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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 179 141 it is the complementary color RGB 160 76 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 179 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 179 141 shade: RGB 100 179 136, RGB 117 197 155, RGB 134 215 174, RGB 151 233 193 and RGB 168 251 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 179 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 78 161 122, RGB 61 143 103, RGB 44 125 84 and RGB 27 107 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 95 179 118, RGB 95 179 96, RGB 117 179 95 and RGB 140 179 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 95 179 164, RGB 95 172 179, RGB 95 149 179 and RGB 95 127 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 179 141 shade matches the following richer shades: RGB 95 179 141, RGB 76 198 143, RGB 57 217 145 and RGB 38 236 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 114 160 139, RGB 133 141 138, RGB 152 122 136 and RGB 171 104 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 179 141 shade: RGB 95 179 95, RGB 95 179 117, RGB 95 179 140, RGB 95 179 163 and RGB 95 174 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 179 141 shade: RGB 61 131 99, RGB 74 159 121, RGB 95 179 141, RGB 123 193 161 and RGB 151 206 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 95 117 179 and RGB 179 106 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 140 95 179 and RGB 179 140 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 95 117 179, RGB 179 95 134 and RGB 179 157 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 179 141 shade: RGB 95 179 141, RGB 98 95 179, RGB 179 95 134 and RGB 177 179 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

Complementary color

CMYK 0 / 53 / 29 / 37

HEX #A04C72

RGB 160 76 114

HSL 332.86, 0.36%, 0.46%

LAB 44.03, 39.24, -5.31

 

CMYK 44 / 0 / 24 / 30

HEX #64B388

RGB 100 179 136

HSL 147.34, 0.34%, 0.55%

LAB 67.07, -34.25, 14.52

 

CMYK 41 / 0 / 21 / 23

HEX #75C59B

RGB 117 197 155

HSL 148.5, 0.41%, 0.62%

LAB 73.6, -34, 13.48

 

CMYK 38 / 0 / 19 / 16

HEX #86D7AE

RGB 134 215 174

HSL 149.63, 0.5%, 0.68%

LAB 80.02, -33.75, 12.51

 

CMYK 35 / 0 / 17 / 9

HEX #97E9C1

RGB 151 233 193

HSL 150.73, 0.65%, 0.75%

LAB 86.36, -33.51, 11.61

 

CMYK 33 / 0 / 16 / 2

HEX #A8FBD4

RGB 168 251 212

HSL 151.81, 0.91%, 0.82%

LAB 92.61, -33.27, 10.75

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 52 / 0 / 24 / 37

HEX #4EA17A

RGB 78 161 122

HSL 151.81, 0.35%, 0.47%

LAB 60.35, -34.71, 12.71

 

CMYK 57 / 0 / 28 / 44

HEX #3D8F67

RGB 61 143 103

HSL 150.73, 0.4%, 0.4%

LAB 53.62, -34.8, 13.93

 

CMYK 65 / 0 / 33 / 51

HEX #2C7D54

RGB 44 125 84

HSL 149.63, 0.48%, 0.33%

LAB 46.77, -34.72, 15.3

 

CMYK 75 / 0 / 39 / 58

HEX #1B6B41

RGB 27 107 65

HSL 148.5, 0.6%, 0.26%

LAB 39.8, -34.34, 16.86

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 47 / 0 / 34 / 30

HEX #5FB376

RGB 95 179 118

HSL 136.43, 0.36%, 0.54%

LAB 66.51, -39.12, 23.46

 

CMYK 47 / 0 / 46 / 30

HEX #5FB360

RGB 95 179 96

HSL 120.71, 0.36%, 0.54%

LAB 66.15, -42.74, 34.55

 

CMYK 35 / 0 / 47 / 30

HEX #75B35F

RGB 117 179 95

HSL 104.29, 0.36%, 0.54%

LAB 67.16, -35.89, 36.56

 

CMYK 22 / 0 / 47 / 30

HEX #8CB35F

RGB 140 179 95

HSL 87.86, 0.36%, 0.54%

LAB 68.49, -27.58, 38.5

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 47 / 0 / 8 / 30

HEX #5FB3A4

RGB 95 179 164

HSL 169.29, 0.36%, 0.54%

LAB 67.54, -29.23, -0.25

 

CMYK 47 / 4 / 0 / 30

HEX #5FACB3

RGB 95 172 179

HSL 185, 0.36%, 0.54%

LAB 65.9, -21.88, -11

 

CMYK 47 / 17 / 0 / 30

HEX #5F95B3

RGB 95 149 179

HSL 201.43, 0.36%, 0.54%

LAB 59.14, -9.61, -21.22

 

CMYK 47 / 29 / 0 / 30

HEX #5F7FB3

RGB 95 127 179

HSL 217.14, 0.36%, 0.54%

LAB 52.8, 3.02, -31.01

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 62 / 0 / 28 / 22

HEX #4CC68F

RGB 76 198 143

HSL 152.95, 0.52%, 0.54%

LAB 72.17, -46.81, 17.7

 

CMYK 74 / 0 / 33 / 15

HEX #39D991

RGB 57 217 145

HSL 153, 0.68%, 0.54%

LAB 77.6, -57.04, 24.04

 

CMYK 84 / 0 / 38 / 7

HEX #26EC93

RGB 38 236 147

HSL 153.03, 0.84%, 0.54%

LAB 83.18, -65.55, 30.48

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 29 / 0 / 13 / 37

HEX #72A08B

RGB 114 160 139

HSL 152.61, 0.19%, 0.54%

LAB 62.15, -20.1, 5.99

 

CMYK 6 / 0 / 2 / 45

HEX #858D8A

RGB 133 141 138

HSL 157.5, 0.03%, 0.54%

LAB 57.91, -3.51, 0.58

 

CMYK 0 / 20 / 11 / 40

HEX #987A88

RGB 152 122 136

HSL 332, 0.13%, 0.54%

LAB 54.42, 14.04, -3.19

 

CMYK 0 / 39 / 22 / 33

HEX #AB6886

RGB 171 104 134

HSL 333.13, 0.29%, 0.54%

LAB 52.15, 31.02, -5.12

 

CMYK 47 / 0 / 47 / 30

HEX #5FB35F

RGB 95 179 95

HSL 120, 0.36%, 0.54%

LAB 66.14, -42.88, 35.05

 

CMYK 47 / 0 / 35 / 30

HEX #5FB375

RGB 95 179 117

HSL 135.71, 0.36%, 0.54%

LAB 66.49, -39.3, 23.97

 

CMYK 47 / 0 / 22 / 30

HEX #5FB38C

RGB 95 179 140

HSL 152.14, 0.36%, 0.54%

LAB 66.95, -34.76, 12.13

 

CMYK 47 / 0 / 9 / 30

HEX #5FB3A3

RGB 95 179 163

HSL 168.57, 0.36%, 0.54%

LAB 67.51, -29.48, 0.27

 

CMYK 47 / 3 / 0 / 30

HEX #5FAEB3

RGB 95 174 179

HSL 183.57, 0.36%, 0.54%

LAB 66.49, -22.9, -10.11

 

CMYK 53 / 0 / 24 / 49

HEX #3D8363

RGB 61 131 99

HSL 152.57, 0.36%, 0.38%

LAB 49.65, -30.11, 10.69

 

CMYK 53 / 0 / 24 / 38

HEX #4A9F79

RGB 74 159 121

HSL 153.18, 0.36%, 0.46%

LAB 59.56, -35, 12.13

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 36 / 0 / 17 / 24

HEX #7BC1A1

RGB 123 193 161

HSL 152.57, 0.36%, 0.62%

LAB 72.84, -29.15, 9.21

 

CMYK 27 / 0 / 12 / 19

HEX #97CEB5

RGB 151 206 181

HSL 152.73, 0.36%, 0.7%

LAB 78.5, -22.95, 6.72

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 47 / 35 / 0 / 30

HEX #5F75B3

RGB 95 117 179

HSL 224.29, 0.36%, 0.54%

LAB 49.99, 9.02, -35.41

 

CMYK 0 / 41 / 47 / 30

HEX #B36A5F

RGB 179 106 95

HSL 7.86, 0.36%, 0.54%

LAB 52.64, 27.92, 18.7

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 22 / 47 / 0 / 30

HEX #8C5FB3

RGB 140 95 179

HSL 272.14, 0.36%, 0.54%

LAB 48.28, 34.71, -37.84

 

CMYK 0 / 22 / 47 / 30

HEX #B38C5F

RGB 179 140 95

HSL 32.14, 0.36%, 0.54%

LAB 60.93, 8.98, 29.63

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 47 / 35 / 0 / 30

HEX #5F75B3

RGB 95 117 179

HSL 224.29, 0.36%, 0.54%

LAB 49.99, 9.02, -35.41

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 12 / 47 / 30

HEX #B39D5F

RGB 179 157 95

HSL 44.29, 0.36%, 0.54%

LAB 65.38, -0.36, 35.28

 

CMYK 47 / 0 / 21 / 30

HEX #5FB38D

RGB 95 179 141

HSL 152.86, 0.36%, 0.54%

LAB 66.97, -34.54, 11.61

 

CMYK 45 / 47 / 0 / 30

HEX #625FB3

RGB 98 95 179

HSL 242.14, 0.36%, 0.54%

LAB 44.28, 23.33, -44.42

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 1 / 0 / 47 / 30

HEX #B1B35F

RGB 177 179 95

HSL 61.43, 0.36%, 0.54%

LAB 71.16, -12.85, 42.36

 

Description

Color code: RGB 95 179 141 | qconv.com Color code: RGB 95 179 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 179 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 179 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 21 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 21% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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