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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 92 252 it is the complementary color RGB 159 163 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 92 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 92 252 shade: RGB 101 92 247, RGB 118 110 255, RGB 135 128 255, RGB 152 146 255 and RGB 169 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 92 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 92 252 shade: RGB 96 92 252, RGB 79 74 233, RGB 62 56 214, RGB 45 38 195 and RGB 28 20 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 92 252 shade: RGB 94 90 251, RGB 137 90 251, RGB 181 90 251, RGB 224 90 251 and RGB 251 90 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 92 252 shade: RGB 94 90 251 and RGB 90 90 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 92 252 shade matches the following richer shades: RGB 94 90 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 92 252 shade: RGB 94 90 251, RGB 107 103 238, RGB 119 117 224, RGB 132 130 210 and RGB 145 144 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 92 252 shade: RGB 90 173 251, RGB 90 130 251, RGB 92 90 251, RGB 135 90 251 and RGB 178 90 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 92 252 shade: RGB 15 9 249, RGB 54 49 250, RGB 94 90 251, RGB 133 130 252 and RGB 172 170 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 92 252 shade: RGB 96 92 252, RGB 251 90 216 and RGB 152 251 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 92 252 shade: RGB 96 92 252, RGB 251 92 90 and RGB 90 251 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 92 252 shade: RGB 96 92 252, RGB 251 90 216, RGB 248 251 90 and RGB 90 251 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 92 252 shade: RGB 96 92 252, RGB 251 90 168, RGB 248 251 90 and RGB 90 251 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

Complementary color

CMYK 2 / 0 / 98 / 36

HEX #9FA303

RGB 159 163 3

HSL 61.5, 0.96%, 0.33%

LAB 64.62, -17.16, 66.81

 

CMYK 59 / 63 / 0 / 3

HEX #655CF7

RGB 101 92 247

HSL 243.48, 0.91%, 0.66%

LAB 48.43, 46.78, -76.56

 

CMYK 54 / 57 / 0 / 0

HEX #766EFF

RGB 118 110 255

HSL 243.31, 1%, 0.72%

LAB 54.26, 41.67, -71.47

 

CMYK 47 / 50 / 0 / 0

HEX #8780FF

RGB 135 128 255

HSL 243.31, 1%, 0.75%

LAB 59.72, 34.6, -62.62

 

CMYK 40 / 43 / 0 / 0

HEX #9892FF

RGB 152 146 255

HSL 243.3, 1%, 0.79%

LAB 65.32, 28.12, -53.6

 

CMYK 34 / 36 / 0 / 0

HEX #A9A4FF

RGB 169 164 255

HSL 243.3, 1%, 0.82%

LAB 71.01, 22.25, -44.54

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 66 / 68 / 0 / 9

HEX #4F4AE9

RGB 79 74 233

HSL 241.89, 0.78%, 0.6%

LAB 41.91, 49.65, -79.43

 

CMYK 71 / 74 / 0 / 16

HEX #3E38D6

RGB 62 56 214

HSL 242.28, 0.66%, 0.53%

LAB 35.41, 51.78, -79.31

 

CMYK 77 / 81 / 0 / 24

HEX #2D26C3

RGB 45 38 195

HSL 242.68, 0.67%, 0.46%

LAB 29.12, 53.72, -78.69

 

CMYK 84 / 89 / 0 / 31

HEX #1C14B0

RGB 28 20 176

HSL 243.08, 0.8%, 0.38%

LAB 23.28, 54.87, -77.14

 

CMYK 63 / 64 / 0 / 2

HEX #5E5AFB

RGB 94 90 251

HSL 241.49, 0.95%, 0.67%

LAB 47.82, 48.15, -79.8

 

CMYK 45 / 64 / 0 / 2

HEX #895AFB

RGB 137 90 251

HSL 257.52, 0.95%, 0.67%

LAB 51.38, 55.18, -73.86

 

CMYK 28 / 64 / 0 / 2

HEX #B55AFB

RGB 181 90 251

HSL 273.91, 0.95%, 0.67%

LAB 56.19, 63.92, -65.84

 

CMYK 11 / 64 / 0 / 2

HEX #E05AFB

RGB 224 90 251

HSL 289.94, 0.95%, 0.67%

LAB 61.76, 73.26, -56.6

 

CMYK 0 / 64 / 7 / 2

HEX #FB5AEA

RGB 251 90 234

HSL 306.34, 0.95%, 0.67%

LAB 64.77, 76.65, -42.17

 

CMYK 63 / 64 / 0 / 2

HEX #5E5AFB

RGB 94 90 251

HSL 241.49, 0.95%, 0.67%

LAB 47.82, 48.15, -79.8

 

CMYK 64 / 64 / 0 / 2

HEX #5A5AFB

RGB 90 90 251

HSL 240, 0.95%, 0.67%

LAB 47.56, 47.6, -80.25

 

CMYK 63 / 64 / 0 / 2

HEX #5E5AFB

RGB 94 90 251

HSL 241.49, 0.95%, 0.67%

LAB 47.82, 48.15, -79.8

 

CMYK 63 / 64 / 0 / 2

HEX #5E5AFB

RGB 94 90 251

HSL 241.49, 0.95%, 0.67%

LAB 47.82, 48.15, -79.8

 

CMYK 55 / 57 / 0 / 7

HEX #6B67EE

RGB 107 103 238

HSL 241.78, 0.8%, 0.67%

LAB 50.69, 38.57, -67.85

 

CMYK 47 / 48 / 0 / 12

HEX #7775E0

RGB 119 117 224

HSL 241.12, 0.63%, 0.67%

LAB 54.05, 28.43, -54.52

 

CMYK 37 / 38 / 0 / 18

HEX #8482D2

RGB 132 130 210

HSL 241.5, 0.47%, 0.67%

LAB 57.58, 19.95, -40.98

 

CMYK 26 / 27 / 0 / 23

HEX #9190C5

RGB 145 144 197

HSL 241.13, 0.31%, 0.67%

LAB 61.65, 12.14, -27.25

 

CMYK 64 / 31 / 0 / 2

HEX #5AADFB

RGB 90 173 251

HSL 209.07, 0.95%, 0.67%

LAB 68.77, -1.72, -46.2

 

CMYK 64 / 48 / 0 / 2

HEX #5A82FB

RGB 90 130 251

HSL 225.09, 0.95%, 0.67%

LAB 57.18, 23.54, -64.64

 

CMYK 63 / 64 / 0 / 2

HEX #5C5AFB

RGB 92 90 251

HSL 240.75, 0.95%, 0.67%

LAB 47.69, 47.87, -80.03

 

CMYK 46 / 64 / 0 / 2

HEX #875AFB

RGB 135 90 251

HSL 256.77, 0.95%, 0.67%

LAB 51.18, 54.81, -74.18

 

CMYK 29 / 64 / 0 / 2

HEX #B25AFB

RGB 178 90 251

HSL 272.8, 0.95%, 0.67%

LAB 55.83, 63.3, -66.44

 

CMYK 94 / 96 / 0 / 2

HEX #0F09F9

RGB 15 9 249

HSL 241.5, 0.95%, 0.51%

LAB 32.12, 76.48, -104.8

 

CMYK 78 / 80 / 0 / 2

HEX #3631FA

RGB 54 49 250

HSL 241.49, 0.95%, 0.59%

LAB 37.63, 65.6, -96.13

 

CMYK 63 / 64 / 0 / 2

HEX #5E5AFB

RGB 94 90 251

HSL 241.49, 0.95%, 0.67%

LAB 47.82, 48.15, -79.8

 

CMYK 47 / 48 / 0 / 1

HEX #8582FC

RGB 133 130 252

HSL 241.48, 0.95%, 0.75%

LAB 59.87, 32.12, -60.73

 

CMYK 32 / 33 / 0 / 1

HEX #ACAAFD

RGB 172 170 253

HSL 241.45, 0.95%, 0.83%

LAB 72.64, 19.19, -40.9

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 0 / 64 / 14 / 2

HEX #FB5AD8

RGB 251 90 216

HSL 313.04, 0.95%, 0.67%

LAB 63.98, 74, -33.35

 

CMYK 39 / 0 / 64 / 2

HEX #98FB5A

RGB 152 251 90

HSL 96.89, 0.95%, 0.67%

LAB 90.05, -55.39, 65.8

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 0 / 63 / 64 / 2

HEX #FB5C5A

RGB 251 92 90

HSL 0.75, 0.95%, 0.67%

LAB 60.69, 60.43, 34.12

 

CMYK 64 / 0 / 63 / 2

HEX #5AFB5C

RGB 90 251 92

HSL 120.75, 0.95%, 0.67%

LAB 87.94, -71.32, 62.08

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 0 / 64 / 14 / 2

HEX #FB5AD8

RGB 251 90 216

HSL 313.04, 0.95%, 0.67%

LAB 63.98, 74, -33.35

 

CMYK 1 / 0 / 64 / 2

HEX #F8FB5A

RGB 248 251 90

HSL 61.12, 0.95%, 0.67%

LAB 95.87, -20.04, 73.71

 

CMYK 64 / 0 / 50 / 2

HEX #5AFB7D

RGB 90 251 125

HSL 133.04, 0.95%, 0.67%

LAB 88.28, -67.39, 47.95

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 0 / 64 / 33 / 2

HEX #FB5AA8

RGB 251 90 168

HSL 330.93, 0.95%, 0.67%

LAB 62.21, 67.88, -8.75

 

CMYK 1 / 0 / 64 / 2

HEX #F8FB5A

RGB 248 251 90

HSL 61.12, 0.95%, 0.67%

LAB 95.87, -20.04, 73.71

 

CMYK 64 / 0 / 31 / 2

HEX #5AFBAD

RGB 90 251 173

HSL 150.93, 0.95%, 0.67%

LAB 89.01, -59.34, 25.31

 

Description

Color code: RGB 96 92 252 | qconv.com Color code: RGB 96 92 252 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 92 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 92 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 63 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 63% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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