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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 218 20 it is the complementary color RGB 160 37 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 218 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 218 20 shade: RGB 100 218 15, RGB 117 236 34, RGB 134 254 53, RGB 151 255 72 and RGB 168 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 218 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 218 20 shade: RGB 95 218 20, RGB 78 200 1, RGB 61 182 0, RGB 44 164 0 and RGB 27 146 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 218 20 shade: RGB 95 219 20, RGB 149 219 20, RGB 203 219 20, RGB 219 181 20 and RGB 219 128 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 218 20 shade: RGB 95 219 20, RGB 42 219 20, RGB 20 219 52, RGB 20 219 105 and RGB 20 219 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 218 20 shade matches the following richer shades: RGB 95 219 20 and RGB 91 238 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 218 20 shade: RGB 95 219 20, RGB 100 199 39, RGB 105 180 59, RGB 109 161 78 and RGB 114 141 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 218 20 shade: RGB 202 219 20, RGB 149 219 20, RGB 96 219 20, RGB 43 219 20 and RGB 20 219 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 218 20 shade: RGB 62 143 13, RGB 79 181 16, RGB 95 219 20, RGB 117 235 45 and RGB 142 239 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 218 20 shade: RGB 95 218 20, RGB 20 219 182 and RGB 219 20 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 218 20 shade: RGB 95 218 20, RGB 20 96 219 and RGB 219 20 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 218 20 shade: RGB 95 218 20, RGB 20 219 182, RGB 143 20 219 and RGB 219 20 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 218 20 shade: RGB 95 218 20, RGB 20 196 219, RGB 143 20 219 and RGB 219 43 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

Complementary color

CMYK 32 / 84 / 0 / 8

HEX #A025EB

RGB 160 37 235

HSL 277.27, 0.83%, 0.53%

LAB 45.35, 76.57, -74.59

 

CMYK 54 / 0 / 93 / 15

HEX #64DA0F

RGB 100 218 15

HSL 94.88, 0.87%, 0.46%

LAB 77.81, -62.36, 74.43

 

CMYK 50 / 0 / 86 / 7

HEX #75EC22

RGB 117 236 34

HSL 95.35, 0.84%, 0.53%

LAB 83.91, -63.52, 76.73

 

CMYK 47 / 0 / 79 / 0

HEX #86FE35

RGB 134 254 53

HSL 95.82, 0.99%, 0.6%

LAB 89.96, -64.38, 77.9

 

CMYK 41 / 0 / 72 / 0

HEX #97FF48

RGB 151 255 72

HSL 94.1, 1%, 0.64%

LAB 91.04, -58.57, 73.42

 

CMYK 34 / 0 / 64 / 0

HEX #A8FF5B

RGB 168 255 91

HSL 91.83, 1%, 0.68%

LAB 91.95, -51.72, 67.68

 

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

CMYK 61 / 0 / 100 / 22

HEX #4EC801

RGB 78 200 1

HSL 96.78, 0.99%, 0.39%

LAB 71.51, -62.03, 70.52

 

CMYK 66 / 0 / 100 / 29

HEX #3DB600

RGB 61 182 0

HSL 99.89, 1%, 0.36%

LAB 65.32, -59.94, 65.53

 

CMYK 73 / 0 / 100 / 36

HEX #2CA400

RGB 44 164 0

HSL 103.9, 1%, 0.32%

LAB 59.05, -57.49, 60.39

 

CMYK 82 / 0 / 100 / 43

HEX #1B9200

RGB 27 146 0

HSL 108.9, 1%, 0.29%

LAB 52.72, -54.55, 55.21

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 32 / 0 / 91 / 14

HEX #95DB14

RGB 149 219 20

HSL 81.11, 0.83%, 0.47%

LAB 80.24, -46.95, 76.64

 

CMYK 7 / 0 / 91 / 14

HEX #CBDB14

RGB 203 219 20

HSL 64.82, 0.83%, 0.47%

LAB 83.66, -25.7, 80.81

 

CMYK 0 / 17 / 91 / 14

HEX #DBB514

RGB 219 181 20

HSL 48.54, 0.83%, 0.47%

LAB 74.92, 0.26, 74.64

 

CMYK 0 / 42 / 91 / 14

HEX #DB8014

RGB 219 128 20

HSL 32.56, 0.83%, 0.47%

LAB 62.12, 28.53, 65.02

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 81 / 0 / 91 / 14

HEX #2ADB14

RGB 42 219 20

HSL 113.37, 0.83%, 0.47%

LAB 76.8, -73.73, 72.39

 

CMYK 91 / 0 / 76 / 14

HEX #14DB34

RGB 20 219 52

HSL 129.65, 0.83%, 0.47%

LAB 76.72, -74.06, 64.71

 

CMYK 91 / 0 / 52 / 14

HEX #14DB69

RGB 20 219 105

HSL 145.63, 0.83%, 0.47%

LAB 77.18, -68.27, 43.5

 

CMYK 91 / 0 / 27 / 14

HEX #14DB9F

RGB 20 219 159

HSL 161.91, 0.83%, 0.47%

LAB 78.06, -58.04, 17.27

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 62 / 0 / 100 / 7

HEX #5BEE00

RGB 91 238 0

HSL 97.06, 1%, 0.47%

LAB 83.64, -71.47, 80.39

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 50 / 0 / 80 / 22

HEX #64C727

RGB 100 199 39

HSL 97.13, 0.67%, 0.47%

LAB 72.03, -54.67, 64.71

 

CMYK 42 / 0 / 67 / 29

HEX #69B43B

RGB 105 180 59

HSL 97.19, 0.51%, 0.47%

LAB 66.49, -44.27, 52.38

 

CMYK 32 / 0 / 52 / 37

HEX #6DA14E

RGB 109 161 78

HSL 97.59, 0.35%, 0.47%

LAB 61.04, -32.56, 37.51

 

CMYK 19 / 0 / 31 / 45

HEX #728D61

RGB 114 141 97

HSL 96.82, 0.18%, 0.47%

LAB 55.57, -18.11, 20.43

 

CMYK 8 / 0 / 91 / 14

HEX #CADB14

RGB 202 219 20

HSL 65.13, 0.83%, 0.47%

LAB 83.58, -26.11, 80.72

 

CMYK 32 / 0 / 91 / 14

HEX #95DB14

RGB 149 219 20

HSL 81.11, 0.83%, 0.47%

LAB 80.24, -46.95, 76.64

 

CMYK 56 / 0 / 91 / 14

HEX #60DB14

RGB 96 219 20

HSL 97.09, 0.83%, 0.47%

LAB 77.99, -63.65, 73.87

 

CMYK 80 / 0 / 91 / 14

HEX #2BDB14

RGB 43 219 20

HSL 113.07, 0.83%, 0.47%

LAB 76.82, -73.62, 72.41

 

CMYK 91 / 0 / 77 / 14

HEX #14DB32

RGB 20 219 50

HSL 129.05, 0.83%, 0.47%

LAB 76.7, -74.2, 65.33

 

CMYK 57 / 0 / 91 / 44

HEX #3E8F0D

RGB 62 143 13

HSL 97.38, 0.83%, 0.31%

LAB 52.62, -45.76, 53.24

 

CMYK 56 / 0 / 91 / 29

HEX #4FB510

RGB 79 181 16

HSL 97.09, 0.84%, 0.39%

LAB 65.55, -54.91, 63.86

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 50 / 0 / 81 / 8

HEX #75EB2D

RGB 117 235 45

HSL 97.26, 0.83%, 0.55%

LAB 83.65, -62.73, 73.98

 

CMYK 41 / 0 / 65 / 6

HEX #8EEF53

RGB 142 239 83

HSL 97.31, 0.83%, 0.63%

LAB 86.06, -54.35, 64.14

 

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

CMYK 91 / 0 / 17 / 14

HEX #14DBB6

RGB 20 219 182

HSL 168.84, 0.83%, 0.47%

LAB 78.57, -52.48, 5.81

 

CMYK 0 / 91 / 20 / 14

HEX #DB14B0

RGB 219 20 176

HSL 312.96, 0.83%, 0.47%

LAB 50.33, 80.17, -32.05

 

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

CMYK 91 / 56 / 0 / 14

HEX #1460DB

RGB 20 96 219

HSL 217.09, 0.83%, 0.47%

LAB 43.7, 25.82, -68.65

 

CMYK 0 / 91 / 56 / 14

HEX #DB1460

RGB 219 20 96

HSL 337.09, 0.83%, 0.47%

LAB 47.5, 72.58, 12.1

 

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

CMYK 91 / 0 / 17 / 14

HEX #14DBB6

RGB 20 219 182

HSL 168.84, 0.83%, 0.47%

LAB 78.57, -52.48, 5.81

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 0 / 91 / 74 / 14

HEX #DB1438

RGB 219 20 56

HSL 349.15, 0.83%, 0.47%

LAB 46.77, 70.53, 35.62

 

CMYK 56 / 0 / 91 / 15

HEX #5FDA14

RGB 95 218 20

HSL 97.27, 0.83%, 0.47%

LAB 77.65, -63.56, 73.57

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 0 / 80 / 91 / 14

HEX #DB2B14

RGB 219 43 20

HSL 6.93, 0.83%, 0.47%

LAB 48.06, 65.1, 54.99

 

Description

Color code: RGB 95 218 20 | qconv.com Color code: RGB 95 218 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 218 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 218 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 91% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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