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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 140 77 it is the complementary color RGB 161 115 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 140 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 140 77 shade: RGB 99 140 72, RGB 116 158 91, RGB 133 176 110, RGB 150 194 129 and RGB 167 212 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 140 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 140 77 shade: RGB 94 140 77, RGB 77 122 58, RGB 60 104 39, RGB 43 86 20 and RGB 26 68 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 140 77 shade: RGB 95 141 77, RGB 112 141 77, RGB 129 141 77, RGB 141 136 77 and RGB 141 119 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 140 77 shade: RGB 95 141 77, RGB 77 141 77, RGB 77 141 94, RGB 77 141 112 and RGB 77 141 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 140 77 shade matches the following richer shades: RGB 95 141 77, RGB 86 159 60, RGB 78 176 42, RGB 70 194 24 and RGB 62 212 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 140 77 shade: RGB 95 141 77, RGB 103 123 95, RGB 111 105 113, RGB 119 88 131 and RGB 127 70 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 140 77 shade: RGB 129 141 77, RGB 112 141 77, RGB 95 141 77, RGB 78 141 77 and RGB 77 141 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 140 77 shade: RGB 59 88 48, RGB 77 114 63, RGB 95 141 77, RGB 113 166 94 and RGB 137 181 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 140 77 shade: RGB 94 140 77, RGB 77 141 136 and RGB 141 77 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 140 77 shade: RGB 94 140 77, RGB 77 95 141 and RGB 141 77 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 140 77 shade: RGB 94 140 77, RGB 77 141 136, RGB 123 77 141 and RGB 141 77 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 140 77 shade: RGB 94 140 77, RGB 77 127 141, RGB 123 77 141 and RGB 141 91 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

Complementary color

CMYK 10 / 35 / 0 / 30

HEX #A173B2

RGB 161 115 178

HSL 283.81, 0.29%, 0.57%

LAB 55.13, 29.5, -26.4

 

CMYK 29 / 0 / 49 / 45

HEX #638C48

RGB 99 140 72

HSL 96.18, 0.32%, 0.42%

LAB 53.9, -26.97, 31.72

 

CMYK 27 / 0 / 42 / 38

HEX #749E5B

RGB 116 158 91

HSL 97.61, 0.27%, 0.49%

LAB 60.71, -26.87, 30.47

 

CMYK 24 / 0 / 38 / 31

HEX #85B06E

RGB 133 176 110

HSL 99.09, 0.29%, 0.56%

LAB 67.4, -26.74, 29.26

 

CMYK 23 / 0 / 34 / 24

HEX #96C281

RGB 150 194 129

HSL 100.62, 0.35%, 0.63%

LAB 73.97, -26.59, 28.11

 

CMYK 21 / 0 / 30 / 17

HEX #A7D494

RGB 167 212 148

HSL 102.19, 0.43%, 0.71%

LAB 80.43, -26.44, 27.01

 

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

CMYK 37 / 0 / 52 / 52

HEX #4D7A3A

RGB 77 122 58

HSL 102.19, 0.36%, 0.35%

LAB 46.71, -28.26, 30.02

 

CMYK 42 / 0 / 63 / 59

HEX #3C6827

RGB 60 104 39

HSL 100.62, 0.45%, 0.28%

LAB 39.59, -28.26, 31.27

 

CMYK 50 / 0 / 77 / 66

HEX #2B5614

RGB 43 86 20

HSL 99.09, 0.62%, 0.21%

LAB 32.3, -27.98, 32.13

 

CMYK 62 / 0 / 99 / 73

HEX #1A4401

RGB 26 68 1

HSL 97.61, 0.97%, 0.14%

LAB 24.82, -27.26, 32.23

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 21 / 0 / 45 / 45

HEX #708D4D

RGB 112 141 77

HSL 87.19, 0.29%, 0.43%

LAB 55.1, -21.78, 30.76

 

CMYK 9 / 0 / 45 / 45

HEX #818D4D

RGB 129 141 77

HSL 71.25, 0.29%, 0.43%

LAB 56.34, -14.82, 32.57

 

CMYK 0 / 4 / 45 / 45

HEX #8D884D

RGB 141 136 77

HSL 55.31, 0.29%, 0.43%

LAB 55.89, -7, 32.23

 

CMYK 0 / 16 / 45 / 45

HEX #8D774D

RGB 141 119 77

HSL 39.38, 0.29%, 0.43%

LAB 51.14, 2.54, 26.23

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 45 / 0 / 45 / 45

HEX #4D8D4D

RGB 77 141 77

HSL 120, 0.29%, 0.43%

LAB 53.13, -34.38, 27.84

 

CMYK 45 / 0 / 33 / 45

HEX #4D8D5E

RGB 77 141 94

HSL 135.94, 0.29%, 0.43%

LAB 53.42, -31.42, 18.85

 

CMYK 45 / 0 / 21 / 45

HEX #4D8D70

RGB 77 141 112

HSL 152.81, 0.29%, 0.43%

LAB 53.81, -27.68, 9.16

 

CMYK 45 / 0 / 9 / 45

HEX #4D8D81

RGB 77 141 129

HSL 168.75, 0.29%, 0.43%

LAB 54.25, -23.62, 0

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 46 / 0 / 62 / 38

HEX #569F3C

RGB 86 159 60

HSL 104.24, 0.45%, 0.43%

LAB 59.07, -41.57, 43.59

 

CMYK 56 / 0 / 76 / 31

HEX #4EB02A

RGB 78 176 42

HSL 103.88, 0.61%, 0.43%

LAB 64.03, -52.16, 55.91

 

CMYK 64 / 0 / 88 / 24

HEX #46C218

RGB 70 194 24

HSL 103.76, 0.78%, 0.43%

LAB 69.44, -61.34, 65.62

 

CMYK 71 / 0 / 97 / 17

HEX #3ED406

RGB 62 212 6

HSL 103.69, 0.94%, 0.43%

LAB 74.9, -69.08, 72.57

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 16 / 0 / 23 / 52

HEX #677B5F

RGB 103 123 95

HSL 102.86, 0.13%, 0.43%

LAB 49.35, -13.02, 12.94

 

CMYK 2 / 7 / 0 / 56

HEX #6F6971

RGB 111 105 113

HSL 285, 0.04%, 0.43%

LAB 45.19, 3.97, -3.63

 

CMYK 9 / 33 / 0 / 49

HEX #775883

RGB 119 88 131

HSL 283.26, 0.2%, 0.43%

LAB 42.06, 21.1, -19.16

 

CMYK 14 / 53 / 0 / 42

HEX #7F4694

RGB 127 70 148

HSL 283.85, 0.36%, 0.43%

LAB 39.63, 37.93, -33.19

 

CMYK 9 / 0 / 45 / 45

HEX #818D4D

RGB 129 141 77

HSL 71.25, 0.29%, 0.43%

LAB 56.34, -14.82, 32.57

 

CMYK 21 / 0 / 45 / 45

HEX #708D4D

RGB 112 141 77

HSL 87.19, 0.29%, 0.43%

LAB 55.1, -21.78, 30.76

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 45 / 0 / 45 / 45

HEX #4E8D4D

RGB 78 141 77

HSL 119.06, 0.29%, 0.43%

LAB 53.17, -34.06, 27.91

 

CMYK 45 / 0 / 34 / 45

HEX #4D8D5D

RGB 77 141 93

HSL 135, 0.29%, 0.43%

LAB 53.4, -31.61, 19.39

 

CMYK 33 / 0 / 45 / 65

HEX #3B5830

RGB 59 88 48

HSL 103.5, 0.29%, 0.27%

LAB 34.24, -19.39, 19.82

 

CMYK 32 / 0 / 45 / 55

HEX #4D723F

RGB 77 114 63

HSL 103.53, 0.29%, 0.35%

LAB 44.19, -23.6, 24.14

 

CMYK 33 / 0 / 45 / 45

HEX #5F8D4D

RGB 95 141 77

HSL 103.13, 0.29%, 0.43%

LAB 54.05, -28.26, 29.2

 

CMYK 32 / 0 / 43 / 35

HEX #71A65E

RGB 113 166 94

HSL 104.17, 0.29%, 0.51%

LAB 63, -31.38, 31.78

 

CMYK 24 / 0 / 34 / 29

HEX #89B578

RGB 137 181 120

HSL 103.28, 0.29%, 0.59%

LAB 69.27, -26.25, 26.47

 

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

CMYK 45 / 0 / 4 / 45

HEX #4D8D88

RGB 77 141 136

HSL 175.31, 0.29%, 0.43%

LAB 54.45, -21.81, -3.74

 

CMYK 0 / 45 / 14 / 45

HEX #8D4D79

RGB 141 77 121

HSL 318.75, 0.29%, 0.43%

LAB 41.77, 33.2, -13.27

 

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

CMYK 45 / 33 / 0 / 45

HEX #4D5F8D

RGB 77 95 141

HSL 223.13, 0.29%, 0.43%

LAB 40.71, 6.11, -27.6

 

CMYK 0 / 45 / 33 / 45

HEX #8D4D5F

RGB 141 77 95

HSL 343.13, 0.29%, 0.43%

LAB 40.89, 29.14, 1.47

 

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

CMYK 45 / 0 / 4 / 45

HEX #4D8D88

RGB 77 141 136

HSL 175.31, 0.29%, 0.43%

LAB 54.45, -21.81, -3.74

 

CMYK 13 / 45 / 0 / 45

HEX #7B4D8D

RGB 123 77 141

HSL 283.13, 0.29%, 0.43%

LAB 40.31, 31.2, -27.91

 

CMYK 0 / 45 / 41 / 45

HEX #8D4D53

RGB 141 77 83

HSL 354.38, 0.29%, 0.43%

LAB 40.57, 27.58, 8.45

 

CMYK 33 / 0 / 45 / 45

HEX #5E8C4D

RGB 94 140 77

HSL 103.81, 0.29%, 0.43%

LAB 53.68, -28.14, 28.72

 

CMYK 45 / 10 / 0 / 45

HEX #4D7F8D

RGB 77 127 141

HSL 193.13, 0.29%, 0.43%

LAB 50.31, -12.9, -12.84

 

CMYK 13 / 45 / 0 / 45

HEX #7B4D8D

RGB 123 77 141

HSL 283.13, 0.29%, 0.43%

LAB 40.31, 31.2, -27.91

 

CMYK 0 / 35 / 45 / 45

HEX #8D5B4D

RGB 141 91 77

HSL 13.13, 0.29%, 0.43%

LAB 43.77, 18.82, 16.53

 

Description

Color code: RGB 94 140 77 | qconv.com Color code: RGB 94 140 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 140 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 140 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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