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Color name
RGB 94 166 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 166 27 it is the complementary color RGB 161 89 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 166 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 166 27 shade: RGB 99 166 22, RGB 116 184 41, RGB 133 202 60, RGB 150 220 79 and RGB 167 238 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 166 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 77 148 8, RGB 60 130 0, RGB 43 112 0 and RGB 26 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 132 166 27, RGB 166 163 27, RGB 166 126 27 and RGB 166 88 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 56 166 27, RGB 27 166 35, RGB 27 166 72 and RGB 27 166 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 166 27 shade matches the following richer shades: RGB 94 166 27 and RGB 93 182 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 94 150 42, RGB 95 135 58, RGB 96 119 74 and RGB 96 103 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 166 27 shade: RGB 166 164 27, RGB 131 166 27, RGB 94 166 27, RGB 57 166 27 and RGB 27 166 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 166 27 shade: RGB 54 95 15, RGB 74 131 21, RGB 94 166 27, RGB 114 202 32 and RGB 135 222 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 27 166 127 and RGB 166 27 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 27 94 166 and RGB 166 27 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 27 166 127, RGB 99 27 166 and RGB 166 27 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 166 27 shade: RGB 94 166 27, RGB 27 164 166, RGB 99 27 166 and RGB 166 29 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

Complementary color

CMYK 29 / 61 / 0 / 11

HEX #A159E4

RGB 161 89 228

HSL 271.08, 0.72%, 0.62%

LAB 52.2, 54.86, -59.53

 

CMYK 40 / 0 / 87 / 35

HEX #63A616

RGB 99 166 22

HSL 87.92, 0.77%, 0.37%

LAB 61.64, -42.68, 59.71

 

CMYK 37 / 0 / 78 / 28

HEX #74B829

RGB 116 184 41

HSL 88.53, 0.64%, 0.44%

LAB 68.13, -43.39, 60.74

 

CMYK 34 / 0 / 70 / 21

HEX #85CA3C

RGB 133 202 60

HSL 89.15, 0.57%, 0.51%

LAB 74.54, -43.86, 60.79

 

CMYK 32 / 0 / 64 / 14

HEX #96DC4F

RGB 150 220 79

HSL 89.79, 0.67%, 0.59%

LAB 80.87, -44.15, 60.28

 

CMYK 30 / 0 / 59 / 7

HEX #A7EE62

RGB 167 238 98

HSL 90.43, 0.8%, 0.66%

LAB 87.12, -44.33, 59.47

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 48 / 0 / 95 / 42

HEX #4D9408

RGB 77 148 8

HSL 90.43, 0.9%, 0.31%

LAB 54.84, -43.22, 56.19

 

CMYK 54 / 0 / 100 / 49

HEX #3C8200

RGB 60 130 0

HSL 92.31, 1%, 0.25%

LAB 48.17, -41.75, 51.97

 

CMYK 62 / 0 / 100 / 56

HEX #2B7000

RGB 43 112 0

HSL 96.96, 1%, 0.22%

LAB 41.38, -39.85, 46.35

 

CMYK 72 / 0 / 100 / 63

HEX #1A5E00

RGB 26 94 0

HSL 103.4, 1%, 0.18%

LAB 34.45, -37.52, 40.64

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 20 / 0 / 84 / 35

HEX #84A61B

RGB 132 166 27

HSL 74.68, 0.72%, 0.38%

LAB 63.55, -29.76, 60.92

 

CMYK 0 / 2 / 84 / 35

HEX #A6A31B

RGB 166 163 27

HSL 58.71, 0.72%, 0.38%

LAB 65.26, -13.59, 63.4

 

CMYK 0 / 24 / 84 / 35

HEX #A67E1B

RGB 166 126 27

HSL 42.73, 0.72%, 0.38%

LAB 55.18, 6.48, 54.81

 

CMYK 0 / 47 / 84 / 35

HEX #A6581B

RGB 166 88 27

HSL 26.33, 0.72%, 0.38%

LAB 45.86, 27.82, 46.65

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 66 / 0 / 84 / 35

HEX #38A61B

RGB 56 166 27

HSL 107.48, 0.72%, 0.38%

LAB 60.06, -54.89, 56.48

 

CMYK 84 / 0 / 79 / 35

HEX #1BA623

RGB 27 166 35

HSL 123.45, 0.72%, 0.38%

LAB 59.55, -59.15, 53.46

 

CMYK 84 / 0 / 57 / 35

HEX #1BA648

RGB 27 166 72

HSL 139.42, 0.72%, 0.38%

LAB 59.86, -55.26, 38.43

 

CMYK 84 / 0 / 34 / 35

HEX #1BA66E

RGB 27 166 110

HSL 155.83, 0.72%, 0.38%

LAB 60.45, -48.37, 19.3

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 49 / 0 / 94 / 29

HEX #5DB60B

RGB 93 182 11

HSL 91.23, 0.89%, 0.38%

LAB 66.37, -51.34, 65.47

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 37 / 0 / 72 / 41

HEX #5E962A

RGB 94 150 42

HSL 91.11, 0.56%, 0.38%

LAB 56.45, -36.53, 48.58

 

CMYK 30 / 0 / 57 / 47

HEX #5F873A

RGB 95 135 58

HSL 91.17, 0.4%, 0.38%

LAB 51.91, -27.75, 36.47

 

CMYK 19 / 0 / 38 / 53

HEX #60774A

RGB 96 119 74

HSL 90.67, 0.23%, 0.38%

LAB 47.2, -17.1, 22.06

 

CMYK 7 / 0 / 14 / 60

HEX #606759

RGB 96 103 89

HSL 90, 0.07%, 0.38%

LAB 42.63, -5.56, 6.99

 

CMYK 0 / 1 / 84 / 35

HEX #A6A41B

RGB 166 164 27

HSL 59.14, 0.72%, 0.38%

LAB 65.54, -14.1, 63.64

 

CMYK 21 / 0 / 84 / 35

HEX #83A61B

RGB 131 166 27

HSL 75.11, 0.72%, 0.38%

LAB 63.49, -30.17, 60.84

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 66 / 0 / 84 / 35

HEX #39A61B

RGB 57 166 27

HSL 107.05, 0.72%, 0.38%

LAB 60.09, -54.67, 56.52

 

CMYK 84 / 0 / 80 / 35

HEX #1BA622

RGB 27 166 34

HSL 123.02, 0.72%, 0.38%

LAB 59.54, -59.22, 53.78

 

CMYK 43 / 0 / 84 / 63

HEX #365F0F

RGB 54 95 15

HSL 90.75, 0.73%, 0.22%

LAB 35.99, -28.39, 37.86

 

CMYK 44 / 0 / 84 / 49

HEX #4A8315

RGB 74 131 21

HSL 91.09, 0.72%, 0.3%

LAB 49.18, -36.74, 48.49

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 44 / 0 / 84 / 21

HEX #72CA20

RGB 114 202 32

HSL 91.06, 0.73%, 0.46%

LAB 73.5, -51.8, 68.04

 

CMYK 39 / 0 / 76 / 13

HEX #87DE36

RGB 135 222 54

HSL 91.07, 0.72%, 0.54%

LAB 80.55, -51.81, 68.79

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 84 / 0 / 23 / 35

HEX #1BA67F

RGB 27 166 127

HSL 163.17, 0.72%, 0.38%

LAB 60.81, -44.4, 10.4

 

CMYK 0 / 84 / 10 / 35

HEX #A61B96

RGB 166 27 150

HSL 306.91, 0.72%, 0.38%

LAB 39.74, 64.99, -33.84

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 84 / 43 / 0 / 35

HEX #1B5EA6

RGB 27 94 166

HSL 211.08, 0.72%, 0.38%

LAB 39.57, 6.62, -44.51

 

CMYK 0 / 84 / 43 / 35

HEX #A61B5E

RGB 166 27 94

HSL 331.08, 0.72%, 0.38%

LAB 37.3, 58.14, -2.66

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 84 / 0 / 23 / 35

HEX #1BA67F

RGB 27 166 127

HSL 163.17, 0.72%, 0.38%

LAB 60.81, -44.4, 10.4

 

CMYK 40 / 84 / 0 / 35

HEX #631BA6

RGB 99 27 166

HSL 271.08, 0.72%, 0.38%

LAB 29.89, 55.94, -59.97

 

CMYK 0 / 84 / 60 / 35

HEX #A61B42

RGB 166 27 66

HSL 343.17, 0.72%, 0.38%

LAB 36.53, 55.87, 14.26

 

CMYK 43 / 0 / 84 / 35

HEX #5EA61B

RGB 94 166 27

HSL 91.08, 0.72%, 0.38%

LAB 61.42, -44.21, 58.22

 

CMYK 84 / 1 / 0 / 35

HEX #1BA4A6

RGB 27 164 166

HSL 180.86, 0.72%, 0.38%

LAB 61.25, -32.6, -10.87

 

CMYK 40 / 84 / 0 / 35

HEX #631BA6

RGB 99 27 166

HSL 271.08, 0.72%, 0.38%

LAB 29.89, 55.94, -59.97

 

CMYK 0 / 83 / 84 / 35

HEX #A61D1B

RGB 166 29 27

HSL 0.86, 0.72%, 0.38%

LAB 36.11, 53.54, 37.75

 

Description

Color code: RGB 94 166 27 | qconv.com Color code: RGB 94 166 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 166 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 166 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 84 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 84% 35% C M Y K

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Provide designers and agencies with accurate color values.

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