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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 4 226 it is the complementary color RGB 159 251 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 4 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 4 226 shade: RGB 101 4 221, RGB 118 22 240, RGB 135 40 255, RGB 152 58 255 and RGB 169 76 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 4 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 4 226 shade: RGB 96 4 226, RGB 79 0 207, RGB 62 0 188, RGB 45 0 169 and RGB 28 0 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 4 226 shade: RGB 95 3 226, RGB 155 3 226, RGB 215 3 226, RGB 226 3 176 and RGB 226 3 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 4 226 shade: RGB 95 3 226, RGB 35 3 226 and RGB 3 3 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 4 226 shade matches the following richer shades: RGB 95 3 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 4 226 shade: RGB 95 3 226, RGB 98 22 207, RGB 102 40 188, RGB 105 59 170 and RGB 108 77 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 4 226 shade: RGB 3 33 226, RGB 33 3 226, RGB 92 3 226, RGB 151 3 226 and RGB 211 3 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 4 226 shade: RGB 61 2 144, RGB 78 2 185, RGB 95 3 226, RGB 115 19 251 and RGB 139 59 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 4 226 shade: RGB 96 4 226, RGB 226 3 92 and RGB 3 226 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 4 226 shade: RGB 96 4 226, RGB 226 92 3 and RGB 3 226 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 4 226 shade: RGB 96 4 226, RGB 226 3 92, RGB 137 226 3 and RGB 3 226 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 4 226 shade: RGB 96 4 226, RGB 226 3 25, RGB 137 226 3 and RGB 3 226 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

Complementary color

CMYK 37 / 0 / 88 / 2

HEX #9FFB1D

RGB 159 251 29

HSL 84.86, 0.97%, 0.55%

LAB 90.07, -56.23, 83.56

 

CMYK 54 / 98 / 0 / 13

HEX #6504DD

RGB 101 4 221

HSL 266.82, 0.96%, 0.44%

LAB 34.14, 73.46, -85.34

 

CMYK 51 / 91 / 0 / 6

HEX #7616F0

RGB 118 22 240

HSL 266.42, 0.88%, 0.51%

LAB 39.1, 76.26, -87.9

 

CMYK 47 / 84 / 0 / 0

HEX #8728FF

RGB 135 40 255

HSL 266.51, 1%, 0.58%

LAB 44.07, 76.9, -88.05

 

CMYK 40 / 77 / 0 / 0

HEX #983AFF

RGB 152 58 255

HSL 268.63, 1%, 0.61%

LAB 48.16, 73.12, -81.26

 

CMYK 34 / 70 / 0 / 0

HEX #A94CFF

RGB 169 76 255

HSL 271.17, 1%, 0.65%

LAB 52.76, 68.71, -73.68

 

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

CMYK 62 / 100 / 0 / 19

HEX #4F00CF

RGB 79 0 207

HSL 262.9, 1%, 0.41%

LAB 29.83, 69.54, -84.46

 

CMYK 67 / 100 / 0 / 26

HEX #3E00BC

RGB 62 0 188

HSL 259.79, 1%, 0.37%

LAB 25.73, 64.27, -80.16

 

CMYK 73 / 100 / 0 / 34

HEX #2D00A9

RGB 45 0 169

HSL 255.98, 1%, 0.33%

LAB 21.66, 58.99, -75.58

 

CMYK 81 / 100 / 0 / 41

HEX #1C0096

RGB 28 0 150

HSL 251.2, 1%, 0.29%

LAB 17.69, 53.71, -70.62

 

CMYK 58 / 99 / 0 / 11

HEX #5F03E2

RGB 95 3 226

HSL 264.75, 0.97%, 0.45%

LAB 33.96, 74.31, -88.52

 

CMYK 31 / 99 / 0 / 11

HEX #9B03E2

RGB 155 3 226

HSL 280.9, 0.97%, 0.45%

LAB 42.04, 79.64, -74.92

 

CMYK 5 / 99 / 0 / 11

HEX #D703E2

RGB 215 3 226

HSL 297.04, 0.97%, 0.45%

LAB 51.84, 87.77, -58.56

 

CMYK 0 / 99 / 22 / 11

HEX #E203B0

RGB 226 3 176

HSL 313.45, 0.97%, 0.45%

LAB 51.12, 82.99, -30.73

 

CMYK 0 / 99 / 49 / 11

HEX #E20374

RGB 226 3 116

HSL 329.6, 0.97%, 0.45%

LAB 48.88, 77.19, 1.93

 

CMYK 58 / 99 / 0 / 11

HEX #5F03E2

RGB 95 3 226

HSL 264.75, 0.97%, 0.45%

LAB 33.96, 74.31, -88.52

 

CMYK 85 / 99 / 0 / 11

HEX #2303E2

RGB 35 3 226

HSL 248.61, 0.97%, 0.45%

LAB 29.19, 72.08, -96.59

 

CMYK 99 / 99 / 0 / 11

HEX #0303E2

RGB 3 3 226

HSL 240, 0.97%, 0.45%

LAB 28.32, 71.77, -98.08

 

CMYK 58 / 99 / 0 / 11

HEX #5F03E2

RGB 95 3 226

HSL 264.75, 0.97%, 0.45%

LAB 33.96, 74.31, -88.52

 

CMYK 58 / 99 / 0 / 11

HEX #5F03E2

RGB 95 3 226

HSL 264.75, 0.97%, 0.45%

LAB 33.96, 74.31, -88.52

 

CMYK 53 / 89 / 0 / 19

HEX #6216CF

RGB 98 22 207

HSL 264.65, 0.81%, 0.45%

LAB 33.3, 66.92, -78.64

 

CMYK 46 / 79 / 0 / 26

HEX #6628BC

RGB 102 40 188

HSL 265.14, 0.65%, 0.45%

LAB 33.93, 56.88, -66.46

 

CMYK 38 / 65 / 0 / 33

HEX #693BAA

RGB 105 59 170

HSL 264.86, 0.48%, 0.45%

LAB 36.05, 43.71, -52.3

 

CMYK 28 / 49 / 0 / 41

HEX #6C4D97

RGB 108 77 151

HSL 265.14, 0.32%, 0.45%

LAB 39.12, 29.1, -35.95

 

CMYK 99 / 85 / 0 / 11

HEX #0321E2

RGB 3 33 226

HSL 231.93, 0.97%, 0.45%

LAB 30.87, 63.94, -93.8

 

CMYK 85 / 99 / 0 / 11

HEX #2103E2

RGB 33 3 226

HSL 248.07, 0.97%, 0.45%

LAB 29.11, 72.05, -96.74

 

CMYK 59 / 99 / 0 / 11

HEX #5C03E2

RGB 92 3 226

HSL 263.95, 0.97%, 0.45%

LAB 33.63, 74.13, -89.08

 

CMYK 33 / 99 / 0 / 11

HEX #9703E2

RGB 151 3 226

HSL 279.82, 0.97%, 0.45%

LAB 41.43, 79.19, -75.94

 

CMYK 7 / 99 / 0 / 11

HEX #D303E2

RGB 211 3 226

HSL 295.96, 0.97%, 0.45%

LAB 51.16, 87.16, -59.7

 

CMYK 58 / 99 / 0 / 44

HEX #3D0290

RGB 61 2 144

HSL 264.93, 0.97%, 0.29%

LAB 20.24, 53.18, -62.55

 

CMYK 58 / 99 / 0 / 27

HEX #4E02B9

RGB 78 2 185

HSL 264.92, 0.98%, 0.37%

LAB 27.2, 64.06, -75.87

 

CMYK 58 / 99 / 0 / 11

HEX #5F03E2

RGB 95 3 226

HSL 264.75, 0.97%, 0.45%

LAB 33.96, 74.31, -88.52

 

CMYK 54 / 92 / 0 / 2

HEX #7313FB

RGB 115 19 251

HSL 264.83, 0.97%, 0.53%

LAB 39.71, 79.02, -93.1

 

CMYK 45 / 77 / 0 / 1

HEX #8B3BFC

RGB 139 59 252

HSL 264.87, 0.97%, 0.61%

LAB 46.51, 70.19, -82.36

 

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

CMYK 0 / 99 / 59 / 11

HEX #E2035C

RGB 226 3 92

HSL 336.05, 0.97%, 0.45%

LAB 48.27, 75.56, 15.86

 

CMYK 99 / 0 / 99 / 11

HEX #03E203

RGB 3 226 3

HSL 120, 0.97%, 0.45%

LAB 78.71, -78.52, 75.67

 

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

CMYK 0 / 59 / 99 / 11

HEX #E25C03

RGB 226 92 3

HSL 23.95, 0.97%, 0.45%

LAB 55.92, 49.1, 64.75

 

CMYK 99 / 0 / 59 / 11

HEX #03E25C

RGB 3 226 92

HSL 143.95, 0.97%, 0.45%

LAB 79.15, -72.87, 51.82

 

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

CMYK 0 / 99 / 59 / 11

HEX #E2035C

RGB 226 3 92

HSL 336.05, 0.97%, 0.45%

LAB 48.27, 75.56, 15.86

 

CMYK 39 / 0 / 99 / 11

HEX #89E203

RGB 137 226 3

HSL 83.95, 0.97%, 0.45%

LAB 81.68, -54.24, 79.3

 

CMYK 99 / 0 / 39 / 11

HEX #03E289

RGB 3 226 137

HSL 156.05, 0.97%, 0.45%

LAB 79.74, -65.74, 30.93

 

CMYK 58 / 98 / 0 / 11

HEX #6004E2

RGB 96 4 226

HSL 264.86, 0.97%, 0.45%

LAB 34.12, 74.24, -88.26

 

CMYK 0 / 99 / 89 / 11

HEX #E20319

RGB 226 3 25

HSL 354.08, 0.97%, 0.45%

LAB 47.37, 73.13, 53.16

 

CMYK 39 / 0 / 99 / 11

HEX #89E203

RGB 137 226 3

HSL 83.95, 0.97%, 0.45%

LAB 81.68, -54.24, 79.3

 

CMYK 99 / 0 / 10 / 11

HEX #03E2CB

RGB 3 226 203

HSL 173.81, 0.97%, 0.45%

LAB 81.14, -50.32, -1.63

 

Description

Color code: RGB 96 4 226 | qconv.com Color code: RGB 96 4 226 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 4 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 4 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 98 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 98% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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