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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 240 216 it is the complementary color RGB 159 15 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 240 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 240 216 shade: RGB 101 240 211, RGB 118 255 230, RGB 135 255 249, RGB 152 255 255 and RGB 169 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 240 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 79 222 197, RGB 62 204 178, RGB 45 186 159 and RGB 28 168 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 96 240 177, RGB 96 240 138, RGB 96 240 99 and RGB 131 240 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 96 225 240, RGB 96 186 240, RGB 96 147 240 and RGB 96 109 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 240 216 shade matches the following richer shades: RGB 96 240 216 and RGB 82 254 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 110 226 206, RGB 124 212 197, RGB 138 198 188 and RGB 152 184 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 240 216 shade: RGB 96 240 139, RGB 96 240 177, RGB 96 240 216, RGB 96 225 240 and RGB 96 187 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 240 216 shade: RGB 21 232 197, RGB 58 236 207, RGB 96 240 216, RGB 134 243 225 and RGB 171 247 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 101 96 240 and RGB 240 158 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 216 96 240 and RGB 240 216 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 101 96 240, RGB 240 96 120 and RGB 235 240 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 240 216 shade: RGB 96 240 216, RGB 144 96 240, RGB 240 96 120 and RGB 192 240 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

Complementary color

CMYK 0 / 91 / 75 / 38

HEX #9F0F27

RGB 159 15 39

HSL 350, 0.83%, 0.34%

LAB 33.69, 55.04, 27.68

 

CMYK 58 / 0 / 12 / 6

HEX #65F0D3

RGB 101 240 211

HSL 167.48, 0.82%, 0.67%

LAB 86.89, -44.55, 2.71

 

CMYK 54 / 0 / 10 / 0

HEX #76FFE6

RGB 118 255 230

HSL 169.05, 1%, 0.73%

LAB 92.17, -43.34, 0.57

 

CMYK 47 / 0 / 2 / 0

HEX #87FFF9

RGB 135 255 249

HSL 177, 1%, 0.76%

LAB 93.24, -35.25, -7.63

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 64 / 0 / 11 / 13

HEX #4FDEC5

RGB 79 222 197

HSL 169.51, 0.68%, 0.59%

LAB 80.7, -43.94, 1.02

 

CMYK 70 / 0 / 13 / 20

HEX #3ECCB2

RGB 62 204 178

HSL 169.01, 0.58%, 0.52%

LAB 74.46, -43.48, 2.07

 

CMYK 76 / 0 / 15 / 27

HEX #2DBA9F

RGB 45 186 159

HSL 168.51, 0.61%, 0.45%

LAB 68.15, -42.8, 3.23

 

CMYK 83 / 0 / 17 / 34

HEX #1CA88C

RGB 28 168 140

HSL 168, 0.71%, 0.38%

LAB 61.78, -41.8, 4.52

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 60 / 0 / 26 / 6

HEX #60F0B1

RGB 96 240 177

HSL 153.75, 0.83%, 0.66%

LAB 86, -53.09, 19.12

 

CMYK 60 / 0 / 43 / 6

HEX #60F08A

RGB 96 240 138

HSL 137.5, 0.83%, 0.66%

LAB 85.32, -60.27, 37.99

 

CMYK 60 / 0 / 59 / 6

HEX #60F063

RGB 96 240 99

HSL 121.25, 0.83%, 0.66%

LAB 84.85, -65.58, 55.68

 

CMYK 45 / 0 / 60 / 6

HEX #83F060

RGB 131 240 96

HSL 105.42, 0.83%, 0.66%

LAB 86, -56.92, 58.61

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 60 / 6 / 0 / 6

HEX #60E1F0

RGB 96 225 240

HSL 186.25, 0.83%, 0.66%

LAB 83.25, -31.07, -17.98

 

CMYK 60 / 23 / 0 / 6

HEX #60BAF0

RGB 96 186 240

HSL 202.5, 0.83%, 0.66%

LAB 72.16, -11.29, -34.93

 

CMYK 60 / 39 / 0 / 6

HEX #6093F0

RGB 96 147 240

HSL 218.75, 0.83%, 0.66%

LAB 61.35, 10.73, -51.89

 

CMYK 60 / 55 / 0 / 6

HEX #606DF0

RGB 96 109 240

HSL 234.58, 0.83%, 0.66%

LAB 51.51, 33.65, -67.66

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 68 / 0 / 11 / 0

HEX #52FEE1

RGB 82 254 225

HSL 169.88, 0.99%, 0.66%

LAB 90.83, -50.2, 1.1

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 51 / 0 / 9 / 11

HEX #6EE2CE

RGB 110 226 206

HSL 169.66, 0.67%, 0.66%

LAB 83, -37.7, -0.29

 

CMYK 42 / 0 / 7 / 17

HEX #7CD4C5

RGB 124 212 197

HSL 169.77, 0.51%, 0.66%

LAB 79.27, -30.02, -0.89

 

CMYK 30 / 0 / 5 / 22

HEX #8AC6BC

RGB 138 198 188

HSL 170, 0.34%, 0.66%

LAB 75.71, -21.4, -1.18

 

CMYK 17 / 0 / 3 / 28

HEX #98B8B2

RGB 152 184 178

HSL 168.75, 0.18%, 0.66%

LAB 72.34, -12.04, -0.57

 

CMYK 60 / 0 / 42 / 6

HEX #60F08B

RGB 96 240 139

HSL 137.92, 0.83%, 0.66%

LAB 85.34, -60.1, 37.52

 

CMYK 60 / 0 / 26 / 6

HEX #60F0B1

RGB 96 240 177

HSL 153.75, 0.83%, 0.66%

LAB 86, -53.09, 19.12

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 60 / 6 / 0 / 6

HEX #60E1F0

RGB 96 225 240

HSL 186.25, 0.83%, 0.66%

LAB 83.25, -31.07, -17.98

 

CMYK 60 / 22 / 0 / 6

HEX #60BBF0

RGB 96 187 240

HSL 202.08, 0.83%, 0.66%

LAB 72.44, -11.83, -34.5

 

CMYK 91 / 0 / 15 / 9

HEX #15E8C5

RGB 21 232 197

HSL 170.05, 0.83%, 0.5%

LAB 82.86, -53.81, 4.06

 

CMYK 75 / 0 / 12 / 7

HEX #3AECCF

RGB 58 236 207

HSL 170.22, 0.82%, 0.58%

LAB 84.69, -50.15, 1.49

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 45 / 0 / 7 / 5

HEX #86F3E1

RGB 134 243 225

HSL 170.09, 0.82%, 0.74%

LAB 89.21, -35.64, -1.09

 

CMYK 31 / 0 / 5 / 3

HEX #ABF7EA

RGB 171 247 234

HSL 169.74, 0.83%, 0.82%

LAB 92.19, -26.01, -1.23

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 58 / 60 / 0 / 6

HEX #6560F0

RGB 101 96 240

HSL 242.08, 0.83%, 0.66%

LAB 48.79, 42.28, -72.06

 

CMYK 0 / 34 / 60 / 6

HEX #F09E60

RGB 240 158 96

HSL 25.83, 0.83%, 0.66%

LAB 72.11, 24.58, 44.48

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 10 / 60 / 0 / 6

HEX #D860F0

RGB 216 96 240

HSL 290, 0.83%, 0.66%

LAB 61.01, 66.88, -51.78

 

CMYK 0 / 10 / 60 / 6

HEX #F0D860

RGB 240 216 96

HSL 50, 0.83%, 0.66%

LAB 86.25, -5.69, 60.76

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 58 / 60 / 0 / 6

HEX #6560F0

RGB 101 96 240

HSL 242.08, 0.83%, 0.66%

LAB 48.79, 42.28, -72.06

 

CMYK 0 / 60 / 50 / 6

HEX #F06078

RGB 240 96 120

HSL 350, 0.83%, 0.66%

LAB 60.11, 57.28, 15.8

 

CMYK 2 / 0 / 60 / 6

HEX #EBF060

RGB 235 240 96

HSL 62.08, 0.83%, 0.66%

LAB 92.05, -19.59, 67

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 40 / 60 / 0 / 6

HEX #9060F0

RGB 144 96 240

HSL 260, 0.83%, 0.66%

LAB 52.49, 50.46, -65.89

 

CMYK 0 / 60 / 50 / 6

HEX #F06078

RGB 240 96 120

HSL 350, 0.83%, 0.66%

LAB 60.11, 57.28, 15.8

 

CMYK 20 / 0 / 60 / 6

HEX #C0F060

RGB 192 240 96

HSL 80, 0.83%, 0.66%

LAB 89.1, -36.33, 62.92

 

Description

Color code: RGB 96 240 216 | qconv.com Color code: RGB 96 240 216 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 240 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 240 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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