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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 131 47 it is the complementary color RGB 160 124 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 131 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 131 47 shade: RGB 100 131 42, RGB 117 149 61, RGB 134 167 80, RGB 151 185 99 and RGB 168 203 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 131 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 78 113 28, RGB 61 95 9, RGB 44 77 0 and RGB 27 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 117 131 47, RGB 131 121 47, RGB 131 99 47 and RGB 131 76 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 72 131 47, RGB 50 131 47, RGB 47 131 67 and RGB 47 131 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 131 47 shade matches the following richer shades: RGB 95 131 47, RGB 97 145 32, RGB 99 160 18 and RGB 101 174 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 93 116 61, RGB 91 102 76, RGB 89 87 90 and RGB 86 73 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 131 47 shade: RGB 131 121 47, RGB 118 131 47, RGB 96 131 47, RGB 73 131 47 and RGB 51 131 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 131 47 shade: RGB 51 70 25, RGB 73 100 36, RGB 95 131 47, RGB 117 161 58 and RGB 138 189 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 47 131 99 and RGB 131 47 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 47 96 131 and RGB 131 47 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 47 131 99, RGB 82 47 131 and RGB 131 47 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 131 47 shade: RGB 95 131 47, RGB 47 131 124, RGB 82 47 131 and RGB 131 47 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

Complementary color

CMYK 23 / 40 / 0 / 18

HEX #A07CD0

RGB 160 124 208

HSL 265.71, 0.47%, 0.65%

LAB 58.46, 30.81, -38.32

 

CMYK 24 / 0 / 68 / 49

HEX #64832A

RGB 100 131 42

HSL 80.9, 0.51%, 0.34%

LAB 50.81, -25.26, 42.86

 

CMYK 21 / 0 / 59 / 42

HEX #75953D

RGB 117 149 61

HSL 81.82, 0.42%, 0.41%

LAB 57.67, -25.56, 42.01

 

CMYK 20 / 0 / 52 / 35

HEX #86A750

RGB 134 167 80

HSL 82.76, 0.35%, 0.48%

LAB 64.39, -25.73, 40.91

 

CMYK 18 / 0 / 46 / 27

HEX #97B963

RGB 151 185 99

HSL 83.72, 0.38%, 0.56%

LAB 70.99, -25.82, 39.74

 

CMYK 17 / 0 / 42 / 20

HEX #A8CB76

RGB 168 203 118

HSL 84.71, 0.45%, 0.63%

LAB 77.49, -25.86, 38.56

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 31 / 0 / 75 / 56

HEX #4E711C

RGB 78 113 28

HSL 84.71, 0.6%, 0.28%

LAB 43.53, -26.54, 40.79

 

CMYK 36 / 0 / 91 / 63

HEX #3D5F09

RGB 61 95 9

HSL 83.72, 0.83%, 0.2%

LAB 36.36, -25.87, 40.15

 

CMYK 43 / 0 / 100 / 70

HEX #2C4D00

RGB 44 77 0

HSL 85.71, 1%, 0.15%

LAB 29.01, -24.68, 36.67

 

CMYK 54 / 0 / 100 / 77

HEX #1B3B00

RGB 27 59 0

HSL 92.54, 1%, 0.12%

LAB 21.44, -22.95, 29.2

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 11 / 0 / 64 / 49

HEX #75832F

RGB 117 131 47

HSL 70, 0.47%, 0.35%

LAB 52.08, -17.59, 42.35

 

CMYK 0 / 8 / 64 / 49

HEX #83792F

RGB 131 121 47

HSL 52.86, 0.47%, 0.35%

LAB 50.34, -5.85, 40.81

 

CMYK 0 / 24 / 64 / 49

HEX #83632F

RGB 131 99 47

HSL 37.14, 0.47%, 0.35%

LAB 44.17, 6.81, 33.94

 

CMYK 0 / 42 / 64 / 49

HEX #834C2F

RGB 131 76 47

HSL 20.71, 0.47%, 0.35%

LAB 38.2, 20.37, 26.95

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 45 / 0 / 64 / 49

HEX #48832F

RGB 72 131 47

HSL 102.14, 0.47%, 0.35%

LAB 49.27, -35.47, 38.46

 

CMYK 62 / 0 / 64 / 49

HEX #32832F

RGB 50 131 47

HSL 117.86, 0.47%, 0.35%

LAB 48.41, -42, 37.25

 

CMYK 64 / 0 / 49 / 49

HEX #2F8343

RGB 47 131 67

HSL 134.29, 0.47%, 0.35%

LAB 48.56, -39.9, 27.22

 

CMYK 64 / 0 / 32 / 49

HEX #2F8359

RGB 47 131 89

HSL 150, 0.47%, 0.35%

LAB 48.96, -35.64, 15.43

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 33 / 0 / 78 / 43

HEX #619120

RGB 97 145 32

HSL 85.49, 0.64%, 0.35%

LAB 54.97, -33.8, 50.84

 

CMYK 38 / 0 / 89 / 37

HEX #63A012

RGB 99 160 18

HSL 85.77, 0.8%, 0.35%

LAB 59.74, -40.27, 58.94

 

CMYK 42 / 0 / 98 / 32

HEX #65AE03

RGB 101 174 3

HSL 85.61, 0.97%, 0.35%

LAB 64.2, -45.73, 64.87

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 20 / 0 / 47 / 55

HEX #5D743D

RGB 93 116 61

HSL 85.09, 0.31%, 0.35%

LAB 45.85, -18.55, 27.56

 

CMYK 11 / 0 / 25 / 60

HEX #5B664C

RGB 91 102 76

HSL 85.38, 0.15%, 0.35%

LAB 41.61, -9.39, 13.33

 

CMYK 1 / 3 / 0 / 65

HEX #59575A

RGB 89 87 90

HSL 280, 0.02%, 0.35%

LAB 37.26, 1.44, -1.45

 

CMYK 18 / 30 / 0 / 59

HEX #564969

RGB 86 73 105

HSL 264.38, 0.18%, 0.35%

LAB 33.49, 12.64, -16.58

 

CMYK 0 / 8 / 64 / 49

HEX #83792F

RGB 131 121 47

HSL 52.86, 0.47%, 0.35%

LAB 50.34, -5.85, 40.81

 

CMYK 10 / 0 / 64 / 49

HEX #76832F

RGB 118 131 47

HSL 69.29, 0.47%, 0.35%

LAB 52.16, -17.15, 42.46

 

CMYK 27 / 0 / 64 / 49

HEX #60832F

RGB 96 131 47

HSL 85, 0.47%, 0.35%

LAB 50.6, -26.49, 40.3

 

CMYK 44 / 0 / 64 / 49

HEX #49832F

RGB 73 131 47

HSL 101.43, 0.47%, 0.35%

LAB 49.32, -35.13, 38.53

 

CMYK 61 / 0 / 64 / 49

HEX #33832F

RGB 51 131 47

HSL 117.14, 0.47%, 0.35%

LAB 48.44, -41.75, 37.3

 

CMYK 27 / 0 / 64 / 73

HEX #334619

RGB 51 70 25

HSL 85.33, 0.47%, 0.19%

LAB 27.17, -16.15, 24.27

 

CMYK 27 / 0 / 64 / 61

HEX #496424

RGB 73 100 36

HSL 85.31, 0.47%, 0.27%

LAB 39, -21.44, 32.31

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 27 / 0 / 64 / 37

HEX #75A13A

RGB 117 161 58

HSL 85.63, 0.47%, 0.43%

LAB 61.29, -31.61, 47.4

 

CMYK 27 / 0 / 62 / 26

HEX #8ABD47

RGB 138 189 71

HSL 85.93, 0.47%, 0.51%

LAB 71.05, -35.46, 52.76

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 64 / 0 / 24 / 49

HEX #2F8363

RGB 47 131 99

HSL 157.14, 0.47%, 0.35%

LAB 49.18, -33.34, 9.96

 

CMYK 0 / 64 / 2 / 49

HEX #832F81

RGB 131 47 129

HSL 301.43, 0.47%, 0.35%

LAB 34.89, 46.82, -28.98

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 64 / 27 / 0 / 49

HEX #2F6083

RGB 47 96 131

HSL 205, 0.47%, 0.35%

LAB 38.91, -5.05, -24.47

 

CMYK 0 / 64 / 27 / 49

HEX #832F60

RGB 131 47 96

HSL 325, 0.47%, 0.35%

LAB 33.36, 41.44, -10.51

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 64 / 0 / 24 / 49

HEX #2F8363

RGB 47 131 99

HSL 157.14, 0.47%, 0.35%

LAB 49.18, -33.34, 9.96

 

CMYK 37 / 64 / 0 / 49

HEX #522F83

RGB 82 47 131

HSL 265, 0.47%, 0.35%

LAB 28.02, 34.66, -41.59

 

CMYK 0 / 64 / 40 / 49

HEX #832F4F

RGB 131 47 79

HSL 337.14, 0.47%, 0.35%

LAB 32.75, 39.21, -0.44

 

CMYK 27 / 0 / 64 / 49

HEX #5F832F

RGB 95 131 47

HSL 85.71, 0.47%, 0.35%

LAB 50.54, -26.89, 40.21

 

CMYK 64 / 0 / 5 / 49

HEX #2F837C

RGB 47 131 124

HSL 175, 0.47%, 0.35%

LAB 49.85, -26.7, -3.68

 

CMYK 37 / 64 / 0 / 49

HEX #522F83

RGB 82 47 131

HSL 265, 0.47%, 0.35%

LAB 28.02, 34.66, -41.59

 

CMYK 0 / 64 / 59 / 49

HEX #832F36

RGB 131 47 54

HSL 355, 0.47%, 0.35%

LAB 32.09, 36.69, 14.89

 

Description

Color code: RGB 95 131 47 | qconv.com Color code: RGB 95 131 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 131 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 131 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 64 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 64% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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