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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 229 162 it is the complementary color RGB 159 26 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 229 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 229 162 shade: RGB 101 229 157, RGB 118 247 176, RGB 135 255 195, RGB 152 255 214 and RGB 169 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 229 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 229 162 shade: RGB 96 229 162, RGB 79 211 143, RGB 62 193 124, RGB 45 175 105 and RGB 28 157 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 229 162 shade: RGB 97 229 162, RGB 97 229 127, RGB 102 229 97, RGB 138 229 97 and RGB 174 229 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 229 162 shade: RGB 97 229 162, RGB 97 229 198, RGB 97 224 229, RGB 97 188 229 and RGB 97 153 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 229 162 shade matches the following richer shades: RGB 97 229 162 and RGB 82 244 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 229 162 shade: RGB 97 229 162, RGB 111 214 162, RGB 126 199 162, RGB 141 184 163 and RGB 156 169 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 229 162 shade: RGB 103 229 97, RGB 97 229 125, RGB 97 229 160, RGB 97 229 196 and RGB 97 227 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 229 162 shade: RGB 34 209 121, RGB 61 223 141, RGB 97 229 162, RGB 132 235 183 and RGB 168 240 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 229 162 shade: RGB 96 229 162, RGB 97 138 229 and RGB 229 108 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 229 162 shade: RGB 96 229 162, RGB 160 97 229 and RGB 229 160 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 229 162 shade: RGB 96 229 162, RGB 97 138 229, RGB 229 97 165 and RGB 229 187 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 229 162 shade: RGB 96 229 162, RGB 97 99 229, RGB 229 97 165 and RGB 229 227 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

Complementary color

CMYK 0 / 84 / 42 / 38

HEX #9F1A5D

RGB 159 26 93

HSL 329.77, 0.72%, 0.36%

LAB 35.79, 56.49, -4.4

 

CMYK 56 / 0 / 31 / 10

HEX #65E59D

RGB 101 229 157

HSL 146.25, 0.71%, 0.65%

LAB 82.51, -51.56, 24.67

 

CMYK 52 / 0 / 29 / 3

HEX #76F7B0

RGB 118 247 176

HSL 146.98, 0.89%, 0.72%

LAB 88.69, -51.51, 23.47

 

CMYK 47 / 0 / 24 / 0

HEX #87FFC3

RGB 135 255 195

HSL 150, 1%, 0.76%

LAB 91.96, -47.17, 18.38

 

CMYK 40 / 0 / 16 / 0

HEX #98FFD6

RGB 152 255 214

HSL 156.12, 1%, 0.8%

LAB 93.04, -39.06, 10.24

 

CMYK 34 / 0 / 9 / 0

HEX #A9FFE9

RGB 169 255 233

HSL 164.65, 1%, 0.83%

LAB 94.24, -30.57, 2.28

 

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

CMYK 63 / 0 / 32 / 17

HEX #4FD38F

RGB 79 211 143

HSL 149.09, 0.6%, 0.57%

LAB 76.21, -51.54, 23.27

 

CMYK 68 / 0 / 36 / 24

HEX #3EC17C

RGB 62 193 124

HSL 148.4, 0.51%, 0.5%

LAB 69.91, -51.25, 24.67

 

CMYK 74 / 0 / 40 / 31

HEX #2DAF69

RGB 45 175 105

HSL 147.69, 0.59%, 0.43%

LAB 63.54, -50.68, 26.19

 

CMYK 82 / 0 / 45 / 38

HEX #1C9D56

RGB 28 157 86

HSL 146.98, 0.7%, 0.36%

LAB 57.11, -49.71, 27.85

 

CMYK 58 / 0 / 29 / 10

HEX #61E5A2

RGB 97 229 162

HSL 149.55, 0.72%, 0.64%

LAB 82.48, -51.45, 22.03

 

CMYK 58 / 0 / 45 / 10

HEX #61E57F

RGB 97 229 127

HSL 133.64, 0.72%, 0.64%

LAB 81.9, -57.62, 39.02

 

CMYK 55 / 0 / 58 / 10

HEX #66E561

RGB 102 229 97

HSL 117.73, 0.72%, 0.64%

LAB 81.69, -60.47, 52.95

 

CMYK 40 / 0 / 58 / 10

HEX #8AE561

RGB 138 229 97

HSL 101.36, 0.72%, 0.64%

LAB 83.08, -50.31, 54.91

 

CMYK 24 / 0 / 58 / 10

HEX #AEE561

RGB 174 229 97

HSL 85, 0.72%, 0.64%

LAB 84.95, -37.96, 57.55

 

CMYK 58 / 0 / 29 / 10

HEX #61E5A2

RGB 97 229 162

HSL 149.55, 0.72%, 0.64%

LAB 82.48, -51.45, 22.03

 

CMYK 58 / 0 / 14 / 10

HEX #61E5C6

RGB 97 229 198

HSL 165.91, 0.72%, 0.64%

LAB 83.26, -43.59, 4.27

 

CMYK 58 / 2 / 0 / 10

HEX #61E0E5

RGB 97 224 229

HSL 182.27, 0.72%, 0.64%

LAB 82.65, -33.44, -13.04

 

CMYK 58 / 18 / 0 / 10

HEX #61BCE5

RGB 97 188 229

HSL 198.64, 0.72%, 0.64%

LAB 72.34, -15.5, -28.69

 

CMYK 58 / 33 / 0 / 10

HEX #6199E5

RGB 97 153 229

HSL 214.55, 0.72%, 0.64%

LAB 62.49, 3.85, -44.01

 

CMYK 58 / 0 / 29 / 10

HEX #61E5A2

RGB 97 229 162

HSL 149.55, 0.72%, 0.64%

LAB 82.48, -51.45, 22.03

 

CMYK 66 / 0 / 34 / 4

HEX #52F4A2

RGB 82 244 162

HSL 149.63, 0.88%, 0.64%

LAB 86.56, -60.15, 27.53

 

CMYK 58 / 0 / 29 / 10

HEX #61E5A2

RGB 97 229 162

HSL 149.55, 0.72%, 0.64%

LAB 82.48, -51.45, 22.03

 

CMYK 48 / 0 / 24 / 16

HEX #6FD6A2

RGB 111 214 162

HSL 149.71, 0.56%, 0.64%

LAB 78.51, -41.88, 16.59

 

CMYK 37 / 0 / 19 / 22

HEX #7EC7A2

RGB 126 199 162

HSL 149.59, 0.39%, 0.64%

LAB 74.76, -30.94, 11.41

 

CMYK 23 / 0 / 11 / 28

HEX #8DB8A3

RGB 141 184 163

HSL 150.7, 0.23%, 0.64%

LAB 71.27, -18.7, 6

 

CMYK 8 / 0 / 4 / 34

HEX #9CA9A3

RGB 156 169 163

HSL 152.31, 0.07%, 0.64%

LAB 68.09, -5.74, 1.52

 

CMYK 55 / 0 / 58 / 10

HEX #67E561

RGB 103 229 97

HSL 117.27, 0.72%, 0.64%

LAB 81.72, -60.22, 53

 

CMYK 58 / 0 / 45 / 10

HEX #61E57D

RGB 97 229 125

HSL 132.73, 0.72%, 0.64%

LAB 81.87, -57.93, 39.97

 

CMYK 58 / 0 / 30 / 10

HEX #61E5A0

RGB 97 229 160

HSL 148.64, 0.72%, 0.64%

LAB 82.44, -51.84, 23.01

 

CMYK 58 / 0 / 14 / 10

HEX #61E5C4

RGB 97 229 196

HSL 165, 0.72%, 0.64%

LAB 83.21, -44.07, 5.25

 

CMYK 58 / 1 / 0 / 10

HEX #61E3E5

RGB 97 227 229

HSL 180.91, 0.72%, 0.64%

LAB 83.51, -34.84, -11.75

 

CMYK 84 / 0 / 42 / 18

HEX #22D179

RGB 34 209 121

HSL 149.83, 0.72%, 0.48%

LAB 74.39, -61.31, 32.08

 

CMYK 73 / 0 / 37 / 13

HEX #3DDF8D

RGB 61 223 141

HSL 149.63, 0.72%, 0.56%

LAB 79.44, -59.52, 28.59

 

CMYK 58 / 0 / 29 / 10

HEX #61E5A2

RGB 97 229 162

HSL 149.55, 0.72%, 0.64%

LAB 82.48, -51.45, 22.03

 

CMYK 44 / 0 / 22 / 8

HEX #84EBB7

RGB 132 235 183

HSL 149.71, 0.72%, 0.72%

LAB 85.88, -41.59, 16.02

 

CMYK 30 / 0 / 15 / 6

HEX #A8F0CC

RGB 168 240 204

HSL 150, 0.71%, 0.8%

LAB 89.4, -29.69, 10.31

 

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

CMYK 58 / 40 / 0 / 10

HEX #618AE5

RGB 97 138 229

HSL 221.36, 0.72%, 0.64%

LAB 58.39, 12.68, -50.49

 

CMYK 0 / 53 / 58 / 10

HEX #E56C61

RGB 229 108 97

HSL 5, 0.72%, 0.64%

LAB 60.11, 46.11, 28.71

 

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

CMYK 30 / 58 / 0 / 10

HEX #A061E5

RGB 160 97 229

HSL 268.64, 0.72%, 0.64%

LAB 53.69, 50.75, -57.71

 

CMYK 0 / 30 / 58 / 10

HEX #E5A061

RGB 229 160 97

HSL 28.64, 0.72%, 0.64%

LAB 71.33, 19.1, 42.73

 

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

CMYK 58 / 40 / 0 / 10

HEX #618AE5

RGB 97 138 229

HSL 221.36, 0.72%, 0.64%

LAB 58.39, 12.68, -50.49

 

CMYK 0 / 58 / 28 / 10

HEX #E561A5

RGB 229 97 165

HSL 329.09, 0.72%, 0.64%

LAB 59.82, 58.15, -10.95

 

CMYK 0 / 18 / 58 / 10

HEX #E5BB61

RGB 229 187 97

HSL 40.91, 0.72%, 0.64%

LAB 77.91, 4.78, 50.55

 

CMYK 58 / 0 / 29 / 10

HEX #60E5A2

RGB 96 229 162

HSL 149.77, 0.72%, 0.64%

LAB 82.45, -51.66, 21.98

 

CMYK 58 / 57 / 0 / 10

HEX #6163E5

RGB 97 99 229

HSL 239.09, 0.72%, 0.64%

LAB 48.41, 36.33, -66.5

 

CMYK 0 / 58 / 28 / 10

HEX #E561A5

RGB 229 97 165

HSL 329.09, 0.72%, 0.64%

LAB 59.82, 58.15, -10.95

 

CMYK 0 / 1 / 58 / 10

HEX #E5E361

RGB 229 227 97

HSL 59.09, 0.72%, 0.64%

LAB 88.19, -15.6, 62.22

 

Description

Color code: RGB 96 229 162 | qconv.com Color code: RGB 96 229 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 229 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 229 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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