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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 97 121 it is the complementary color RGB 157 158 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 97 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 97 121 shade: RGB 103 97 116, RGB 120 115 135, RGB 137 133 154, RGB 154 151 173 and RGB 171 169 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 97 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 81 79 102, RGB 64 61 83, RGB 47 43 64 and RGB 30 25 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 105 97 121, RGB 111 97 121, RGB 118 97 121 and RGB 121 97 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 97 121 shade: RGB 98 97 121 and RGB 97 97 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 97 121 shade matches the following richer shades: RGB 98 97 121, RGB 82 79 139, RGB 66 62 157, RGB 49 44 174 and RGB 33 26 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 114 115 103, RGB 131 133 86, RGB 147 150 68 and RGB 163 168 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 97 121 shade: RGB 97 109 121, RGB 97 103 121, RGB 98 97 121, RGB 104 97 121 and RGB 111 97 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 97 121 shade: RGB 61 60 75, RGB 80 79 98, RGB 98 97 121, RGB 117 116 143 and RGB 140 139 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 121 97 116 and RGB 106 121 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 121 98 97 and RGB 97 121 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 121 97 116, RGB 120 121 97 and RGB 97 121 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 97 121 shade: RGB 98 97 121, RGB 121 97 108, RGB 120 121 97 and RGB 97 121 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

Complementary color

CMYK 1 / 0 / 15 / 38

HEX #9D9E86

RGB 157 158 134

HSL 62.5, 0.11%, 0.57%

LAB 64.44, -4.65, 12.44

 

CMYK 11 / 16 / 0 / 55

HEX #676174

RGB 103 97 116

HSL 258.95, 0.09%, 0.42%

LAB 42.3, 6.47, -9.83

 

CMYK 11 / 15 / 0 / 47

HEX #787387

RGB 120 115 135

HSL 255, 0.08%, 0.49%

LAB 49.5, 6.12, -10.24

 

CMYK 11 / 14 / 0 / 40

HEX #89859A

RGB 137 133 154

HSL 251.43, 0.09%, 0.56%

LAB 56.51, 5.82, -10.66

 

CMYK 11 / 13 / 0 / 32

HEX #9A97AD

RGB 154 151 173

HSL 248.18, 0.12%, 0.64%

LAB 63.36, 5.54, -11.07

 

CMYK 11 / 12 / 0 / 25

HEX #ABA9C0

RGB 171 169 192

HSL 245.22, 0.15%, 0.71%

LAB 70.06, 5.28, -11.49

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 21 / 23 / 0 / 60

HEX #514F66

RGB 81 79 102

HSL 245.22, 0.13%, 0.35%

LAB 34.6, 6.25, -13.02

 

CMYK 23 / 27 / 0 / 67

HEX #403D53

RGB 64 61 83

HSL 248.18, 0.15%, 0.28%

LAB 26.88, 6.72, -12.79

 

CMYK 27 / 33 / 0 / 75

HEX #2F2B40

RGB 47 43 64

HSL 251.43, 0.2%, 0.21%

LAB 18.81, 7.3, -12.62

 

CMYK 33 / 44 / 0 / 82

HEX #1E192D

RGB 30 25 45

HSL 255, 0.29%, 0.14%

LAB 10.26, 8.08, -12.57

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 13 / 20 / 0 / 53

HEX #696179

RGB 105 97 121

HSL 260, 0.11%, 0.43%

LAB 42.66, 8.35, -12.3

 

CMYK 8 / 20 / 0 / 53

HEX #6F6179

RGB 111 97 121

HSL 275, 0.11%, 0.43%

LAB 43.23, 10.53, -11.4

 

CMYK 2 / 20 / 0 / 53

HEX #766179

RGB 118 97 121

HSL 292.5, 0.11%, 0.43%

LAB 43.92, 13.11, -10.28

 

CMYK 0 / 20 / 2 / 53

HEX #796176

RGB 121 97 118

HSL 307.5, 0.11%, 0.43%

LAB 44.12, 13.61, -8.13

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 20 / 20 / 0 / 53

HEX #616179

RGB 97 97 121

HSL 240, 0.11%, 0.43%

LAB 41.96, 5.51, -13.44

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 41 / 43 / 0 / 45

HEX #524F8B

RGB 82 79 139

HSL 243, 0.28%, 0.43%

LAB 36.46, 17.06, -33.05

 

CMYK 58 / 61 / 0 / 38

HEX #423E9D

RGB 66 62 157

HSL 242.53, 0.43%, 0.43%

LAB 31.89, 30.04, -51.4

 

CMYK 72 / 75 / 0 / 32

HEX #312CAE

RGB 49 44 174

HSL 242.31, 0.6%, 0.43%

LAB 28.14, 44.25, -67.84

 

CMYK 83 / 86 / 0 / 25

HEX #211AC0

RGB 33 26 192

HSL 242.53, 0.76%, 0.43%

LAB 26.36, 57.43, -81.54

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 1 / 0 / 10 / 55

HEX #727367

RGB 114 115 103

HSL 65, 0.06%, 0.43%

LAB 48.03, -2.71, 6.51

 

CMYK 2 / 0 / 35 / 48

HEX #838556

RGB 131 133 86

HSL 62.55, 0.21%, 0.43%

LAB 54.31, -8.55, 25.13

 

CMYK 2 / 0 / 55 / 41

HEX #939644

RGB 147 150 68

HSL 62.2, 0.38%, 0.43%

LAB 60.28, -12.83, 42.21

 

CMYK 3 / 0 / 70 / 34

HEX #A3A832

RGB 163 168 50

HSL 62.54, 0.54%, 0.43%

LAB 66.54, -16.53, 57.14

 

CMYK 20 / 10 / 0 / 53

HEX #616D79

RGB 97 109 121

HSL 210, 0.11%, 0.43%

LAB 45.44, -1.72, -8.19

 

CMYK 20 / 15 / 0 / 53

HEX #616779

RGB 97 103 121

HSL 225, 0.11%, 0.43%

LAB 43.69, 1.86, -10.82

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 14 / 20 / 0 / 53

HEX #686179

RGB 104 97 121

HSL 257.5, 0.11%, 0.43%

LAB 42.57, 7.99, -12.45

 

CMYK 8 / 20 / 0 / 53

HEX #6F6179

RGB 111 97 121

HSL 275, 0.11%, 0.43%

LAB 43.23, 10.53, -11.4

 

CMYK 19 / 20 / 0 / 71

HEX #3D3C4B

RGB 61 60 75

HSL 244, 0.11%, 0.26%

LAB 25.96, 4.1, -8.97

 

CMYK 18 / 19 / 0 / 62

HEX #504F62

RGB 80 79 98

HSL 243.16, 0.11%, 0.35%

LAB 34.35, 4.87, -10.89

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 18 / 19 / 0 / 44

HEX #75748F

RGB 117 116 143

HSL 242.22, 0.11%, 0.51%

LAB 49.8, 6.33, -14.53

 

CMYK 14 / 14 / 0 / 36

HEX #8C8BA2

RGB 140 139 162

HSL 242.61, 0.11%, 0.59%

LAB 58.65, 5.17, -12.02

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 0 / 20 / 4 / 53

HEX #796174

RGB 121 97 116

HSL 312.5, 0.11%, 0.43%

LAB 44.05, 13.21, -7.02

 

CMYK 12 / 0 / 20 / 53

HEX #6A7961

RGB 106 121 97

HSL 97.5, 0.11%, 0.43%

LAB 49.01, -10.38, 11.33

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 0 / 19 / 20 / 53

HEX #796261

RGB 121 98 97

HSL 2.5, 0.11%, 0.43%

LAB 43.75, 9.09, 4.06

 

CMYK 20 / 0 / 19 / 53

HEX #617962

RGB 97 121 98

HSL 122.5, 0.11%, 0.43%

LAB 48.38, -13.63, 9.77

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 0 / 20 / 4 / 53

HEX #796174

RGB 121 97 116

HSL 312.5, 0.11%, 0.43%

LAB 44.05, 13.21, -7.02

 

CMYK 1 / 0 / 20 / 53

HEX #787961

RGB 120 121 97

HSL 62.5, 0.11%, 0.43%

LAB 50.13, -4.79, 13.07

 

CMYK 20 / 0 / 15 / 53

HEX #617967

RGB 97 121 103

HSL 135, 0.11%, 0.43%

LAB 48.51, -12.63, 7.01

 

CMYK 19 / 20 / 0 / 53

HEX #626179

RGB 98 97 121

HSL 242.5, 0.11%, 0.43%

LAB 42.04, 5.86, -13.3

 

CMYK 0 / 20 / 11 / 53

HEX #79616C

RGB 121 97 108

HSL 332.5, 0.11%, 0.43%

LAB 43.8, 11.66, -2.55

 

CMYK 1 / 0 / 20 / 53

HEX #787961

RGB 120 121 97

HSL 62.5, 0.11%, 0.43%

LAB 50.13, -4.79, 13.07

 

CMYK 20 / 0 / 9 / 53

HEX #61796E

RGB 97 121 110

HSL 152.5, 0.11%, 0.43%

LAB 48.69, -11.16, 3.14

 

Description

Color code: RGB 98 97 121 | qconv.com Color code: RGB 98 97 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 97 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 97 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 20 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 20% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - La Cuisine Du Web
Link: http://www.lacuisineduweb.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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