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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 90 127 it is the complementary color RGB 159 165 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 90 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 90 127 shade: RGB 101 90 122, RGB 118 108 141, RGB 135 126 160, RGB 152 144 179 and RGB 169 162 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 90 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 90 127 shade: RGB 96 90 127, RGB 79 72 108, RGB 62 54 89, RGB 45 36 70 and RGB 28 18 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 90 127 shade: RGB 97 91 128, RGB 107 91 128, RGB 117 91 128, RGB 127 91 128 and RGB 128 91 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 90 127 shade: RGB 97 91 128 and RGB 91 91 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 90 127 shade matches the following richer shades: RGB 97 91 128, RGB 85 73 146, RGB 73 55 163, RGB 61 37 181 and RGB 49 20 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 90 127 shade: RGB 97 91 128, RGB 109 108 110, RGB 121 126 92, RGB 133 144 75 and RGB 145 161 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 90 127 shade: RGB 91 105 128, RGB 91 95 128, RGB 96 91 128, RGB 106 91 128 and RGB 116 91 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 90 127 shade: RGB 60 56 80, RGB 78 73 104, RGB 97 91 128, RGB 115 109 151 and RGB 138 133 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 90 127 shade: RGB 96 90 127, RGB 128 91 115 and RGB 100 128 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 90 127 shade: RGB 96 90 127, RGB 128 96 91 and RGB 91 128 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 90 127 shade: RGB 96 90 127, RGB 128 91 115, RGB 122 128 91 and RGB 91 128 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 90 127 shade: RGB 96 90 127, RGB 128 91 104, RGB 122 128 91 and RGB 91 128 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

Complementary color

CMYK 4 / 0 / 22 / 35

HEX #9FA580

RGB 159 165 128

HSL 69.73, 0.17%, 0.57%

LAB 66.4, -8.6, 18.51

 

CMYK 17 / 26 / 0 / 52

HEX #655A7A

RGB 101 90 122

HSL 260.63, 0.15%, 0.42%

LAB 40.38, 11.48, -16.42

 

CMYK 16 / 23 / 0 / 45

HEX #766C8D

RGB 118 108 141

HSL 258.18, 0.13%, 0.49%

LAB 47.62, 10.97, -16.66

 

CMYK 16 / 21 / 0 / 37

HEX #877EA0

RGB 135 126 160

HSL 255.88, 0.15%, 0.56%

LAB 54.67, 10.53, -16.92

 

CMYK 15 / 20 / 0 / 30

HEX #9890B3

RGB 152 144 179

HSL 253.71, 0.19%, 0.63%

LAB 61.55, 10.13, -17.21

 

CMYK 15 / 18 / 0 / 22

HEX #A9A2C6

RGB 169 162 198

HSL 251.67, 0.24%, 0.71%

LAB 68.28, 9.77, -17.51

 

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

CMYK 27 / 33 / 0 / 58

HEX #4F486C

RGB 79 72 108

HSL 251.67, 0.2%, 0.35%

LAB 32.66, 11.64, -19.81

 

CMYK 30 / 39 / 0 / 65

HEX #3E3659

RGB 62 54 89

HSL 253.71, 0.24%, 0.28%

LAB 24.9, 12.4, -19.8

 

CMYK 36 / 49 / 0 / 73

HEX #2D2446

RGB 45 36 70

HSL 255.88, 0.32%, 0.21%

LAB 16.81, 13.36, -19.89

 

CMYK 45 / 65 / 0 / 80

HEX #1C1233

RGB 28 18 51

HSL 258.18, 0.48%, 0.14%

LAB 8.29, 14.64, -20.1

 

CMYK 24 / 29 / 0 / 50

HEX #615B80

RGB 97 91 128

HSL 249.73, 0.17%, 0.43%

LAB 40.54, 11, -19.86

 

CMYK 16 / 29 / 0 / 50

HEX #6B5B80

RGB 107 91 128

HSL 265.95, 0.17%, 0.43%

LAB 41.48, 14.41, -18.34

 

CMYK 9 / 29 / 0 / 50

HEX #755B80

RGB 117 91 128

HSL 282.16, 0.17%, 0.43%

LAB 42.49, 17.91, -16.7

 

CMYK 1 / 29 / 0 / 50

HEX #7F5B80

RGB 127 91 128

HSL 298.38, 0.17%, 0.43%

LAB 43.58, 21.47, -14.94

 

CMYK 0 / 29 / 7 / 50

HEX #805B77

RGB 128 91 119

HSL 314.59, 0.17%, 0.43%

LAB 43.36, 20.04, -9.8

 

CMYK 24 / 29 / 0 / 50

HEX #615B80

RGB 97 91 128

HSL 249.73, 0.17%, 0.43%

LAB 40.54, 11, -19.86

 

CMYK 29 / 29 / 0 / 50

HEX #5B5B80

RGB 91 91 128

HSL 240, 0.17%, 0.43%

LAB 40.02, 9.02, -20.71

 

CMYK 24 / 29 / 0 / 50

HEX #615B80

RGB 97 91 128

HSL 249.73, 0.17%, 0.43%

LAB 40.54, 11, -19.86

 

CMYK 42 / 50 / 0 / 43

HEX #554992

RGB 85 73 146

HSL 249.86, 0.33%, 0.43%

LAB 35.54, 23.82, -38.76

 

CMYK 55 / 66 / 0 / 36

HEX #4937A3

RGB 73 55 163

HSL 250, 0.5%, 0.43%

LAB 31.33, 37.6, -55.91

 

CMYK 66 / 80 / 0 / 29

HEX #3D25B5

RGB 61 37 181

HSL 250, 0.66%, 0.43%

LAB 28.52, 51.24, -71.37

 

CMYK 75 / 90 / 0 / 22

HEX #3114C7

RGB 49 20 199

HSL 249.72, 0.82%, 0.43%

LAB 27.51, 62.07, -83.71

 

CMYK 24 / 29 / 0 / 50

HEX #615B80

RGB 97 91 128

HSL 249.73, 0.17%, 0.43%

LAB 40.54, 11, -19.86

 

CMYK 1 / 2 / 0 / 57

HEX #6D6C6E

RGB 109 108 110

HSL 270, 0.01%, 0.43%

LAB 45.77, 0.8, -0.98

 

CMYK 4 / 0 / 27 / 51

HEX #797E5C

RGB 121 126 92

HSL 68.82, 0.16%, 0.43%

LAB 51.56, -7.99, 17.94

 

CMYK 8 / 0 / 48 / 44

HEX #85904B

RGB 133 144 75

HSL 69.57, 0.32%, 0.43%

LAB 57.5, -14.95, 35.12

 

CMYK 10 / 0 / 65 / 37

HEX #91A139

RGB 145 161 57

HSL 69.23, 0.48%, 0.43%

LAB 63.18, -20.26, 50.43

 

CMYK 29 / 18 / 0 / 50

HEX #5B6980

RGB 91 105 128

HSL 217.3, 0.17%, 0.43%

LAB 44.07, 0.42, -14.51

 

CMYK 29 / 26 / 0 / 50

HEX #5B5F80

RGB 91 95 128

HSL 233.51, 0.17%, 0.43%

LAB 41.16, 6.53, -18.95

 

CMYK 25 / 29 / 0 / 50

HEX #605B80

RGB 96 91 128

HSL 248.11, 0.17%, 0.43%

LAB 40.46, 10.67, -20.01

 

CMYK 17 / 29 / 0 / 50

HEX #6A5B80

RGB 106 91 128

HSL 264.32, 0.17%, 0.43%

LAB 41.38, 14.06, -18.5

 

CMYK 9 / 29 / 0 / 50

HEX #745B80

RGB 116 91 128

HSL 280.54, 0.17%, 0.43%

LAB 42.39, 17.56, -16.87

 

CMYK 25 / 30 / 0 / 69

HEX #3C3850

RGB 60 56 80

HSL 250, 0.18%, 0.27%

LAB 24.85, 7.76, -13.97

 

CMYK 25 / 30 / 0 / 59

HEX #4E4968

RGB 78 73 104

HSL 249.68, 0.18%, 0.35%

LAB 32.67, 9.57, -17.28

 

CMYK 24 / 29 / 0 / 50

HEX #615B80

RGB 97 91 128

HSL 249.73, 0.17%, 0.43%

LAB 40.54, 11, -19.86

 

CMYK 24 / 28 / 0 / 41

HEX #736D97

RGB 115 109 151

HSL 248.57, 0.17%, 0.51%

LAB 48.03, 11.81, -21.98

 

CMYK 18 / 21 / 0 / 34

HEX #8A85A8

RGB 138 133 168

HSL 248.57, 0.17%, 0.59%

LAB 57.08, 9.31, -17.84

 

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

CMYK 0 / 29 / 10 / 50

HEX #805B73

RGB 128 91 115

HSL 321.08, 0.17%, 0.43%

LAB 43.23, 19.28, -7.57

 

CMYK 22 / 0 / 29 / 50

HEX #64805B

RGB 100 128 91

HSL 105.41, 0.17%, 0.43%

LAB 50.57, -17.58, 16.9

 

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

CMYK 0 / 25 / 29 / 50

HEX #80605B

RGB 128 96 91

HSL 8.11, 0.17%, 0.43%

LAB 43.81, 12.22, 7.9

 

CMYK 29 / 0 / 25 / 50

HEX #5B8060

RGB 91 128 96

HSL 128.11, 0.17%, 0.43%

LAB 50.11, -19.97, 13.29

 

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

CMYK 0 / 29 / 10 / 50

HEX #805B73

RGB 128 91 115

HSL 321.08, 0.17%, 0.43%

LAB 43.23, 19.28, -7.57

 

CMYK 5 / 0 / 29 / 50

HEX #7A805B

RGB 122 128 91

HSL 69.73, 0.17%, 0.43%

LAB 52.21, -8.84, 19.39

 

CMYK 29 / 0 / 19 / 50

HEX #5B8068

RGB 91 128 104

HSL 141.08, 0.17%, 0.43%

LAB 50.29, -18.37, 8.9

 

CMYK 24 / 29 / 0 / 50

HEX #605A7F

RGB 96 90 127

HSL 249.73, 0.17%, 0.43%

LAB 40.13, 11.03, -19.89

 

CMYK 0 / 29 / 19 / 50

HEX #805B68

RGB 128 91 104

HSL 338.92, 0.17%, 0.43%

LAB 42.87, 17.3, -1.38

 

CMYK 5 / 0 / 29 / 50

HEX #7A805B

RGB 122 128 91

HSL 69.73, 0.17%, 0.43%

LAB 52.21, -8.84, 19.39

 

CMYK 29 / 0 / 10 / 50

HEX #5B8073

RGB 91 128 115

HSL 158.92, 0.17%, 0.43%

LAB 50.57, -15.97, 2.88

 

Description

Color code: RGB 96 90 127 | qconv.com Color code: RGB 96 90 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 90 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 90 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 29 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 29% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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