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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 150 180 it is the complementary color RGB 161 105 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 150 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 150 180 shade: RGB 99 150 175, RGB 116 168 194, RGB 133 186 213, RGB 150 204 232 and RGB 167 222 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 150 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 150 180 shade: RGB 94 150 180, RGB 77 132 161, RGB 60 114 142, RGB 43 96 123 and RGB 26 78 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 150 180 shade: RGB 95 150 179, RGB 95 127 179, RGB 95 104 179, RGB 108 95 179 and RGB 131 95 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 150 180 shade: RGB 95 150 179, RGB 95 127 179, RGB 95 104 179 and RGB 95 95 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 150 180 shade matches the following richer shades: RGB 95 150 179, RGB 76 156 198, RGB 57 161 217 and RGB 38 167 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 150 180 shade: RGB 95 150 179, RGB 114 144 160, RGB 133 138 141, RGB 152 133 122 and RGB 171 127 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 150 180 shade: RGB 95 179 163, RGB 95 174 179, RGB 95 151 179, RGB 95 129 179 and RGB 95 106 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 150 180 shade: RGB 61 106 131, RGB 74 129 159, RGB 95 150 179, RGB 123 168 193 and RGB 151 187 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 150 180 shade: RGB 94 150 180, RGB 140 95 179 and RGB 179 174 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 150 180 shade: RGB 94 150 180, RGB 179 95 151 and RGB 151 179 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 150 180 shade: RGB 94 150 180, RGB 140 95 179, RGB 179 123 95 and RGB 134 179 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 150 180 shade: RGB 94 150 180, RGB 165 95 179, RGB 179 123 95 and RGB 109 179 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

Complementary color

CMYK 0 / 35 / 53 / 37

HEX #A1694B

RGB 161 105 75

HSL 20.93, 0.36%, 0.46%

LAB 49.72, 19.07, 26

 

CMYK 43 / 14 / 0 / 31

HEX #6396AF

RGB 99 150 175

HSL 199.74, 0.32%, 0.54%

LAB 59.49, -10.28, -18.4

 

CMYK 40 / 13 / 0 / 24

HEX #74A8C2

RGB 116 168 194

HSL 200, 0.39%, 0.61%

LAB 66.22, -10.45, -18.74

 

CMYK 38 / 13 / 0 / 16

HEX #85BAD5

RGB 133 186 213

HSL 200.25, 0.49%, 0.68%

LAB 72.83, -10.58, -19.09

 

CMYK 35 / 12 / 0 / 9

HEX #96CCE8

RGB 150 204 232

HSL 200.49, 0.64%, 0.75%

LAB 79.33, -10.69, -19.43

 

CMYK 33 / 12 / 0 / 2

HEX #A7DEFB

RGB 167 222 251

HSL 200.71, 0.91%, 0.82%

LAB 85.72, -10.78, -19.77

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

CMYK 52 / 18 / 0 / 37

HEX #4D84A1

RGB 77 132 161

HSL 200.71, 0.35%, 0.47%

LAB 52.57, -9.78, -21.05

 

CMYK 58 / 20 / 0 / 44

HEX #3C728E

RGB 60 114 142

HSL 200.49, 0.41%, 0.4%

LAB 45.56, -9.32, -20.74

 

CMYK 65 / 22 / 0 / 52

HEX #2B607B

RGB 43 96 123

HSL 200.25, 0.48%, 0.33%

LAB 38.39, -8.65, -20.41

 

CMYK 75 / 25 / 0 / 59

HEX #1A4E68

RGB 26 78 104

HSL 200, 0.6%, 0.25%

LAB 31.04, -7.63, -20.05

 

CMYK 47 / 16 / 0 / 30

HEX #5F96B3

RGB 95 150 179

HSL 200.71, 0.36%, 0.54%

LAB 59.43, -10.17, -20.77

 

CMYK 47 / 29 / 0 / 30

HEX #5F7FB3

RGB 95 127 179

HSL 217.14, 0.36%, 0.54%

LAB 52.8, 3.02, -31.01

 

CMYK 47 / 42 / 0 / 30

HEX #5F68B3

RGB 95 104 179

HSL 233.57, 0.36%, 0.54%

LAB 46.43, 17.01, -41.03

 

CMYK 40 / 47 / 0 / 30

HEX #6C5FB3

RGB 108 95 179

HSL 249.29, 0.36%, 0.54%

LAB 45.12, 25.87, -43.04

 

CMYK 27 / 47 / 0 / 30

HEX #835FB3

RGB 131 95 179

HSL 265.71, 0.36%, 0.54%

LAB 47.32, 32.14, -39.42

 

CMYK 47 / 16 / 0 / 30

HEX #5F96B3

RGB 95 150 179

HSL 200.71, 0.36%, 0.54%

LAB 59.43, -10.17, -20.77

 

CMYK 47 / 29 / 0 / 30

HEX #5F7FB3

RGB 95 127 179

HSL 217.14, 0.36%, 0.54%

LAB 52.8, 3.02, -31.01

 

CMYK 47 / 42 / 0 / 30

HEX #5F68B3

RGB 95 104 179

HSL 233.57, 0.36%, 0.54%

LAB 46.43, 17.01, -41.03

 

CMYK 47 / 47 / 0 / 30

HEX #5F5FB3

RGB 95 95 179

HSL 240, 0.36%, 0.54%

LAB 44.05, 22.6, -44.81

 

CMYK 47 / 16 / 0 / 30

HEX #5F96B3

RGB 95 150 179

HSL 200.71, 0.36%, 0.54%

LAB 59.43, -10.17, -20.77

 

CMYK 62 / 21 / 0 / 22

HEX #4C9CC6

RGB 76 156 198

HSL 200.66, 0.52%, 0.54%

LAB 61.12, -11.81, -28.95

 

CMYK 74 / 26 / 0 / 15

HEX #39A1D9

RGB 57 161 217

HSL 201, 0.68%, 0.54%

LAB 62.82, -11.23, -36.95

 

CMYK 84 / 29 / 0 / 7

HEX #26A7EC

RGB 38 167 236

HSL 200.91, 0.84%, 0.54%

LAB 65.05, -9.82, -43.96

 

CMYK 47 / 16 / 0 / 30

HEX #5F96B3

RGB 95 150 179

HSL 200.71, 0.36%, 0.54%

LAB 59.43, -10.17, -20.77

 

CMYK 29 / 10 / 0 / 37

HEX #7290A0

RGB 114 144 160

HSL 200.87, 0.19%, 0.54%

LAB 58.1, -6.64, -11.89

 

CMYK 6 / 2 / 0 / 45

HEX #858A8D

RGB 133 138 141

HSL 202.5, 0.03%, 0.54%

LAB 57.16, -1.22, -2.24

 

CMYK 0 / 13 / 20 / 40

HEX #98857A

RGB 152 133 122

HSL 22, 0.13%, 0.54%

LAB 56.93, 5.34, 8.57

 

CMYK 0 / 26 / 39 / 33

HEX #AB7F68

RGB 171 127 104

HSL 20.6, 0.29%, 0.54%

LAB 56.92, 13.92, 19.14

 

CMYK 47 / 0 / 9 / 30

HEX #5FB3A3

RGB 95 179 163

HSL 168.57, 0.36%, 0.54%

LAB 67.51, -29.48, 0.27

 

CMYK 47 / 3 / 0 / 30

HEX #5FAEB3

RGB 95 174 179

HSL 183.57, 0.36%, 0.54%

LAB 66.49, -22.9, -10.11

 

CMYK 47 / 16 / 0 / 30

HEX #5F97B3

RGB 95 151 179

HSL 200, 0.36%, 0.54%

LAB 59.73, -10.72, -20.33

 

CMYK 47 / 28 / 0 / 30

HEX #5F81B3

RGB 95 129 179

HSL 215.71, 0.36%, 0.54%

LAB 53.37, 1.84, -30.12

 

CMYK 47 / 41 / 0 / 30

HEX #5F6AB3

RGB 95 106 179

HSL 232.14, 0.36%, 0.54%

LAB 46.97, 15.77, -40.17

 

CMYK 53 / 19 / 0 / 49

HEX #3D6A83

RGB 61 106 131

HSL 201.43, 0.36%, 0.38%

LAB 42.67, -7.94, -18.61

 

CMYK 53 / 19 / 0 / 38

HEX #4A819F

RGB 74 129 159

HSL 201.18, 0.36%, 0.46%

LAB 51.45, -9.39, -21.62

 

CMYK 47 / 16 / 0 / 30

HEX #5F96B3

RGB 95 150 179

HSL 200.71, 0.36%, 0.54%

LAB 59.43, -10.17, -20.77

 

CMYK 36 / 13 / 0 / 24

HEX #7BA8C1

RGB 123 168 193

HSL 201.43, 0.36%, 0.62%

LAB 66.57, -8.81, -17.63

 

CMYK 27 / 9 / 0 / 19

HEX #97BBCE

RGB 151 187 206

HSL 200.73, 0.36%, 0.7%

LAB 73.92, -7.73, -13.53

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

CMYK 22 / 47 / 0 / 30

HEX #8C5FB3

RGB 140 95 179

HSL 272.14, 0.36%, 0.54%

LAB 48.28, 34.71, -37.84

 

CMYK 0 / 3 / 47 / 30

HEX #B3AE5F

RGB 179 174 95

HSL 56.43, 0.36%, 0.54%

LAB 69.95, -9.42, 40.94

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

CMYK 0 / 47 / 16 / 30

HEX #B35F97

RGB 179 95 151

HSL 320, 0.36%, 0.54%

LAB 51.84, 41.34, -15.52

 

CMYK 16 / 0 / 47 / 30

HEX #97B35F

RGB 151 179 95

HSL 80, 0.36%, 0.54%

LAB 69.22, -23.33, 39.55

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

CMYK 22 / 47 / 0 / 30

HEX #8C5FB3

RGB 140 95 179

HSL 272.14, 0.36%, 0.54%

LAB 48.28, 34.71, -37.84

 

CMYK 0 / 31 / 47 / 30

HEX #B37B5F

RGB 179 123 95

HSL 20, 0.36%, 0.54%

LAB 56.66, 18.47, 24.07

 

CMYK 25 / 0 / 47 / 30

HEX #86B35F

RGB 134 179 95

HSL 92.14, 0.36%, 0.54%

LAB 68.12, -29.82, 37.95

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B4

RGB 94 150 180

HSL 200.93, 0.36%, 0.54%

LAB 59.42, -10.12, -21.36

 

CMYK 8 / 47 / 0 / 30

HEX #A55FB3

RGB 165 95 179

HSL 290, 0.36%, 0.54%

LAB 51.2, 42.04, -33.05

 

CMYK 0 / 31 / 47 / 30

HEX #B37B5F

RGB 179 123 95

HSL 20, 0.36%, 0.54%

LAB 56.66, 18.47, 24.07

 

CMYK 39 / 0 / 47 / 30

HEX #6DB35F

RGB 109 179 95

HSL 110, 0.36%, 0.54%

LAB 66.76, -38.56, 35.97

 

Description

Color code: RGB 94 150 180 | qconv.com Color code: RGB 94 150 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 150 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 150 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 17 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 17% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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