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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 126 83 it is the complementary color RGB 160 129 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 126 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 126 83 shade: RGB 100 126 78, RGB 117 144 97, RGB 134 162 116, RGB 151 180 135 and RGB 168 198 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 126 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 126 83 shade: RGB 95 126 83, RGB 78 108 64, RGB 61 90 45, RGB 44 72 26 and RGB 27 54 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 126 83 shade: RGB 94 126 82, RGB 106 126 82, RGB 118 126 82, RGB 126 122 82 and RGB 126 110 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 126 83 shade: RGB 94 126 82, RGB 83 126 82, RGB 82 126 94, RGB 82 126 105 and RGB 82 126 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 126 83 shade matches the following richer shades: RGB 94 126 82, RGB 87 143 65, RGB 79 160 48, RGB 72 177 31 and RGB 64 194 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 126 83 shade: RGB 94 126 82, RGB 102 109 99, RGB 109 92 116, RGB 117 75 133 and RGB 124 58 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 126 83 shade: RGB 118 126 82, RGB 106 126 82, RGB 95 126 82, RGB 83 126 82 and RGB 82 126 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 126 83 shade: RGB 57 76 49, RGB 76 101 66, RGB 94 126 82, RGB 113 151 98 and RGB 135 168 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 126 83 shade: RGB 95 126 83, RGB 82 126 122 and RGB 126 82 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 126 83 shade: RGB 95 126 83, RGB 82 95 126 and RGB 126 82 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 126 83 shade: RGB 95 126 83, RGB 82 126 122, RGB 114 82 126 and RGB 126 82 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 126 83 shade: RGB 95 126 83, RGB 82 116 126, RGB 114 82 126 and RGB 126 92 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

Complementary color

CMYK 7 / 25 / 0 / 33

HEX #A081AC

RGB 160 129 172

HSL 283.26, 0.21%, 0.59%

LAB 58.18, 19.9, -18.27

 

CMYK 21 / 0 / 38 / 51

HEX #647E4E

RGB 100 126 78

HSL 92.5, 0.24%, 0.4%

LAB 49.72, -18.62, 23.14

 

CMYK 19 / 0 / 33 / 44

HEX #759061

RGB 117 144 97

HSL 94.47, 0.2%, 0.47%

LAB 56.68, -18.53, 21.94

 

CMYK 17 / 0 / 28 / 36

HEX #86A274

RGB 134 162 116

HSL 96.52, 0.2%, 0.55%

LAB 63.48, -18.42, 20.82

 

CMYK 16 / 0 / 25 / 29

HEX #97B487

RGB 151 180 135

HSL 98.67, 0.23%, 0.62%

LAB 70.16, -18.32, 19.77

 

CMYK 15 / 0 / 22 / 22

HEX #A8C69A

RGB 168 198 154

HSL 100.91, 0.28%, 0.69%

LAB 76.71, -18.23, 18.78

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 28 / 0 / 41 / 58

HEX #4E6C40

RGB 78 108 64

HSL 100.91, 0.26%, 0.34%

LAB 42.33, -19.96, 21.19

 

CMYK 32 / 0 / 50 / 65

HEX #3D5A2D

RGB 61 90 45

HSL 98.67, 0.33%, 0.26%

LAB 34.99, -20.1, 22.54

 

CMYK 39 / 0 / 64 / 72

HEX #2C481A

RGB 44 72 26

HSL 96.52, 0.47%, 0.19%

LAB 27.42, -20.14, 23.89

 

CMYK 50 / 0 / 87 / 79

HEX #1B3607

RGB 27 54 7

HSL 94.47, 0.77%, 0.12%

LAB 19.58, -19.87, 24.29

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 16 / 0 / 35 / 51

HEX #6A7E52

RGB 106 126 82

HSL 87.27, 0.21%, 0.41%

LAB 50.21, -15.62, 21.62

 

CMYK 6 / 0 / 35 / 51

HEX #767E52

RGB 118 126 82

HSL 70.91, 0.21%, 0.41%

LAB 51.13, -10.69, 23

 

CMYK 0 / 3 / 35 / 51

HEX #7E7A52

RGB 126 122 82

HSL 54.55, 0.21%, 0.41%

LAB 50.64, -5.07, 22.49

 

CMYK 0 / 13 / 35 / 51

HEX #7E6E52

RGB 126 110 82

HSL 38.18, 0.21%, 0.41%

LAB 47.23, 1.81, 17.95

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 34 / 0 / 35 / 51

HEX #537E52

RGB 83 126 82

HSL 118.64, 0.21%, 0.41%

LAB 48.72, -24.36, 19.37

 

CMYK 35 / 0 / 25 / 51

HEX #527E5E

RGB 82 126 94

HSL 136.36, 0.21%, 0.41%

LAB 48.91, -22.44, 12.71

 

CMYK 35 / 0 / 17 / 51

HEX #527E69

RGB 82 126 105

HSL 151.36, 0.21%, 0.41%

LAB 49.17, -20.11, 6.66

 

CMYK 35 / 0 / 7 / 51

HEX #527E75

RGB 82 126 117

HSL 167.73, 0.21%, 0.41%

LAB 49.5, -17.3, 0.08

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 39 / 0 / 55 / 44

HEX #578F41

RGB 87 143 65

HSL 103.08, 0.38%, 0.41%

LAB 54.08, -33.65, 35.41

 

CMYK 51 / 0 / 70 / 37

HEX #4FA030

RGB 79 160 48

HSL 103.39, 0.54%, 0.41%

LAB 58.99, -45.28, 48.6

 

CMYK 59 / 0 / 82 / 31

HEX #48B11F

RGB 72 177 31

HSL 103.15, 0.7%, 0.41%

LAB 64.1, -54.74, 59.26

 

CMYK 67 / 0 / 93 / 24

HEX #40C20E

RGB 64 194 14

HSL 103.33, 0.87%, 0.41%

LAB 69.26, -62.91, 67.08

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 6 / 0 / 9 / 57

HEX #666D63

RGB 102 109 99

HSL 102, 0.05%, 0.41%

LAB 45.17, -4.73, 4.67

 

CMYK 6 / 21 / 0 / 55

HEX #6D5C74

RGB 109 92 116

HSL 282.5, 0.12%, 0.41%

LAB 41.48, 11.74, -11.01

 

CMYK 12 / 44 / 0 / 48

HEX #754B85

RGB 117 75 133

HSL 283.45, 0.28%, 0.41%

LAB 38.74, 28.66, -25.55

 

CMYK 17 / 61 / 0 / 41

HEX #7C3A96

RGB 124 58 150

HSL 283.04, 0.44%, 0.41%

LAB 36.95, 43.92, -38.67

 

CMYK 6 / 0 / 35 / 51

HEX #767E52

RGB 118 126 82

HSL 70.91, 0.21%, 0.41%

LAB 51.13, -10.69, 23

 

CMYK 16 / 0 / 35 / 51

HEX #6A7E52

RGB 106 126 82

HSL 87.27, 0.21%, 0.41%

LAB 50.21, -15.62, 21.62

 

CMYK 25 / 0 / 35 / 51

HEX #5F7E52

RGB 95 126 82

HSL 102.27, 0.21%, 0.41%

LAB 49.45, -19.94, 20.48

 

CMYK 34 / 0 / 35 / 51

HEX #537E52

RGB 83 126 82

HSL 118.64, 0.21%, 0.41%

LAB 48.72, -24.36, 19.37

 

CMYK 35 / 0 / 26 / 51

HEX #527E5D

RGB 82 126 93

HSL 135, 0.21%, 0.41%

LAB 48.89, -22.64, 13.26

 

CMYK 25 / 0 / 36 / 70

HEX #394C31

RGB 57 76 49

HSL 102.22, 0.22%, 0.25%

LAB 30.06, -13.39, 13.71

 

CMYK 25 / 0 / 35 / 60

HEX #4C6542

RGB 76 101 66

HSL 102.86, 0.21%, 0.33%

LAB 39.98, -16.66, 16.89

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 25 / 0 / 35 / 41

HEX #719762

RGB 113 151 98

HSL 103.02, 0.21%, 0.49%

LAB 58.53, -23.46, 23.81

 

CMYK 20 / 0 / 27 / 34

HEX #87A87A

RGB 135 168 122

HSL 103.04, 0.21%, 0.57%

LAB 65.41, -20.16, 20.16

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 35 / 0 / 3 / 51

HEX #527E7A

RGB 82 126 122

HSL 174.55, 0.21%, 0.41%

LAB 49.64, -16.06, -2.65

 

CMYK 0 / 35 / 11 / 51

HEX #7E5270

RGB 126 82 112

HSL 319.09, 0.21%, 0.41%

LAB 40.64, 23.32, -9.64

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 35 / 25 / 0 / 51

HEX #525F7E

RGB 82 95 126

HSL 222.27, 0.21%, 0.41%

LAB 40.38, 3.09, -18.99

 

CMYK 0 / 35 / 25 / 51

HEX #7E525F

RGB 126 82 95

HSL 342.27, 0.21%, 0.41%

LAB 40.08, 20.37, 0.04

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 35 / 0 / 3 / 51

HEX #527E7A

RGB 82 126 122

HSL 174.55, 0.21%, 0.41%

LAB 49.64, -16.06, -2.65

 

CMYK 10 / 35 / 0 / 51

HEX #72527E

RGB 114 82 126

HSL 283.64, 0.21%, 0.41%

LAB 39.78, 21.88, -19.68

 

CMYK 0 / 35 / 32 / 51

HEX #7E5256

RGB 126 82 86

HSL 354.55, 0.21%, 0.41%

LAB 39.82, 18.99, 5.25

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 35 / 8 / 0 / 51

HEX #52747E

RGB 82 116 126

HSL 193.64, 0.21%, 0.41%

LAB 46.7, -9.44, -9.39

 

CMYK 10 / 35 / 0 / 51

HEX #72527E

RGB 114 82 126

HSL 283.64, 0.21%, 0.41%

LAB 39.78, 21.88, -19.68

 

CMYK 0 / 27 / 35 / 51

HEX #7E5C52

RGB 126 92 82

HSL 13.64, 0.21%, 0.41%

LAB 42.31, 12.45, 11.21

 

Description

Color code: RGB 95 126 83 | qconv.com Color code: RGB 95 126 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 126 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 126 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 34 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 34% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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