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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 166 180 it is the complementary color RGB 157 89 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 166 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 166 180 shade: RGB 103 166 175, RGB 120 184 194, RGB 137 202 213, RGB 154 220 232 and RGB 171 238 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 166 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 166 180 shade: RGB 98 166 180, RGB 81 148 161, RGB 64 130 142, RGB 47 112 123 and RGB 30 94 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 166 180 shade: RGB 100 166 180, RGB 100 145 180, RGB 100 123 180, RGB 100 101 180 and RGB 120 100 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 166 180 shade: RGB 100 166 180, RGB 100 145 180, RGB 100 123 180, RGB 100 101 180 and RGB 100 100 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 166 180 shade matches the following richer shades: RGB 100 166 180, RGB 81 178 198, RGB 62 191 217, RGB 44 203 236 and RGB 25 215 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 166 180 shade: RGB 100 166 180, RGB 118 154 161, RGB 137 142 143, RGB 155 130 124 and RGB 174 117 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 166 180 shade: RGB 100 180 150, RGB 100 180 172, RGB 100 167 180, RGB 100 145 180 and RGB 100 124 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 166 180 shade: RGB 64 121 133, RGB 77 147 161, RGB 100 166 180, RGB 127 182 193 and RGB 155 198 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 166 180 shade: RGB 98 166 180, RGB 129 100 180 and RGB 180 161 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 166 180 shade: RGB 98 166 180, RGB 180 100 167 and RGB 167 180 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 166 180 shade: RGB 98 166 180, RGB 129 100 180, RGB 180 113 100 and RGB 150 180 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 166 180 shade: RGB 98 166 180, RGB 153 100 180, RGB 180 113 100 and RGB 126 180 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

Complementary color

CMYK 0 / 43 / 52 / 38

HEX #9D594B

RGB 157 89 75

HSL 10.24, 0.35%, 0.45%

LAB 45.39, 26.45, 20.27

 

CMYK 41 / 5 / 0 / 31

HEX #67A6AF

RGB 103 166 175

HSL 187.5, 0.31%, 0.55%

LAB 64.36, -17.84, -11.03

 

CMYK 38 / 5 / 0 / 24

HEX #78B8C2

RGB 120 184 194

HSL 188.11, 0.38%, 0.62%

LAB 70.99, -17.85, -11.54

 

CMYK 36 / 5 / 0 / 16

HEX #89CAD5

RGB 137 202 213

HSL 188.68, 0.48%, 0.69%

LAB 77.5, -17.84, -12.04

 

CMYK 34 / 5 / 0 / 9

HEX #9ADCE8

RGB 154 220 232

HSL 189.23, 0.63%, 0.76%

LAB 83.9, -17.83, -12.52

 

CMYK 32 / 5 / 0 / 2

HEX #ABEEFB

RGB 171 238 251

HSL 189.75, 0.91%, 0.83%

LAB 90.22, -17.81, -12.99

 

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

CMYK 50 / 8 / 0 / 37

HEX #5194A1

RGB 81 148 161

HSL 189.75, 0.33%, 0.47%

LAB 57.56, -17.63, -13.44

 

CMYK 55 / 8 / 0 / 44

HEX #40828E

RGB 64 130 142

HSL 189.23, 0.38%, 0.4%

LAB 50.7, -17.41, -12.9

 

CMYK 62 / 9 / 0 / 52

HEX #2F707B

RGB 47 112 123

HSL 188.68, 0.45%, 0.33%

LAB 43.69, -17.04, -12.3

 

CMYK 71 / 10 / 0 / 59

HEX #1E5E68

RGB 30 94 104

HSL 188.11, 0.55%, 0.26%

LAB 36.52, -16.43, -11.62

 

CMYK 44 / 8 / 0 / 29

HEX #64A6B4

RGB 100 166 180

HSL 190.5, 0.35%, 0.55%

LAB 64.38, -17.27, -13.8

 

CMYK 44 / 19 / 0 / 29

HEX #6491B4

RGB 100 145 180

HSL 206.25, 0.35%, 0.55%

LAB 58.28, -5.82, -23.09

 

CMYK 44 / 32 / 0 / 29

HEX #647BB4

RGB 100 123 180

HSL 222.75, 0.35%, 0.55%

LAB 52.03, 7, -32.77

 

CMYK 44 / 44 / 0 / 29

HEX #6465B4

RGB 100 101 180

HSL 239.25, 0.35%, 0.55%

LAB 46.06, 20.42, -42.18

 

CMYK 33 / 44 / 0 / 29

HEX #7864B4

RGB 120 100 180

HSL 255, 0.35%, 0.55%

LAB 47.5, 26.35, -39.79

 

CMYK 44 / 8 / 0 / 29

HEX #64A6B4

RGB 100 166 180

HSL 190.5, 0.35%, 0.55%

LAB 64.38, -17.27, -13.8

 

CMYK 44 / 19 / 0 / 29

HEX #6491B4

RGB 100 145 180

HSL 206.25, 0.35%, 0.55%

LAB 58.28, -5.82, -23.09

 

CMYK 44 / 32 / 0 / 29

HEX #647BB4

RGB 100 123 180

HSL 222.75, 0.35%, 0.55%

LAB 52.03, 7, -32.77

 

CMYK 44 / 44 / 0 / 29

HEX #6465B4

RGB 100 101 180

HSL 239.25, 0.35%, 0.55%

LAB 46.06, 20.42, -42.18

 

CMYK 44 / 44 / 0 / 29

HEX #6464B4

RGB 100 100 180

HSL 240, 0.35%, 0.55%

LAB 45.8, 21.04, -42.59

 

CMYK 44 / 8 / 0 / 29

HEX #64A6B4

RGB 100 166 180

HSL 190.5, 0.35%, 0.55%

LAB 64.38, -17.27, -13.8

 

CMYK 59 / 10 / 0 / 22

HEX #51B2C6

RGB 81 178 198

HSL 190.26, 0.51%, 0.55%

LAB 67.77, -22.54, -18.74

 

CMYK 71 / 12 / 0 / 15

HEX #3EBFD9

RGB 62 191 217

HSL 190.06, 0.67%, 0.55%

LAB 71.76, -26.33, -23.15

 

CMYK 81 / 14 / 0 / 7

HEX #2CCBEC

RGB 44 203 236

HSL 190.31, 0.83%, 0.55%

LAB 75.64, -28.17, -27.51

 

CMYK 90 / 15 / 0 / 0

HEX #19D7FE

RGB 25 215 254

HSL 190.22, 0.99%, 0.55%

LAB 79.59, -29.42, -31.08

 

CMYK 44 / 8 / 0 / 29

HEX #64A6B4

RGB 100 166 180

HSL 190.5, 0.35%, 0.55%

LAB 64.38, -17.27, -13.8

 

CMYK 27 / 4 / 0 / 37

HEX #769AA1

RGB 118 154 161

HSL 189.77, 0.19%, 0.55%

LAB 61.25, -10.67, -7.71

 

CMYK 4 / 1 / 0 / 44

HEX #898E8F

RGB 137 142 143

HSL 190, 0.03%, 0.55%

LAB 58.65, -1.62, -1.17

 

CMYK 0 / 16 / 20 / 39

HEX #9B827C

RGB 155 130 124

HSL 11.61, 0.13%, 0.55%

LAB 56.48, 8.56, 6.8

 

CMYK 0 / 33 / 39 / 32

HEX #AE756A

RGB 174 117 106

HSL 9.71, 0.3%, 0.55%

LAB 54.83, 21.02, 15.19

 

CMYK 44 / 0 / 17 / 29

HEX #64B496

RGB 100 180 150

HSL 157.5, 0.35%, 0.55%

LAB 67.69, -31.72, 7.71

 

CMYK 44 / 0 / 4 / 29

HEX #64B4AC

RGB 100 180 172

HSL 174, 0.35%, 0.55%

LAB 68.26, -26.51, -3.58

 

CMYK 44 / 7 / 0 / 29

HEX #64A7B4

RGB 100 167 180

HSL 189.75, 0.35%, 0.55%

LAB 64.68, -17.8, -13.36

 

CMYK 44 / 19 / 0 / 29

HEX #6491B4

RGB 100 145 180

HSL 206.25, 0.35%, 0.55%

LAB 58.28, -5.82, -23.09

 

CMYK 44 / 31 / 0 / 29

HEX #647CB4

RGB 100 124 180

HSL 222, 0.35%, 0.55%

LAB 52.31, 6.4, -32.33

 

CMYK 52 / 9 / 0 / 48

HEX #407985

RGB 64 121 133

HSL 190.43, 0.35%, 0.39%

LAB 47.57, -15.17, -12.33

 

CMYK 52 / 9 / 0 / 37

HEX #4D93A1

RGB 77 147 161

HSL 190, 0.35%, 0.47%

LAB 57.09, -18.02, -14.16

 

CMYK 44 / 8 / 0 / 29

HEX #64A6B4

RGB 100 166 180

HSL 190.5, 0.35%, 0.55%

LAB 64.38, -17.27, -13.8

 

CMYK 34 / 6 / 0 / 24

HEX #7FB6C1

RGB 127 182 193

HSL 190, 0.35%, 0.63%

LAB 70.75, -15.16, -11.32

 

CMYK 25 / 4 / 0 / 19

HEX #9BC6CF

RGB 155 198 207

HSL 190.38, 0.35%, 0.71%

LAB 77.2, -12.09, -9.15

 

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

CMYK 28 / 44 / 0 / 29

HEX #8164B4

RGB 129 100 180

HSL 261.75, 0.35%, 0.55%

LAB 48.36, 28.89, -38.37

 

CMYK 0 / 11 / 44 / 29

HEX #B4A164

RGB 180 161 100

HSL 45.75, 0.35%, 0.55%

LAB 66.61, -1.59, 34.22

 

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

CMYK 0 / 44 / 7 / 29

HEX #B464A7

RGB 180 100 167

HSL 309.75, 0.35%, 0.55%

LAB 53.61, 41.73, -22.18

 

CMYK 7 / 0 / 44 / 29

HEX #A7B464

RGB 167 180 100

HSL 69.75, 0.35%, 0.55%

LAB 70.72, -16.92, 39.14

 

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

CMYK 28 / 44 / 0 / 29

HEX #8164B4

RGB 129 100 180

HSL 261.75, 0.35%, 0.55%

LAB 48.36, 28.89, -38.37

 

CMYK 0 / 37 / 44 / 29

HEX #B47164

RGB 180 113 100

HSL 9.75, 0.35%, 0.55%

LAB 54.48, 24.99, 18.32

 

CMYK 17 / 0 / 44 / 29

HEX #96B464

RGB 150 180 100

HSL 82.5, 0.35%, 0.55%

LAB 69.5, -23.64, 37.36

 

CMYK 46 / 8 / 0 / 29

HEX #62A6B4

RGB 98 166 180

HSL 190.24, 0.35%, 0.55%

LAB 64.29, -17.77, -13.95

 

CMYK 15 / 44 / 0 / 29

HEX #9964B4

RGB 153 100 180

HSL 279.75, 0.35%, 0.55%

LAB 50.9, 35.93, -34.2

 

CMYK 0 / 37 / 44 / 29

HEX #B47164

RGB 180 113 100

HSL 9.75, 0.35%, 0.55%

LAB 54.48, 24.99, 18.32

 

CMYK 30 / 0 / 44 / 29

HEX #7EB464

RGB 126 180 100

HSL 100.5, 0.35%, 0.55%

LAB 68.02, -32.56, 35.18

 

Description

Color code: RGB 98 166 180 | qconv.com Color code: RGB 98 166 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 166 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 166 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 8 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 8% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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