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Color name
RGB 94 118 186

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 118 186 it is the complementary color RGB 161 137 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 118 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 118 186 shade: RGB 99 118 181, RGB 116 136 200, RGB 133 154 219, RGB 150 172 238 and RGB 167 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 118 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 77 100 167, RGB 60 82 148, RGB 43 64 129 and RGB 26 46 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 95 94 186, RGB 119 94 186, RGB 144 94 186 and RGB 169 94 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 118 186 shade: RGB 94 118 186 and RGB 94 94 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 118 186 shade matches the following richer shades: RGB 94 118 186, RGB 75 109 204, RGB 57 100 223 and RGB 38 91 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 112 127 167, RGB 131 136 149, RGB 150 144 130 and RGB 168 153 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 118 186 shade: RGB 94 167 186, RGB 94 143 186, RGB 94 118 186, RGB 94 94 186 and RGB 118 94 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 118 186 shade: RGB 59 80 138, RGB 71 96 167, RGB 94 118 186, RGB 123 142 198 and RGB 152 167 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 180 94 186 and RGB 155 186 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 186 94 118 and RGB 118 186 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 180 94 186, RGB 186 161 94 and RGB 100 186 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 118 186 shade: RGB 94 118 186, RGB 186 94 164, RGB 186 161 94 and RGB 94 186 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

Complementary color

CMYK 0 / 15 / 57 / 37

HEX #A18945

RGB 161 137 69

HSL 44.35, 0.4%, 0.45%

LAB 57.94, 0.44, 39.32

 

CMYK 45 / 35 / 0 / 29

HEX #6376B5

RGB 99 118 181

HSL 226.1, 0.36%, 0.55%

LAB 50.62, 10.05, -35.55

 

CMYK 42 / 32 / 0 / 22

HEX #7488C8

RGB 116 136 200

HSL 225.71, 0.43%, 0.62%

LAB 57.55, 9.33, -35.47

 

CMYK 39 / 30 / 0 / 14

HEX #859ADB

RGB 133 154 219

HSL 225.35, 0.54%, 0.69%

LAB 64.33, 8.73, -35.44

 

CMYK 37 / 28 / 0 / 7

HEX #96ACEE

RGB 150 172 238

HSL 225, 0.72%, 0.76%

LAB 70.98, 8.21, -35.46

 

CMYK 35 / 25 / 0 / 0

HEX #A7BEFF

RGB 167 190 255

HSL 224.32, 1%, 0.83%

LAB 77.44, 7.24, -34.55

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 54 / 40 / 0 / 35

HEX #4D64A7

RGB 77 100 167

HSL 224.67, 0.37%, 0.48%

LAB 43.48, 11.35, -38.74

 

CMYK 59 / 45 / 0 / 42

HEX #3C5294

RGB 60 82 148

HSL 225, 0.42%, 0.41%

LAB 36.24, 12.64, -38.97

 

CMYK 67 / 50 / 0 / 49

HEX #2B4081

RGB 43 64 129

HSL 225.35, 0.5%, 0.34%

LAB 28.81, 14.33, -39.24

 

CMYK 76 / 58 / 0 / 57

HEX #1A2E6E

RGB 26 46 110

HSL 225.71, 0.62%, 0.27%

LAB 21.21, 16.65, -39.53

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 49 / 49 / 0 / 27

HEX #5F5EBA

RGB 95 94 186

HSL 240.65, 0.4%, 0.55%

LAB 44.21, 25.39, -48.65

 

CMYK 36 / 49 / 0 / 27

HEX #775EBA

RGB 119 94 186

HSL 256.3, 0.4%, 0.55%

LAB 46.27, 31.3, -45.23

 

CMYK 23 / 49 / 0 / 27

HEX #905EBA

RGB 144 94 186

HSL 272.61, 0.4%, 0.55%

LAB 48.86, 38.07, -40.96

 

CMYK 9 / 49 / 0 / 27

HEX #A95EBA

RGB 169 94 186

HSL 288.91, 0.4%, 0.55%

LAB 51.82, 45.15, -36.09

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 49 / 49 / 0 / 27

HEX #5E5EBA

RGB 94 94 186

HSL 240, 0.4%, 0.55%

LAB 44.13, 25.16, -48.77

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 63 / 47 / 0 / 20

HEX #4B6DCC

RGB 75 109 204

HSL 224.19, 0.56%, 0.55%

LAB 48, 17.88, -53.04

 

CMYK 74 / 55 / 0 / 13

HEX #3964DF

RGB 57 100 223

HSL 224.46, 0.72%, 0.55%

LAB 46.06, 27.72, -67.03

 

CMYK 84 / 62 / 0 / 5

HEX #265BF1

RGB 38 91 241

HSL 224.33, 0.88%, 0.55%

LAB 44.58, 38.32, -79.62

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 33 / 24 / 0 / 35

HEX #707FA7

RGB 112 127 167

HSL 223.64, 0.24%, 0.55%

LAB 53.4, 4.32, -23.07

 

CMYK 12 / 9 / 0 / 42

HEX #838895

RGB 131 136 149

HSL 223.33, 0.08%, 0.55%

LAB 56.69, 0.91, -7.57

 

CMYK 0 / 4 / 13 / 41

HEX #969082

RGB 150 144 130

HSL 42, 0.09%, 0.55%

LAB 59.93, -0.3, 8.23

 

CMYK 0 / 9 / 34 / 34

HEX #A8996F

RGB 168 153 111

HSL 44.21, 0.25%, 0.55%

LAB 63.55, -0.93, 24.12

 

CMYK 49 / 10 / 0 / 27

HEX #5EA7BA

RGB 94 167 186

HSL 192.39, 0.4%, 0.55%

LAB 64.61, -17.58, -16.83

 

CMYK 49 / 23 / 0 / 27

HEX #5E8FBA

RGB 94 143 186

HSL 208.04, 0.4%, 0.55%

LAB 57.63, -4.42, -27.52

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 49 / 49 / 0 / 27

HEX #5E5EBA

RGB 94 94 186

HSL 240, 0.4%, 0.55%

LAB 44.13, 25.16, -48.77

 

CMYK 37 / 49 / 0 / 27

HEX #765EBA

RGB 118 94 186

HSL 255.65, 0.4%, 0.55%

LAB 46.18, 31.04, -45.38

 

CMYK 57 / 42 / 0 / 46

HEX #3B508A

RGB 59 80 138

HSL 224.05, 0.4%, 0.39%

LAB 35.01, 10.21, -34.85

 

CMYK 57 / 43 / 0 / 35

HEX #4760A7

RGB 71 96 167

HSL 224.38, 0.4%, 0.47%

LAB 41.99, 12.55, -41.13

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 38 / 28 / 0 / 22

HEX #7B8EC6

RGB 123 142 198

HSL 224.8, 0.4%, 0.63%

LAB 59.56, 7.15, -31.18

 

CMYK 28 / 20 / 0 / 18

HEX #98A7D2

RGB 152 167 210

HSL 224.48, 0.39%, 0.71%

LAB 68.73, 4.43, -23.58

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 3 / 49 / 0 / 27

HEX #B45EBA

RGB 180 94 186

HSL 296.09, 0.4%, 0.55%

LAB 53.23, 48.31, -33.79

 

CMYK 17 / 0 / 49 / 27

HEX #9BBA5E

RGB 155 186 94

HSL 80.22, 0.4%, 0.55%

LAB 71.48, -25.32, 42.88

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 0 / 49 / 37 / 27

HEX #BA5E76

RGB 186 94 118

HSL 344.35, 0.4%, 0.55%

LAB 51.56, 39.6, 3.74

 

CMYK 37 / 0 / 49 / 27

HEX #76BA5E

RGB 118 186 94

HSL 104.35, 0.4%, 0.55%

LAB 69.31, -38.83, 39.73

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 3 / 49 / 0 / 27

HEX #B45EBA

RGB 180 94 186

HSL 296.09, 0.4%, 0.55%

LAB 53.23, 48.31, -33.79

 

CMYK 0 / 13 / 49 / 27

HEX #BAA15E

RGB 186 161 94

HSL 43.7, 0.4%, 0.55%

LAB 67.08, 0.33, 38.06

 

CMYK 46 / 0 / 49 / 27

HEX #64BA5E

RGB 100 186 94

HSL 116.09, 0.4%, 0.55%

LAB 68.49, -44.51, 38.53

 

CMYK 49 / 37 / 0 / 27

HEX #5E76BA

RGB 94 118 186

HSL 224.35, 0.4%, 0.55%

LAB 50.55, 10.34, -38.57

 

CMYK 0 / 49 / 12 / 27

HEX #BA5EA4

RGB 186 94 164

HSL 314.35, 0.4%, 0.55%

LAB 53.09, 46.22, -21.16

 

CMYK 0 / 13 / 49 / 27

HEX #BAA15E

RGB 186 161 94

HSL 43.7, 0.4%, 0.55%

LAB 67.08, 0.33, 38.06

 

CMYK 49 / 0 / 38 / 27

HEX #5EBA73

RGB 94 186 115

HSL 133.7, 0.4%, 0.55%

LAB 68.56, -42.97, 27.79

 

Description

Color code: RGB 94 118 186 | qconv.com Color code: RGB 94 118 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 118 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 118 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 37 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 37% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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