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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 240 239 it is the complementary color RGB 159 15 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 240 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 240 239 shade: RGB 101 240 234, RGB 118 255 253, RGB 135 255 255, RGB 152 255 255 and RGB 169 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 240 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 79 222 220, RGB 62 204 201, RGB 45 186 182 and RGB 28 168 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 96 240 200, RGB 96 240 161, RGB 96 240 122 and RGB 108 240 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 96 202 240, RGB 96 163 240, RGB 96 124 240 and RGB 96 96 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 240 239 shade matches the following richer shades: RGB 96 240 239 and RGB 82 254 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 110 226 225, RGB 124 212 211, RGB 138 198 197 and RGB 152 184 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 240 239 shade: RGB 96 240 161, RGB 96 240 199, RGB 96 240 237, RGB 96 204 240 and RGB 96 165 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 240 239 shade: RGB 21 232 231, RGB 58 236 235, RGB 96 240 239, RGB 134 243 243 and RGB 171 247 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 122 96 240 and RGB 240 180 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 237 96 240 and RGB 240 237 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 122 96 240, RGB 240 96 98 and RGB 213 240 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 240 239 shade: RGB 96 240 239, RGB 165 96 240, RGB 240 96 98 and RGB 170 240 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

Complementary color

CMYK 0 / 91 / 90 / 38

HEX #9F0F10

RGB 159 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.46, 54.37, 40.53

 

CMYK 58 / 0 / 3 / 6

HEX #65F0EA

RGB 101 240 234

HSL 177.41, 0.82%, 0.67%

LAB 87.5, -38.81, -8.44

 

CMYK 54 / 0 / 1 / 0

HEX #76FFFD

RGB 118 255 253

HSL 179.12, 1%, 0.73%

LAB 92.78, -37.68, -10.44

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 64 / 0 / 1 / 13

HEX #4FDEDC

RGB 79 222 220

HSL 179.16, 0.68%, 0.59%

LAB 81.33, -37.9, -10.28

 

CMYK 70 / 0 / 1 / 20

HEX #3ECCC9

RGB 62 204 201

HSL 178.73, 0.58%, 0.52%

LAB 75.09, -37.28, -9.43

 

CMYK 76 / 0 / 2 / 27

HEX #2DBAB6

RGB 45 186 182

HSL 178.3, 0.61%, 0.45%

LAB 68.79, -36.45, -8.49

 

CMYK 83 / 0 / 3 / 34

HEX #1CA8A3

RGB 28 168 163

HSL 177.86, 0.71%, 0.38%

LAB 62.42, -35.3, -7.44

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 60 / 0 / 17 / 6

HEX #60F0C8

RGB 96 240 200

HSL 163.33, 0.83%, 0.66%

LAB 86.49, -48.05, 7.87

 

CMYK 60 / 0 / 33 / 6

HEX #60F0A1

RGB 96 240 161

HSL 147.08, 0.83%, 0.66%

LAB 85.7, -56.25, 26.93

 

CMYK 60 / 0 / 49 / 6

HEX #60F07A

RGB 96 240 122

HSL 130.83, 0.83%, 0.66%

LAB 85.1, -62.68, 45.47

 

CMYK 55 / 0 / 60 / 6

HEX #6CF060

RGB 108 240 96

HSL 115, 0.83%, 0.66%

LAB 85.18, -63.12, 57.45

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 60 / 16 / 0 / 6

HEX #60CAF0

RGB 96 202 240

HSL 195.83, 0.83%, 0.66%

LAB 76.69, -19.68, -27.95

 

CMYK 60 / 32 / 0 / 6

HEX #60A3F0

RGB 96 163 240

HSL 212.08, 0.83%, 0.66%

LAB 65.73, 1.44, -44.97

 

CMYK 60 / 48 / 0 / 6

HEX #607CF0

RGB 96 124 240

HSL 228.33, 0.83%, 0.66%

LAB 55.27, 24.54, -61.6

 

CMYK 60 / 60 / 0 / 6

HEX #6060F0

RGB 96 96 240

HSL 240, 0.83%, 0.66%

LAB 48.44, 41.46, -72.65

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 68 / 0 / 0 / 0

HEX #52FEFD

RGB 82 254 253

HSL 179.65, 0.99%, 0.66%

LAB 91.58, -42.93, -12.32

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 51 / 0 / 0 / 11

HEX #6EE2E1

RGB 110 226 225

HSL 179.48, 0.67%, 0.66%

LAB 83.52, -32.96, -9.59

 

CMYK 42 / 0 / 0 / 17

HEX #7CD4D3

RGB 124 212 211

HSL 179.32, 0.51%, 0.66%

LAB 79.66, -26.66, -7.81

 

CMYK 30 / 0 / 1 / 22

HEX #8AC6C5

RGB 138 198 197

HSL 179, 0.34%, 0.66%

LAB 75.96, -19.35, -5.68

 

CMYK 17 / 0 / 1 / 28

HEX #98B8B7

RGB 152 184 183

HSL 178.13, 0.18%, 0.66%

LAB 72.48, -10.99, -3.11

 

CMYK 60 / 0 / 33 / 6

HEX #60F0A1

RGB 96 240 161

HSL 147.08, 0.83%, 0.66%

LAB 85.7, -56.25, 26.93

 

CMYK 60 / 0 / 17 / 6

HEX #60F0C7

RGB 96 240 199

HSL 162.92, 0.83%, 0.66%

LAB 86.47, -48.28, 8.36

 

CMYK 60 / 0 / 1 / 6

HEX #60F0ED

RGB 96 240 237

HSL 178.75, 0.83%, 0.66%

LAB 87.45, -38.88, -10.11

 

CMYK 60 / 15 / 0 / 6

HEX #60CCF0

RGB 96 204 240

HSL 195, 0.83%, 0.66%

LAB 77.26, -20.7, -27.08

 

CMYK 60 / 31 / 0 / 6

HEX #60A5F0

RGB 96 165 240

HSL 211.25, 0.83%, 0.66%

LAB 66.28, 0.3, -44.1

 

CMYK 91 / 0 / 0 / 9

HEX #15E8E7

RGB 21 232 231

HSL 179.72, 0.83%, 0.5%

LAB 83.78, -44.5, -12.55

 

CMYK 75 / 0 / 0 / 7

HEX #3AECEB

RGB 58 236 235

HSL 179.66, 0.82%, 0.58%

LAB 85.45, -42.63, -12.12

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 45 / 0 / 0 / 5

HEX #86F3F3

RGB 134 243 243

HSL 180, 0.82%, 0.74%

LAB 89.69, -31.33, -9.77

 

CMYK 31 / 0 / 0 / 3

HEX #ABF7F6

RGB 171 247 246

HSL 179.21, 0.83%, 0.82%

LAB 92.5, -23.38, -6.99

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 49 / 60 / 0 / 6

HEX #7A60F0

RGB 122 96 240

HSL 250.83, 0.83%, 0.66%

LAB 50.45, 46.04, -69.3

 

CMYK 0 / 25 / 60 / 6

HEX #F0B460

RGB 240 180 96

HSL 35, 0.83%, 0.66%

LAB 77.29, 12.95, 50.59

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 1 / 60 / 0 / 6

HEX #ED60F0

RGB 237 96 240

HSL 298.75, 0.83%, 0.66%

LAB 63.89, 71.91, -47.03

 

CMYK 0 / 1 / 60 / 6

HEX #F0ED60

RGB 240 237 96

HSL 58.75, 0.83%, 0.66%

LAB 91.66, -16.12, 66.69

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 49 / 60 / 0 / 6

HEX #7A60F0

RGB 122 96 240

HSL 250.83, 0.83%, 0.66%

LAB 50.45, 46.04, -69.3

 

CMYK 0 / 60 / 59 / 6

HEX #F06062

RGB 240 96 98

HSL 359.17, 0.83%, 0.66%

LAB 59.68, 55.59, 27.92

 

CMYK 11 / 0 / 60 / 6

HEX #D5F060

RGB 213 240 96

HSL 71.25, 0.83%, 0.66%

LAB 90.46, -28.29, 64.81

 

CMYK 60 / 0 / 0 / 6

HEX #60F0EF

RGB 96 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.5, -38.35, -11.07

 

CMYK 31 / 60 / 0 / 6

HEX #A560F0

RGB 165 96 240

HSL 268.75, 0.83%, 0.66%

LAB 54.72, 55.02, -62.19

 

CMYK 0 / 60 / 59 / 6

HEX #F06062

RGB 240 96 98

HSL 359.17, 0.83%, 0.66%

LAB 59.68, 55.59, 27.92

 

CMYK 29 / 0 / 60 / 6

HEX #AAF060

RGB 170 240 96

HSL 89.17, 0.83%, 0.66%

LAB 87.83, -44.32, 61.16

 

Description

Color code: RGB 96 240 239 | qconv.com Color code: RGB 96 240 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 240 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 240 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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