / 68 / 53

HEX #2E7826

RGB 46 120 38

HSL 114.15, 0.52%, 0.31%

LAB 44.45, -39.7, 37.01

 

CMYK 72 / 0 / 81 / 60

HEX #1D6613

RGB 29 102 19

HSL 112.77, 0.69%, 0.24%

LAB 37.5, -38.68, 37.55

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 32 / 0 / 45 / 32

HEX #76AE5F

RGB 118 174 95

HSL 102.53, 0.33%, 0.53%

LAB 65.71, -33.24, 34.74

 

CMYK 20 / 0 / 45 / 32

HEX #8CAE5F

RGB 140 174 95

HSL 85.82, 0.33%, 0.53%

LAB 67.03, -25.14, 36.68

 

CMYK 7 / 0 / 45 / 32

HEX #A1AE5F

RGB 161 174 95

HSL 69.87, 0.33%, 0.53%

LAB 68.52, -16.82, 38.85

 

CMYK 0 / 5 / 45 / 32

HEX #AEA65F

RGB 174 166 95

HSL 53.92, 0.33%, 0.53%

LAB 67.35, -7.29, 37.64

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 45 / 0 / 34 / 32

HEX #5FAE72

RGB 95 174 114

HSL 134.43, 0.33%, 0.53%

LAB 64.9, -37.61, 23.45

 

CMYK 45 / 0 / 22 / 32

HEX #5FAE88

RGB 95 174 136

HSL 151.14, 0.33%, 0.53%

LAB 65.34, -33.28, 12.06

 

CMYK 45 / 0 / 10 / 32

HEX #5FAE9D

RGB 95 174 157

HSL 167.09, 0.33%, 0.53%

LAB 65.86, -28.5, 1.17

 

CMYK 45 / 2 / 0 / 32

HEX #5FAAAE

RGB 95 170 174

HSL 183.04, 0.33%, 0.53%

LAB 65.15, -22.19, -9.33

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 59 / 0 / 61 / 24

HEX #4FC24C

RGB 79 194 76

HSL 118.47, 0.49%, 0.53%

LAB 70.01, -55.5, 48.69

 

CMYK 72 / 0 / 74 / 16

HEX #3CD538

RGB 60 213 56

HSL 118.47, 0.65%, 0.53%

LAB 75.35, -67.63, 62.2

 

CMYK 82 / 0 / 84 / 9

HEX #2AE825

RGB 42 232 37

HSL 118.46, 0.81%, 0.53%

LAB 80.93, -76.81, 72.79

 

CMYK 91 / 0 / 93 / 1

HEX #17FC12

RGB 23 252 18

HSL 118.72, 0.98%, 0.53%

LAB 86.92, -84.32, 81.05

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 25 / 0 / 26 / 39

HEX #749B72

RGB 116 155 114

HSL 117.07, 0.17%, 0.53%

LAB 60.22, -21.73, 17.28

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 1 / 24 / 0 / 40

HEX #987499

RGB 152 116 153

HSL 298.38, 0.15%, 0.53%

LAB 53.46, 20.74, -14.54

 

CMYK 1 / 44 / 0 / 32

HEX #AB61AD

RGB 171 97 173

HSL 298.42, 0.32%, 0.53%

LAB 52.09, 41.61, -28.11

 

CMYK 20 / 0 / 45 / 32

HEX #8CAE5F

RGB 140 174 95

HSL 85.82, 0.33%, 0.53%

LAB 67.03, -25.14, 36.68

 

CMYK 32 / 0 / 45 / 32

HEX #77AE5F

RGB 119 174 95

HSL 101.77, 0.33%, 0.53%

LAB 65.76, -32.89, 34.82

 

CMYK 44 / 0 / 45 / 32

HEX #62AE5F

RGB 98 174 95

HSL 117.72, 0.33%, 0.53%

LAB 64.72, -39.83, 33.29

 

CMYK 45 / 0 / 34 / 32

HEX #5FAE72

RGB 95 174 114

HSL 134.43, 0.33%, 0.53%

LAB 64.9, -37.61, 23.45

 

CMYK 45 / 0 / 22 / 32

HEX #5FAE87

RGB 95 174 135

HSL 150.38, 0.33%, 0.53%

LAB 65.32, -33.49, 12.58

 

CMYK 48 / 0 / 50 / 51

HEX #407C3E

RGB 64 124 62

HSL 118.06, 0.33%, 0.36%

LAB 46.78, -33.07, 27.82

 

CMYK 49 / 0 / 50 / 40

HEX #4E984C

RGB 78 152 76

HSL 118.42, 0.33%, 0.45%

LAB 56.68, -39.09, 32.85

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 34 / 0 / 35 / 26

HEX #7CBC7B

RGB 124 188 123

HSL 119.08, 0.33%, 0.61%

LAB 70.65, -33.55, 26.59

 

CMYK 25 / 0 / 26 / 21

HEX #97CA96

RGB 151 202 150

HSL 118.85, 0.33%, 0.69%

LAB 76.69, -26.76, 20.72

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 45 / 7 / 0 / 32

HEX #5FA1AE

RGB 95 161 174

HSL 189.87, 0.33%, 0.53%

LAB 62.49, -17.51, -13.32

 

CMYK 0 / 45 / 26 / 32

HEX #AE5F81

RGB 174 95 129

HSL 334.18, 0.33%, 0.53%

LAB 50.41, 36.25, -4.68

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 45 / 44 / 0 / 32

HEX #5F62AE

RGB 95 98 174

HSL 237.72, 0.33%, 0.53%

LAB 44.55, 19.19, -41.08

 

CMYK 0 / 45 / 44 / 32

HEX #AE5F62

RGB 174 95 98

HSL 357.72, 0.33%, 0.53%

LAB 49.57, 32.29, 12.62

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 45 / 7 / 0 / 32

HEX #5FA1AE

RGB 95 161 174

HSL 189.87, 0.33%, 0.53%

LAB 62.49, -17.51, -13.32

 

CMYK 1 / 45 / 0 / 32

HEX #AC5FAE

RGB 172 95 174

HSL 298.48, 0.33%, 0.53%

LAB 51.85, 43.16, -29.06

 

CMYK 0 / 38 / 45 / 32

HEX #AE6C5F

RGB 174 108 95

HSL 9.87, 0.33%, 0.53%

LAB 52.45, 24.8, 18.34

 

CMYK 44 / 0 / 45 / 32

HEX #61AE5F

RGB 97 174 95

HSL 118.48, 0.33%, 0.53%

LAB 64.68, -40.13, 33.22

 

CMYK 45 / 21 / 0 / 32

HEX #5F89AE

RGB 95 137 174

HSL 208.1, 0.33%, 0.53%

LAB 55.46, -4.3, -24.02

 

CMYK 1 / 45 / 0 / 32

HEX #AC5FAE

RGB 172 95 174

HSL 298.48, 0.33%, 0.53%

LAB 51.85, 43.16, -29.06

 

CMYK 0 / 24 / 45 / 32

HEX #AE845F

RGB 174 132 95

HSL 28.1, 0.33%, 0.53%

LAB 58.35, 11.33, 26.18

 

Description

Color code: RGB 97 174 95 | qconv.com Color code: RGB 97 174 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 174 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 174 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 45 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 45% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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