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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 225 80 it is the complementary color RGB 161 30 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 225 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 225 80 shade: RGB 99 225 75, RGB 116 243 94, RGB 133 255 113, RGB 150 255 132 and RGB 167 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 225 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 77 207 61, RGB 60 189 42, RGB 43 171 23 and RGB 26 153 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 133 225 80, RGB 172 225 80, RGB 211 225 80 and RGB 225 200 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 80 225 105, RGB 80 225 144, RGB 80 225 183 and RGB 80 225 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 225 80 shade matches the following richer shades: RGB 94 225 80 and RGB 81 241 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 107 208 97, RGB 121 192 113, RGB 134 175 130 and RGB 147 159 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 225 80 shade: RGB 172 225 80, RGB 133 225 80, RGB 95 225 80, RGB 80 225 104 and RGB 80 225 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 225 80 shade: RGB 47 191 32, RGB 62 219 45, RGB 94 225 80, RGB 127 231 115 and RGB 159 237 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 80 210 225 and RGB 225 80 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 80 95 225 and RGB 225 80 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 80 210 225, RGB 210 80 225 and RGB 225 95 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 225 80 shade: RGB 94 225 80, RGB 80 167 225, RGB 210 80 225 and RGB 225 138 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

Complementary color

CMYK 8 / 83 / 0 / 31

HEX #A11EAF

RGB 161 30 175

HSL 294.21, 0.71%, 0.4%

LAB 40.57, 67.27, -47.57

 

CMYK 56 / 0 / 67 / 12

HEX #63E14B

RGB 99 225 75

HSL 110.4, 0.71%, 0.59%

LAB 80.19, -61.97, 60.51

 

CMYK 52 / 0 / 61 / 5

HEX #74F35E

RGB 116 243 94

HSL 111.14, 0.86%, 0.66%

LAB 86.32, -62.39, 59.66

 

CMYK 48 / 0 / 56 / 0

HEX #85FF71

RGB 133 255 113

HSL 111.55, 1%, 0.72%

LAB 90.64, -60.35, 56.58

 

CMYK 41 / 0 / 48 / 0

HEX #96FF84

RGB 150 255 132

HSL 111.22, 1%, 0.76%

LAB 91.54, -53.27, 49.14

 

CMYK 35 / 0 / 41 / 0

HEX #A7FF97

RGB 167 255 151

HSL 110.77, 1%, 0.8%

LAB 92.56, -45.6, 41.49

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 63 / 0 / 71 / 19

HEX #4DCF3D

RGB 77 207 61

HSL 113.42, 0.6%, 0.53%

LAB 73.89, -62.01, 59.06

 

CMYK 68 / 0 / 78 / 26

HEX #3CBD2A

RGB 60 189 42

HSL 112.65, 0.64%, 0.45%

LAB 67.67, -60.89, 59.27

 

CMYK 75 / 0 / 87 / 33

HEX #2BAB17

RGB 43 171 23

HSL 111.89, 0.76%, 0.38%

LAB 61.4, -59.18, 58.56

 

CMYK 83 / 0 / 97 / 40

HEX #1A9904

RGB 26 153 4

HSL 111.14, 0.95%, 0.31%

LAB 55.08, -56.69, 56.45

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 41 / 0 / 64 / 12

HEX #85E150

RGB 133 225 80

HSL 98.07, 0.71%, 0.6%

LAB 81.52, -51.85, 60.33

 

CMYK 24 / 0 / 64 / 12

HEX #ACE150

RGB 172 225 80

HSL 81.93, 0.71%, 0.6%

LAB 83.55, -38.27, 63.11

 

CMYK 6 / 0 / 64 / 12

HEX #D3E150

RGB 211 225 80

HSL 65.79, 0.71%, 0.6%

LAB 86.15, -23.03, 66.64

 

CMYK 0 / 11 / 64 / 12

HEX #E1C850

RGB 225 200 80

HSL 49.66, 0.71%, 0.6%

LAB 80.68, -4.79, 61.23

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 64 / 0 / 53 / 12

HEX #50E169

RGB 80 225 105

HSL 130.34, 0.71%, 0.6%

LAB 79.94, -62.89, 47.07

 

CMYK 64 / 0 / 36 / 12

HEX #50E190

RGB 80 225 144

HSL 146.48, 0.71%, 0.6%

LAB 80.5, -56.65, 28.55

 

CMYK 64 / 0 / 19 / 12

HEX #50E1B7

RGB 80 225 183

HSL 162.62, 0.71%, 0.6%

LAB 81.28, -48.45, 9.27

 

CMYK 64 / 0 / 1 / 12

HEX #50E1DE

RGB 80 225 222

HSL 178.76, 0.71%, 0.6%

LAB 82.29, -38.57, -9.92

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 66 / 0 / 73 / 5

HEX #51F140

RGB 81 241 64

HSL 114.24, 0.86%, 0.6%

LAB 84.5, -72.18, 68.81

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 49 / 0 / 53 / 18

HEX #6BD061

RGB 107 208 97

HSL 114.59, 0.54%, 0.6%

LAB 75.51, -51.11, 45.7

 

CMYK 37 / 0 / 41 / 25

HEX #79C071

RGB 121 192 113

HSL 113.92, 0.39%, 0.6%

LAB 71.53, -37.91, 32.93

 

CMYK 23 / 0 / 26 / 31

HEX #86AF82

RGB 134 175 130

HSL 114.67, 0.22%, 0.6%

LAB 67.53, -22.71, 18.7

 

CMYK 8 / 0 / 8 / 38

HEX #939F92

RGB 147 159 146

HSL 115.38, 0.06%, 0.6%

LAB 64.22, -6.8, 5.32

 

CMYK 24 / 0 / 64 / 12

HEX #ACE150

RGB 172 225 80

HSL 81.93, 0.71%, 0.6%

LAB 83.55, -38.27, 63.11

 

CMYK 41 / 0 / 64 / 12

HEX #85E150

RGB 133 225 80

HSL 98.07, 0.71%, 0.6%

LAB 81.52, -51.85, 60.33

 

CMYK 58 / 0 / 64 / 12

HEX #5FE150

RGB 95 225 80

HSL 113.79, 0.71%, 0.6%

LAB 80.1, -62.48, 58.38

 

CMYK 64 / 0 / 54 / 12

HEX #50E168

RGB 80 225 104

HSL 129.93, 0.71%, 0.6%

LAB 79.93, -63.02, 47.53

 

CMYK 64 / 0 / 36 / 12

HEX #50E18F

RGB 80 225 143

HSL 146.07, 0.71%, 0.6%

LAB 80.48, -56.84, 29.03

 

CMYK 75 / 0 / 83 / 25

HEX #2FBF20

RGB 47 191 32

HSL 114.34, 0.71%, 0.44%

LAB 68, -64.35, 62.34

 

CMYK 72 / 0 / 79 / 14

HEX #3EDB2D

RGB 62 219 45

HSL 114.14, 0.71%, 0.52%

LAB 77.21, -69.89, 67.47

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 45 / 0 / 50 / 9

HEX #7FE773

RGB 127 231 115

HSL 113.79, 0.71%, 0.68%

LAB 83.39, -52.4, 46.92

 

CMYK 33 / 0 / 36 / 7

HEX #9FED97

RGB 159 237 151

HSL 114.42, 0.7%, 0.76%

LAB 87.08, -40.24, 34.27

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 64 / 7 / 0 / 12

HEX #50D2E1

RGB 80 210 225

HSL 186.21, 0.71%, 0.6%

LAB 78.01, -30.71, -17.93

 

CMYK 0 / 64 / 32 / 12

HEX #E15099

RGB 225 80 153

HSL 329.79, 0.71%, 0.6%

LAB 56.13, 62.74, -9.55

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 64 / 58 / 0 / 12

HEX #505FE1

RGB 80 95 225

HSL 233.79, 0.71%, 0.6%

LAB 46.08, 34.65, -68.08

 

CMYK 0 / 64 / 58 / 12

HEX #E1505F

RGB 225 80 95

HSL 353.79, 0.71%, 0.6%

LAB 54.63, 57.28, 22.57

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 64 / 7 / 0 / 12

HEX #50D2E1

RGB 80 210 225

HSL 186.21, 0.71%, 0.6%

LAB 78.01, -30.71, -17.93

 

CMYK 7 / 64 / 0 / 12

HEX #D250E1

RGB 210 80 225

HSL 293.79, 0.71%, 0.6%

LAB 56.95, 69.49, -49.87

 

CMYK 0 / 58 / 64 / 12

HEX #E15F50

RGB 225 95 80

HSL 6.21, 0.71%, 0.6%

LAB 56.85, 49.72, 34.06

 

CMYK 58 / 0 / 64 / 12

HEX #5EE150

RGB 94 225 80

HSL 114.21, 0.71%, 0.6%

LAB 80.07, -62.72, 58.34

 

CMYK 64 / 26 / 0 / 12

HEX #50A7E1

RGB 80 167 225

HSL 204, 0.71%, 0.6%

LAB 65.58, -8.5, -37.02

 

CMYK 7 / 64 / 0 / 12

HEX #D250E1

RGB 210 80 225

HSL 293.79, 0.71%, 0.6%

LAB 56.95, 69.49, -49.87

 

CMYK 0 / 39 / 64 / 12

HEX #E18A50

RGB 225 138 80

HSL 24, 0.71%, 0.6%

LAB 65.56, 28.02, 44.45

 

Description

Color code: RGB 94 225 80 | qconv.com Color code: RGB 94 225 80 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 225 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 225 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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