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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 13 98 it is the complementary color RGB 160 242 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 13 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 13 98 shade: RGB 100 13 93, RGB 117 31 112, RGB 134 49 131, RGB 151 67 150 and RGB 168 85 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 13 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 13 98 shade: RGB 95 13 98, RGB 78 0 79, RGB 61 0 60, RGB 44 0 41 and RGB 27 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 13 98 shade: RGB 96 12 99, RGB 99 12 79, RGB 99 12 55, RGB 99 12 32 and RGB 99 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 13 98 shade: RGB 96 12 99, RGB 72 12 99, RGB 49 12 99, RGB 26 12 99 and RGB 12 12 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 13 98 shade matches the following richer shades: RGB 96 12 99 and RGB 104 3 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 13 98 shade: RGB 96 12 99, RGB 87 21 90, RGB 79 31 81, RGB 70 40 72 and RGB 62 49 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 13 98 shade: RGB 48 12 99, RGB 71 12 99, RGB 94 12 99, RGB 99 12 80 and RGB 99 12 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 13 98 shade: RGB 25 3 26, RGB 60 8 62, RGB 96 12 99, RGB 131 17 135 and RGB 167 22 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 13 98 shade: RGB 95 13 98, RGB 99 25 12 and RGB 12 99 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 13 98 shade: RGB 95 13 98, RGB 99 94 12 and RGB 12 99 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 13 98 shade: RGB 95 13 98, RGB 99 25 12, RGB 17 99 12 and RGB 12 86 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 13 98 shade: RGB 95 13 98, RGB 99 51 12, RGB 17 99 12 and RGB 12 60 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

Complementary color

CMYK 34 / 0 / 35 / 5

HEX #A0F29D

RGB 160 242 157

HSL 117.88, 0.77%, 0.78%

LAB 88.64, -41.24, 33.33

 

CMYK 0 / 87 / 7 / 61

HEX #640D5D

RGB 100 13 93

HSL 304.83, 0.77%, 0.22%

LAB 22.96, 45.35, -25.12

 

CMYK 0 / 74 / 4 / 54

HEX #751F70

RGB 117 31 112

HSL 303.49, 0.58%, 0.29%

LAB 29.24, 46.81, -27.34

 

CMYK 0 / 63 / 2 / 47

HEX #863183

RGB 134 49 131

HSL 302.12, 0.46%, 0.36%

LAB 35.8, 47.09, -28.76

 

CMYK 0 / 56 / 1 / 41

HEX #974396

RGB 151 67 150

HSL 300.71, 0.39%, 0.43%

LAB 42.45, 46.79, -29.73

 

CMYK 1 / 50 / 0 / 34

HEX #A855A9

RGB 168 85 169

HSL 299.29, 0.33%, 0.5%

LAB 49.11, 46.22, -30.44

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 1 / 100 / 0 / 69

HEX #4E004F

RGB 78 0 79

HSL 299.24, 1%, 0.15%

LAB 16.43, 41.83, -26.36

 

CMYK 0 / 100 / 2 / 76

HEX #3D003C

RGB 61 0 60

HSL 300.98, 1%, 0.12%

LAB 11.4, 35.2, -21.31

 

CMYK 0 / 100 / 7 / 83

HEX #2C0029

RGB 44 0 41

HSL 304.09, 1%, 0.09%

LAB 6.28, 27.64, -15.69

 

CMYK 0 / 100 / 19 / 89

HEX #1B0016

RGB 27 0 22

HSL 311.11, 1%, 0.05%

LAB 2.63, 13.12, -6.68

 

CMYK 3 / 88 / 0 / 61

HEX #600C63

RGB 96 12 99

HSL 297.93, 0.78%, 0.22%

LAB 22.48, 45.77, -29.89

 

CMYK 0 / 88 / 20 / 61

HEX #630C4F

RGB 99 12 79

HSL 313.79, 0.78%, 0.22%

LAB 21.87, 43.18, -17.47

 

CMYK 0 / 88 / 44 / 61

HEX #630C37

RGB 99 12 55

HSL 330.34, 0.78%, 0.22%

LAB 20.79, 40.12, -2.58

 

CMYK 0 / 88 / 68 / 61

HEX #630C20

RGB 99 12 32

HSL 346.21, 0.78%, 0.22%

LAB 20.12, 38.13, 12.71

 

CMYK 0 / 88 / 88 / 61

HEX #630C0C

RGB 99 12 12

HSL 0, 0.78%, 0.22%

LAB 19.81, 37.19, 25.09

 

CMYK 3 / 88 / 0 / 61

HEX #600C63

RGB 96 12 99

HSL 297.93, 0.78%, 0.22%

LAB 22.48, 45.77, -29.89

 

CMYK 27 / 88 / 0 / 61

HEX #480C63

RGB 72 12 99

HSL 281.38, 0.78%, 0.22%

LAB 18.11, 41.04, -37.16

 

CMYK 51 / 88 / 0 / 61

HEX #310C63

RGB 49 12 99

HSL 265.52, 0.78%, 0.22%

LAB 14.49, 37.25, -43.21

 

CMYK 74 / 88 / 0 / 61

HEX #1A0C63

RGB 26 12 99

HSL 249.66, 0.78%, 0.22%

LAB 11.85, 34.57, -47.67

 

CMYK 88 / 88 / 0 / 61

HEX #0C0C63

RGB 12 12 99

HSL 240, 0.78%, 0.22%

LAB 10.86, 33.6, -49.33

 

CMYK 3 / 88 / 0 / 61

HEX #600C63

RGB 96 12 99

HSL 297.93, 0.78%, 0.22%

LAB 22.48, 45.77, -29.89

 

CMYK 4 / 97 / 0 / 58

HEX #68036C

RGB 104 3 108

HSL 297.71, 0.95%, 0.22%

LAB 23.97, 50.86, -33.29

 

CMYK 3 / 88 / 0 / 61

HEX #600C63

RGB 96 12 99

HSL 297.93, 0.78%, 0.22%

LAB 22.48, 45.77, -29.89

 

CMYK 3 / 77 / 0 / 65

HEX #57155A

RGB 87 21 90

HSL 297.39, 0.62%, 0.22%

LAB 21.21, 39.18, -26.05

 

CMYK 2 / 62 / 0 / 68

HEX #4F1F51

RGB 79 31 81

HSL 297.6, 0.45%, 0.22%

LAB 20.97, 30.47, -20.5

 

CMYK 3 / 44 / 0 / 72

HEX #462848

RGB 70 40 72

HSL 296.25, 0.29%, 0.22%

LAB 21.16, 20.09, -14.22

 

CMYK 0 / 21 / 0 / 76

HEX #3E313E

RGB 62 49 62

HSL 300, 0.12%, 0.22%

LAB 22.19, 8.64, -5.95

 

CMYK 52 / 88 / 0 / 61

HEX #300C63

RGB 48 12 99

HSL 264.83, 0.78%, 0.22%

LAB 14.36, 37.11, -43.45

 

CMYK 28 / 88 / 0 / 61

HEX #470C63

RGB 71 12 99

HSL 280.69, 0.78%, 0.22%

LAB 17.93, 40.86, -37.45

 

CMYK 5 / 88 / 0 / 61

HEX #5E0C63

RGB 94 12 99

HSL 296.55, 0.78%, 0.22%

LAB 22.1, 45.35, -30.52

 

CMYK 0 / 88 / 19 / 61

HEX #630C50

RGB 99 12 80

HSL 313.1, 0.78%, 0.22%

LAB 21.93, 43.33, -18.06

 

CMYK 0 / 88 / 42 / 61

HEX #630C39

RGB 99 12 57

HSL 328.97, 0.78%, 0.22%

LAB 20.87, 40.34, -3.87

 

CMYK 4 / 88 / 0 / 90

HEX #19031A

RGB 25 3 26

HSL 297.39, 0.79%, 0.06%

LAB 3.13, 11.91, -9.06

 

CMYK 3 / 87 / 0 / 76

HEX #3C083E

RGB 60 8 62

HSL 297.78, 0.77%, 0.14%

LAB 12.49, 31.97, -21

 

CMYK 3 / 88 / 0 / 61

HEX #600C63

RGB 96 12 99

HSL 297.93, 0.78%, 0.22%

LAB 22.48, 45.77, -29.89

 

CMYK 3 / 87 / 0 / 47

HEX #831187

RGB 131 17 135

HSL 297.97, 0.78%, 0.3%

LAB 31.75, 57.82, -37.7

 

CMYK 3 / 87 / 0 / 33

HEX #A716AC

RGB 167 22 172

HSL 298, 0.77%, 0.38%

LAB 40.84, 69.55, -45.3

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 0 / 75 / 88 / 61

HEX #63190C

RGB 99 25 12

HSL 8.97, 0.78%, 0.22%

LAB 21.49, 32.52, 26.94

 

CMYK 88 / 0 / 39 / 61

HEX #0C633C

RGB 12 99 60

HSL 153.1, 0.78%, 0.22%

LAB 36.61, -34.2, 15.5

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 0 / 5 / 88 / 61

HEX #635E0C

RGB 99 94 12

HSL 56.55, 0.78%, 0.22%

LAB 39.04, -7.56, 42.81

 

CMYK 88 / 0 / 5 / 61

HEX #0C635E

RGB 12 99 94

HSL 176.55, 0.78%, 0.22%

LAB 37.5, -24.74, -4

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 0 / 75 / 88 / 61

HEX #63190C

RGB 99 25 12

HSL 8.97, 0.78%, 0.22%

LAB 21.49, 32.52, 26.94

 

CMYK 83 / 0 / 88 / 61

HEX #11630C

RGB 17 99 12

HSL 116.55, 0.78%, 0.22%

LAB 36.12, -40.35, 38.46

 

CMYK 88 / 13 / 0 / 61

HEX #0C5663

RGB 12 86 99

HSL 188.97, 0.78%, 0.22%

LAB 33.21, -16.04, -13.58

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 0 / 48 / 88 / 61

HEX #63330C

RGB 99 51 12

HSL 26.9, 0.78%, 0.22%

LAB 26.87, 18.6, 32.24

 

CMYK 83 / 0 / 88 / 61

HEX #11630C

RGB 17 99 12

HSL 116.55, 0.78%, 0.22%

LAB 36.12, -40.35, 38.46

 

CMYK 88 / 39 / 0 / 61

HEX #0C3C63

RGB 12 60 99

HSL 206.9, 0.78%, 0.22%

LAB 24.36, 0.25, -27.38

 

Description

Color code: RGB 95 13 98 | qconv.com Color code: RGB 95 13 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 13 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 13 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 87 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 87% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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