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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 124 139 it is the complementary color RGB 159 131 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 124 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 124 139 shade: RGB 101 124 134, RGB 118 142 153, RGB 135 160 172, RGB 152 178 191 and RGB 169 196 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 124 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 124 139 shade: RGB 96 124 139, RGB 79 106 120, RGB 62 88 101, RGB 45 70 82 and RGB 28 52 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 124 139 shade: RGB 96 123 138, RGB 96 112 138, RGB 96 100 138, RGB 102 96 138 and RGB 114 96 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 124 139 shade: RGB 96 123 138, RGB 96 112 138, RGB 96 100 138 and RGB 96 96 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 124 139 shade matches the following richer shades: RGB 96 123 138, RGB 77 129 157, RGB 58 135 176, RGB 39 140 195 and RGB 20 146 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 124 139 shade: RGB 96 123 138, RGB 115 117 119, RGB 134 112 100, RGB 153 106 81 and RGB 172 100 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 124 139 shade: RGB 96 138 129, RGB 96 135 138, RGB 96 124 138, RGB 96 113 138 and RGB 96 101 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 124 139 shade: RGB 62 80 89, RGB 79 101 114, RGB 96 123 138, RGB 116 144 159 and RGB 141 163 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 124 139 shade: RGB 96 124 139, RGB 118 96 138 and RGB 138 135 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 124 139 shade: RGB 96 124 139, RGB 138 96 124 and RGB 124 138 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 124 139 shade: RGB 96 124 139, RGB 118 96 138, RGB 138 110 96 and RGB 115 138 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 124 139 shade: RGB 96 124 139, RGB 131 96 138, RGB 138 110 96 and RGB 103 138 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

Complementary color

CMYK 0 / 18 / 27 / 38

HEX #9F8374

RGB 159 131 116

HSL 20.93, 0.18%, 0.54%

LAB 56.94, 8.35, 12.12

 

CMYK 25 / 7 / 0 / 47

HEX #657C86

RGB 101 124 134

HSL 198.18, 0.14%, 0.46%

LAB 50.57, -5.92, -8.2

 

CMYK 23 / 7 / 0 / 40

HEX #768E99

RGB 118 142 153

HSL 198.86, 0.15%, 0.53%

LAB 57.56, -5.96, -8.67

 

CMYK 22 / 7 / 0 / 33

HEX #87A0AC

RGB 135 160 172

HSL 199.46, 0.18%, 0.6%

LAB 64.38, -6, -9.13

 

CMYK 20 / 7 / 0 / 25

HEX #98B2BF

RGB 152 178 191

HSL 200, 0.23%, 0.67%

LAB 71.06, -6.04, -9.59

 

CMYK 20 / 7 / 0 / 18

HEX #A9C4D2

RGB 169 196 210

HSL 200.49, 0.31%, 0.74%

LAB 77.62, -6.09, -10.05

 

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

CMYK 34 / 12 / 0 / 53

HEX #4F6A78

RGB 79 106 120

HSL 200.49, 0.21%, 0.39%

LAB 43.25, -6.18, -11

 

CMYK 39 / 13 / 0 / 60

HEX #3E5865

RGB 62 88 101

HSL 200, 0.24%, 0.32%

LAB 35.87, -6.08, -10.6

 

CMYK 45 / 15 / 0 / 68

HEX #2D4652

RGB 45 70 82

HSL 199.46, 0.29%, 0.25%

LAB 28.24, -5.94, -10.2

 

CMYK 56 / 17 / 0 / 75

HEX #1C343F

RGB 28 52 63

HSL 198.86, 0.38%, 0.18%

LAB 20.29, -5.69, -9.79

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 30 / 19 / 0 / 46

HEX #60708A

RGB 96 112 138

HSL 217.14, 0.18%, 0.46%

LAB 46.86, 0.5, -16.2

 

CMYK 30 / 28 / 0 / 46

HEX #60648A

RGB 96 100 138

HSL 234.29, 0.18%, 0.46%

LAB 43.41, 7.77, -21.49

 

CMYK 26 / 30 / 0 / 46

HEX #66608A

RGB 102 96 138

HSL 248.57, 0.18%, 0.46%

LAB 42.8, 12.16, -22.39

 

CMYK 17 / 30 / 0 / 46

HEX #72608A

RGB 114 96 138

HSL 265.71, 0.18%, 0.46%

LAB 43.91, 16.15, -20.58

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 30 / 19 / 0 / 46

HEX #60708A

RGB 96 112 138

HSL 217.14, 0.18%, 0.46%

LAB 46.86, 0.5, -16.2

 

CMYK 30 / 28 / 0 / 46

HEX #60648A

RGB 96 100 138

HSL 234.29, 0.18%, 0.46%

LAB 43.41, 7.77, -21.49

 

CMYK 30 / 30 / 0 / 46

HEX #60608A

RGB 96 96 138

HSL 240, 0.18%, 0.46%

LAB 42.29, 10.24, -23.23

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 51 / 18 / 0 / 38

HEX #4D819D

RGB 77 129 157

HSL 201, 0.34%, 0.46%

LAB 51.51, -9.3, -20.35

 

CMYK 67 / 23 / 0 / 31

HEX #3A87B0

RGB 58 135 176

HSL 200.85, 0.5%, 0.46%

LAB 53.34, -10.46, -28.57

 

CMYK 80 / 28 / 0 / 24

HEX #278CC3

RGB 39 140 195

HSL 201.15, 0.67%, 0.46%

LAB 55.2, -9.19, -36.55

 

CMYK 91 / 32 / 0 / 16

HEX #1492D6

RGB 20 146 214

HSL 201.03, 0.83%, 0.46%

LAB 57.62, -7.08, -43.48

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 3 / 2 / 0 / 53

HEX #737577

RGB 115 117 119

HSL 210, 0.02%, 0.46%

LAB 49.13, -0.34, -1.37

 

CMYK 0 / 16 / 25 / 47

HEX #867064

RGB 134 112 100

HSL 21.18, 0.15%, 0.46%

LAB 48.98, 6.66, 9.89

 

CMYK 0 / 31 / 47 / 40

HEX #996A51

RGB 153 106 81

HSL 20.83, 0.31%, 0.46%

LAB 49.1, 15.68, 21.54

 

CMYK 0 / 42 / 64 / 33

HEX #AC643E

RGB 172 100 62

HSL 20.73, 0.47%, 0.46%

LAB 49.78, 25.51, 33.7

 

CMYK 30 / 0 / 7 / 46

HEX #608A81

RGB 96 138 129

HSL 167.14, 0.18%, 0.46%

LAB 54.29, -16.51, 0.17

 

CMYK 30 / 2 / 0 / 46

HEX #60878A

RGB 96 135 138

HSL 184.29, 0.18%, 0.46%

LAB 53.65, -12.7, -5.98

 

CMYK 30 / 10 / 0 / 46

HEX #607C8A

RGB 96 124 138

HSL 200, 0.18%, 0.46%

LAB 50.38, -6.52, -10.87

 

CMYK 30 / 18 / 0 / 46

HEX #60718A

RGB 96 113 138

HSL 215.71, 0.18%, 0.46%

LAB 47.15, -0.1, -15.76

 

CMYK 30 / 27 / 0 / 46

HEX #60658A

RGB 96 101 138

HSL 232.86, 0.18%, 0.46%

LAB 43.7, 7.15, -21.05

 

CMYK 30 / 10 / 0 / 65

HEX #3E5059

RGB 62 80 89

HSL 200, 0.18%, 0.3%

LAB 32.88, -4.58, -7.57

 

CMYK 31 / 11 / 0 / 55

HEX #4F6572

RGB 79 101 114

HSL 202.29, 0.18%, 0.38%

LAB 41.51, -4.84, -9.99

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 27 / 9 / 0 / 38

HEX #74909F

RGB 116 144 159

HSL 200.93, 0.18%, 0.54%

LAB 58.19, -6.27, -11.16

 

CMYK 19 / 7 / 0 / 31

HEX #8DA3AF

RGB 141 163 175

HSL 201.18, 0.18%, 0.62%

LAB 65.71, -5.02, -8.78

 

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

CMYK 14 / 30 / 0 / 46

HEX #76608A

RGB 118 96 138

HSL 271.43, 0.18%, 0.46%

LAB 44.31, 17.51, -19.94

 

CMYK 0 / 2 / 30 / 46

HEX #8A8760

RGB 138 135 96

HSL 55.71, 0.18%, 0.46%

LAB 55.66, -5.38, 21.43

 

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

CMYK 0 / 30 / 10 / 46

HEX #8A607C

RGB 138 96 124

HSL 320, 0.18%, 0.46%

LAB 45.94, 21.75, -8.84

 

CMYK 10 / 0 / 30 / 46

HEX #7C8A60

RGB 124 138 96

HSL 80, 0.18%, 0.46%

LAB 55.39, -12.75, 20.86

 

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

CMYK 14 / 30 / 0 / 46

HEX #76608A

RGB 118 96 138

HSL 271.43, 0.18%, 0.46%

LAB 44.31, 17.51, -19.94

 

CMYK 0 / 20 / 30 / 46

HEX #8A6E60

RGB 138 110 96

HSL 20, 0.18%, 0.46%

LAB 48.76, 8.89, 12.01

 

CMYK 17 / 0 / 30 / 46

HEX #738A60

RGB 115 138 96

HSL 92.86, 0.18%, 0.46%

LAB 54.73, -16.3, 19.86

 

CMYK 31 / 11 / 0 / 45

HEX #607C8B

RGB 96 124 139

HSL 200.93, 0.18%, 0.46%

LAB 50.41, -6.26, -11.41

 

CMYK 5 / 30 / 0 / 46

HEX #83608A

RGB 131 96 138

HSL 290, 0.18%, 0.46%

LAB 45.67, 22.01, -17.74

 

CMYK 0 / 20 / 30 / 46

HEX #8A6E60

RGB 138 110 96

HSL 20, 0.18%, 0.46%

LAB 48.76, 8.89, 12.01

 

CMYK 25 / 0 / 30 / 46

HEX #678A60

RGB 103 138 96

HSL 110, 0.18%, 0.46%

LAB 53.93, -20.84, 18.64

 

Description

Color code: RGB 96 124 139 | qconv.com Color code: RGB 96 124 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 124 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 124 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 11 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 11% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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