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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 118 173 it is the complementary color RGB 159 137 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 118 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 118 173 shade: RGB 101 118 168, RGB 118 136 187, RGB 135 154 206, RGB 152 172 225 and RGB 169 190 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 118 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 79 100 154, RGB 62 82 135, RGB 45 64 116 and RGB 28 46 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 96 98 173, RGB 116 96 173, RGB 136 96 173 and RGB 157 96 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 96 98 173 and RGB 96 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 118 173 shade matches the following richer shades: RGB 96 118 173, RGB 77 110 192, RGB 58 102 212, RGB 38 93 231 and RGB 19 85 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 116 127 154, RGB 135 135 134, RGB 154 143 115 and RGB 174 151 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 118 173 shade: RGB 96 160 173, RGB 96 140 173, RGB 96 119 173, RGB 96 99 173 and RGB 114 96 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 118 173 shade: RGB 63 81 123, RGB 77 98 151, RGB 96 118 173, RGB 124 142 187 and RGB 151 165 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 165 96 173 and RGB 150 173 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 173 96 119 and RGB 119 173 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 165 96 173, RGB 173 150 96 and RGB 104 173 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 118 173 shade: RGB 96 118 173, RGB 173 96 158, RGB 173 150 96 and RGB 96 173 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

Complementary color

CMYK 0 / 14 / 48 / 38

HEX #9F8952

RGB 159 137 82

HSL 42.86, 0.32%, 0.47%

LAB 57.91, 0.76, 32.43

 

CMYK 40 / 30 / 0 / 34

HEX #6576A8

RGB 101 118 168

HSL 224.78, 0.28%, 0.53%

LAB 50.16, 6.75, -28.73

 

CMYK 37 / 27 / 0 / 27

HEX #7688BB

RGB 118 136 187

HSL 224.35, 0.34%, 0.6%

LAB 57.12, 6.22, -28.76

 

CMYK 34 / 25 / 0 / 19

HEX #879ACE

RGB 135 154 206

HSL 223.94, 0.42%, 0.67%

LAB 63.93, 5.77, -28.83

 

CMYK 32 / 24 / 0 / 12

HEX #98ACE1

RGB 152 172 225

HSL 223.56, 0.55%, 0.74%

LAB 70.61, 5.38, -28.94

 

CMYK 31 / 22 / 0 / 4

HEX #A9BEF4

RGB 169 190 244

HSL 223.2, 0.77%, 0.81%

LAB 77.16, 5.04, -29.07

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 49 / 35 / 0 / 40

HEX #4F649A

RGB 79 100 154

HSL 223.2, 0.32%, 0.46%

LAB 42.93, 7.61, -31.9

 

CMYK 54 / 39 / 0 / 47

HEX #3E5287

RGB 62 82 135

HSL 223.56, 0.37%, 0.39%

LAB 35.61, 8.57, -32.04

 

CMYK 61 / 45 / 0 / 55

HEX #2D4074

RGB 45 64 116

HSL 223.94, 0.44%, 0.32%

LAB 28.08, 9.85, -32.25

 

CMYK 71 / 53 / 0 / 62

HEX #1C2E61

RGB 28 46 97

HSL 224.35, 0.55%, 0.25%

LAB 20.3, 11.67, -32.53

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 45 / 43 / 0 / 32

HEX #6062AD

RGB 96 98 173

HSL 238.44, 0.32%, 0.53%

LAB 44.57, 19.14, -40.46

 

CMYK 33 / 45 / 0 / 32

HEX #7460AD

RGB 116 96 173

HSL 255.58, 0.32%, 0.53%

LAB 45.77, 25.76, -38.46

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 9 / 45 / 0 / 32

HEX #9D60AD

RGB 157 96 173

HSL 287.53, 0.32%, 0.53%

LAB 50.16, 37.87, -31.25

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 45 / 43 / 0 / 32

HEX #6062AD

RGB 96 98 173

HSL 238.44, 0.32%, 0.53%

LAB 44.57, 19.14, -40.46

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 60 / 43 / 0 / 25

HEX #4D6EC0

RGB 77 110 192

HSL 222.78, 0.48%, 0.53%

LAB 47.67, 13.5, -46.66

 

CMYK 73 / 52 / 0 / 17

HEX #3A66D4

RGB 58 102 212

HSL 222.86, 0.64%, 0.53%

LAB 45.85, 22.56, -61.11

 

CMYK 84 / 60 / 0 / 9

HEX #265DE7

RGB 38 93 231

HSL 222.9, 0.8%, 0.53%

LAB 44.25, 33.37, -74.54

 

CMYK 92 / 66 / 0 / 2

HEX #1355FB

RGB 19 85 251

HSL 222.93, 0.97%, 0.53%

LAB 43.65, 44.8, -86.76

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 25 / 18 / 0 / 40

HEX #747F9A

RGB 116 127 154

HSL 222.63, 0.16%, 0.53%

LAB 53.19, 2.21, -15.83

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 0 / 7 / 25 / 40

HEX #9A8F73

RGB 154 143 115

HSL 43.08, 0.16%, 0.53%

LAB 59.66, -0.56, 16.4

 

CMYK 0 / 13 / 45 / 32

HEX #AE975F

RGB 174 151 95

HSL 42.53, 0.33%, 0.53%

LAB 63.31, 0.8, 32.57

 

CMYK 45 / 8 / 0 / 32

HEX #60A0AD

RGB 96 160 173

HSL 190.13, 0.32%, 0.53%

LAB 62.21, -17.01, -13.18

 

CMYK 45 / 19 / 0 / 32

HEX #608CAD

RGB 96 140 173

HSL 205.71, 0.32%, 0.53%

LAB 56.35, -6.04, -22.08

 

CMYK 45 / 31 / 0 / 32

HEX #6077AD

RGB 96 119 173

HSL 222.08, 0.32%, 0.53%

LAB 50.33, 6.25, -31.39

 

CMYK 45 / 43 / 0 / 32

HEX #6063AD

RGB 96 99 173

HSL 237.66, 0.32%, 0.53%

LAB 44.84, 18.52, -40.03

 

CMYK 34 / 45 / 0 / 32

HEX #7260AD

RGB 114 96 173

HSL 254.03, 0.32%, 0.53%

LAB 45.58, 25.2, -38.77

 

CMYK 49 / 34 / 0 / 52

HEX #3F517B

RGB 63 81 123

HSL 222, 0.32%, 0.36%

LAB 34.75, 5.46, -26.01

 

CMYK 49 / 35 / 0 / 41

HEX #4D6297

RGB 77 98 151

HSL 222.97, 0.32%, 0.45%

LAB 42.07, 7.39, -31.47

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 34 / 24 / 0 / 27

HEX #7C8EBB

RGB 124 142 187

HSL 222.86, 0.32%, 0.61%

LAB 59.18, 4.46, -25.55

 

CMYK 25 / 18 / 0 / 21

HEX #97A5C9

RGB 151 165 201

HSL 223.2, 0.32%, 0.69%

LAB 67.8, 3.07, -20.02

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 5 / 45 / 0 / 32

HEX #A560AD

RGB 165 96 173

HSL 293.77, 0.32%, 0.53%

LAB 51.13, 40.31, -29.66

 

CMYK 13 / 0 / 45 / 32

HEX #96AD60

RGB 150 173 96

HSL 77.92, 0.32%, 0.53%

LAB 67.44, -20.61, 36.83

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 0 / 45 / 31 / 32

HEX #AD6077

RGB 173 96 119

HSL 342.08, 0.32%, 0.53%

LAB 50.19, 33.95, 0.94

 

CMYK 31 / 0 / 45 / 32

HEX #77AD60

RGB 119 173 96

HSL 102.08, 0.32%, 0.53%

LAB 65.48, -32.29, 33.95

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 5 / 45 / 0 / 32

HEX #A560AD

RGB 165 96 173

HSL 293.77, 0.32%, 0.53%

LAB 51.13, 40.31, -29.66

 

CMYK 0 / 13 / 45 / 32

HEX #AD9660

RGB 173 150 96

HSL 42.08, 0.32%, 0.53%

LAB 62.96, 1.03, 31.58

 

CMYK 40 / 0 / 45 / 32

HEX #68AD60

RGB 104 173 96

HSL 113.77, 0.32%, 0.53%

LAB 64.7, -37.35, 32.8

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 0 / 13 / 45 / 32

HEX #AD9660

RGB 173 150 96

HSL 42.08, 0.32%, 0.53%

LAB 62.96, 1.03, 31.58

 

CMYK 45 / 0 / 35 / 32

HEX #60AD70

RGB 96 173 112

HSL 132.47, 0.32%, 0.53%

LAB 64.6, -37.23, 24.13

 

Description

Color code: RGB 96 118 173 | qconv.com Color code: RGB 96 118 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 118 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 118 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 32 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 32% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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