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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 213 155 it is the complementary color RGB 157 42 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 213 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 213 155 shade: RGB 103 213 150, RGB 120 231 169, RGB 137 249 188, RGB 154 255 207 and RGB 171 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 213 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 213 155 shade: RGB 98 213 155, RGB 81 195 136, RGB 64 177 117, RGB 47 159 98 and RGB 30 141 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 213 155 shade: RGB 97 213 155, RGB 97 213 123, RGB 102 213 97, RGB 134 213 97 and RGB 165 213 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 213 155 shade: RGB 97 213 155, RGB 97 213 186, RGB 97 209 213, RGB 97 178 213 and RGB 97 146 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 213 155 shade matches the following richer shades: RGB 97 213 155, RGB 81 229 154 and RGB 65 245 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 213 155 shade: RGB 97 213 155, RGB 113 197 155, RGB 130 181 155, RGB 146 164 155 and RGB 162 148 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 213 155 shade: RGB 103 213 97, RGB 97 213 122, RGB 97 213 153, RGB 97 213 184 and RGB 97 211 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 213 155 shade: RGB 48 180 113, RGB 65 204 134, RGB 97 213 155, RGB 130 221 175 and RGB 163 230 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 213 155 shade: RGB 98 213 155, RGB 97 134 213 and RGB 213 107 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 213 155 shade: RGB 98 213 155, RGB 153 97 213 and RGB 213 153 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 213 155 shade: RGB 98 213 155, RGB 97 134 213, RGB 213 97 157 and RGB 213 176 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 213 155 shade: RGB 98 213 155, RGB 97 99 213, RGB 213 97 157 and RGB 213 211 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

Complementary color

CMYK 0 / 73 / 36 / 38

HEX #9D2A64

RGB 157 42 100

HSL 329.74, 0.58%, 0.39%

LAB 37.38, 51.81, -6.55

 

CMYK 52 / 0 / 30 / 16

HEX #67D596

RGB 103 213 150

HSL 145.64, 0.57%, 0.62%

LAB 77.68, -45.79, 21.73

 

CMYK 48 / 0 / 27 / 9

HEX #78E7A9

RGB 120 231 169

HSL 146.49, 0.7%, 0.69%

LAB 83.97, -45.64, 20.57

 

CMYK 45 / 0 / 24 / 2

HEX #89F9BC

RGB 137 249 188

HSL 147.32, 0.9%, 0.76%

LAB 90.18, -45.45, 19.5

 

CMYK 40 / 0 / 19 / 0

HEX #9AFFCF

RGB 154 255 207

HSL 151.49, 1%, 0.8%

LAB 92.97, -39.94, 13.75

 

CMYK 33 / 0 / 11 / 0

HEX #ABFFE2

RGB 171 255 226

HSL 159.29, 1%, 0.84%

LAB 94.17, -31.48, 5.8

 

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

CMYK 58 / 0 / 30 / 24

HEX #51C388

RGB 81 195 136

HSL 148.95, 0.49%, 0.54%

LAB 71.25, -45.98, 20.2

 

CMYK 64 / 0 / 34 / 31

HEX #40B175

RGB 64 177 117

HSL 148.14, 0.47%, 0.47%

LAB 64.82, -45.86, 21.54

 

CMYK 70 / 0 / 38 / 38

HEX #2F9F62

RGB 47 159 98

HSL 147.32, 0.54%, 0.4%

LAB 58.3, -45.5, 23.02

 

CMYK 79 / 0 / 44 / 45

HEX #1E8D4F

RGB 30 141 79

HSL 146.49, 0.65%, 0.34%

LAB 51.71, -44.77, 24.65

 

CMYK 54 / 0 / 27 / 16

HEX #61D59B

RGB 97 213 155

HSL 150, 0.58%, 0.61%

LAB 77.58, -46.2, 18.92

 

CMYK 54 / 0 / 42 / 16

HEX #61D57B

RGB 97 213 123

HSL 133.45, 0.58%, 0.61%

LAB 77.02, -52.02, 34.74

 

CMYK 52 / 0 / 54 / 16

HEX #66D561

RGB 102 213 97

HSL 117.41, 0.58%, 0.61%

LAB 76.85, -54.44, 47.25

 

CMYK 37 / 0 / 54 / 16

HEX #86D561

RGB 134 213 97

HSL 100.86, 0.58%, 0.61%

LAB 78.18, -44.92, 49.16

 

CMYK 23 / 0 / 54 / 16

HEX #A5D561

RGB 165 213 97

HSL 84.83, 0.58%, 0.61%

LAB 79.87, -34.01, 51.57

 

CMYK 54 / 0 / 27 / 16

HEX #61D59B

RGB 97 213 155

HSL 150, 0.58%, 0.61%

LAB 77.58, -46.2, 18.92

 

CMYK 54 / 0 / 13 / 16

HEX #61D5BA

RGB 97 213 186

HSL 166.03, 0.58%, 0.61%

LAB 78.27, -39.34, 3.42

 

CMYK 54 / 2 / 0 / 16

HEX #61D1D5

RGB 97 209 213

HSL 182.07, 0.58%, 0.61%

LAB 77.84, -30.61, -11.69

 

CMYK 54 / 16 / 0 / 16

HEX #61B2D5

RGB 97 178 213

HSL 198.1, 0.58%, 0.61%

LAB 68.89, -14.96, -25.25

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 54 / 0 / 27 / 16

HEX #61D59B

RGB 97 213 155

HSL 150, 0.58%, 0.61%

LAB 77.58, -46.2, 18.92

 

CMYK 65 / 0 / 33 / 10

HEX #51E59A

RGB 81 229 154

HSL 149.59, 0.74%, 0.61%

LAB 81.9, -56.11, 25.31

 

CMYK 73 / 0 / 37 / 4

HEX #41F59A

RGB 65 245 154

HSL 149.67, 0.9%, 0.61%

LAB 86.39, -64.56, 31.29

 

CMYK 54 / 0 / 27 / 16

HEX #61D59B

RGB 97 213 155

HSL 150, 0.58%, 0.61%

LAB 77.58, -46.2, 18.92

 

CMYK 43 / 0 / 21 / 23

HEX #71C59B

RGB 113 197 155

HSL 150, 0.42%, 0.61%

LAB 73.42, -35.11, 13.2

 

CMYK 28 / 0 / 14 / 29

HEX #82B59B

RGB 130 181 155

HSL 149.41, 0.26%, 0.61%

LAB 69.58, -22.35, 7.87

 

CMYK 11 / 0 / 5 / 36

HEX #92A49B

RGB 146 164 155

HSL 150, 0.09%, 0.61%

LAB 65.77, -8.12, 2.51

 

CMYK 0 / 9 / 4 / 36

HEX #A2949B

RGB 162 148 155

HSL 330, 0.07%, 0.61%

LAB 62.7, 6.45, -1.81

 

CMYK 52 / 0 / 54 / 16

HEX #67D561

RGB 103 213 97

HSL 116.9, 0.58%, 0.61%

LAB 76.88, -54.17, 47.3

 

CMYK 54 / 0 / 43 / 16

HEX #61D57A

RGB 97 213 122

HSL 132.93, 0.58%, 0.61%

LAB 77, -52.18, 35.23

 

CMYK 54 / 0 / 28 / 16

HEX #61D599

RGB 97 213 153

HSL 148.97, 0.58%, 0.61%

LAB 77.54, -46.6, 19.92

 

CMYK 54 / 0 / 14 / 16

HEX #61D5B8

RGB 97 213 184

HSL 165, 0.58%, 0.61%

LAB 78.22, -39.82, 4.42

 

CMYK 54 / 1 / 0 / 16

HEX #61D3D5

RGB 97 211 213

HSL 181.03, 0.58%, 0.61%

LAB 78.42, -31.57, -10.83

 

CMYK 73 / 0 / 37 / 29

HEX #30B471

RGB 48 180 113

HSL 149.55, 0.58%, 0.45%

LAB 65.33, -50.6, 24.31

 

CMYK 68 / 0 / 34 / 20

HEX #41CC86

RGB 65 204 134

HSL 149.78, 0.58%, 0.53%

LAB 73.57, -53.07, 24.34

 

CMYK 54 / 0 / 27 / 16

HEX #61D59B

RGB 97 213 155

HSL 150, 0.58%, 0.61%

LAB 77.58, -46.2, 18.92

 

CMYK 41 / 0 / 21 / 13

HEX #82DDAF

RGB 130 221 175

HSL 149.67, 0.57%, 0.69%

LAB 81.6, -37.43, 14.18

 

CMYK 29 / 0 / 15 / 10

HEX #A3E6C4

RGB 163 230 196

HSL 149.55, 0.57%, 0.77%

LAB 86.19, -27.98, 9.88

 

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

CMYK 54 / 37 / 0 / 16

HEX #6186D5

RGB 97 134 213

HSL 220.86, 0.58%, 0.61%

LAB 56.48, 9.91, -44.56

 

CMYK 0 / 50 / 54 / 16

HEX #D56B61

RGB 213 107 97

HSL 5.17, 0.58%, 0.61%

LAB 57.58, 40.72, 24.97

 

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

CMYK 28 / 54 / 0 / 16

HEX #9961D5

RGB 153 97 213

HSL 268.97, 0.58%, 0.61%

LAB 51.98, 45.22, -51.44

 

CMYK 0 / 28 / 54 / 16

HEX #D59961

RGB 213 153 97

HSL 28.97, 0.58%, 0.61%

LAB 67.87, 16.26, 38.09

 

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

CMYK 54 / 37 / 0 / 16

HEX #6186D5

RGB 97 134 213

HSL 220.86, 0.58%, 0.61%

LAB 56.48, 9.91, -44.56

 

CMYK 0 / 54 / 26 / 16

HEX #D5619D

RGB 213 97 157

HSL 328.97, 0.58%, 0.61%

LAB 57.2, 52.17, -10.48

 

CMYK 0 / 17 / 54 / 16

HEX #D5B061

RGB 213 176 97

HSL 40.86, 0.58%, 0.61%

LAB 73.58, 3.91, 45.05

 

CMYK 54 / 0 / 27 / 16

HEX #62D59B

RGB 98 213 155

HSL 149.74, 0.58%, 0.61%

LAB 77.61, -45.97, 18.97

 

CMYK 54 / 54 / 0 / 16

HEX #6163D5

RGB 97 99 213

HSL 238.97, 0.58%, 0.61%

LAB 47.33, 31.23, -59.19

 

CMYK 0 / 54 / 26 / 16

HEX #D5619D

RGB 213 97 157

HSL 328.97, 0.58%, 0.61%

LAB 57.2, 52.17, -10.48

 

CMYK 0 / 1 / 54 / 16

HEX #D5D361

RGB 213 211 97

HSL 58.97, 0.58%, 0.61%

LAB 82.7, -14.16, 55.71

 

Description

Color code: RGB 98 213 155 | qconv.com Color code: RGB 98 213 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 213 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 213 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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